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Thematische Bibliographien / Choir conductor / Bücher

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Bücher zum Thema „Choir conductor“

Autor: Grafiati

Veröffentlicht am 25. Juni 2021

Zuletzt aktualisiert am 21. Juni 2025

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1

Järg, Tiia. Gustav Ernesaks: Choir conductor & composer = koorijuht & helilooja. Eesti Muusika Infokeskus, 2004.

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2

Choir, Toronto Mendelssohn, ed. The Mendelssohn Choir of Toronto, A.S. Vogt, conductor: Annual concerts, Massey Music Hall ... s.n., 1992.

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3

Welch, Jonathon. Choir man. HarperCollins, 2009.

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4

Welch, Jonathon. Choir man. HarperCollins, 2009.

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5

Meg, Mundell, ed. Choir man. HarperCollins, 2009.

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6

Carter, Julie Lane. Norman Luboff, his life, career, and professional choir. UMI, 1993.

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7

Canterbury, Chloe. Tobee and the amazing bird choir. Bridge Resources, 2000.

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8

Knutson, Brian Jeffrey. Interviews with selected choral conductors concerning rationale and practices regarding choral blend. s.n.], 1987.

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9

Grauzdin̦a, Ilma. Izredzētie: Latvijas Lielā kora virsdiriģenti [The Chief Conductors of the Gigantic United Choir of Latvia]. Edited by Dagmāra Lejiņa. Valsts aģentūra "Tautas mākslas centrs", 2008.

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10

Marek-Kamińska, Anna. Chóry Rzeszowa. Wydawnictwo Uniwersytetu Rzeszowskiego, 2021.

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11

Tonoshita, Tatsuya, and Takuya Yokoyama. Nihon no gasshōshi. Seikyūsha, 2011.

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12

Schaefer, Thomas. Chöre in Hamburg. 2nd ed. Schaefer, 2000.

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13

Engelbreit, Mary. Life is just a chair of bowlies. Andrews and McMeel, 1992.

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14

Demt︠s︡i︠u︡kh, Zynoviĭ. Pisenni obriï "Antei︠a︡": Spohady ta rozdumy dyryhenta. Vydavnyt︠s︡vo "Kraĭ", 2010.

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15

Syroti︠u︡k, Zenoviĭ. Khorovyĭ maestro. Kolo, 2016.

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16

Kramm, Herma. Angekommen: Als musikalische Botschafterin mit dem Madrigalchor durch die Welt : das Reisetagebuch. Aschendorff Münster, 2000.

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17

Gádor, Ágnes, and Katalin Végh. Katanics: "A legmélyebben átélt szellem mágusa". Gádor Ágnes és a Szilágyi Erzsébet Női Kar, 2018.

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18

1964-, Stockhecke Kerstin, ed. Mit Posaune, Chor und Taktstock: Wilhelm Ehmann (1904-1989) und die Kirchenmusik. Verlag für Regionalgeschichte, 1999.

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19

Labonté, Marie-Lise. Le choix de vivre: Comment les épreuves d'une vie nous guident vers l'essentiel. Édition du club Québec loisirs, 2010.

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20

Saulė, Šemeškevičienė, Buivydaitė Ona-Danutė, and Stravinskienė Aldona, eds. Lietuvių tautiniai drabužiai =: Lithuanian national costumes. Alka, 1994.

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21

Mason, Felicia. Testimony. Dafina Books, 2004.

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22

Mason, Felicia. Testimony. Thorndike Press, 2002.

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23

A, Leitschuh Carol, ed. In harmony with God: Choral prayer and preparation. Liturgical Press, 2008.

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24

Rodionova, E. G. Ryt͡sarʹ khorovogo belcanto: Vospominanii͡a o Grigorii Sandlere. Izdatelʹskiĭ dom Sankt-Peterburgskogo gosudarstvennogo universiteta, 2011.

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25

Dupuis, Charles-O. Léandre Brault: Fondateur des Petits chanteurs du Mont-Royal. Fides, 2000.

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26

McKay, Gary D. Cómo conocer sus sentimientos y aprender a manejarlos. Obelisco, 2007.

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27

Bartle, Jean Ashworth. Sound Advice: Becoming a Better Children's Choir Conductor. Oxford University Press, 2003.

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28

Bartle, Jean Ashworth. Sound Advice: Becoming a Better Children's Choir Conductor. Oxford University Press, USA, 2003.

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29

Bartle, Jean Ashworth. Sound Advice: Becoming a Better Children's Choir Conductor. Oxford University Press, Incorporated, 2012.

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30

Bartle, Jean Ashworth. Sound Advice: Becoming a Better Children's Choir Conductor. Ebsco Publishing, 2003.

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31

Notebooks, Cool. Notebook: Music Orchestra Conductor Sarcasm Choir Gift 120 Pages, A4 , Dot Grid. Independently Published, 2019.

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32

Notebooks, Cool. Notebook: Music Orchestra Conductor Sarcasm Choir Gift 120 Pages, 6X9 Inches, Blank. Independently Published, 2019.

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33

Hicks, Michael. “My Tabernacle ‘Mormon’ Choir”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039089.003.0003.

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Annotation:

This chapter discusses the activities of the Mormon Tabernacle Choir under the direction of its conductor, Evan Stephens. In 1890 Mormons outgrew two fads, one doctrinal, the other musical. First was the idea that the world would end between December 1890 and December 1891. This commonplace belief, which helped nurture Mormon ferocity in the face of anti-polygamy legislation, derived from a statement Joseph Smith had made in 1835. In musical terms, entering the mainstream meant full commitment to standard musical notation and a letting-go of the musical fad of the Tonic sol-fa method. In 1891,

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34

Notebooks, Cool. Notebook: Music Orchestra Conductor Birds Choir Free Gift 120 Pages, A4 , Lined / Ruled, Diary. Independently Published, 2019.

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35

Notebooks, Cool. Notebook: Music Orchestra Conductor Birds Choir Free Gift 120 Pages, 6x9 Inches, Dot Grid. Independently Published, 2019.

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36

Notebooks, Cool. Notebook: Music Orchestra Conductor Birds Choir Free Gift 120 Pages, 6x9 Inches, Dot Grid. Independently Published, 2019.

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37

Hicks, Michael. The Power of the Air. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039089.003.0004.

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Annotation:

This chapter discusses the activities of the Mormon Tabernacle Choir under conductor Anthony Lund, with particular emphasis on its foray into broadcasting. In October 1915, the Salt Lake Telegram reported that Evan Stephens was being fired. A high Church committee, it said, had notified the First Presidency that it was time for Stephens to go in favor of a younger and presumably more flexible, less autocratic man. Lund was chosen as the new conductor, with Brigham Cecil Gates as his assistant. This chapter first considers Stephens's resignation as Choir conductor before describing Lund's initi

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38

Hicks, Michael. Soft Sell. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039089.003.0007.

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This chapter focuses on the activities of the Mormon Tabernacle Choir, first under Jay Welch and later Jerold Ottley. When Harold Lee ascended to the Mormon Presidency, he ramped up the musical forces of the Church of Jesus Christ of Latter-day Saints. He called dozens of new personnel, most of them academics, to a new Church Music Department that replaced the old Church Music Committee. Church President Spencer Kimball decided to replace Richard Condie with Welch, the conductor of the Mormon Youth Symphony and Chorus. Welch agreed to direct both the Tabernacle Choir and the Mormon Youth Symph

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39

Abrahams, Frank, Anthony Rafaniello, Jason Vodicka, David Westawski, and John Wilson. Going Green. Edited by Frank Abrahams and Paul D. Head. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199373369.013.4.

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This chapter describes a collaborative project that studied the applications of Lucy Green’s informal music learning curriculum within the context of high school choral ensembles. For a 12-week period, the conductors of four high school choirs charged students in small groups to copy a Christmas carol of their choice from a recording or to create a new arrangement inspired by the recording without intervention from their conductor. They would perform those carols at a public concert during the December holiday season. The overarching research question addressed the efficacy of informal learnin

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40

Dear Mr. Funfgeld: A celebration of the Bach Choir of Bethlehem and its artistic director and conductor, Greg Funfgeld. Bach Choir of Bethlehem, 2013.

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41

Paulsen, Paul. Calendar / Planner 2021: Music Orchestra Conductor Birds Choir Free Gift 120 Pages, 6X9 Inches, Yearly, Monthly, Weekly and Daily. Independently Published, 2020.

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42

Hicks, Michael. A Cultural Necessity. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039089.003.0006.

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This chapter discusses the activities of the Mormon Tabernacle Choir under Richard Condie's conductorship. On August 20, 1957, the First Presidency met to discuss who should replace Spencer Cornwall. They chose Newell Weight, a choral conductor at Brigham Young University, but he was on a two-year leave doing graduate work at the University of Southern California. Condie was appointed initially on a “limited” basis, but ended up directing the Choir for sixteen years. Not long after, Condie was accused of dropping old Choir members and installing in their places his University of Utah students.

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43

Rardin, Paul. Building Sound and Skills in the Men’s Chorus at Colleges and Universities in the United States. Edited by Frank Abrahams and Paul D. Head. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199373369.013.26.

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Conductors of collegiate men’s choruses face unique challenges in building excellent choirs. They are likely to lead ensembles with disproportionately wide gaps between their most- and least-experienced singers, with a plurality or even majority of non-music majors—and may need to teach voice as much as they conduct. This chapter offers rehearsal techniques for these conductors which involve learning and utilizing vocal pedagogy, imparting basic phonation, and utilizing vocal tone exercises to build foundation and sound in a choir or glee club. They must then create a sense of community within

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44

Wilson Kimber, Marian. Multiplying Voices. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040719.003.0008.

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“Verse-speaking” choirs led by women trained in elocutionary techniques were popular at women’s colleges in the 1930s and 1940s. School groups expressively speaking poetry together reflected the Depression-era values of social usefulness and civic unity. Pedagogical materials written by women consistently relied on musical terminology to describe choirs’ arrangements. Choirs undertook recitation utilizing differently pitched voices and alternating spoken solos with larger groups. The Wellesley College Choir, conducted by Cécile de Banke, was a leading representative of this style of musical in

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45

Abrahams, Frank, and Paul D. Head, eds. The Oxford Handbook of Choral Pedagogy. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199373369.001.0001.

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This text explores varied perspectives on teaching, learning, and performing choral music. Authors are academic scholars and researchers as well as active choral conductors. Topics include music programming and the selection of repertoire; the exploration of singer and conductor identity; choral traditions in North America, Western Europe, South America, and Africa; and the challenges conductors meet as they work with varied populations of singers. Chapters consider children’s choirs, world music choirs, adult community choirs, gospel choirs, jazz choirs, professional choruses, collegiate glee

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46

Hicks, Michael. Buildings and Professors. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039089.003.0002.

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This chapter discusses the beginnings of the Mormon Tabernacle Choir. It first considers the construction of the Salt Lake Tabernacle on April 6, 1852, before turning to the schoolhouse that Brigham Young built to provide vocal lessons for as many as 200 children at a time under the direction of David Calder, who championed a modified form of John Curwen's Tonic sol-fa method. Graduates of the Tonic sol-fa classes sang in concerts in the Salt Lake Theater, the dedication of which featured an anthem, “God Bless Brigham Young,” or “The Saints' National Anthem”; this suggested that the Mormons no

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47

Delaney, Joseph. Choir Director Maestro Teacher Conductor Music Clef Gift: Lined for Memo Diary Journal, Memo Diary Subject Notebooks Planner for Travelers, Students, Office - 6 X 9. Independently Published, 2022.

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48

Williamson, Dave. Worship Leading Choir Conductor's Score. Brentwood-Benson Music Publishing, 2004.

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49

Dundas Centre Methodist Church: Rev. Dr. Saunders, P., Tor., Tuesday evening, December 11th, 1900, presentation by the choir ... Spohr's grand oratorio "The last judgment" ... organist and conductor Mr. W.H. Hewlett. s.n., 1986.

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50

Conducting Choirs, Volume 3: The Practicing Conductor. Roger Dean Publishing Company, a Lorenz Company, 2010.

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