Thematische Bibliographien / Clarinet with string quartet

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Auswahl der wissenschaftlichen Literatur zum Thema „Clarinet with string quartet“

Autor: Grafiati

Veröffentlicht am 24. Juni 2021

Zuletzt aktualisiert am 29. Juli 2025

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Zeitschriftenartikel zum Thema "Clarinet with string quartet"

Rosen, Jerome, Harrison Birtwistle, Jules Langert, et al. "Clarinet Quintet; For Clarinet and String Quartet." Notes 44, no. 2 (1987): 365. http://dx.doi.org/10.2307/941597.

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Roseberry, Eric, Mandelring Quartet, Ib Hausmann, and Kolja Lessing. "Berthold Goldschmidt: String Quartet; Piano Sonata; Clarinet Quartet." Musical Times 133, no. 1797 (1992): 588. http://dx.doi.org/10.2307/1002597.

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Rushton, Julian, Mozart, Marc Schachman, Eric Hoeprich, and Antaria Quartet. "Oboe Quartet: Clarinet Quartet; String Quartet in D, K.575." Musical Times 135, no. 1816 (1994): 387. http://dx.doi.org/10.2307/1003231.

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Conway, Paul. "Michael Berkeley: recent world premières and CD releases." Tempo 57, no. 225 (2003): 39–40. http://dx.doi.org/10.1017/s0040298203230242.

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Michael Berkeley's choral and operatic successes have tended to obscure his accomplishments in the field of chamber music, which include a serialist String Trio (1978), two String Quartets and a Clarinet Quintet from the 1980s and the string quartet Torque and Velocity (1997). His latest essay in the genre, Abstract Mirror, for string quintet, was premièred on 11 February 2003 at Bishopsgate Hall by the Chilingirian Quartet, with cellist Stephen Orton. The work was a joint commission by the players and the City Music Society.

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Rickards, Guy. "New Releases of music by Women Composers." Tempo 59, no. 231 (2005): 74–80. http://dx.doi.org/10.1017/s0040298205260072.

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CECILIE ØRE: A. – a shadow opera. Joachim Calmeyer, Anneke von der Lippe, Tilman Hartenstein, Henrik Inadomi, Lakis Kanzakis, Rob Waring (voices). Aurora ACD 5034.BETH ANDERSON ‘Swales and Angels’: March Swale1; Pennyroyal Swale1; New Mexico Swale2,1,3; The Angel4,1,5,6,8; January Swale1; Rosemary Swale1; Piano Concerto6,1,7,3,8. 1Rubio String Quartet, 2Andrew Bolotowsky (fl, picc), 3David Rozenblatt (perc), 4Jessica Marsten (sop), 5Joseph Kubera (vc, pno), 6André Tarantiles (hp), 7Darren Campbell (bass), c. 8Gary M. Scheider. New World 80610-2.RAGNHILD BERSTAD: Anstrøk for violin and cello1;

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Rickards, Guy. "MARGARET BROUWER, CHEN YI, SADIE HARRISON, MISATO MOCHIZUKI, ONUTE NARBUTAITE, APPARENZE." Tempo 58, no. 229 (2004): 60–66. http://dx.doi.org/10.1017/s0040298204360225.

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MARGARET BROUWER: Lament for violin, clarinet, bassoon and percussion12,4,6,10; Light for soprano, harpsichord, flute, clarinet, violin, cello and percussion1,7,2,5,13,14,11; Under the Summertree for piano8; Skyriding for flute, violin, cello & piano3,13,14,9; Demeter Prelude for string quartet15. 1Sandra Simon (sop), 2Sean Gabriel (fl), 3Alice Kogan Weinreb (fl), 4Jean Kopperud (cl), 5Amitai Vardi (cl), 6Donald McGeen (bsn), 7Jeanette Sorrell (hpschd), 8Kathryn Brown (pno), 9Mitsuko Morikawa (pno), 10Dominic Donato (perc), 11Scott Christian (perc), 12Laura Frautschi (vln), 13Gabriel Bolko

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Titarov, Mykhailo. "Clarinet Quintet and the Legacy of the Mannheim Chapel Composers." ARTISTIC CULTURE. TOPICAL ISSUES, no. 19(1) (June 13, 2023): 181–85. http://dx.doi.org/10.31500/1992-5514.19(1).2023.283147.

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The paper considers the processes of establishment of the clarinet quintet genre in the instrumental chamber music of the composers of the Mannheim chapel. It is noted that the Mannheim chapel was one of the first in Europe to employ clarinetists on a permanent basis. This contributed to the formation of a double composition of the orchestra and the emergence of a solo-ensemble repertoire for the clarinet in the genre of a solo instrumental concerto and in chamber music. It was discovered that the clarinet entered the chamber music of the people of Mannheim as an instrument that could replace

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Zhang, Mingyi. "AN AVANT-GARDE INTERPRETATION OF THE CHINESE TRADITION IN "YI" FOR CLARINET AND STRING QUARTET BY CHEN QIGANG." Sciences of Europe, no. 94 (June 6, 2022): 11–27. https://doi.org/10.5281/zenodo.6616381.

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The stylistic analysis of the avant-garde phenomena of Chinese professional music at the end of the 20th century does not lose its relevance today. These include “Yi” (“Change”) for clarinet and string quartet by Chen Qigang, a Chinese-born contemporary French composer. The solution of analytical problems is complicated by the ambiguity of figurative symbolism. In “Yi” it is formed around two semantic zones: Chinese traditional philosophical and aesthetic thought (“Book of Changes”, aesthetics and philosophy of Chan, Taoism, Confucianism) and ava

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Hall, Michael. "Birtwistle's ‘Pulse Shadows’." Tempo, no. 204 (April 1998): 12–13. http://dx.doi.org/10.1017/s0040298200006264.

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By alternating his Nine Movements for String Quartet with his Nine Settings of Paul Celan (for soprano, two clarinets, viola, cello and double bass) to produce Pulse Shadows, Harrison Birtwistle created not only his longest work for the concert hall but also his most moving and affirmative.

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Smirnov, Dmitri. "Marginalia quasi una Fantasia: on the Second Violin Sonata by Alfred Schnittke." Tempo, no. 220 (April 2002): 2–10. http://dx.doi.org/10.1017/s0040298200008998.

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The Second Violin Sonata for violin and piano (1968), subtided Quasi una Sonata, is one of Alfred Schnittke's most popular works, and it is one of my personal favourites among his pieces (alongside his First Symphony, First String Quartet, First Hymn, Second and Third Violin Concerti, Three Madrigals, etc). I discovered Schnittke's music in April 1969 at an underground concert given in the Gnessin Institute in Moscow by Alexei Lyubimov (piano), Boris Berman (piano), Lev Mikhailov (clarinet) and a few string players. This half-forbidden concert, organized by Alexander Ivashkin, was all that rem

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Dissertationen zum Thema "Clarinet with string quartet"

Rothenberg, Florie. "Music for clarinet and string quartet by women composers." Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186505.

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This document examines works written by women composers for the ensemble comprised of clarinet and string quartet. A thorough search of clarinet and chamber music repertoire lists as well as reference materials devoted to women composers has yielded twenty pieces composed by women for this ensemble. The quintets by Elizabeth Maconchy, Ellen Taaffe Zwilich, and Ilse Fromm-Michaels are discussed in detail, primarily through analysis of theoretical properties, including formal structure, texture and timbre, harmonic idiom, and rhythmic and melodic language. An evaluation of performance requiremen

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Rubio, Carrion Maria. "Performance and analysis of Brahms quintet op. 115 for clarinet and string quartet : Searching for a deeper interpretation." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4156.

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In this thesis, I have studied the composer Johannes Brahms. I have talked about the background and history of his Quintet in B minor for clarinet and string quartet and I have then analyzed the piece. The purpose of this thesis is to find lesser known but significant information about Brahms to help other clarinetists when they have to perform this important piece of clarinet repertoire. Moreover, my artistic questions are if one piece can change your perception or your way to play it after doing a deep analysis and if the interpretation is in a way stronger than before. I decided to analyze

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Hines, John. "Folio of compositions /." Title page and contents only, 1993. http://web4.library.adelaide.edu.au/theses/09MUM/09mumh662.pdf.

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Willson, Simon. "A portfolio of compositions presented for the degree of PhD in music composition at the University of Aberdeen." Thesis, University of Aberdeen, 2009. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=136866.

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This portfolio presents seven compositions composed for different instrumental and vocal forces, accompanied by a commentary and recordings of some of these works. Across the seven pieces there has been a concern with building longer-term structures; establishing a stronger developmental style; and with moving towards a more systematised approach to harmony as a way of creating a harmonic language that can underpin development more efficiently. Several of the works show a direct engagement with the issue of form, which is approached from the perspective of Classical models, the listener’s per

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O'Connor, Jennifer. "Black snow by Michael Smetanin : an analysis : and original compositions." University of Western Australia. School of Music, 2004. http://theses.library.uwa.edu.au/adt-WU2004.0054.

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Black Snow, an orchestral work composed by Michael Smetanin in 1987, was named after the book Black Snow by Mikhael Bulgakov. Newspaper articles, reviews and the literature researched, all comment on Smetanin’s style and on the influences that shaped that style. The aggressive and confrontational style of much of Smetanin’s music can be attributed partly to his love of rock music and jazz and partly to his mentor in the Netherlands, Louis Andriessen. The same sources quote other composers who also influenced Smetanin’s style. Three works in particular are named, that is, Trans by Stockhausen,

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McConnell, Sarah E. "Developing Variation and Melodic Contour Analysis: A New Look at the Music of Max Reger." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248493/.

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Max Reger was a prolific composer on the threshold of modernism. The style of his extensive musical output was polarizing among his contemporaries. A criticism of Reger's music is its complex and dense musical structure. Despite writing tonal music, Reger often pushes the boundaries of tonality so far that all sense of formal organization is seemingly imperceptible. In this dissertation, I offer what I observed to be a new way of discerning Reger's motivic relationships and formal structures within and between movements. There are three primary tools and methods I incorporated to make these ob

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Ben-Tal, Oded. "String quartet /." May be available electronically:, 2002. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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Baird, David Olen Rudy Paul. "String beans and rice three dances for jazz quartet and string quartet /." Diss., UMK access, 2008.

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Thesis (M.M.)--Conservatory of Music and Dance. University of Missouri--Kansas City, 2008.<br>"A thesis in music composition." Advisor: Paul Rudy. Typescript. Duration: 15:00. Vita. Title from "catalog record" of the print edition Description based on contents viewed Apr. 14, 2009 Online version of the print edition.

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Arbury, David Bryant. "String quartet no. 2." College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/3493.

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Thesis (D.M.A.) -- University of Maryland, College Park, 2006.<br>Thesis research directed by: Music. Title from t.p. of PDF. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Santa, Ana Alfredo. "Passenger - for string quartet." Thesis, University of British Columbia, 2010. http://hdl.handle.net/2429/27216.

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Passenger is a multi-version musical composition of approximately 40 minutes in length scored for string quartet. The formal design of the piece involves reconfiguring its large-scale form each time it is performed. During any given performance the piece is an uninterrupted and continuous flow of music, but its distinct seven-segment structure allows a reordering of the music’s segments in a chosen sequence where each segment is played once, and only once, starting with a fixed opening segment. Once the order of the segments is selected each segment connects to the next through a series of ove

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Bücher zum Thema "Clarinet with string quartet"

Zwilich, Ellen Taaffe. Quintet for clarinet and string quartet. Mobart Music, 1992.

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Karl, Leister, Brandis-Quartett, and Tokyo? Gengaku Shijusodan, eds. Clarinet quintet: String quartet no. 2. Brilliant Classics, 2008.

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Foss, Lukas. Tashi: For B♭ clarinet, piano and string quartet. Pembroke Music, 1987.

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London, Larry. Dynamo quintet: Suite in six movements for clarinet and string quartet. Larry London, 2017.

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Hindemith, Paul. Die junge Magd: For alto voice, flute, clarinet, and string quartet, op. 23, no. 2. Masters Music Publications, 1998.

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Górecki, Henryk Mikołaj. Already it is dusk: String quartet no. 1, op. 62 ; Lerchenmusik : recitatives and ariosos, op. 53, for clarinet, cello and piano. Elektra Nonesuch, 1991.

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Penderecki, Krzysztof. Quartett für Klarinette und Streichtrio =: For clarinet and string trio (1993). Schott, 1993.

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Busoni, Ferruccio. Suite für Klarinette und Streichquartett g-moll =: Suite for clarinet and string quartet in G minor, Busoni-Verzeichnis 176. Breitkopf & Härtel, 1995.

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Penderecki, Krzysztof. Musica da camera. Wergo, 1994.

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Smallman, Jeff. Clarinet quartet. Lighthouse Music Publications, 2007.

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Buchteile zum Thema "Clarinet with string quartet"

Rimas, Juozas, and Juozas Rimas Jr. "Voice and Sound." In Etudes on the Philosophy of Music. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-63965-4_6.

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AbstractThe principles of rhetoric were transferred from vocal music to instrumental music. Song is an extension of speech, while instrumental music is the transfer of song to an instrument (A. Maceina). Pursuit of song-like instrumental expression (“thinking in terms of song”—C. P. E. Bach) is one of the most important forms of musicality. If the externality of the instrument disappears, in this virtuosity the foreign instrument appears as a perfectly developed organ of the artistic soul (G. Hegel).Discovering a love of singing in his teens, the author developed a vocal orientation. Later, in

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Mazzola, Guerino. "String Quartet Theory." In Computational Music Science. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-11838-8_19.

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King, Richard. "Recording String Quartet." In Recording Orchestra and Other Classical Music Ensembles, 2nd ed. Focal Press, 2024. http://dx.doi.org/10.4324/9781003319429-23.

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Santa, Matthew. "String Quartet No. 6 (1978)." In Anthology for Hearing Form, 3rd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003146056-53.

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Newbould, Brian. "Andante, String Quartet in C Minor, D.703." In Schubert's Workshop: Volume 2. Routledge, 2022. http://dx.doi.org/10.4324/9781003311270-18.

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Gubaidulina, Sofia. "String Quartet No. 2, Reh. 1–21 (1987)." In Anthology of Post-Tonal Music, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9780429340147-28.

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Kostelanetz, Richard, and Steve Silverstein. "Concerto for Clarinet and String Orchestra with Harp and Piano." In Aaron Copland. Routledge, 2021. http://dx.doi.org/10.4324/9781003061724-62.

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Smith, Peter H. "Compositional Range versus Compositional Ideal Type." In Rethinking Brahms. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197541739.003.0013.

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Abstract Dvořák’s music remains relatively understudied and here serves as a route to rethinking Brahms as a composer of chamber music. Two case studies illustrate Brahms’s embrace of compositional strategies not paradigmatically associated with him—creatively in his own chamber music and critically in chamber works of Dvořák that received Brahms’s approbation. The first case study focuses on local and large-scale tonal continuities and recapitulatory-like restatements that counterbalance the uncommon repetitiveness of the finales of Brahms’s G-minor Piano Quartet and Dvořák’s E♭-major String

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"String Quartet." In Brian Ferneyhough. Intellect Books, 2013. http://dx.doi.org/10.2307/j.ctv36xvgkg.13.

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Eisen, Cliff. "The string quartet." In The Cambridge History of Eighteenth-Century Music. Cambridge University Press, 2009. http://dx.doi.org/10.1017/chol9780521663199.024.

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Konferenzberichte zum Thema "Clarinet with string quartet"

Gotham, Mark, Maureen Redbond, Bruno Bower, and Peter Jonas. "The “OpenScore String Quartet” Corpus." In DLfM 2023: 10th International Conference on Digital Libraries for Musicology. ACM, 2023. http://dx.doi.org/10.1145/3625135.3625155.

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Glowinski, Donald, Giorgio Gnecco, Stefano Piana, and Antonio Camurri. "Expressive Non-verbal Interaction in String Quartet." In 2013 Humaine Association Conference on Affective Computing and Intelligent Interaction (ACII). IEEE, 2013. http://dx.doi.org/10.1109/acii.2013.45.

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Thielen, Elisabeth, Julien Letellier, Jürgen Sieck, and Annette Thoma. "Bringing a virtual string quartet to life." In AfriCHI '18: 2nd African Conference for Human Computer Interaction. ACM, 2018. http://dx.doi.org/10.1145/3283458.3283477.

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Morita, Satoru, and Sayaka Tokunou. "Learning Ensemble Performance for String Quartet by Practice." In 2006 IEEE Conference on Cybernetics and Intelligent Systems. IEEE, 2006. http://dx.doi.org/10.1109/iccis.2006.252331.

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Chen, Young-Long, Hsin I. Huang, and Tzu-Te Yen. "Learned String Quartet Music with Variational Auto Encoder." In 2023 Asia Pacific Signal and Information Processing Association Annual Summit and Conference (APSIPA ASC). IEEE, 2023. http://dx.doi.org/10.1109/apsipaasc58517.2023.10317246.

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Yang, Hung-Chih, Cheng-Ming Xie, Po-Chun Wang, You-Cheng Xiao, and Wen-Yu Su. "Building AR Virtual String Quartet for Live Concert." In 2021 IEEE International Conference on Artificial Intelligence and Virtual Reality (AIVR). IEEE, 2021. http://dx.doi.org/10.1109/aivr52153.2021.00066.

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Gomes, Otavio Colella, Winfried Lachenmayr, Jithin Thilakan, and Malte Kob. "Anechoic Multi-Channel Recordings of individual String Quartet musicians." In 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). IEEE, 2021. http://dx.doi.org/10.1109/i3da48870.2021.9610912.

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Taminau, Jonatan, Ruben Hillewaere, Stijn Meganck, Darrell Conklin, Ann Nowé, and Bernard Manderick. "Applying subgroup discovery for the analysis of string quartet movements." In 3rd international workshop. ACM Press, 2010. http://dx.doi.org/10.1145/1878003.1878014.

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Percival, Graham, Nicholas Bailey, and George Tzanetakis. "Physical modelling and supervised training of a virtual string quartet." In the 21st ACM international conference. ACM Press, 2013. http://dx.doi.org/10.1145/2502081.2502101.

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O'Hara, William. "Phrase extension in Haydn's string quartet minuets: A preliminary corpus study." In Future Directions of Music Cognition. The Ohio State University Libraries, 2021. http://dx.doi.org/10.18061/fdmc.2021.0012.

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Berichte der Organisationen zum Thema "Clarinet with string quartet"

Pedersen, Gjertrud. Symphonies Reframed. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481294.

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Symphonies Reframed recreates symphonies as chamber music. The project aims to capture the features that are unique for chamber music, at the juncture between the “soloistic small” and the “orchestral large”. A new ensemble model, the “triharmonic ensemble” with 7-9 musicians, has been created to serve this purpose. By choosing this size range, we are looking to facilitate group interplay without the need of a conductor. We also want to facilitate a richness of sound colours by involving piano, strings and winds. The exact combination of instruments is chosen in accordance with the features of

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