Thematische Bibliographien / Classical Decoration and ornament

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte

Auswahl der wissenschaftlichen Literatur zum Thema „Classical Decoration and ornament“

Autor: Grafiati
Veröffentlicht am 28. Juli 2024
Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "Classical Decoration and ornament"

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Lbova, Ludmila. "Technological aspects of artifact’s ornamentation in the Mal’ta’s collection (Upper Paleolithic)." Camera Praehistorica 8, no. 1 (2022): 24–33. http://dx.doi.org/10.31250/2658-3828-2022-1-24-33.

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Mal’ta is one of the most important archeological complexes of the Siberian Upper Paleolithic. The appearance of items with serial-rhythmic decorative elements in the Siberian portable art it is associated with the classical stage of the Upper Paleolithic. Important issues in the study of the Malta complex include stratigraphy, chronology, technological characteristics of the site, and the problem of diversity of the ensemble of the “classical” component obtained during the excavations of M.M. Gerasimov in 1928–1958. In the article we discuss the issues of decorating items made from mammoth tu
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Ramdhan, Zaini. "Stylization of Batara Kala's Face as a Geometric Ornament Form." KnE Social Sciences 10, no. 1 (2025): 99–105. https://doi.org/10.18502/kss.v10i1.17857.

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The problem researchers to discuss in the object of this research is how the meaning and elements of visual form in the stylization of Batara Kala’s facial decoration objects in temple ornaments are viewed from the visual aesthetics. Findings assume that there are visual elements of personification of living creatures that are stylized into the form of facial objects. This research aims to determine the meaning of form in visual stylistic elements as the face of the Batara Kala figure on temple ornamental objects as of Buto Kala. The focus of the object material is using perspective analysis o
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Shik, Ida A. "“MODERN STYLE” IN NINA SLAVINA’S ART." Articult, no. 4 (December 2024): 28–38. https://doi.org/10.28995/2227-6165-2024-4-28-38.

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In the article, the researcher analyzed the works of Leningrad porcelain artist Nina Slavina of the late 1950s – 1960s. This period was so important in her artistic biography. In her works, she developed aesthetic principles and themes relevant to the “modern style” in the decorative arts. Nina Slavina turned to abstract and ornamental compositions, as well as landscapes, still lifes, and flower paintings. The heritage of Russian folk art was especially significant for the young artist. She successfully used both overglaze and polychrome underglaze decoration and printing technic as well. Duri
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Gómora, Miriam Judith Gallegos, and Ricardo Armijo Torres. "Las figurillas de barro y su atuendo: rasgos de identidad femenina en el occidente del área maya durante el Clásico Tardío." Sztuka Ameryki Łacińskiej 5, no. 1 (2015): 13–34. http://dx.doi.org/10.15804/sal201501.

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In the plastic representations of the pre-Hispanic world, various cultures – Maya Chontal among them – marked some of the distinctive features of their identity. They emphasized the garment or the body elements that were more significant for them. Women and men were portrayed to scale, conforming an emic description of the way they auto-defined themselves. The physical representations of the ancient inhabitants of the State of Tabasco – south of Mexico – are found mainly reflected in stone sculptures, vessels and clay figurines. However the most important collection is formed by the latter. Th
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Сим, Надежда Михайловна. "AYUNTAMIENTO IN SEVILLE. ALLEGORIES AND SYMBOLS OF ARCHITECTURAL DECORATION." Академический вестник УралНИИпроект РААСН, no. 1(48) (March 30, 2021): 70–75. http://dx.doi.org/10.25628/uniip.2021.48.1.012.

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В статье рассмотрены художественные приемы архитектурного декора в стиле «платереско» на фасадах Айюнтамьенто (ратуши), одного из первых гражданских сооружений в классических традициях испанского Ренессанса в Севилье. Используемые методы визуализации идеологических программ, художественных задач и их выразительных свойств отражены в иконографической программе аллегорий и символов исторической эпохи The article analizes the Artistic composition of the Architectural Décor on the Facades of the Ayuntamiento Townhall of the of the fitst state constructions built in the classical tradition of the S
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Šitina, Ana. "Časoslov Blažene Djevice Marije (Horae Beatae Mariae Virginis) iz Znanstvene knjižnice u Zadru." Ars Adriatica, no. 4 (January 1, 2014): 267. http://dx.doi.org/10.15291/ars.500.

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The illuminated Book of Hours dedicated to the Blessed Virgin Mary which was originally held in the former Paravia Library is today located at the Research Library in Zadar. Unfortunately, no information exists about this manuscript. It is bound between covers made of wood veneer and sheathed with black leather. It consists of 156 folios which contain the Office of the Blessed Virgin Mary, the book of hours dedicated to the Blessed Virgin Mary, the book of hours dedicated to the Holy Spirit, Holy Cross, a portion of the office for the dead, seven funerary psalms and various prayers for specifi
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Liu, Shi Ming, Zhu Lin Yang, Hui Zhao, and Xiao Ke Li. "Structural Design and Artistic Expression of Landscape Multi-Span Arch Footbridge." Applied Mechanics and Materials 438-439 (October 2013): 1160–64. http://dx.doi.org/10.4028/www.scientific.net/amm.438-439.1160.

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In order to perfectly make the bridge function, structural style, architectural art modeling with the surrounding environment, this paper, based on the design of landscape five-span arch footbridge, studies the span arrangement, structural style, building materials, railing shape, ornament style and color, and lamplight illumination of the bridge considering the factors such as hydrology, geology, surrounding environment (e.g. buildings and park), traffic flow and entire urban planning. To reduce the stress of main arch and the horizontal thrust of substructure, the new structure of T-frame wi
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Cvetković, Branislav. "Zaglavlje Dekaloga u Hvalovom zborniku: prilog semantici srednjovjekovne iluminacije." Ars Adriatica, no. 4 (January 1, 2014): 155. http://dx.doi.org/10.15291/ars.493.

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This article is dedicated to the interpretation of the header before the text of the Ten Commandments on fol. 150 of the Hval Codex. The author is drawing attention to a gloss in the margin to the left of the banner which has not been addressed in the earlier scholarly literature nor recorded in the facsimile transcription of 1986. The rectangular banner consists of a lozenge net filled with gold lilies while three gold interlace crosses of a complex shape are placed on top of the banner. The gloss next to it was written in blue ink as an abbreviated word under a line. It is a rather common ab
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Budi, S., T. Widiastuti, D. T. Ardianto, and S. Mataram. "Flower and plant variants as abstraction in Javanese batik motifs from classical to contemporary era." IOP Conference Series: Earth and Environmental Science 905, no. 1 (2021): 012145. http://dx.doi.org/10.1088/1755-1315/905/1/012145.

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Abstract Batik is one of the artworks of old Javanese society which has continued to exist and develop until the present day. In the 18th century, batik was a special type of clothing worn by the nobility, and there were even prohibitions for using batik clothing with certain types of motifs. Its basic substance is the ornamental images made on the fabric. A piece of cloth can change its position and value only because of a difference in decoration. As a visual aesthetic, batik is the work of Javanese artists, created by abstracting the surrounding natural environment, especially various flora
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Goja, Bojan. "Giovanni Vendramin i iluminacije u inkunabulama samostana Sv. Frane u Šibeniku." Ars Adriatica, no. 5 (January 1, 2015): 115. http://dx.doi.org/10.15291/ars.521.

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The article analyses the illuminations of two incunables which are housed in the monastery of St Francis at Šibenik. The front page of the incunable of John Duns Scotus’ Scriptum in quattuor libros Sententiarum Petri Lombardi (Johannes de Colonia et Johannes Manthen, Venice, 1477) is decorated with high-quality figural and phytomorphic illuminations. In the corners of the decorative frame in the upper margin are the figures of a heronand a monkey. Vertical sections of the frame are filled with flowers, leaves and berries in the colour blue, green and cyclamen pink and with numerous stylized go
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Dissertationen zum Thema "Classical Decoration and ornament"

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Dürfeld, Michael. "Das Ornamentale und die architektonische Form : systemtheoretische Irritationen /." Bielefeld : Transcript, 2008. http://www.loc.gov/catdir/toc/fy0804/2008423180.html.

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FARRELL, GAVIN R. "ORNAMENT: SEMANTICS AND TECTONICS IN CONTEMPORARY URBAN ARCHITECTURE." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1115929765.

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Osterkamp, Ellen, and Ellen Osterkamp. "The Classical Trophy: From Ritual Offering to Regal Ornament." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12357.

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This thesis examines the transformations of meaning, function, and variations of anthropomorphic forms as the trophy evolves from its Greek origins on the battlefield to its broader use on numerous monuments, royal palaces, and civil buildings throughout Europe. The ephemeral nature of the materials used in its creation, the contingency of its location, and its ritualistic character are integral components of the trophy in ancient Greece. In its development over time, however, the use and meaning of the trophy became increasingly fluid, taking on a variety of forms that plot on a spectrum of
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Pleasant, Elizabeth A. "Ornamentation, representation, and experimental drawing." Thesis, Georgia Institute of Technology, 1991. http://hdl.handle.net/1853/21606.

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Prickett, Douglas B. "Ornamentalism /." Online version of thesis, 1990. http://hdl.handle.net/1850/10938.

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Wong, Chun-ming. "Cantonese opera on the temple ridge conservation of Shek Wan ceramic figurines on the ridge of the Hung Shing Temple at Apleichau /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B4218874X.

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Alves, Francine D. A. C. C. O. "A arquitectura e o mosaico romano de pavimento-relações-interacções." Master's thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas, 2002. http://dited.bn.pt:80/30055.

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Vieira, Eduarda Maria Martins Moreira da Silva. "Técnicas tradicionais de fingidos e de estuques no norte de Portugal-contributo para o seu estudo e conservação." Master's thesis, Instituições portuguesas -- -Universidade de Évora, 2002. http://dited.bn.pt:80/30074.

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Odom, Jason Scott. "An investigation of the ornamental joint." Thesis, Georgia Institute of Technology, 1998. http://hdl.handle.net/1853/23120.

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Boram-Hays, Carol Sue. "A history of Zulu beadwork 1890-1997 : its types, forms and functions /." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488195154357662.

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Bücher zum Thema "Classical Decoration and ornament"

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Ch'ulp'anbu, Wel Tijain Munhwasa, ed. Kojŏn Han'guk chŏnt'ong munyang: Classical Korean traditional patterns. Wel Tijain Munhwasa, 2015.

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Henrietta, Spencer-Churchill. Classic decorative details. Anaya, 1994.

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J, Van Deventer M., ed. Modern country: Reinterpreting a classic style. Gibbs Smith, 2006.

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1843-1874, Günther Ernst fl, ed. 800 classic ornaments and designs. Dover Publications, 1999.

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Owen, Jones. The grammar of ornament: The Victorian masterpiece on oriental, primitive, classical, mediaeval and renaissance design and decorative art. Omega Books, 1986.

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Owen, Jones. The grammar of ornament: The victorian masterpiece on oriental, primitive, classical, mediaeval and Renaissance design and decorative art. Portland House, 1986.

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Owen, Jones. The grammar of ornament: The victorian masterpiece on oriental, primitive, classical, mediaeval and Renaissance design and decorative art. Portland House, 1986.

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Pugin, Augustus. Pugin's gothic ornament: The classic sourcebook of decorative motifs. Dover Publications, 1987.

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Stötzner, Andreas. Über Klassik: Reflexionen über Bauen und Gestalten. Passage-Verlag, 1999.

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Vologdina, Olʹga, та I͡Ulii͡a Sakharova. Klassicheskiĭ interʹer: Rossii︠a︡ XXI vek : chastnye doma, kvartiry, pomestʹi︠a︡ i dvort︠s︡ovom stile po proektam rossiĭskikh arkhitektorov : mebelʹ i aksessuary dli︠a︡ interʹera : shedevry znamenitykh evropeĭskikh marok. Sovet ėkspertov interʹernogo dizaĭna i arkhitekturnoĭ sredy, 2011.

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Buchteile zum Thema "Classical Decoration and ornament"

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Salvatori, A., D. Trucchi, and F. Guidobaldi. "The Marbles Used in the Decoration of Hadrian’s Villa at Tivoli." In Classical Marble: Geochemistry, Technology, Trade. Springer Netherlands, 1988. http://dx.doi.org/10.1007/978-94-015-7795-3_20.

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Fischer, Moshe. "Marble Imports and Local Stone in the Architectural Decoration of Roman Palestine: Marble Trade, Techniques and Artistical Taste." In Classical Marble: Geochemistry, Technology, Trade. Springer Netherlands, 1988. http://dx.doi.org/10.1007/978-94-015-7795-3_18.

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Mallinson, Jonathan. "1. 1897–1900: The Making of a Potter." In William Moorcroft, Potter. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0349.01.

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This chapter looks at Moorcroft’s training as a potter at the firm of E.J.D. Bodley where his father had worked as Artistic Director, and his education both at the innovative Burslem School of Art and at the National Art Training School (soon to be renamed the Royal College of Art). His appointment as a designer at James Macintyre & Co., Ltd. put him in a firm at the very centre of enlightened art education in the Potteries, its Directors including the forward-looking M.P. Wm Woodall (who had served on the Royal Commission on Technical Instruction), the philanthropist Th. Hulme, and the gi
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Feng, Z., P. Gu, M. Zheng, X. Yan, and D. W. Bao. "Environmental Data-Driven Performance-Based Topological Optimisation for Morphology Evolution of Artificial Taihu Stone." In Proceedings of the 2021 DigitalFUTURES. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-5983-6_11.

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AbstractTaihu stone is the most famous one among the top four stones in China. It is formed by the water's erosion in Taihu Lake for hundreds or even thousands of years. It has become a common ornamental stone in classical Chinese gardens because of its porous and intricate forms. At the same time, it has become a cultural symbol through thousands of years of history in China; later, people researched its spatial aesthetics; there are also some studies on its structural properties. For example, it has been found that the opening of Taihu stone caves has a steady-state effect which people devel
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Melo, Martim, Luis M. P. Ceríaco, and Rayna C. Bell. "Biogeography and Evolution in the Oceanic Islands of the Gulf of Guinea." In Biodiversity of the Gulf of Guinea Oceanic Islands. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-06153-0_6.

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AbstractAs with most archipelagos, geography played a central role in the assembly and evolution of the endemic-rich biological communities of the Gulf of Guinea oceanic islands. The islands are located at moderate distances from the species-rich African continent that surrounds them to the east and north. This proximity facilitated colonization by many branches of the tree of life, but gene flow between the islands and continent was low enough that many lineages evolved in isolation once they reached the archipelago, resulting in many endemic species. Furthermore, several of the island taxa b
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Lucey, Conor. "Decorating houses: style, taste and the business of decoration." In Building reputations. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526119940.003.0004.

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Reflecting on the separation of house building and house decorating in the historiography of the eighteenth-century town house, this chapter explores the role of the building artisan in determining the form and appearance of the urban domestic interior. Of particular importance here is the business of decoration: the impact of decorators, such as decorative plasterers and timber joiners, as speculative builders and property developers; and the standardization of interior decoration in the form of pre-fabricated ornament. Key topics include the dissemination of architectural tastes through the
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Massey, Jonathan. "Ornament and Decoration." In The Handbook of Interior Architecture and Design. BLOOMSBURY VISUAL ARTS, 2013. http://dx.doi.org/10.5040/9781474294096.ch-035.

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"Ornament and Decoration." In Advice on Establishing a Library. University of California Press, 2023. http://dx.doi.org/10.2307/jj.8306083.13.

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Garbacz-Klempka, Aldona, Karol Dzięgielewski, and Małgorzata Perek-Nowak. "Analizy metaloznawcze wybranych przedmiotów brązowych i ołowianych z cmentarzyska w Świbiu / Metallographic analyses of selected bronze and lead artefacts from the cemetery at Świbie." In Cmentarzysko w wczesnej epoki żelaza w Świbiu na Górnym Śląsku. Tom 2. Wydawnictwo Profil-Archeo, 2022. http://dx.doi.org/10.33547/swibie2022.2.15.

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A comprehensive programme of archaeometric research into the chemical composition and manufacturing technology of Early Iron Age artefacts discovered in Świbie, Upper Silesia, has yielded a number of detailed observations and findings. Sixty-six artefacts from a collection of several hundred large bronzes were targeted for study. Energy dispersive X-ray fluorescence spectroscopy and scanning electron microscopy with micro-area composition analysis were used. In selected cases, non-destructive analysis was carried out by digital X-ray radiography. The study was preceded by macroscopic observati
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Gameson, Richard. "Decoration." In The Role of Art in the Late Anglo-Saxon Church. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198205418.003.0008.

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Abstract We have alluded several times in the aforegoing chapters to the importance of decoration and ornamental criteria in late Anglo-Saxon art and aesthetics. We shall now examine the subject of decoration itself-in particular, as it was applied to frames and initials. This concentration is not to imply that frame and initial decoration was more important than that in other media-the reverse was probably true-rather it is that these are the two contexts in which non-figural ornament survives in a significant quantity while preserving its original form and colour, enabling us to assess it wi
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Konferenzberichte zum Thema "Classical Decoration and ornament"

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Yu, Tao, Hao Shen, Qianchao Chai, Fei Chen, Ledan Qian, and Yi Li. "Flexible Ornament Selection System for VR Decoration Exhibition." In 2018 International Conference on Virtual Reality and Visualization (ICVRV). IEEE, 2018. http://dx.doi.org/10.1109/icvrv.2018.00039.

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Уханова, Е. В. "Ceremonial manuscripts of prince Mstislav the Great and their role in the history of Novgorod book culture." In Архитектурная археология. Crossref, 2020. http://dx.doi.org/10.25681/iaras.2686-6900.1.253-272.

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Рассматривается начальный этап новгородского книжного производства иллюминированных кодексов (периодизация, условия, особенности). Декорация одного из эталонных кодексов эпохи Мстиславова Евангелия 11031113 гг. не оказала влияния на новгородское искусство книги, поскольку он находился вдворцовой княжеской церкви. Другой выдающийся кодекс этого времени Юрьевское Евангелие 11191128 гг. оформлялся как книга образцов, возможно, для нового скриптория княжеского Юрьева монастыря, и потому его орнаментика нашла отражение вдекорации новгородских рукописей первой половины XIIв. The article deals with t
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Мусаханова, М. З., and Ж. М. Мусаханова. "Museum Description of Kazakh Traditional Clothing Containing Ornament (Based on Collection of Central State Museum of the Republic of Kazakhstan)." In Сохранение культурного наследия. Изобразительные искусства. Исследования и реставрация. Материалы V Международной научно-практической конференции. Crossref, 2024. https://doi.org/10.62625/7153.2024.97.68.019.

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В статье уделено внимание описанию традиционной одежды казахов с элементами орнамента на материалах коллекции Центрального государственного музея Республики Казахстан. Представлены особенности основных мотивов казахского орнамента, их названия. Доказано, что изучать и систематизировать народный орнамент в отрыве от предметов, на которые он традиционно наносился и для которых во многом создавался и перерабатывался, представляется невозможным. Выявлено, как узоры сочетаются между собой и дополняют друг друга, подчиняясь закону композиции. Об этом говорит орнаментация практически всех изделий каз
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Жамилова, М. Ж., and Ю. В. Гусарова. "TRADITIONS OF GIJDUVAN CERAMICS IN THE WORKSHOP OF THE NARZULLAEV DYNASTY." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.53.

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Небольшой город Гиждуван неподалеку от Бухары является колыбелью одной из древнейших школ искусства керамики в Узбекистане, где ремесленники бережно хранят лучшие традиции многовекового гончарного промысла, передавая свое мастерство и неповторимый почерк орнамента из поколения в поколение. Алишер Нарзуллаев, керамист в шестом поколении, делится секретами аутентичной технологии изготовления уникальных изделий, которые становятся гордостью музеев и украшением многочисленных выставок. The small town Gijduvan, not far from Bukhara, is the cradle of one of the oldest schools of ceramic art in Uzbek
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Акентьева, А. А., А. В. Бахматова, and Д. А. Еремин. "THE PROBLEM OF RECONSTRUCTION OF THE ORNAMENTAL COMPOSITION OF BAROQUE PANELS." In РЕСТАВРАЦИЯ. НАШ ВЗГЛЯД — 2024. Crossref, 2024. http://dx.doi.org/10.54874/9785605196549.2024.7.15.

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Объектами исследования являются филенки барочного иконостаса церкви Живоначальной Троицы села Вощажниково. Основная цель исследования заключается в выполнении реконструкции декоративного убранства для дальнейшей оценки количества реставрационных вмешательств. Особое внимание в работе уделено анализу художественного языка, изучению объекта и поиску авторов. В статье пошагово описываются этапы реконструкции рисунка и приводятся варианты возможного художественного содержания утраченных фрагментов. The objects of the research are the baroque altar barrier panels at the Church of Life‑ Giving Trini
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Malcoci, Vitalie. "Semantic approaches of rural architectural decor from the south of Moldova." In Simpozion internațional de etnologie: Tradiții și procese etnice, Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841733.10.

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Traditional artistic creation, manifested through customs, traditions, folklore, is the basic substratum of the knowledge about a civilisation and its culture. Th roughout the entire process of its constitution, the Romanian people produced a huge substratum of archaeological cultures and mythic-folkloric structures that constitute the essence of folk creation. Folk architecture is one of the most impressive material forms from the past of any civilization. Evolving over time, it shaped some of the traditions and practices in peasant constructions, in the evolution of architectural forms, and
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Голофаст, Л. А., and С. В. Ольховский. "Glass Assemblage from the Underwater Quay in the Harbour of Phanagoria." In Hypanis. Труды отдела классической археологии ИА РАН. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-94375-307-7.43-72.

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В статье представлен комплекс стекла 56 вв.н.э., выявленный в ходе подводных раскопок фундамента причального сооружения в акватории Фанагории. Благодаря довольно длительному периоду формирования комплекса находок в нем отразились изменения в ассортименте бытовавшей стеклянной посуды: от весьма разнообразного в 5 в. до скудного набора 6 в., в котором безраздельно доминировали рюмки . Набор сосудов в полной мере отражает сложившуюся в рассматриваемое время ситуацию, характеризующуюся открытостью торговых маршрутов, которые связывали различные регионы Европы: одинаковые стеклянные изделия, произв
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Lee, T. W. "A Review of Wet Etch Formulas for Silicon Semiconductor Failure Analysis." In ISTFA 1996. ASM International, 1996. http://dx.doi.org/10.31399/asm.cp.istfa1996p0319.

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Abstract WET ETCHING is an important part of the failure analysis of semiconductor devices. Analysis requires etches for the removal, delineation by decoration or differential etching, and study of defects in layers of various materials. Each lab usually has a collection of favored etch recipes. Some of these etches are available premixed from the fab chemical supply. Some of these etches may be unique, or even proprietary, to your company. Additionally, the lab etch recipe list will usually contain a variety of classical "named etches". These recipes, such as Dash Etch, have persisted over ti
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Nitu, E. C., O. Cirstina, F. I. Lupu, M. Leu, A. Nicolae, and M. Carciumaru. "PORTABLE ART OBJECTS DISCOVERED IN THE UPPER PALEOLITHIC OF ROMANIA." In Знаки и образы в искусстве каменного века. Международная конференция. Тезисы докладов [Электронный ресурс]. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-94375-308-4.22-23.

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In addition to their undeniable aesthetic value, ornaments are the element that may differentiate the various social groups or individuals belonging to certain groups. More specifically, body decoration is closely related to social identity. The ornament, as a form of communication, has a certain advantage over other means of communication because, once displayed, perhaps even more than language itself, the individual wearing it need not make any effort to deliver his/her message, social sta-tus, their belonging to a group etc. The first adornments used during the Paleolithic are beads, while
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Nitu, E. C., O. Cirstina, F. I. Lupu, M. Leu, A. Nicolae, and M. Carciumaru. "PERSONAL ORNAMENTS DISCOVERED IN THE EARLY UPPER PALEOLITHIC OF POIANA CIREȘULUI-PIATRA NEAMȚ (ROMANIA)." In Знаки и образы в искусстве каменного века. Международная конференция. Тезисы докладов [Электронный ресурс]. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-94375-308-4.20-21.

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In addition to their undeniable aesthetic value, ornaments are the element that may differentiate the various social groups or individuals belonging to certain groups. More specifically, body decoration is closely related to social identity. The ornament, as a form of communication, has a certain advantage over other means of communication because, once displayed, perhaps even more than language itself, the individual wearing it need not make any effort to deliver his/her message, social sta-tus, their belonging to a group etc. The first adornments used during the Paleolithic are beads, while
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