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Thematische Bibliographien / Classical Decoration and ornament / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Classical Decoration and ornament“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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1

Lbova, Ludmila. "Technological aspects of artifact’s ornamentation in the Mal’ta’s collection (Upper Paleolithic)." Camera Praehistorica 8, no. 1 (2022): 24–33. http://dx.doi.org/10.31250/2658-3828-2022-1-24-33.

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Mal’ta is one of the most important archeological complexes of the Siberian Upper Paleolithic. The appearance of items with serial-rhythmic decorative elements in the Siberian portable art it is associated with the classical stage of the Upper Paleolithic. Important issues in the study of the Malta complex include stratigraphy, chronology, technological characteristics of the site, and the problem of diversity of the ensemble of the “classical” component obtained during the excavations of M.M. Gerasimov in 1928–1958. In the article we discuss the issues of decorating items made from mammoth tu

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Ramdhan, Zaini. "Stylization of Batara Kala's Face as a Geometric Ornament Form." KnE Social Sciences 10, no. 1 (2025): 99–105. https://doi.org/10.18502/kss.v10i1.17857.

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The problem researchers to discuss in the object of this research is how the meaning and elements of visual form in the stylization of Batara Kala’s facial decoration objects in temple ornaments are viewed from the visual aesthetics. Findings assume that there are visual elements of personification of living creatures that are stylized into the form of facial objects. This research aims to determine the meaning of form in visual stylistic elements as the face of the Batara Kala figure on temple ornamental objects as of Buto Kala. The focus of the object material is using perspective analysis o

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Shik, Ida A. "“MODERN STYLE” IN NINA SLAVINA’S ART." Articult, no. 4 (December 2024): 28–38. https://doi.org/10.28995/2227-6165-2024-4-28-38.

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In the article, the researcher analyzed the works of Leningrad porcelain artist Nina Slavina of the late 1950s – 1960s. This period was so important in her artistic biography. In her works, she developed aesthetic principles and themes relevant to the “modern style” in the decorative arts. Nina Slavina turned to abstract and ornamental compositions, as well as landscapes, still lifes, and flower paintings. The heritage of Russian folk art was especially significant for the young artist. She successfully used both overglaze and polychrome underglaze decoration and printing technic as well. Duri

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Gómora, Miriam Judith Gallegos, and Ricardo Armijo Torres. "Las figurillas de barro y su atuendo: rasgos de identidad femenina en el occidente del área maya durante el Clásico Tardío." Sztuka Ameryki Łacińskiej 5, no. 1 (2015): 13–34. http://dx.doi.org/10.15804/sal201501.

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In the plastic representations of the pre-Hispanic world, various cultures – Maya Chontal among them – marked some of the distinctive features of their identity. They emphasized the garment or the body elements that were more significant for them. Women and men were portrayed to scale, conforming an emic description of the way they auto-defined themselves. The physical representations of the ancient inhabitants of the State of Tabasco – south of Mexico – are found mainly reflected in stone sculptures, vessels and clay figurines. However the most important collection is formed by the latter. Th

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Сим, Надежда Михайловна. "AYUNTAMIENTO IN SEVILLE. ALLEGORIES AND SYMBOLS OF ARCHITECTURAL DECORATION." Академический вестник УралНИИпроект РААСН, no. 1(48) (March 30, 2021): 70–75. http://dx.doi.org/10.25628/uniip.2021.48.1.012.

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В статье рассмотрены художественные приемы архитектурного декора в стиле «платереско» на фасадах Айюнтамьенто (ратуши), одного из первых гражданских сооружений в классических традициях испанского Ренессанса в Севилье. Используемые методы визуализации идеологических программ, художественных задач и их выразительных свойств отражены в иконографической программе аллегорий и символов исторической эпохи The article analizes the Artistic composition of the Architectural Décor on the Facades of the Ayuntamiento Townhall of the of the fitst state constructions built in the classical tradition of the S

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Šitina, Ana. "Časoslov Blažene Djevice Marije (Horae Beatae Mariae Virginis) iz Znanstvene knjižnice u Zadru." Ars Adriatica, no. 4 (January 1, 2014): 267. http://dx.doi.org/10.15291/ars.500.

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The illuminated Book of Hours dedicated to the Blessed Virgin Mary which was originally held in the former Paravia Library is today located at the Research Library in Zadar. Unfortunately, no information exists about this manuscript. It is bound between covers made of wood veneer and sheathed with black leather. It consists of 156 folios which contain the Office of the Blessed Virgin Mary, the book of hours dedicated to the Blessed Virgin Mary, the book of hours dedicated to the Holy Spirit, Holy Cross, a portion of the office for the dead, seven funerary psalms and various prayers for specifi

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Liu, Shi Ming, Zhu Lin Yang, Hui Zhao, and Xiao Ke Li. "Structural Design and Artistic Expression of Landscape Multi-Span Arch Footbridge." Applied Mechanics and Materials 438-439 (October 2013): 1160–64. http://dx.doi.org/10.4028/www.scientific.net/amm.438-439.1160.

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In order to perfectly make the bridge function, structural style, architectural art modeling with the surrounding environment, this paper, based on the design of landscape five-span arch footbridge, studies the span arrangement, structural style, building materials, railing shape, ornament style and color, and lamplight illumination of the bridge considering the factors such as hydrology, geology, surrounding environment (e.g. buildings and park), traffic flow and entire urban planning. To reduce the stress of main arch and the horizontal thrust of substructure, the new structure of T-frame wi

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Cvetković, Branislav. "Zaglavlje Dekaloga u Hvalovom zborniku: prilog semantici srednjovjekovne iluminacije." Ars Adriatica, no. 4 (January 1, 2014): 155. http://dx.doi.org/10.15291/ars.493.

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This article is dedicated to the interpretation of the header before the text of the Ten Commandments on fol. 150 of the Hval Codex. The author is drawing attention to a gloss in the margin to the left of the banner which has not been addressed in the earlier scholarly literature nor recorded in the facsimile transcription of 1986. The rectangular banner consists of a lozenge net filled with gold lilies while three gold interlace crosses of a complex shape are placed on top of the banner. The gloss next to it was written in blue ink as an abbreviated word under a line. It is a rather common ab

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Budi, S., T. Widiastuti, D. T. Ardianto, and S. Mataram. "Flower and plant variants as abstraction in Javanese batik motifs from classical to contemporary era." IOP Conference Series: Earth and Environmental Science 905, no. 1 (2021): 012145. http://dx.doi.org/10.1088/1755-1315/905/1/012145.

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Abstract Batik is one of the artworks of old Javanese society which has continued to exist and develop until the present day. In the 18th century, batik was a special type of clothing worn by the nobility, and there were even prohibitions for using batik clothing with certain types of motifs. Its basic substance is the ornamental images made on the fabric. A piece of cloth can change its position and value only because of a difference in decoration. As a visual aesthetic, batik is the work of Javanese artists, created by abstracting the surrounding natural environment, especially various flora

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Goja, Bojan. "Giovanni Vendramin i iluminacije u inkunabulama samostana Sv. Frane u Šibeniku." Ars Adriatica, no. 5 (January 1, 2015): 115. http://dx.doi.org/10.15291/ars.521.

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The article analyses the illuminations of two incunables which are housed in the monastery of St Francis at Šibenik. The front page of the incunable of John Duns Scotus’ Scriptum in quattuor libros Sententiarum Petri Lombardi (Johannes de Colonia et Johannes Manthen, Venice, 1477) is decorated with high-quality figural and phytomorphic illuminations. In the corners of the decorative frame in the upper margin are the figures of a heronand a monkey. Vertical sections of the frame are filled with flowers, leaves and berries in the colour blue, green and cyclamen pink and with numerous stylized go

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Papadopoulos, John K. "The bronze headbands of Prehistoric Lofkënd and their Aegean and Balkan connections." Opuscula. Annual of the Swedish Institutes at Athens and Rome 3 (November 2010): 33–54. http://dx.doi.org/10.30549/opathrom-03-03.

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This paper begins with an overview of the bronze headbands from the prehistoric (Late Bronze to Early Iron Age) burial tumulus of Lofkënd in Albania, which were found among the richest tombs of the cemetery, all of them of young females or children. It is argued that these individuals represent a class of the special dead, those who have not attained a critical rite de passage: marriage. In their funerary attire these individuals go to the grave as brides, married to death. The significance of the Lofkënd headbands is reviewed, as is their shape and decoration, but it is their context that con

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Yaylenko, E. V. "Portal to the Past: Depiction of Space in the Book Miniatures in the Renaissance Venice." Observatory of Culture 15, no. 3 (2018): 309–20. http://dx.doi.org/10.25281/2072-3156-2018-15-3-309-320.

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This article investigates the painted miniatures of manuscripts and early printed books of the second half of the 15th century performed in the art workshops of the Renaissance Venice and Padua. The author determines the main development stages of the principles of space depicting in the picturesque design of manuscripts and printed books. The relevance of study of this topic is caused by the fact that it has been on the periphery of research attention for a long time, obscured by other historical and artistic problems. The scientifi c novelty of the research revealed the new principles of con

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Churkina, D. A. "The breviary of Ercole I d’Este and the classical tradition in Ferrara illumination of the end 15th – the beginning 16th century." Journal of the Belarusian State University. History, no. 2 (April 30, 2019): 96–104. http://dx.doi.org/10.33581/2520-6338-2019-2-96-104.

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The article presents one of the masterpieces of Renaissance Ferrara illumination – the Breviary of Ercole I d’Este (1502–1505). This manuscript was created during the active development of printing, and this fact underlines its special status and importance for the customer, and also demonstrates the stability of artistic traditions at the Ferrara court. At the same period – the first years of the 16th century – the artistic language of the Early Renaissance was changed for completely different traditions of the High Renaissance art. First of all, it was expressed in the leading role of classi

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Gligorijevic-Maksimovic, Mirjana. "Classical elements in the endowments of Serbian XIII century donors." Zbornik radova Vizantoloskog instituta, no. 46 (2009): 255–64. http://dx.doi.org/10.2298/zrvi0946255g.

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In Byzantine painting, starting from the XIII and particularly during the XIV century, there was a visible return to models from the period of Antiquity. The influences of ancient, ostensibly, Hellenistic heritage were reflected in the shapes, in the content of the compositions, as well as in the drawing, modellation and colours. In the art that came into being in the course of the XIII century, in the endowments of the Serbian donors numerous elements emerged that had existed in ancient art. In the frescoes in the Church of the Mother of God in Studenica, the endowment of Stefan Nemanja and h

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Bakirova, Gunel. "The History of Ornamentation Development in Music, Principles of its Formation and Performance Style." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 3, no. 2 (2020): 169–80. https://doi.org/10.31866/2616-7581.3.2.2020.219167.

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This article deals with the history of the development of ornamentation in keyboard music, the principles of its formation and performance styles. Ornamentation is one of the greatest means of expression in keyboard performance. It has ancient historical roots. In keyboard music, ornamentation was subject to various changes depending on the period. Ornamentation manifests itself in various forms in keyboard music. Thus, ornamentation is not just a means of embellishment. It is considered as the main component in the creation of a work. Embellishments are also essential as an aesthetic factor.

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Nurul Fajri, Sri Ayu, Aznan Nazzer Nur Syarif, and Andi Hildayanti. "Filosofi Ornamen dan Dekorasi Interior pada Klenteng Xian Madi Kota Makassar." TIMPALAJA : Architecture student Journals 1, no. 1 (2020): 57–69. http://dx.doi.org/10.24252/timpalaja.v1i1a7.

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Abstrak_Tujuan penelitian ini adalah untuk mengidentifikasi dan mengkajifilosofi ornamen dan dekorasi interior yang terdapat pada Klenteng Xian Madi Kota Makassar. Pada dasarnya kebudayaan Tionghoa mewariskan heterogenitas ragam hias Arsitektural Klenteng yang unik dan filosofis, mulai dari pemilihan warna dan penerapan atribut pada dekorasi ruang Klenteng. Penelitian ini digunakan metode penelitian deskriptif kualitatif yang bertujuan untuk mendeskripsikan dan mengemukakan makna filosofi dari ornamen dan dekorasi interior Klenteng Xian Madi. Berdasarkan hasil penelitian bahwa interior Klenten

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Cross, Christopher. "Urban Design: Ornament and Decoration." URBAN DESIGN International 1, no. 2 (1996): 192. http://dx.doi.org/10.1057/udi.1996.26.

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Delafons, John. "Urban design: Ornament and decoration." Cities 13, no. 3 (1996): 235. http://dx.doi.org/10.1016/0264-2751(96)88703-8.

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S.V., Klymenko, Ilyinska A.P., Kalista M.S., and Grygorieva O.V. "Aubrieta deltoidea (L.) DC. (Brassicaceae) – potential ergasiophyte of the flora of Ukraine and Eastern Europe." Plant Introduction 82 (June 1, 2019): 55–63. https://doi.org/10.5281/zenodo.3241097.

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<strong>Objective</strong> – to provide systematic, environmental and chorological information about <em>Aubrieta</em> genus (Brassicaceae) and <em>A. deltoidea</em> (L.) DC., as well as to assess the future prospects for the distribution of plants of this species in the climatic conditions of Ukraine. <strong>Material and methods</strong>. Material from field observations of the authors, literature data and electronic resources regarding the genus <em>Aubrieta</em> and species <em>A. deltoidea</em>. The characteristic of the morphology of <em>A. deltoidea</em> was compiled from the resu

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Ahani, Fatemeh, Iraj Etessam, and Seyed Gholamreza Islami. "The Distinction of Ornament and Decoration in Architecture." Journal of Arts and Humanities 6, no. 6 (2017): 25. http://dx.doi.org/10.18533/journal.v6i5.1188.

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<p>Ornament has been present throughout the recorded history, revealing human's aspirations, reflections and imaginations. Correspondingly, the discussion of ornament has almost uninterruptedly been a major topic for architectural discourses; one which has led to the publication of several significant texts in which ornamental practices has been addressed from a variety of perspectives. An investigation into the key architectural texts however, reveals that the absence of a certain definition of ornament and its functions in architecture as well as the interchangeable use of the terms 'd

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Sharapov, I. A. "Discourse of Ornament in Twentieth-Century Architecture." Art & Culture Studies, no. 2 (June 2021): 60–87. http://dx.doi.org/10.51678/2226-0072-2021-2-60-87.

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The article provides an overview of the ornament in the architecture of the twentieth century, indicating the points that form the direction of the axial trajectories of the development of the ornamental form in the context of architecture. The research is based on the method of analytical description of ornament positions extracted from the the practice and textual corpus of architect’s statements. Utterances synthesize the discursive range of ornament in the field of architecture. The body of the ornament covers the subject aspects of human life and is present in the spatial form of the arch

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Zhambaeva, Tuyana I. "Tapestry Art in Buryatia: Experience and Perspectives." Vestnik of Saint Petersburg University. Arts 13, no. 2 (2023): 344–60. http://dx.doi.org/10.21638/spbu15.2023.208.

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The article presents the main stages in the development of tapestry in Buryatia, from the establishment of this form of art based on weaving of nap-free Buryat taara carpets in the 19th–20th centuries, to the formation of the tapestry school in this region. The consideration of the art of tapestry in Buryatia in the context of events and trends in the decorative applied art of Buryatia in the 20th–21st centuries is connected with such issues as the entry of folk artistic traditions into the system of socialist realism, the process of revival of national identity, the author’s creativity in the

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Bzhahov, M., and A. Sultanova. "THE USE OF THE NATIONAL ORNAMENT OF THE KABARDINS AND BALKARS AS ARCHITECTURAL DECORATION OF FACADES OF BUILDINGS." Construction Materials and Products 2, no. 4 (2020): 79–83. http://dx.doi.org/10.34031/2618-7183-2019-2-4-79-83.

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the article presents the results of research on the use of the national ornament of the Kabardins and Balkars as an architectural decoration of facades of buildings, contributing to the increase of architectural and artistic expression of facades of buildings. Classification of the national ornament of the Kabardins and Balkars is given, stylized schemes of the national ornament are considered and variants of their placement on facades of buildings as an architectural decor are offered.

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Goodwin, Amy. "Signwriting: Ornament as visual language ‐ communicative decoration." Journal of Illustration 6, no. 1 (2019): 119–36. http://dx.doi.org/10.1386/jill_00007_1.

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This article argues for the use of decorative signwriting as both ornamental and communicative. This examination will be twofold: first, a series of images of twentieth century signwriting in the fairground industry will be offered to this argument: all signwriting is purposefully applied, as decoration, in order to communicate, but unpicking the visual styles will unveil the hidden meanings, expanding the communicative intentions. Secondly, works of signwriting produced and installed as an archive as illustrated space will be dissected to expand on the argument being made. The archive as illu

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Lee, Jae Sung, Mi Hyun Kim, Young Hwan Park, and Hyun Woo Kim. "Manufacturing Techniques of Gilt-copper Crown Ornament with a Bird Wing-shaped Decoration Excavated form Ancient Tomb in Imdang, Gyeongsan." Journal of Conservation Science 39, no. 3 (2023): 297–307. http://dx.doi.org/10.12654/jcs.2023.39.3.11.

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The ancient tombs in Imdang of Gyeongsan, a representative historic site of Silla culture, are a group of ancient tombs built by local powers of Silla during the Three Kingdoms Period which existed fragmentarily in written records as the tomb of the ruling class in Apdokguk(押督國). In the ancient tomb Imdang 1A, where the appearance at the time of the burial was confirmed, the gilt-copper crown ornament with a bird wing-shaped decoration was excavated showing the relationship between the central Silla and the ruling powers in the local provinces. This the gilt-copper crown ornament with a bird w

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Andriiovych, Martha. "A sign of mobility and cultural exchange? The ceramics with scribble line ornamentation from Lysa Hora cemetery." VITA ANTIQUA 10 (December 20, 2018): 43–47. https://doi.org/10.37098/2519-4542-2018-1-10-43-47.

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From four types of the Neolithic ceramics that were determined for the Dnieper-Donetsk culture region, only the fourth type after D.Y. Telegin typology has been found in the Lysa Gora cemetery. This type is represented by biconical vessels with the flat bottom and straight «collar» rim. Inside of this type, we are able to identify subtypes by their size, type and ornament disposition on the body of a vessel. The vessels with the flat bottom, straight vertical walls and cut to the middle rim are most common. In the second period biconical vessels with the big fla

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Treister, M. "НЕКОТОРЫЕ РАЗМЫШЛЕНИЯ ОТНОСИТЕЛЬНО ФИАЛЫ С ГЕРАКЛОМ И АВГОЙ ИЗ РОГОЗЕНСКОГО СОКРОВИЩА". Proceedings in Archaeology and History of Ancient and Medieval Black Sea Region, S1 (9 грудня 2022): 9–37. http://dx.doi.org/10.53737/2713-2021.2022.34.33.001.

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One of the most important finds from the richest of the Thracian hoards, the Rogozen Treasure, is the so-called Auge Phiale. Its chronological position is crucial for the dating of the Hoard and had already been a point of debates. Its decoration, which consists of a mythological scene in high relief occupying the interior of the flat bottom and a relief pattern of alternating palmettes and lotus flowers grouped around the central rosette on the outside is discussed, thus allow us not only to determine the position of the vessel among the masterpieces of the Late Classical/Early Hellenistic me

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H, M. Hasrul, Hariani Hariani, and Yahya Yahya. "Rancang Bangun Sistem Pemasaran Produk Ornamen Bangunan Di Kabupaten Gowa Berbasis Android." Journal Software, Hardware and Information Technology 3, no. 1 (2023): 51–62. http://dx.doi.org/10.24252/shift.v3i1.81.

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The industrial era is forcing almost all sectors and business players to replace their service and product marketing systems with conventional to digital technology, likewise in building ornament artisans. An ornament is a decoration made to beautify a house or building both outside and inside the room; the function of the ornament is also to provide air circulation in the room to get fresh air. This research aims to make it easier for building ornament artisans to market their products more broadly. The approach used in developing this software is a prototype that allows interaction between s

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Cai, Rui. "A Preliminary Study on the Main Ridge Decoration of Buildings in Yuan, Ming, and Qing Dynasties in Guanzhong Area." Journal of Architectural Research and Development 6, no. 3 (2022): 1–8. http://dx.doi.org/10.26689/jard.v6i3.3815.

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The function of roof ridge ornament is irreplaceable in the facade modeling of traditional Chinese architecture. Taking the ornament in the Ming and Qing Dynasties in Guanzhong area as an example, this paper summarizes and analyzes the appearance characteristics, and internal cultural connotation of the ornament that is currently present in the Guanzhong area from the aspects of its decorative content, color, and grade indication. Further, make relevant discussions, hoping to supplement the research of ancient ornament.

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Kim, Hoon-Hui. "The transition and meaning of the ceremonial ornament with bird-shaped thorn(有刺괿器) from Marisan ancient tombs in Haman region". Yeongnam Archaeological Society, № 82 (30 вересня 2018): 33–57. http://dx.doi.org/10.47417/yar.2018.82.33.

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The Malisan ancient tombs in Haman region are the most important sites, as the center of Allakuk(安羅國), in the study of Gaya. In this study, the ceremonial ornament with bird-shaped thorn(有刺利器) excavated from the Malisan tombs were examined. In the analysis of the ceremonial ornament, It attracts attention to the most distinctive part of the bird-shaped decoration. It is largely classified into the old and the new style. It is set to five types of old style and three types of new style. The old and new style differ in appearance and disappearance. The set pattern is observed to change gradually

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Liu, Jun, and Yu Guo Zhuo. "Green Theory Research on Indoor Air Pollution by Overall Process Controlling." Advanced Materials Research 356-360 (October 2011): 1719–22. http://dx.doi.org/10.4028/www.scientific.net/amr.356-360.1719.

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New green theory is put forward that indoor air pollution is controlled by overall process based on the residential interior decoration and air pollution status in China, as indoor air quality becomes important more and more. According to the concept of healthy house to control indoor air pollution through four steps that are green interior design, selecting environmental materials, green decoration and green ornament safe, healthy and environmental green home could be realized.

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Horton, Sarah. "Serial killers? Investigating some modernist myths about decoration, pattern and ornament through workplace interventions." Journal of Illustration 6, no. 2 (2019): 305–25. http://dx.doi.org/10.1386/jill_00016_1.

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Abstract What is it about ornament that made it so contentious for influential modernist thinkers and practitioners such as Adolf Loos and le Corbusier? According to Loos it was a sign of degeneracy and for le Corbusier best suited to 'simple races, peasants and savages'. By championing the use of ornament as a vital tool for 'resistance' in the sense that Michel de Certeau used the word the practice-led research featured in this article seeks to interrogate some of these myths. Rather than being a passive adornment to an environment the visual artworks presented here tested the potential of d

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Nenasheva, Larisa V. "THE ARTISTIC DECORATION OF NORTHERN MANUSCRIPTS." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 41 (2021): 163–78. http://dx.doi.org/10.17223/22220836/41/13.

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For a long time Russian manuscript book has been famous for its rich artistic design. Miniatures containing parts of liturgical texts, sermons, saints’ lives, richly decorated miniatures, initials have changed over time, so they help to date a manuscript. The article studies the artistic design of northern manuscripts in order to figure out a more accurate date of the source. The subjects of the study are liturgical and theological books from the collection of the Arkhangelsk Museum Association “Russian North artistic culture”, created in the XV–XIX centuries. All researched manuscripts are wr

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Yusof, Abdullah, Aizan Hj Ali @. Mat Zin, and Ahmad Faisal Abdul Hamid. "Islamic Nuance in Decorative-Ornament Architecture Art in Nusantara." International Journal of Nusantara Islam 2, no. 1 (2014): 95–104. http://dx.doi.org/10.15575/ijni.v2i1.51.

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The advent of Islam in Nusantara sparked new phenomena or changing not only in structure of building construction of religious places, residency and houses but also ornaments and decoration expressing value of beauty of that building. The result of this research tries to reveal how far Islamic influence is working without undermining local aspects of architecture and how Islamic architecture was influenced by other characters in ornament and decorative-ornament artwith various design and sense. Islamic nuances are substantially showed in traditional and contemporary mosque architecture, gravey

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Molchanova, Ludmila A. "“Wood” symbolism in the decoration of the Udmurt costume: origins, existence, meaning." Finno-Ugric World 14, no. 2 (2022): 207–22. http://dx.doi.org/10.15507/2076-2577.014.2022.02.207-222.

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Introduction. The article analyzes the semantics of the tree-like figures of the traditional female costume. The purpose of the work is to determine the origins of this image in the Udmurt ornamentation. Materials and Methods. The work uses the method of structural-semiotic analysis, allowing to consider costume ornament as a sign-symbolic system. Results and Discussion. The two prototypes that arose back in the period of the formation of human mentality: a woman and a totemic beast, formed the basis of the mythopoetic symbol of the world tree. Complex of Udmurt vorshud concentrated and preser

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Liu, Jun, Yu Guo Zhuo, and Jin Xiang Ma. "Research on Indoor Environment Pollutants and Controlling." Applied Mechanics and Materials 178-181 (May 2012): 251–53. http://dx.doi.org/10.4028/www.scientific.net/amm.178-181.251.

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The sources and harm of indoor environmental pollutants was described and a new green theory is put forward that indoor environment pollutants is controlled by overall process based on the residential interior decoration and air pollution status in China, as indoor environment quality becomes more and more important. According to the concept of healthy house to control indoor environment pollutants through five steps that are green interior design, selecting environmental materials, green decoration, green ornament and green fresh air, and healthy and environmental green home could be realized

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Riisberg, Vibeke, and Anders Munch. "Decoration and Durability: Ornaments and their ‘appropriateness’ from fashion and design to architecture." Artifact 3, no. 3 (2015): 5. http://dx.doi.org/10.14434/artifact.v3i3.3918.

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<p>Throughout the scales of design there has been an exploding interest in the ornament that seems to be fuelled by different kinds of digital technology and media from CAD to digital printing in both 2D and 3D. In architecture and industrial design it is discussed as a Return of ornament, because the aesthetics of Modernism banned ornamentation as ‘inappropriate’ to materiality, construction and function. In this article we wish to renegotiate this highly normative notion of appropriateness with special regard to sustainable design, where the ‘right’ kind of ornaments can mediate attent

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Krylova, Victoria Igorevna, and Larisa Ivanovna Nekhviadovich. "The Altai ornament as an element of the image structure in the book graphics of V. A. Ramensky." Manuscript 17, no. 3 (2024): 381–89. http://dx.doi.org/10.30853/mns20240054.

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The article discusses the graphic heritage of the Altai book artist V. A. Ramensky in terms of the use of the traditional Altai ornament as an element of the image structure of works of fiction. The problematics of the article lie in the field of transformation of the traditional ornament in the space of the author’s artistic interpretation. The aim of the study is to identify the special features of the use of ornamental tradition by the artist V. A. Ramensky. The scientific novelty of the study consists in identifying and formulating the main principles of interpretation of the Altai ornamen

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Hedges, Susan. "Interior Decoration to Exterior Surface: The Beleaguered Relief." Interiority 2, no. 1 (2019): 79–93. http://dx.doi.org/10.7454/in.v2i1.45.

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Surface articulation is a critical issue for interior architecture, and this paper sees the wall as a point of intersection where art and structure may converge and collide. A place of experimentation and a site of performance, built volumes and surface embellishments blur and reinforce edge conditions and ornament as embellishment and essential structure merge. This paper explores a sculptural relief Copper Crystals (1965) constructed by Jim Allen for the ICI (Imperial Chemical Industries) House (1964) situated at 61 Molesworth Street in Wellington, New Zealand. Following the building's

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Rinaldi and Azmi Dwi Seffiani. "RAGAM HIAS NISAN KOMPLEKS PEMAKAMAN RAJA KOTALAMA, KABUPATEN INDRAGIRI HULU, PROVINSI RIAU." Berkala Arkeologi Sangkhakala 22, no. 1 (2020): 45. http://dx.doi.org/10.24832/bas.v22i1.397.

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The cemetery of the King Kotalama complex is the Indragiri royal burial complex of the islamic-style period of Narasinga II. This study focused on the type of ornament that developed in the burial complex of the king of Kotalama. Decoration can provide information about the development of art culture during the reign of Narasinga II. The method used to answer these problems is through morphological analysis and stylistic analysis, in order to find out the types of decorations. The developing decoration shows that the community acculturates the old culture and the new culture. The ornamental va

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Lebedeva, Yulia A. "The Ornament on Jewelry of the Siberian Tatars (on Materials of Archeology and Ethnography)." Herald of Omsk University. Series: Historical Studies 7, no. 4 (28) (2020): 140–50. http://dx.doi.org/10.24147/2312-1300.2020.7(4).140-150.

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The article describes the decoration and ornamentation of two groups of Siberian Tatars - Baraba and Tara Tatars. As sources are considered jewelry of the 17th - 20th centuries, received in the funds of museums as a result of ethnographic and archeological researches. Special attention is paid to technical methods of performance, motifs, compositional techniques and types of ornament.

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Унежева, З. С., та Ф. С. Бейтуганова. "Происхождение и символика адыгского орнамента". Bulletin of Science and Practice 557, № 5(6) (2016): 251–54. https://doi.org/10.5281/zenodo.54909.

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В статье рассматривается роль и происхождение орнамента адыгов, их смысловое значение. Рассматриваются материалы, техники изготовления и их орнаментальное декорирование. Приводится несколько культовых обрядов, связанных с происхождением знаковых элементов. The article discusses the role and origin of ornament Adygs, their meaning. The materials, manufacturing techniques and ornamental decoration. We present a few religious rites associated with the origins of the iconic elements.  

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Hoogslag, Nanette. "Decriminalising Ornament: The Pleasures of Pattern: The sympathy of illustration." Journal of Illustration 6, no. 1 (2019): 9–32. http://dx.doi.org/10.1386/jill_00002_1.

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This article reflects on the research exhibition Decriminalising Ornament: The Pleasures of Pattern held in the Ruskin Gallery in Cambridge in November 2018 in conjunction with the International Illustration Research Conference of the same name. It considers the role of ornament and decoration in the exhibited works and through this the essential presence of the decorative within illustration.Key is Lars Spuybroek's concept of sympathy, which he develops based on a premodern understanding of ornamentation. In response to Spuybroek's exploration of this concept, this article seeks to extend the

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Al'-Tamimi, Sakher Mukhammed, and Marina Vladimirovna Pankina. "Ornament in the architecture of mosques in Jordan: traditions and innovations." Культура и искусство, no. 4 (April 2024): 74–88. http://dx.doi.org/10.7256/2454-0625.2024.4.69044.

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The object of the study is ornaments in the architecture of ancient and modern mosques. Using the example of mosques in Amman (Jordan), traditional ornaments are considered from the point of view of their purpose, content and symbolism, location and plastic organization. The compositional techniques, stylization methods, images used in ornaments are analyzed. In the modern architecture of mosques, continuity in approaches to decoration is combined with the active use of modern technologies in the construction and interpretation of ornaments, their embodiment in the material. Since there are st

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Dardenay, Alexandra. "Roman wall-painting in southern Gaul (Gallia Narbonensis and Gallia Aquitania)." Journal of Roman Archaeology 31 (2018): 53–89. http://dx.doi.org/10.1017/s1047759418001241.

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In the Greek world, the practice of decorating walls with painted stucco emerged in the 5th or 4th c. B.C. and was at first limited to public and religious monuments and the palaces of rulers, later spreading to the houses of the aristocracy. In the homes of the nobility, painted decoration enhanced the ornamentation of rooms used for receiving visitors, such as the dining room (andron), in which the floors were sometimes decorated with mosaics, most often with geometric motifs. In the wealthiest abodes, as seen at Pella in the 4th c. B.C., Alexandria, or on Delos in the 2nd c. B.C., a mosaic

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KHAZBULATOV, A. R., and A. I. IBRAGIMOV. "ORNAMENT AS A LANGUAGE OF CULTURE: TRADITION AND MODERNITY." Pedagogy and Psychology 48, no. 3 (2021): 265–76. http://dx.doi.org/10.51889/2021-3.2077-6861.29.

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The Kazakh folk art clearly reflected the distinctive features of the applied national culture. Its origins go far back centuries, and it is nourished by the same inexhaustible source of folk art, which gives rise to any kind of art. This long-standing and eternally young art is brought to life by various kinds of people's desire to figuratively reflect their aesthetic perception of reality. From generation to generation, unnamed artists passed on their rich experience, contributing to the formation of a national style, national artistic traditions, which determines the unique originality of a

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Drozdowicz, Piotr. "The Return of Decorative Trends in Modern Architecture: The Example of Poznań, Poland." Arts 14, no. 2 (2025): 31. https://doi.org/10.3390/arts14020031.

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Aesthetic tendencies in architecture are disposed between two poles: rich ornamentation and formal restraint. The principle of an empty wall and the rejection of decoration are perceived as features of contemporary architecture. However, does the thesis attributed to Adolf Loos that ornament is a crime still apply? This study covered 50 buildings completed between 2000 and 2022 in Poznań (Poland) and 810 photographs were obtained. In order to analyze the research material from an aesthetic point of view, the author refers to the past concept of decorum, which distinguishes it from the concept

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Saragih, Dearma A., Yulianto Yulianto, and Raimundus Pakpahan. "KAJIAN ORNAMEN GORGA DI RUMAH ADAT BATAK TOBA (Studi Kasus : Di Kawasan Desa Wisata Tomok, Huta Siallagan dan Huta Bolon Di Kabupaten Samosir)." ALUR : Jurnal Arsitektur 2, no. 1 (2019): 1–14. http://dx.doi.org/10.54367/alur.v2i1.368.

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One of the interesting cultural potentials to be studied is traditional houses. This traditional house has its own uniqueness in every area. One of the uniqueness can be seen from the many ornaments in it. Diversity has its own meaning and function. Ornaments is one of the historical heritage of Indonesia where almost all the tribes in Indonesia can be found various kinds of ornaments that reflect the techniques of each region in Indonesia. Ornament Batak Toba is one of the many ornaments that exist in this country Indonesia. Toba Batak ornament can be found in North Sumatera Province precisel

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Maura Annisa, Zuindra Zuindra, and M.Kiki Wardana. "THE MEANING ON MAIMUN PALACE ORNAMENTS: SEMIOTIC STUDY." Jurnal Pendidikan dan Sastra Inggris 2, no. 1 (2022): 107–19. http://dx.doi.org/10.55606/jupensi.v2i1.587.

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The purpose of this study is how the writer found shape and meaning in the ornament in Maimun palace. The writer applied the theory of Semiotics proposed by Peirce (1978). The method is a qualitative research method, which is directly analyzes the facts found in the field. The writer obtained the data by conducting observations and interviews directly to the field, as well as getting information from several books and websites. The result showed that it was found some types of ornaments at the Maimun Palace. Then the writer compiled and described them based on the shape, namely ornament in the

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Zahra, Fatima, and Seyedeh Samaneh Fatemi. "Cultural Diversity: Aesthetic Analysis of Persian and Kashmiri Paisley Ornaments." PERENNIAL JOURNAL OF HISTORY 2, no. 2 (2021): 81–90. http://dx.doi.org/10.52700/pjh.v2i2.61.

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The article focuses on the origins and evolution of the Indo-Persian decoration "Paisley," as well as the use of this flowery linear pattern on textiles such as shawls, table wraps, and carpets. Paisley has gone through many stages in its evolution, including the Iranian art period and the Indo-Subcontinent phase (Mughal era). The intrinsic nature of the decoration is shown via a comparative research technique that defines Indo-Persian motif features. This article looked at the primary ornamental elements of the paisley pattern, which are floral and geometrical in nature, and how they are used

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