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Thematische Bibliographien / Clothing and dress – erotic aspects / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Clothing and dress – erotic aspects“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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1

Bugg, Jessica. "Dancing dress: Experiencing and perceiving dress in movement." Scene 2, no. 1 (2014): 67–80. http://dx.doi.org/10.1386/scene.2.1-2.67_1.

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Clothing design for dance is an area that has been little documented, particularly in relation to the experience and perception of the dancer. Contemporary dance and clothing can both be understood as fundamentally phenomenological and as such there is further potential to investigate the lived experience of wearing clothing in dance. This article approaches dress in the context of the moving and dancing body, and it aims to develop an understanding of the role of dress in dance by focusing on the sensory, embodied experience and perception of the performer. It addresses questions of how cloth

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Jin, Jing, Jie Gao, Yu Xiu Yan, and Jian Wei Tao. "Analysis of Performance of the Clothing Modeling in Shaping the Animation Role." Advanced Materials Research 821-822 (September 2013): 794–97. http://dx.doi.org/10.4028/www.scientific.net/amr.821-822.794.

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With the continuous development of animation industry, the clothing modeling of the animation character is more and more concerned. This paper found the connection of three aspects, which is that shaping the role determines the vitality, creativity and appealingness of the animation, animation dress help to shape the roles and art image, animation apparel modeling is different from the real clothing modeling by means of analyzing the relation between shaping the animation role and the clothing modeling. Through the research of the performance of the clothing modeling in shaping the animation r

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Ikeda, N., A. Harada, K. Umetsu, and T. Suzuki. "A Case of Fatal Suffocation during an Unusual Auto-Erotic Practice." Medicine, Science and the Law 28, no. 2 (1988): 131–34. http://dx.doi.org/10.1177/002580248802800210.

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An unusual case of accidental death during auto-erotic practice, where three skirts, a pinafore dress, a pair of panty hose and a plastic bag were used to wrap the head and produce partial asphyxia, is described.

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Frandita Juwika, Atikah Yesi Duana Sari, Ridho Wahyudi Siregar, and Jendri Jendri. "Penafsiran Ayat Tentang Berpakaian (Berhias)." Akhlak : Jurnal Pendidikan Agama Islam dan Filsafat 2, no. 1 (2024): 275–86. https://doi.org/10.61132/akhlak.v2i1.388.

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This study discusses the concept of dress ethics in Islam, focusing on the dress code for both men and women as well as the ethics that should be applied when dressing. In Islam, dressing is not merely a matter of appearance, but also related to religious teachings that emphasize the importance of covering the aurat, maintaining modesty, and preserving honor. For men, the dress code is strictly regulated by Sharia, including the aurat limitation between the navel and the knee, the prohibition of wearing gold and silk, and the prohibition of imitating women's or non-Muslims' clothing. Meanwhile

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Tukhtasinov, Abror Rustamovich. "The Image of the Modern Teacher and its Place in the Culture of Speech." International Journal of Multidisciplinary Research and Analysis 04, no. 10 (2021): 1441–44. https://doi.org/10.47191/ijmra/v4-i10-16.

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There are aspects of dress that are related to a person's psyche, character, mood, upbringing, and taste. It is important to note that dress and customs did not arise spontaneously. There is no definitive conclusion as to when clothing appeared in human society. Man, who first learned to weave and sew fabrics from leather and wool, later gave comfort and beauty to clothes with the advent of cotton and silk fibers. Hence, the development of human thinking brought civilization to his dress as well. 

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Griffey, Erin. "Re-Dressing the Evidence: Henrietta Maria’s Wardrobe Accounts, 1627–1639." Costume 57, no. 1 (2023): 3–30. http://dx.doi.org/10.3366/cost.2023.0243.

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This article presents evidence about Henrietta Maria's dress from her wardrobe accounts of 1627 to 1639. The accounts, in the National Archives at Kew, include a vast range of loose bills, acquittances and warrants related to textiles, garments, trimmings and accessories supplied and made for the Queen and members of her household. The extraordinary variety and splendour of the Queen's dress as well as the lavish clothing she presented to others is evident. This overview focuses on networks of supply and production, including details of key suppliers and artificers; practical aspects of fittin

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Akanni, Akeem A., and Abdussalam A. Adam. "Muslim Dress Code and Its Health Benefits." Oguaa Journal of Religion and Human Values 7, no. 1 (2023): 49–61. http://dx.doi.org/10.47963/ojorhv.v7i1.1409.

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This article provided an overview of the history and benefits of Muslim dress code. It traced the origins and evolution of modest clothing styles prescribed in Islam and explored regional variations across Muslim majority cultures. Key benefits of adhering to Islamic dress standards around modesty are examined, including spiritual discipline, health aspects of loose fitting garments, and cultural identity affirmation. Common types of traditional Muslim attire such as hijāb, jalbāb and abāya are defined. The paper also looked at modern trends integrating Islamic dress principles with contempora

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VanPool, Christine S., Todd L. VanPool, and Lauren W. Downs. "DRESSING THE PERSON: CLOTHING AND IDENTITY IN THE CASAS GRANDES WORLD." American Antiquity 82, no. 2 (2017): 262–87. http://dx.doi.org/10.1017/aaq.2017.4.

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Casas Grandes Medio–period (A.D. 1200–1450) human effigies are unique in the North American Southwest in that they depict primary and secondary sexual traits, making determination of sex and gender roles possible. Here, we build on previous discussions by considering the importance of depictions of clothing (e.g., belts and sashes), personal adornments (e.g., necklaces and bracelets), facial decorations, and other aspects of dress. We find that Medio-period symbolism for males and females was based on gender complementary that combined the productive, reproductive, and ritual activities of men

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Grigo, Jacqueline. "Visibly Unlike: Religious Dress between Affiliation and Difference." Journal of Empirical Theology 24, no. 2 (2011): 209–24. http://dx.doi.org/10.1163/157092511x603992.

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Abstract This article focuses on the relevance and consequences of visibility of religious identity respectively difference by means of religiously connoted clothing. Based on six case studies it emphasizes the perspective of wearers of religious vestment in the area of Zürich (Switzerland). The project takes account of the fact, that the aspect of visual, respectively embodied (religious) difference is not only of relevance to Muslim headscarf wearers (though, due to eager public discussion, it became here the most obvious, and the main subject of scientific interest), but also for wearers of

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Rahman, Priyanggo Karunia, and Misesa Misesa. "The Teacher's Role in Fostering Dress Ethics Students." LENTERNAL: Learning and Teaching Journal 3, no. 3 (2022): 27–32. http://dx.doi.org/10.32923/lenternal.v3i3.2913.

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This study examines Islamic religious education teachers' influence on student dress. The school's code of conduct emphasizes ethical behavior and dress. Some kids wore long, flowy, non-transparent outfits, while others did not. Students are told to dress appropriately for Muslim students, but reality differs. This study examined how Islamic religious education and morality teachers at SMA Negeri 1 Bangka promote dress ethics. This study used qualitative research. Semi-structured Islamic religious education teacher interviews provided the data. Descriptive analysis followed. Field notes, docum

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Unsworth, Rebecca. "Hands Deep in History: Pockets in Men and Women's Dress in Western Europe, c. 1480–1630." Costume 51, no. 2 (2017): 148–70. http://dx.doi.org/10.3366/cost.2017.0022.

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Pockets are now standard and accepted aspects of clothing, but their presence in dress has not always been so assured. This article examines the use of pockets in western Europe from the late fifteenth to the early seventeenth centuries, demonstrating that pockets were adopted into clothing much earlier than has often been believed. It discusses the physical form of pockets in the dress of both genders and the types of garments into which they were inserted. It also explores the possible reasons for the uptake of pockets, the uses to which they were put and the sorts of objects which were kept

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Fadhil, Haidar Masyhur, and Rizkiyatul Imtyaz. "Unveiling the Guidelines: Womenâ€™s Dress in HadÄ«th and its Relevance in Indonesian Society." AL QUDS : Jurnal Studi Alquran dan Hadis 8, no. 3 (2024): 470–88. https://doi.org/10.29240/alquds.v8i3.8852.

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This study explores the burgeoning trend of Islamic attire (pakaian syar'i) among millennials in Indonesia. Employing a multidisciplinary approach involving text analysis and sociological perspectives, the research aims to deeply understand Muslim women's attire within Islamic tradition and its Indonesian context. The analysis begins with scrutinizing hadÄ«ths related to standards of Muslim women's clothing and the perspectives of Islamic scholars. Additionally, it uncovers that scholars universally agree on four clothing aspects: looseness, non-transparency, dissimilarity to opposite gender c

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Arista Jaya, I. Kadek, Heny Perbowosari, and I. Gede Sedana Suci. "Penyimpangan Nilai-Nilai Etika Dalam Berbusana Adat Ke Pura Di Desa Penarungan Kecamatan Mengwi Kabupaten Badung." Metta : Jurnal Ilmu Multidisiplin 1, no. 1 (2021): 7–19. http://dx.doi.org/10.37329/metta.v1i1.1305.

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The development of global currents has an impact on various aspects of life, including community culture. One of them is in terms of clothing which is influenced by foreign cultures. This of course degrades ethical values in the use of clothing, especially clothing used at social events or places of worship such as traditional clothing to temples. The influence of outside culture that is abused certainly causes deviations in ethical values in the use of traditional clothing to the temple, one of the villages affected by the deviation is Penarungan Village. As a tourism destination, the peo

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MOISE, George Dan, and Anamaria POPA. "GAME, SET, STYLE: UNVEILING THE FASHION SECRETS OF TENNIS DRESS CODE." University Arena 7, no. 4/2024 (2024): 109–13. http://dx.doi.org/10.62229/uavii_4_24-13.

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Clothing in the game of tennis is one of the most important elements in the sport, both in terms of the role it plays, and the impact of the historical tradition it holds. Over centuries, both clothing and tennis shoes have undergone massive evolution, transitioning from traditional attire to more practical and technologically advanced designs. This evolution has not only enhanced the players' performance but has also contributed to the financial development of tennis through effective marketing strategies. Clothing in the game of tennis has always had a set of specific characteristics, often

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Khemais, Jouini. "El vestuario en El tiempo entre costuras de María Dueñas: aproximación semiológica." Traduction et Langues 21, no. 2 (2022): 10–37. http://dx.doi.org/10.52919/translang.v21i2.903.

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The Wardrobe in The Time in Between Seams by María Dueñas: Semiological Approach  El tiempo entre costuras (2009) by the Spanish novelist María Dueñas quickly became one of the best-selling novels in Spain in recent years, even more so after its television adaptation. With the adaptation-transposition of the novel, we witness a kind of "transformation-translation", or what we call an inter-semiotic translation. In this case, the literary text and the audiovisual text are formed by different semiotic systems, with a verbal basis for the first and a visual basis for the second. The analysi

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Ma, Li. "Strategy Study on National Tourism Clothing Cultural of Guilin Region." Applied Mechanics and Materials 411-414 (September 2013): 2335–38. http://dx.doi.org/10.4028/www.scientific.net/amm.411-414.2335.

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For some of the problems that exist in the current the Guilin Tourism Clothing cultural resources product development, In this paper, from the tourist costume culture resources should be associated with other tourism resources development; Increase in Guilin tourism clothing culture and the characteristics of product design and development; Add dress culture involved in tourism products; Make full use of the festival activities and related platform; Strengthen the intermediary function of guide information transmission and channels to strengthen tourism apparel product design and development o

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Loewenthal, Kate Miriam, and Lamis S. Solaim. "Religious Identity, Challenge, and Clothing: Women’s Head and Hair Covering in Islam and Judaism." Journal of Empirical Theology 29, no. 2 (2016): 160–70. http://dx.doi.org/10.1163/15709256-12341344.

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This qualitative research examined the issues of women’s head covering in Islam and Judaism. It focuses on the role played by head-covering decisions in the development of religious identity. Translated sources of Islamic and Jewish law on modest dress set the context of religious rulings in which women wrestle with decisions about head-covering. Ten practising Muslim and Jewish women were interviewed about their experiences of head/hair covering. Head/hair covering was seen as an expression of identity, and as a way of managing identity. It is a key topic for both Muslim and Jewish women, cen

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Létourneau, Anne, Ellen De Doncker, and Olivier Roy-Turgeon. "A Parade of Adornments (Isa 3:18–23): Daughters Zion in the Light of Gender and Material Culture Studies." Open Theology 8, no. 1 (2022): 445–59. http://dx.doi.org/10.1515/opth-2022-0219.

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Abstract This article investigates the list of items of dress worn by the daughters Zion in Isa 3:18–23, as they are simultaneously stripped of them. It considers the poetic aspects of this list before turning to specific items, both jewelry and clothing, worn by the daughters in verses 18 and 22. These objects contribute to the complex characterization of the daughters Zion, as it poetically brings together a thick array of aesthetic, religious and traumatic meanings, and experiences.

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Tozer, Jane. "Cunnington's Interpretation of Dress." Costume 20, no. 1 (1986): 1–17. http://dx.doi.org/10.1179/cos.1986.20.1.1.

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The theme of the 1984 Costume Society Symposium was The Meaning of Dress, and I was asked to give a lecture with the working title Interpreting Dress: Cunnington and After. Cunnington's output is so prodigious, and parts are so little discussed, that there was no time to cover later writers in any depth, and I concentrated on three aspects of Cunnington's work: the methods and philosophy behind the collection, his methods of recording that collection, and finally some parts of his theoretical writings which, though dated, still exert a pervasive influence on costume studies. This article is re

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Bullock, Katherine. "Pious Fashion: How Muslim Women Dress." American Journal of Islam and Society 35, no. 3 (2018): 87–90. http://dx.doi.org/10.35632/ajis.v35i3.486.

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This book is a very welcome addition to the literature on Muslim women’s dress. It is part of a growing trend to treat Muslim women and their sarto- rial choices through sophisticated theories that recognise the agency, even humanity, of Muslim women. We are far from the days when an Ameri- can author would simply read a headscarf as a symbol of oppression, and Muslim women in need of rescue—at least in the academic realm, though certainly not in the political and journalistic realms. Easy to read and en- gaging (but not simplistic) studies like Bucar’s will, hopefully, eventually trickle out

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Bullock, Katherine. "Pious Fashion: How Muslim Women Dress." American Journal of Islamic Social Sciences 35, no. 3 (2018): 87–90. http://dx.doi.org/10.35632/ajiss.v35i3.486.

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This book is a very welcome addition to the literature on Muslim women’s dress. It is part of a growing trend to treat Muslim women and their sarto- rial choices through sophisticated theories that recognise the agency, even humanity, of Muslim women. We are far from the days when an Ameri- can author would simply read a headscarf as a symbol of oppression, and Muslim women in need of rescue—at least in the academic realm, though certainly not in the political and journalistic realms. Easy to read and en- gaging (but not simplistic) studies like Bucar’s will, hopefully, eventually trickle out

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Narayanan, Hamsikaa. "A BRIEF STUDY ON THE CORPORATE DRESSING IN CHENNAI, TAMIL NADU, INDIA USING PRIMARY DATA." JBFEM 2, no. 2 (2019): 121–26. http://dx.doi.org/10.32770/jbfem.vol2121-126.

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The clothes we wear are the major tool that determines us. In that sense, the dress we wear must be carefully chosen. Clothing has its own power, the power of motivation that is with confidence and determination which helps us to reach our goal. Many studies have proved that the power of dressing can change an individual’s physical and mental behavior and it also has the ability to change the person’s attitude in various aspects. This paper tries to attempt to conduct a survey among the corporate employees and compare the style of clothing they are allowed to wear and the clothing style they c

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Kumari, Neha, and Rajni Singh. "“You Are Unique, The Way You Are”: Policing the “Fat Female Body” in Fanney Khan." KEMANUSIAAN The Asian Journal of Humanities 30, no. 1 (2023): 19–33. http://dx.doi.org/10.21315/kajh2023.30.1.2.

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In South Asia, the fat female body is accorded narrative prominence to construct different synonyms of beauty and power. It is frequently consigned to the edges of fictional realms in visual representations and popular cultures. The standards of beauty (i.e., slender body, seductive dress, skin colour, make-up, etc.) are colonising the brains of women by dividing them and forcing them to adhere to the beauty norms by limiting their performance to the erotic subject. The article analyses the film Fanney Khan (2018) as an imperative study to understand how the concept of “fat body with ability”

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Twigg, Julia. "Dress, gender and the embodiment of age: men and masculinities." Ageing and Society 40, no. 1 (2018): 105–25. http://dx.doi.org/10.1017/s0144686x18000892.

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AbstractThe study explores the role of clothing in the constitution of embodied masculinity in age, contrasting its results with an earlier study of women. It draws four main conclusions. First that men's responses to dress were marked by continuity both with their younger selves and with mainstream masculinity, of which they still felt themselves to be part. Age was less a point of challenge or change than for many women. Second, men's responses were less affected by cultural codes in relation to age. Dress was not, by and large, seen through the lens of age; and there was not the sense of cu

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Wang, Yaning. "An Analysis of the Methods of Gender Expression in the Field of Fashion Design - A Case Study of Wedding Dress." Communications in Humanities Research 20, no. 1 (2023): 219–27. http://dx.doi.org/10.54254/2753-7064/20/20231358.

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Nowadays, the trend of clothing is developing rapidly and becoming more and more advanced, and there are many new styles of clothing with a sense of technology and a sense of the future. But there is one garment that has been around since ancient times and has profound meaning, which is wedding cloth. Many scholars have written papers on wedding clothes, but most of them deal with the design of wedding dresses and explain the meaning of male or female clothes separately, but there isnt a study about the differences between male and female wedding cloth. This paper will then focus on the compar

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Inayati, Mahfida, and Nurul Zainab. "Pengembangan Bahan Ajar Kerangka Tpack Berbasis Video Pembelajaran Pendidkan Agama Islam dalam Meningkatkan Semangat Belajar Siswa." Jurnal Cendekia Media Komunikasi Penelitian dan Pengembangan Pendidikan Islam 15, no. 02 (2023): 277–90. https://doi.org/10.37850/cendekia.v15i02.537.

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In order to foster student enthusiasm in the teaching and learning process, it is very necessary for an educator to process teaching materials well. The purpose of teaching materials is to make it easier for students to understand a lesson delivered by an educator. When there are no teaching materials delivered by the teacher, it is not said to be learning, and when the teaching materials are not used in the teaching and learning process in the classroom, then the teaching materials become a source of learning. The Teaching Material Plan that will be developed is teaching materials with the TP

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Pujihartati, Sri Hilmi, Mahendra Wijaya, Sudarsana, and Marimin. "The Empowering Children to Appreciate Javanese Traditional Attire for Cultural Preservation." ABDIMAS: Jurnal Pengabdian Masyarakat 8, no. 1 (2025): 77–83. https://doi.org/10.35568/abdimas.v8i1.5507.

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Currently, the preservation of traditional Javanese clothing faces significant challenges, particularly as children and adolescents are influenced by globalization and modern fashion trends. This influence has also affected traditional attire, which many children wear on formal occasions, shaping their future social status. Through this activity, an effort is made to expose, experiment with, and reflect on one of the most cosmopolitan aspects of cultural heritage—how people dress. This activity is part of a community service program titled Training on the Use of Traditional Javanese Attire for

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Harris, Susanna. "Sensible Dress: the Sight, Sound, Smell and Touch of Late Ertebølle Mesolithic Cloth Types." Cambridge Archaeological Journal 24, no. 1 (2014): 37–56. http://dx.doi.org/10.1017/s0959774314000031.

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The aim of this article is to investigate the sight, sound, smell and touch of different cloth types in the Late Ertebølle of southern Scandinavia and to argue that such an approach provides stimulating new insights into an area of material culture that has previously been studied by archaeologists in a highly empirical manner. The archaeological evidence drawn together in this article points to this as a time when furs and skin products were of prime importance and plant fibres were the basis for knotted nets, looped cloth and basketry. In the archaeological literature these cloth types are u

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Yuan, Ying, and Jun-Ho Huh. "Customized CAD Modeling and Design of Production Process for One-Person One-Clothing Mass Production System." Electronics 7, no. 11 (2018): 270. http://dx.doi.org/10.3390/electronics7110270.

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Following the development of the Industrial Revolution 4.0, many new types of systems are being designed, introduced, or attempted, even in almost every traditional industry. The clothing industry is no exception. The use of continuously developing production equipment and Information and Communication Technology (ICT) has a single objective, providing a customized service to all customers. Thus, in this study, the primary research task was to identify ill-balanced aspects or disadvantages of the services previously analyzed to construct a more complete online customized service. This was acco

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Rodrigues Batista, Esther Maria. "Transformable modeling: versatile women’s collection." Journal of Textile Engineering & Fashion Technology 10, no. 5 (2024): 197–202. http://dx.doi.org/10.15406/jteft.2024.10.00388.

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The present work had the objective to develop a collection of transformable feminine fashion. The starting point was the following problem: is it possible to provide versatility in women's clothing through modeling? Methodologically, the corpus of this work was constituted by conducting bibliographic and applied research with Treptow's design methodology (2013). The work presents the creative process, modeling and the photographic essay of two sought after looks. The generation of alternatives brings a collection containing five dresses and five overalls, from this collection two pieces were p

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Tureiskyi, Ihor. "Ukrainian Children’s Folk Clothing in the Artistic and Ethnographic Heritage of Yurii Pavlovych." Folk art and ethnology, no. 3 (September 30, 2023): 94–104. http://dx.doi.org/10.15407/nte2023.03.094.

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The article examines the issue of children’s folk clothing of Ukrainians in the work of the outstanding Ukrainian ethnologist Yurii Pavlovych (1872–1947), his rich heritage includes thousands of sketches of Ukrainian folk life, clothing, housing, and landscapes are studied and presented in the work «Ukraine in Folk Types, Landscapes, and Architecture: Artistic and Ethnographic Heritage of Yurii Pavlovych» published by the M.T. Rylskyi Institute of Art Studies, Folkloristics, and Ethnology in 2010. From 1921 to 1934, Yurii Pavlovych worked as a permanent freelance employee of the Cabinet of Ant

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Anom Mayun Konta Tenaya, A. A. Ngr. "Classic Jewelry Aesthetics on Payas Agung Badung." Lekesan: Interdisciplinary Journal of Asia Pacific Arts 5, no. 1 (2022): 15–25. http://dx.doi.org/10.31091/lekesan.v5i1.1987.

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Jewelry is an important and inseparable part of Payas Agung Badung's clothing. In the past, the nobles of the Badung kingdom had exclusive rights to Payas Agung (Balinese Traditional Uniform) which were used only at certain times, such as religious rituals and traditional events. Payas Agung Badung is still used today. specifically for weddings and tooth-filling in the Badung district and Denpasar city. The unique nature of this dress does not only come from the material and design aspects but also from the socio-cultural aspect, especially the artistic value of Payas Agung Badung clothing, wh

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Mamatova, Fazilat Ixtiyorovna, and Shahzoda Eshdavlatovna Turdiyeva. "THE HARMONY OF COLORS IN UZBEK NATIONAL COSTUMES." Multidisciplinary Journal of Science and Technology 5, no. 5 (2025): 1790–94. https://doi.org/10.5281/zenodo.15594511.

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The rich cultural tapestry of Uzbekistan is vividly embodied in its national costumes, where the harmony and brilliance of colors play a pivotal role. This article explores the aesthetic and symbolic aspects of color coordination in traditional Uzbek garments, focusing on how chromatic choices reflect historical, regional, and socio-cultural contexts. The study investigates the principles of color harmony in garments like the atlas and adras dresses, emphasizing their alignment with nature, spirituality, and collective identity. Using interdisciplinary methodologies from ethnography, textile a

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Pazzini, Claudia. "L’abito immaginato. Abbigliamento e identità nell’albo illustrato moderno." Journal of Literary Education, no. 3 (December 12, 2020): 160. http://dx.doi.org/10.7203/jle.3.17235.

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The essay focuses on the examination of a selection of children’s picture books on the theme of clothing as an element of identity and as a means of personal and social transformation. The gender stereotype has always deprived children of the freedom to imagine themselves different from the imposed social model. Modern quality literature aims to free childhood from these constraints through stories that encourage the free expression of one's personality. "Clothing and childhood" is one of the binomial in which these themes appear most evident. While developing different plots, each selected bo

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Apriani, Dini, and Ansori Ansori. "UPAYA PENGELOLA LKP SRIKANDI DALAM MENINGKATKAN KOMPETENSI PROFESIONAL PESERTA TATABUSANA MELALUI PENDEKATAN ANDRAGOGI." Comm-Edu (Community Education Journal) 1, no. 2 (2018): 7. http://dx.doi.org/10.22460/comm-edu.v1i2.591.

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LKP Srikandi located in Padasuka Cimahi Tengah village, LKP is organizing a superior course program that is the culinary and clothing arrangement. The study aimed to find out whether there is an increase in professional competence of fashion course participants. This research includes qualitative research. The research method used a qualitative method with Andragogy approach. The independent variable is the effort of LKP Srikandi management. While the dependent variable is the improvement of professional competence of course dress participants. The population in the study were all participants

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Getz-Salomon, Rachel. "Outskirt: The skirt as a queer object." Fashion, Style & Popular Culture 00, no. 00 (2022): 1–10. http://dx.doi.org/10.1386/fspc_00141_1.

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The queer thought supports identities that blur the boundaries between social categories, blending them through different hybrids. In this article, the queer involvement with the subject world is projected on the world of objects, focusing on clothing objects. Unlike the tight, western wardrobe organized in an upright logic, the skirt is an object with diverse, free and hybrid possibilities for cultural definition, calling upon a discussion for identity aspects. These are embodied in the possibilities for identity performance while presenting protection and concealment or as self-expression an

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SCHEID, John. "Rites, gestes, odeurs, tenues. Le culte antique dans le détail." Archimède. Archéologie et histoire ancienne Archimède n° 9 (December 2022): 178–81. http://dx.doi.org/10.47245/archimede.0009.ds1.13.

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Résumé Les rites et les gestes sont non seulement infinis, mais rarement décrits avec précision et détail. Et quand ils le sont, cela soulève de nouvelles questions, comme l’étude des protocoles des frères arvales le montre bien : la relative abondance de détails dans les procès-verbaux du IIIe siècle est inversement proportionnelle au savoir des scribes. L’article propose des réflexions en marge du dossier, évoquant sa richesse, car il met en lumière des aspects ignorés ou négligés des rites, à savoir les gestes et attitudes corporelles, les vêtements et tissus, les odeurs. Abstract Title: Ri

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Kasturi, J. Shetty, and Kotian Suphala. "A Systematic Review and Research Agenda of Body Image and Fashion Trends." International Journal of Case Studies in Business, IT, and Education (IJCSBE) 7, no. 2 (2023): 422–47. https://doi.org/10.5281/zenodo.8117714.

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<strong>Purpose: </strong><em>Fashion is an important aspect in day-to-day life. There are various factors influencing fashion trends such as social, cultural, political</em><em>, environmental, and psychological factors. A bigger interest in fashion has developed at present. This study is conducted to prove the importance of fashion trends to understand and develop the dynamic capacities to guarantee long-term Success the fashion. In clothing and apparel products, the aesthetic sphere is socially and culturally grounded. All groups have their likes and dislikes. This study explores clothing p

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Karin, Franka, Blaženka Brlobašić Šajatović, and Irena Šabarić Škugor. "The TAXI Method: Reducing Fabric Waste with Recognizable Silhouettes in Sustainable Women’s Clothing." Sustainability 17, no. 2 (2025): 698. https://doi.org/10.3390/su17020698.

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The problem of textile waste generated in production processes poses new challenges for manufacturers. For this reason, an approach to clothing design has been developed that takes into account aspects of sustainable development and the zero-waste concept. The paper presents the development of “T” and “X” silhouettes for women’s dresses according to the proposed new method. The existing basic cuts of women’s dresses were modeled to obtain “T” and “X” basic silhouettes for women’s dresses, and we compare the reduction in losses between the cuts using the newly proposed TAXI method and the TAXI

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Kencana Dewi, Tjokorda Istri Bintang, I. Wayan Wastawa, and I. Dewa Ketut Wisnawa. "TRANSFORMASI KOMUNIKASI NON VERBAL PAYAS AGUNG BADUNG PADA UPACARA PERKAWINAN BAGI UMAT HINDU DI KOTA DENPASAR." ANUBHAVA: Jurnal Ilmu Komunikasi Hindu 1, no. 2 (2021): 134. http://dx.doi.org/10.25078/anubhava.v1i2.2986.

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<em><span lang="IN">The transformation in Balinese bridal make-up and dress, especially regarding the details on the face and head decoration of the bride, is not solely due to the wishes of the bride herself, but because of the demands of the times. The transformation of traditional Balinese bridal make-up and clothing into the form of modified bridal make-up and clothing cannot be separated from the development of the socio-cultural dynamics of the Denpasar community itself. The dynamic itself can be understood as starting from the emergence of a new trend in Balinese life cycle

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Gómez de Travesedo Rojas, Ruth, and Marta Gil Ramírez. "Vestir la política: la indumentaria como estrategia en comunicación electoral/Dress politics: clothing as strategy in electoral communication." Revista Internacional de Relaciones Públicas 9, no. 18 (2019): 95–118. http://dx.doi.org/10.5783/revrrpp.v9i18.606.

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Esta investigación de carácter cuantitativo-descriptivo, examina, mediante análisis de contenido, la vestimenta empleada durante la campaña electoral por los cuatro candidatos a presidir la Junta de Andalucía en los comicios del 2 de diciembre de 2018. La muestra está compuesta por 59 estilismos, en los que se estudian variables como: color y carácter formal o informal de la indumentaria, tipo de calzado o complementos. Se pretende responder al interrogante, tradicionalmente formulado en el imaginario colectivo de la sociedad, de si la forma de vestir en política expresa valores ideológicos, c

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Hasmad, Nurjannah. "Reviewing The Literature on Multiple Themes of Islamic Attire Practice Among Muslim Women." Journal of Fatwa Management and Research 24, no. 1 (2021): 78–93. http://dx.doi.org/10.33102/jfatwa.vol24no1.314.

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Islam calls upon its men and women believer to preserve their chastity, in which one of the ways to achieve it is through proper clothing that covers their aurah. Various Quranic verses and prophetic traditions provide guidelines about how one should cover their aurah. Nevertheless, Islam does not specify the type of clothing to be worn, affirming that that any clothes are permissible, as long as it follows the guidelines of aurah covering. Even though it is undisputable that it is a religious commandment in Islam for its believer to dress in a manner that their aurah is not revealed, the fact

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Kutesko, Elizabeth. "Fashion on the Frontier." dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda, no. 42 (December 2, 2024): 449–80. https://doi.org/10.26563/dobras.i42.1765.

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In 1910, on the cusp of the rubber fever that gripped South America, New York photographer Dana Bertran Merrill was hired to document the transnational construction of the Madeira-Mamoré railroad, built deep in the Brazilian Amazon. His camera acted both as witness to, and abettor in, this imperial project of US capitalist expansion and exploitation of South America. Although Merrill was not employed to document the transnational clothing culture of the transient frontier society that sprang up around the construction of the railroad, his commissioned photographs overflow with visual informati

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Watkinson, Caroline. "English Convents in Eighteenth-Century Travel Literature." Studies in Church History 48 (2012): 219–31. http://dx.doi.org/10.1017/s0424208400001339.

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‘A Nun’s dress is a very becoming one’, wrote Cornelius Cayley in 1772. Similarly, Philip Thicknesse, witnessing the clothing ceremony at the English Augustinian convent in Paris, observed that the nun’s dress was ‘quite white, and no ways unbecoming … [it] did not render her in my eyes, a whit less proper for the affections of the world’. This tendency to objectify nuns by focusing on the mysterious and sexualized aspects of conventual life was a key feature of eighteenth-century British culture. Novels, poems and polemic dwelt on the theme of the forced vocation, culminating in the dramatic

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Ejeimi, Sahar, Diane Sparks, and Ruoh-Nan Yan. "Revival of Hejaz embroidery: a collaborative design process engaging Saudi female academics." Research Journal of Textile and Apparel 22, no. 2 (2018): 138–56. http://dx.doi.org/10.1108/rjta-06-2017-0023.

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Purpose The purpose of this study was to collaboratively design eight professional dress ensembles incorporating Hejazi tribal embroidery and to evaluate Saudi female academics’ perceptions about those ensembles as appropriate for professional attire. The concept aimed to offer the potential for increased cultural identity by wearing modernized ethnic dress as everyday workplace attire that was relatively practical, affordable and expressive of Saudi cultural identity. Design/methodology/approach The goal in this research was to engage Saudi female academic professionals in designing clothing

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Jabrallah, Salwa Tidjani Fadl, and Abu Bakr Ali Mustafa Jalaluddin. "The fashion and clothing model in the Abbasid society during the second and third centuries AH." international Jordanian journal for humanities and social since 3, no. 1 (2021): 106–22. https://doi.org/10.5281/zenodo.4633288.

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  <strong>Abstract </strong>This study traced the style and forms of fashion and clothing in the Abbasid society during the second and third centuries AH,  the study aims to show the disparity in clothing between the classes of Abbasid society, where the caliphs, ministers and leaders wore the most sophisticated clothes and the role of the model was sponsored by them, and their official uniforms differed from the clothes of their own councils Where each occasion has its own uniform, and the successors of the Banu al-Abbas were interested in fashion and the gaining of luxurious clothe

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Pashootanizadeh, Azadeh. "Rag Dolls and the Cultural Identity of Zoroastrian Female Society." Athens Journal of Demography & Anthropology 1, no. 2 (2025): 127–40. https://doi.org/10.30958/ajda.1-2-3.

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After the collapse of the Sasanian Empire, the Zoroastrians of Iran formed a community united by a shared religious identity, later evolving into an ethnic group. The strategic importance of the Silk Road, combined with the familiarity of Zoroastrian textile merchants with this route, facilitated several waves of Zoroastrian migration. However, those who remained in Iran settled in various Silk Road stations and faced social pressures and discriminatory laws imposed by Islamic rulers. These circumstances led Zoroastrian women to promote textile and silk production as a means of preserving thei

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الاء عيسى كريم and علي عبدالله عبود. "Fashion Aesthetics in Contemporary Arab Sculpture." Basrah Arts Journal, no. 27 (November 30, 2023): 136–42. http://dx.doi.org/10.59767/2023.11/27.10.

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The art of sculpture in the Arab world formed a solid foundation in the field of art through the various sculptural products presented by Arab sculptors in employing art through which they contributed to the reflection of the cultural heritage due to the forms, symbols, images, forms of clothing and their external formal influences that were included in their works, which reflected the aesthetics of fashion in Arab sculpture. Contemporary, which necessitated highlighting the knowledge of its aspects from the cognitive, social, artistic and cultural aspects, and the connotations expressed by th

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Kapoor, Deepa. "Fashion Designing & Fashion Trends in Current Scenario." International Journal for Research in Applied Science and Engineering Technology 11, no. 1 (2023): 1491–94. http://dx.doi.org/10.22214/ijraset.2023.48852.

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Abstract: This research is clear about the fashion related to humans and their lives. This collection is sourced from field visit books and the internet. The fashion industry has changed a lot over the years. Fashion houses are no longer working with two collections per year - Fall/Winter and Spring/Summer. Multiple fashion professionals are working with multiple collections and deliveries every season. They are constantly inventing new ideas and creating new products to meet the aspirations of their customers. 'Fast fashion' companies are successfully using a variety of strategies to reduce p

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GEORGOUDI, Stella. "Vêtements et insignes des agents cultuels dans les cités grecques : une esquisse." Archimède. Archéologie et histoire ancienne Archimède n° 9 (December 2022): 79–98. http://dx.doi.org/10.47245/archimede.0009.ds1.14.

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Résumé L’article propose quelques réflexions sur l’habillage et les insignes du personnel cultuel dans les cités grecques, en mettant surtout l’accent sur les règles vestimentaires concernant les prêtres et les prêtresses. Il ne vise pas à une synthèse “encyclopédique” de ce sujet, mais à l’examen de certains thèmes qui, par le biais des habits, des attributs ou, plus généralement, de la parure des agents de culte, permettent de s’interroger principalement sur deux aspects : les relations qui se créent, voire la connivence qui s’établit parfois entre la puissance divine et ses serviteurs ; et,

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