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Thematische Bibliographien / Concept of Maya

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Zeitschriftenartikel

Auswahl der wissenschaftlichen Literatur zum Thema „Concept of Maya“

Autor: Grafiati

Veröffentlicht am 18. Mai 2024

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Zeitschriftenartikel zum Thema "Concept of Maya"

1

James, N. "Maya milestone." Antiquity 85, no. 327 (2011): 281–83. http://dx.doi.org/10.1017/s0003598x00067624.

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Fiery pool: the Maya and the mythic sea is a travelling exhibition of nearly 100 finds that, together, imply a specific concept of the environment, physical and spiritual, for the Maya of Mesoamerica. As usual, the majority are from ‘public’ contexts, more or less aristocratic; but the exhibition generalises about Maya culture. Most of the exhibits are of the Classic period (c. AD 250–900), predominantly Late Classic, but there are some earlier pieces and several of the Postclassic (to the Spanish Conquest). Some are well known and there are striking new finds too. Curated by Daniel Finamore &

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2

Ouellet-Plamondon, Claudiane, Pilar Aranda, Aurélie Favier, Guillaume Habert, Henri van Damme, and Eduardo Ruiz-Hitzky. "The Maya blue nanostructured material concept applied to colouring geopolymers." RSC Advances 5, no. 120 (2015): 98834–41. http://dx.doi.org/10.1039/c5ra14076e.

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Maya blue is an ancient nanostructured pigment. The novelty of our approach is to functionalize geopolymers with a sepiolite-based hybrid organic–inorganic nanocomposite, inspired from Maya blue. The colored cold ceramic is acid- and UV-resistant.

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3

Филиппов, С. В., and S. V. Filippov. "Maya-K-PDB Software for the Three-Dimensional Modeling and Visualization of the Conformational Dynamics of Biomacromolecules." Mathematical Biology and Bioinformatics 10, no. 1 (2015): 260–82. http://dx.doi.org/10.17537/2015.10.260.

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The concept of "active" molecular models was proposed. The Maya-K-PDB software for the creation of active molecular models in the 3D Maya environment was developed. The Maya-K-PDB provides various opportunities for dynamic visualization and modeling of conformational changes of biological macromolecules. Also many complicated processes on molecular level can be presented. The article describes the Maya-K-PDB user interface and illustrates basic examples of software implementation.

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4

Grecco Pacheco, Daniel. "The concept of wrapping and its ontological character among the Maya." Estudios Latinoamericanos 41 (February 8, 2022): 47–65. http://dx.doi.org/10.36447/estudios2021.v41.art3.

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A textile with its threads, its weft, and warp, for the western ontology, is a simple utilitarian object or a body adornment. This study will discuss the wrapping among the Maya, starting from concepts present in ancient and contemporary Maya thought to identify the ontological character of some ceremonial textiles present in these societies. Based on an approach proposed by the ontological archaeology, I will discuss the conceptual proximity between the terms pix (to wrap, to cover) and pixan (soul, or something that is received from the other world), to think of the wrap as an element of art

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5

Smith, Michael E. "Did the Maya Build Architectural Cosmograms?" Latin American Antiquity 16, no. 2 (2005): 217–24. http://dx.doi.org/10.2307/30042813.

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AbstractI criticize recent applications of the “cosmogram” concept to ancient Maya architecture and cities. Although cosmograms—graphic representations of aspects of the cosmos—are known from Late Postclassic and early colonial Aztec and Maya sources, there is no textual suggestion that buildings or cities were viewed as cosmograms. Numerous authors, however, assert confidently that architectural cosmograms abounded in Classic Maya cities. I examine known cosmograms, describe recent studies of architectural cosmograms, and discuss problems that occur when highly speculative interpretations are

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6

Nurrachman, Dian, and Sri Rosyana Ratnaningsih. "THE ENLIGHTENING MADNESS: NUKILA AMAL’S CALA IBI AS A METAFICTION THROUGH LACANIAN PSYCHOANALYSIS." Jurnal Pembelajaran Sastra 4, no. 01 (2023): 25–32. http://dx.doi.org/10.51543/hiskimalang.v4i01.58.

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The similarities of literature and human unconsciousness has been proved by many analysis or interpretation over several literary works. Nowadays, a psychoanalysis over literary works is in great popularity. Even more so for the literary works which is kind of difficult to understand. Cala Ibi is a novel with form of lyrical poetry. It has a consciousness as a metafictional to represent its narration. With such a complicated development from the character, Maya, Cala Ibi represents the concept of the mirror stage. As the representation of Lacan’s conception, Cala Ibi presented a reading proble

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7

Hamann, Agnieszka. "The concept of space in Classic Mayan." Estudios Latinoamericanos 40 (October 1, 2021): 33–59. http://dx.doi.org/10.36447/estudios2020.v40.art2.

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The ancient Maya civilization left us a significant corpus of glyphic inscriptions, a large portion of which consists of historical records, meticulously dating events and time elapsed between them – births, accessions and deaths of rulers, wars, ceremonies, visits and family relationships between royal dynasties, etc. (see Martin and Grube 2008). Time being such a prominent topic, the texts contain a number of time-related terms, including (1) event-based expressions (ti ik’ k’in ‘at black day / at dusk / at night’; i pas ‘then at dawn’; si[h]yajiiy ‘(X years) after s/he was born’), (2) conce

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8

Rice, Prudence M. "Time, Power, and the Maya." Latin American Antiquity 19, no. 3 (2008): 275–98. http://dx.doi.org/10.1017/s1045663500007951.

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Time is an abstract concept that has been examined relatively less by Americanist archaeologists as compared to Europeanists. The lack of consideration of time is particularly curious among Mayanists, because the Classic Maya assiduously recorded events in the lives of rulers and their kingdoms according to time's passage in multiple, precisely calibrated calendars. This essay examines some of the ways in which time has been conceptualized, and its political and economic roles explored, by anthropologists, sociologists, historians, and others. I apply these findings to the evolution of calenda

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9

Jeong, Ok Hee. "Reflections on Maya Deren's Forgotten Film." Congress on Research in Dance Conference Proceedings 40, S1 (2008): 124–28. http://dx.doi.org/10.1017/s2049125500000601.

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American avant-garde filmmaker Maya Deren is highly acclaimed as one of the pioneers of film dance, but her final film The Very Eye of Night (1952–55, released 1959) is largely neglected in the dance field. In that silenced, marginalized cases shed light on the discursive contour of the field, I examine not only Deren's intention of the film but also assumptions and rationales upon which scholars and critics ignored the film. I argue that the medium-specific and modernist concept of dance film, which Deren herself initially introduced into the field, contributes to the film's ignorance in danc

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10

Christenson, Allen J. "The Sacred Tree of the Ancient Maya." Journal of Book of Mormon Studies (1992-2007) 6, no. 1 (1997): 1–23. http://dx.doi.org/10.2307/44759810.

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Abstract Sacred trees, representing the power of life to grow from the underworld realm of the dead, are a common motif in the art and literature of the ancient Maya of Mesoamerica. Such trees are similar in concept to the tree of life described in the Book of Mormon, as well as to the mythic traditions of many other contemporary world cultures. Hieroglyphic inscriptions and sixteenth-century highland Maya texts describe a great world tree that was erected at the dawn of the present age to stand as the axis point of the cosmos. In its fruit-laden form, it personified the god of creation who fa

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