Thematische Bibliographien / Concert des Amateurs

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Auswahl der wissenschaftlichen Literatur zum Thema „Concert des Amateurs“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "Concert des Amateurs"

Loshkov, Yurii, and Sergey Kostohryz. "“Musical circle” and concert life of Kharkiv in the second half of the 1880." Aspects of Historical Musicology 38, no. 38 (2025): 349–64. https://doi.org/10.34064/khnum2-38.16.

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Statement of the problem. The activity of educational organizations in Ukraine in the XIX – early XX centuries was a notable feature of and one of the leading factors in the formation of cultural space in the Ukrainian regions of the period. One among these associations was the Kharkiv Musical Circle, which functioned between 1884 and 1912, with a break of seven years, and played a significant role in the cultural life of Kharkiv. Over the years, both talented amateurs and experienced professional musicians such as S. Nemets, E. Liuba-Yevdokymova, A. Bensh, O. Litynsky, and others were active

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FABBRI, FRANCO. "Orchestral Manoeuvres in the 1970s: l’Orchestra Co-operative, 1974–1983." Popular Music 26, no. 3 (2007): 409–27. http://dx.doi.org/10.1017/s0261143007001353.

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AbstractL’Orchestra, a cooperative established in 1974/75, based in Milan, Italy, was a unique organisation, involving musicians, sound and lighting engineers, music critics and teachers, and concert managers. It was started as a kind of artists’ union, a federation of folk, rock, political song, jazz, avant-garde groups, but in a few months it became a concert agency and a record company; it held music courses for amateurs and published music tutorials; it helped managing the first multipurpose art/social centre in Milan. L’Orchestra promoted studies along various disciplinary perspectives (s

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Hoffmann, Bernd. "JAZZBANDITEN oder die Mär vom seligen Amateur." Kieler Beiträge zur Filmmusikforschung 17 (September 4, 2023): 107–48. http://dx.doi.org/10.59056/kbzf.2023.17.p107-148.

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»Jazzbanditen« oder die Mär vom seligen Amateur. Dixieland- und Skiffle-Szene als westdeutsche Jugend-Bewegung: Der fiktionale Dokumentarfilm berichtet – Ende der 1950er Jahre – von dem Aufbau eines Musik-Überaums unter einer Düsseldorfer Bäckerei. Parallel zur Einrichtung des Raumes finden Beobachtungen eines sozio-musikalischen Findungsprozesses statt, in dem sich ein improvisierendes Ensemble von Jazz-Amateuren in eine „Jazz-Band“ verwandelt. Die von Regisseur Bodo Ulrich bevorzugte starke Kontrastierung der Filmbilder und die häufige Verwendung von Nahaufnahmen schaffen eine dichte Atmosph

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Bayramova, Alla. "Traditional Musical Instruments in the Light of Museum Interpretation." ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 15 (May 30, 2025): 102–9. https://doi.org/10.30819/aemr.15-10.

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How to explain Azerbaijani traditional music, especially musical instruments, to museum visitors, be they children or adult amateurs, musicians or researchers, locals or foreigners? This article shares the experience of the State Museum of Musical Culture of Azerbaijan in a multilayered approach to interpreting musical instruments, focusing on those that were common in the Muslim world in the Middle Ages and have largely disappeared. Reconstructed by Professor Majnun Kerimov, they have taken their place in the museum’s exposition and in the concert practice of the museum’s Ensemble of Ancient

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Garrido, Sandra, and Jennifer Macritchie. "Audience engagement with community music performances: Emotional contagion in audiences of a ‘pro-am’ orchestra in suburban Sydney." Musicae Scientiae 24, no. 2 (2018): 155–67. http://dx.doi.org/10.1177/1029864918783027.

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Research into audience engagement in the arts is a growing area of interest because of the need to build audiences and to provide convincing evidence of the value of arts programs to funding bodies. In addition, the way in which music works so as to touch the listener is of ongoing interest to music psychologists and is increasingly being considered in the context of live listening situations. This paper considers the phenomenon of emotional contagion, or the transference of emotion between audience members, and how this contributes to the audience experience. Audience members ( N = 105) were

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Zhyrov, Oleksandr. "ARTISTIC AND PEDAGOGICAL HERITAGE OF KIM VASYLENKO AS A CULTURAL AND HISTORICAL PHENOMENON." Aesthetics and Ethics of Pedagogical Action, no. 18 (September 9, 2018): 103–14. http://dx.doi.org/10.33989/2226-4051.2018.18.176327.

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The article attempts to generalize and supplement the notion of the phenomenon of the creative personality of the famous Ukrainian teacher-artist K. Vasylenko. Various aspects of his activity as a scientist, choreographer, teacher, researcher of dance art, organizer of cultural life in the country, founder of higher choreographic education in Ukraine are considered. His artistic and pedagogical ideas are systematized. The role played by K. Vaselenko in the processes of formation and development of Ukrainian folk-stage choreography has been established.The pedagogical experience of K. Vasylenko

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Vernet, Thomas, Robert-Henri Tissot, and Camille Bellissant. "Le Concert des Amateurs à l'Hôtel de Soubise (1769-1781). Une institution musicale parisienne en marge de la Cour." Revue de Musicologie 92, no. 2 (2006): 420. http://dx.doi.org/10.2307/20141685.

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Edwards, Richard. "Amateurism and professionalism in work and learning." Journal of Workplace Learning 26, no. 6/7 (2014): 406–17. http://dx.doi.org/10.1108/jwl-08-2013-0059.

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Purpose – This article aims to explore the concept of amateurism as a form of critique and addition to the concepts of professionalism, professional work and education. Design/methodology/approach – This is a theoretically driven article based upon a review of the historical and sociological literature on amateur–professional relations in various work contexts. Findings – While amateurism is usually conceived pejoratively, the notion of doing something “for the love of it”, even if one is not formally qualified, opens up the possibilities for conceiving new forms of work, worker and sets of wo

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Bolshakova, T. V. "Formation of performance on string-plucked instruments in Kharkiv (based on periodicals of the mid-XIX — early XX centuries)." Culture of Ukraine, no. 76 (June 29, 2022): 126–38. http://dx.doi.org/10.31516/2410-5325.076.14.

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The purpose of this article is to learn the chronology of introduction in the musical-cultural way of life of Kharkiv of Western European and the Eastern European stringed instruments (zither, guitar, mandolin, balalaika, domra). The study of chronology is aimed at a more active introduction of the facts of use of string-plucked instruments in Kharkiv into the scientific circulation. The methodology for writing this article is the combination of comparative, cultural and historical, musicological approaches and methods. The result of scientific research of this article is demonstra

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Garipova, Ninel F. "Amateur Piano Music-Making and the Ufa Section of the Imperial Russian Musical Society." ICONI, no. 1 (2019): 73–82. http://dx.doi.org/10.33779/2658-4824.2019.1.073-082.

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The geographic position of Ufa, which in the early 19th century was a deep province, was not conducive to the development of musical culture. However, we must consider as an important element in its formation the active spread of household music-making and the wish of amateurs to participate in the city’s concert life. The “Society for Singing, Music and the Art of Drama” was founded in 1885 in Ufa following the wishes of the city residents. The twenty-year-long existence of the Society has left a considerable trace in the development of musical education and the exposure of the public to the

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Dissertationen zum Thema "Concert des Amateurs"

Kopsalidou, Evangelia. "L'art de la viole de gambe d'Eustache du Caurroy à Michel Corrette (1610-1773) : du concert de violes à la pièce soliste virtuose." Thesis, Sorbonne université, 2020. http://www.theses.fr/2020SORUL018.

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Le jeu de la viole de gambe devient un art aux XVIIe-XVIIIe siècles en France. Notre premier travail consiste à élaborer un bref catalogue des sources pour viole de gambe française dans la période mentionnée ci-dessus. Ce catalogue est l’outil essentiel pour un questionnement sur le répertoire de la viole de gambe de 1610 à 1773, périmètre qui inclut l’apogée et le déclin de l’instrument. Notre second intérêt est consacré aux violistes virtuoses et aux ensembles de violes. Nous ne traitons pas ici leur biographie ni l’analyse structurelle et technique de leurs œuvres, ni le sujet des ensembles

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Colburn, Steven. "Amateur concert filming for YouTube : recalibrating the live music experience in an age of amateur reproduction." Thesis, University of Sussex, 2013. http://sro.sussex.ac.uk/id/eprint/46412/.

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This thesis explores the recent phenomenon of music concert goers filming these concerts and uploading the footage to YouTube. This contemporary practice poses several questions of the nature of contemporary music culture. The status of the concert as live event is problematised by this mediation of the experience. The videos create producers of fans and allow these fans to make a substantive contribution to music culture as authors of music texts consumed through a major distribution network. The fact that these fans are not paid for their efforts begs the question as to what they gain from t

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Einarsdottir, Sigrun Lilja. "J.S. Bach in everyday life : the 'choral identity' of an amateur 'art music' Bach choir and the concept of 'choral capital'." Thesis, University of Exeter, 2012. http://hdl.handle.net/10036/4022.

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This thesis presents research on an amateur composer-oriented Bach choir. Its main purpose is to study the development of musical identities and musical preferences of choir members as they take shape through the collective learning process of rehearsing and performing large-scale choral music. The study analyses how the choral participation and performance creates a certain type of ‘choral capital’ (a combination of social and cultural capital within the choral setting) and how the choristers reconstruct and relate to the composer (J.S. Bach) by creating ‘choral identities’ linked to the comp

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Arslan, Luciana Mourão. "Amadores da arte: práticas artísticas em cursos livres de pintura da cidade de São Paulo." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-06102008-120819/.

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Esta pesquisa investiga práticas artísticas em alguns cursos livres de pintura da cidade de São Paulo. Gostos e idéias sobre arte muito heterogêneos surgem nestes espaços informais de ensino. Este trabalho se propõe a identificar essa diversidade e interpretar as concepções e funções de arte que presidem distintas formas de práticas artísticas vigentes não institucionalizadas na cidade de São Paulo. This research analyses artistic practices in painting courses provided by organisations which are not linked to official educational bodies in São Paulo. Many different and heterogeneous tastes

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Arvidsson, Alf. "Sågarnas sång : folkligt musicerande i sågverkssamhället Holmsund 1850-1980." Doctoral thesis, Umeå universitet, Etnologi, 1991. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-85048.

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The aim of this dissertation is to analyze the public music-making by locals in Holmsund 1850—1980, and to explain the great variety of musical forms in hope to thereby illuminate the importance of local music-making for the workers' musical taste, but also how workers' musical aesthetics were affected by a more general working-class culture. The variety of musical forms is explained according to John Blacking's distinction between change of musical system, and variation and innovation within a musical system. There are two major changes of the musical system. The first generations of workers

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Kila, Roskem Jean-Pierre. "L'émergence d'une scène musicale à N'Djaména : identification des acteurs et des territoires." Thesis, Avignon, 2014. http://www.theses.fr/2014AVIG1135/document.

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La musique occupe une place importante dans les pratiques culturelles des Tchadiens et plus particulièrement des habitants de N’Djamena. Elle s’exprime sous des formes variées : festivals, concerts, caravanes de musiciens à travers les grandes artères de la ville et s’inscrit dans des lieux divers : bars, centres culturels, points de vente, espaces publics. Elle est aussi médiatisée par de nombreuses émissions de radio et de télévision. Notre recherche vise à comprendre les modalités et les implications de cette inscription de la musique dans une ville africaine dont l’image a toujours été lié

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Leung, Yee-Man Janice. "From crowdsurfing to crowdsourcing : user-generated concert videos, YouTube.com and the practices of music fandom /." 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR38797.

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Thesis (M.A.)--York University, 2007. Graduate Programme in Communication and Culture. Typescript. Includes bibliographical references. Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR38797

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CHEN, WEI-YU, and 陳瑋鈺. "Concepts of Sport Values and the Influence about Career Development among the Elite Amateur Tennis Players in University." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/ejtfz2.

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碩士 國立中正大學 運動競技系運動與休閒教育研究所 105 The purpose of this study was to explore the concepts of sport values and the influence about career development among the excellent amateur tennis players in university. Qualitative research method was adopted. Base on the functional theory of human value to tennis training, and by purposive sampling. The nine tennis trainers who match winner in the national university sport game and received in-depth interview for 90-120 minutes. All contents of interviews were recorded and transcribed. The nine transcribes were analyzed by Thematic Analysis. There w

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Boyd, Michelle. "Music and the Making of a Civilized Society: Musical Life in Pre-Confederation Nova Scotia, 1815-1867." Thesis, 2011. http://hdl.handle.net/1807/31695.

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The years 1815 to 1867 marked the first protracted period of peace in Nova Scotia’s colonial history. While the immediate effects of peace were nearly disastrous, these years ultimately marked a formative period for the province. By the eve of Confederation, various social, cultural, political, economic, and technological developments had enabled Nova Scotia to become a mature province with a distinct identity. One of the manifestations of this era of community formation was the emergence of a cosmopolitan-oriented music culture. Although Atlantic trade routes ensured that Nova Scotia was n

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Bücher zum Thema "Concert des Amateurs"

Tissot, Robert Henri, and Camille Bellissant. Le Concert des Amateurs à l'Hôtel de Soubise, 1769-1781: Une intitution musicale parisienne en marge de la Cour. Publications de la MSH-Alpes, 2004.

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Jacobs, David H. Concrete: A homeowner's illustrated guide. Tab Books, 1992.

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Companies, Quikrete, ed. Build and repair with concrete: The complete do-it-yourself manual. The Companies, 1986.

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Service, Midwest Plan, ed. Farm and home concrete handbook. Midwest Plan Service, 1989.

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Association, Portland Cement, ed. The Homeowner's guide to building with concrete, brick & stone. Rodale Press, 1988.

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Skinner, Tina. Casting concrete countertops. Schiffer Pub., Ltd., 2008.

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Skinner, Tina. Casting concrete countertops. Schiffer Pub., Ltd., 2008.

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Skinner, Tina. Casting concrete countertops. Schiffer Pub., Ltd., 2008.

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Academy of Music (Saint John, N.B.), ed. Academy of Music, Saint John, N.B., Tuesday evening, Feb. 22, 1876: Entertainment by the Amateur Minstrels of Bangor, Maine. s.n., 1986.

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Hiller, Rene. Guia Práctica de Albanileria. Everest Pub, 1997.

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Buchteile zum Thema "Concert des Amateurs"

Macdonald, Claudia. "Amateur and Virtuoso Musician." In Robert Schumann and the Piano Concerto. Routledge, 2023. http://dx.doi.org/10.4324/9781003416951-1.

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Brasil, André, and Cezar Migliorin. "Amateur Biopolitics: Generalization of a Practice, Limits of a Concept." In A Critique of Judgment in Film and Television. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137014184_5.

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Tenreiro Uzal, Cibrán. "Delicate Balances: The Roles of Amateur Concert Videos in the Galician Underground Scene." In Popular Music, Technology, and the Changing Media Ecosystem. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-44659-8_13.

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Collins, Jim. "“If You Can Read, You Can Write, or Can You, Really?”." In New Directions in Book History. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_16.

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AbstractThe popular literary culture that emerged in the late 1990 s depended on a number of interdependent factors that formed a unique media ecology—book clubs (actual, online, televisual) literary bestsellers, Amazon.com, high-concept adaptation films, “superstore” bookstore chains, etc. The reading cultures generated by that media ecology were unified by certain overarching values, none more significant than the empowerment of amateur readers who were driven by the conviction that passionate reading was equal, if not superior to the bloodless close reading of professionalized readers. Whil

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Winter, Renée. "Video as a Weapon, Extension, Mirror, Catalyst, and Virus: Transnational Metaphors and Concepts in Video Movements in the 1970s and 1980s." In Postwar Amateur Film Practices in a Transnational Perspective. V&R unipress, 2023. http://dx.doi.org/10.14220/9783737015684.325.

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Jiang, Wei, and Wei Han. "Analysis on the Acceptance Degree of the Concept of Amateur Safety Management for Enterprise Employees." In Application of Intelligent Systems in Multi-modal Information Analytics. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15740-1_36.

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Prys, Delyth, Tegau Andrews, and Gruffudd Prys. "Terminology in Wales." In Terminology and Lexicography Research and Practice. John Benjamins Publishing Company, 2025. https://doi.org/10.1075/tlrp.24.31pry.

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Abstract The Welsh experience deals with developing terminology standards and guidelines in a minoritised language environment. Attempts to provide modern technical terminology for the Welsh language began as a voluntary, amateur activity without official backing, as part of an ambitious plan of domain gain, preparing for increased use of Welsh in education, public administration, law, health, etc. These domain gains have been increasingly realised, especially since the publication of various Welsh language acts and the establishment of the Welsh devolved government in 1998. The expansion of W

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Barber-Westin, Sue, and Frank R. Noyes. "Return to Sport After Primary ACL Reconstruction in Amateur, Children, and Elite Athletes: Feasibility and Reinjury Concerns." In Return to Sport after ACL Reconstruction and Other Knee Operations. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-22361-8_6.

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Rice, Albert R. "The Use of the Baroque Clarinet by Amateurs and Professionals." In The Baroque Clarinet. Oxford University PressOxford, 1992. http://dx.doi.org/10.1093/oso/9780198161882.003.0005.

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Abstract The use of the clarinet before 1760 is documented in various sources including iconographical documents, concert reviews and notices, listings of orchestral players, and biographical accounts. In this chapter iconographical documents are discussed along with the concert appearances and orchestral posts of several individual clarinettists. Their positions, obligations, and privileges within eighteenth-century society are also noted.

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Kleppe, Bård, and Ola K. Berge. "Profesjonalitetens pris – om ambivalens og profesjonalisering blant konsertarrangører." In Musikerne, bransjen og samfunnet. Cappelen Damm Akademisk/NOASP, 2022. http://dx.doi.org/10.23865/noasp.160.ch6.

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In the fields of art and music, professionalization is an important prerequisite for success in an increasingly globalized and competitive market. In Norway, professionalization is a recurrent topic in policy papers, and several cultural policy schemes aim at increased professionalization. Professionalism is also a key concept when referring to musicians and artistic activity. Who are professionals and who are amateurs decides who are inside and who are outside when recognition and grants are to be awarded. At the same time, professionalization also comes with a considerable downside, which is

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Konferenzberichte zum Thema "Concert des Amateurs"

LI, ZIBIN. "THE TEXTUAL PRACTICE OF AMATEUR GAMES: ANALYSIS OF ROLAND BARTHES' RESCUE OF THE LEGITIMACY OF THE WRITING SUBJECT." In 2023 9TH INTERNATIONAL SYMPOSIUM ON SOCIAL SCIENCE. Destech Publications, Inc., 2023. http://dx.doi.org/10.12783/dtssehs/isss2023/36096.

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As the core way of Roland Barthes's late textual practice, "amateur" always rejects the ideological power of discourse construction, especially the power collapse within the language system, and tries to break the long-standing "intransitive" dilemma of writing through a non-utilitarian textual game. However, it also shifts the responsibility of narrative to social structures and releases a sense of lost historical disillusionment. Based on the textual manifestation of the concept of "amateur", including its position, goals and other specific forms of practice, and combined with the relevant r

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Stojsih, Sarah E., and Cynthia A. Bir. "Comparison of Experimental and Real-Time Data in Amateur Boxers." In ASME 2009 Summer Bioengineering Conference. American Society of Mechanical Engineers, 2009. http://dx.doi.org/10.1115/sbc2009-206372.

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The sport of boxing dates back to the time of the ancient Greeks and Romans. While boxing has come a long way from its origin in fist fighting, head injury is of great concern in the sport of boxing. A study found that over 70% of acute injuries occur in the head region, with almost half of the injuries to this region being concussions [1]. Various techniques have been implemented to discern the risk of head injury in boxing. Although some surrogate data have been collected to assess the mechanism that causes the injuries [2], real-time head acceleration data from the ring has yet to be obtain

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Ortega Lisbona, José Luis. "Prestamos, apropiaciones y plagios. Meditaciones sobre los arquetipos de la web 2.0." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.5737.

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En el último decenio hemos asistido a un cambio de paradigma en cuanto a la estructura y cohesión de nuestra vida diaria, la cual ha pasado ha articularse mediante la implementación de una amplia gama de tecnologías relacionadas con la red, y que tienen un alcance global. Una de las características destacables de este nuevo paradigma es la aparición de una nueva tipología de usuario caracterizado por aunar los roles de productor y consumidor. Esto ha generado una web construida por los propios usuarios mediante el potencial creativo de las comunidades online. Sin embargo ¿hasta que punto no es

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Casamiquela, Laia, Víctor Moreno de la Cita, Ignasi Pérez Ràfols, and Santiago Roca Fàbrega. "Finestres al cel." In Symposium on Space Educational Activities (SSAE). Universitat Politècnica de Catalunya, 2022. http://dx.doi.org/10.5821/conference-9788419184405.089.

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We present an astronomy educational project intended for 16-year-old high school students that has been successfully deployed for 7 years under the Youth and Science Program of the Catalunya La Pedrera Foundation. The Youth and Science Program aims to encourage talented students to pursue careers in science and technology and a future as researchers. It consists of a two-week crash course covering all major topics in astronomy: stellar evolution, black holes, galaxy formation and evolution, cosmology, simulations, and gravitational waves, among many others. The classes focus on the relevant co

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Semenov, I. N. "REFLEXIVE-PRODUCTIVE GOAL FORMATION OF THE SELF-CONCEPT AS A SYSTEM-FORMING FACTOR OFTRANSFORMATION OF GIFTEDNESS INTO CULTURAL-CREATIVE CREATIVITY (METHODOLOGY OF ITS AMATEUR DEVELOPMENT)." In ПСИХОЛОГИЯ ТВОРЧЕСТВА И ОДАРЕННОСТИ. Ассоциация технических университетов, 2021. http://dx.doi.org/10.53677/9785919160472_9_14.

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Lobas, Stefan, Mario Geisler, and Frank Fischer. "Cosmic Call Tech – A hands-on space radio workshop for students in secondary education." In Symposium on Space Educational Activities (SSAE). Universitat Politècnica de Catalunya, 2022. http://dx.doi.org/10.5821/conference-9788419184405.027.

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The DLR_School_Lab Braunschweig, Germany, organized an amateur radio contact with an astronaut on board the International Space Station (ISS) for students from five different schools for the third time. While the contact itself was always an exciting event for the participating students our goal was to increase the sustainability in learning with a deeper understanding of the technology used for the radio contact. As a result, we present our concept for engaging with the students and preparing them for the actual radio contact with an inexpensive hands-on space radio workshop that was conducte

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Ilinova, Bogdana. "BODY COMPOSITION AND SOMATOTYPE OF ERASMUS STUDENTS." In INTERNATIONAL SCIENTIFIC CONGRESS “APPLIED SPORTS SCIENCES”. Scientific Publishing House NSA Press, 2022. http://dx.doi.org/10.37393/icass2022/75.

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ABSTRACT The present study aims to investigate the body composition and somatotype of students from several European countries, who study Sports Sciences or Physical Education in their countries and were in Bulgaria, in the National Sports Academy like incoming participants in the Educational Program Erasmus. They all practice different sports at an amateur level. Material and Methodology: An anthropometric investigation of 30 male and 20 female students was done. It included the following parameters height (cm), weight (kg), body circumferences of arms and legs (cm), skinfolds (mm), and bone

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Anachkova, Maja, Marko Stankoski, Mihael Berberu, Aleksandar Atanasov, Jane Janevski, and Jovana Jovanova. "Design and Analysis of a Modular VTOL Drone With Bat-Inspired Wings." In ASME 2020 Conference on Smart Materials, Adaptive Structures and Intelligent Systems. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/smasis2020-2342.

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Abstract The future of technology lies in the diverse characteristics and capabilities of autonomous machines and devices and their application in many technical challenge. Rapid technology development, market globalization and availability of affordable electronics and controllers, have recently resulted in increased scientific and technical interest in drones as autonomous solutions for professional, as well as, amateur applications. On the other hand, researchers have been improving how manmade machines move through air by attempting to replicate animals motion by mimicking their aerial abi

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Mandea, Maria. "ONLINE EDUCATIONAL MODULES, A DO-IT-YOURSELF APPROACH BY DESIGN THINKING." In eLSE 2021. ADL Romania, 2021. http://dx.doi.org/10.12753/2066-026x-21-055.

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Starting from the assumption that design thinking is a crucial meta-competency for an individual in today's (and tomorrow's) society, this paper aims to explore how it can be developed in non-design professionals and form an inclusive design practice through the pedagogy of craft-based design. Craft based design is an essential part of professional design practice and a growing activity among amateurs and art enthusiasts. As opposed to industrial design, in this type of design, the designer or the planner is also the maker. It is iterative in the sense that it is a repetitive practise that evo

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Briciu, Victor-Alexandru, Arabela Briciu, Vlad Robert Antochi, and Vlad Batranu-Pintea. "ORGANIZING ESPORTS EVENTS IN ROMANIA. CASE STUDIES FROM THE EARLY STAGE OF DEVELOPMENT." In 9th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscss.2022/s10.097.

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This paper aims to present and promote the eSports and its situation in Romania. Esports, also known as electronic sports, professional video game competitions, can be defined as a form of sports where the main aspects are facilitated by electronic systems. Most often eSports takes the form of multiplayer video game contests usually organized between professional players. Several games are popular in the competitive scene. The championships that appeared in the 1990s were those that contained fighting video games and the shooter type, genres that still have a large audience. Electronic athlete

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Berichte der Organisationen zum Thema "Concert des Amateurs"

Rudyk, Myroslava. JOURNALISM STANDARDS AND BLOGGING: PROFESSIONAL PRINCIPLES OF WORKING WITH INFORMATION IN THE BLOGOSPHERE. Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11398.

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The article is devoted to the study of journalistic standards in the blogosphere, i.e. the extent to which bloggers adhere to professional principles in their work with information. The popularity of the blogosphere has spread not only to journalists but also to influential people, as well as amateur bloggers, who have created their own platforms to distribute useful or entertaining content. However, not all bloggers work on a professional basis, which creates many opportunities to spread misinformation and manipulate consciousness. Standard approaches to working with information, which have h

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