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Thematische Bibliographien / Concert des Amateurs / Bücher

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Bücher zum Thema „Concert des Amateurs“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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1

Tissot, Robert Henri, and Camille Bellissant. Le Concert des Amateurs à l'Hôtel de Soubise, 1769-1781: Une intitution musicale parisienne en marge de la Cour. Publications de la MSH-Alpes, 2004.

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2

Jacobs, David H. Concrete: A homeowner's illustrated guide. Tab Books, 1992.

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3

Companies, Quikrete, ed. Build and repair with concrete: The complete do-it-yourself manual. The Companies, 1986.

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4

Service, Midwest Plan, ed. Farm and home concrete handbook. Midwest Plan Service, 1989.

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5

Association, Portland Cement, ed. The Homeowner's guide to building with concrete, brick & stone. Rodale Press, 1988.

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6

Skinner, Tina. Casting concrete countertops. Schiffer Pub., Ltd., 2008.

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7

Skinner, Tina. Casting concrete countertops. Schiffer Pub., Ltd., 2008.

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8

Skinner, Tina. Casting concrete countertops. Schiffer Pub., Ltd., 2008.

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9

Academy of Music (Saint John, N.B.), ed. Academy of Music, Saint John, N.B., Tuesday evening, Feb. 22, 1876: Entertainment by the Amateur Minstrels of Bangor, Maine. s.n., 1986.

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10

Hiller, Rene. Guia Práctica de Albanileria. Everest Pub, 1997.

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11

Luis, Lesur, ed. Manual de albañilería y autoconstrucción. Editorial Trillas, 1998.

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12

Neil, T. J. Sculpting concrete garden ornaments. Schiffer Pub. Ltd., 2008.

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13

International, Creative Publishing, ed. Guide to concrete masonry & stucco projects. Creative Pub. International, 2008.

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14

Neil, T. J. Sculpting concrete garden ornaments. Schiffer Pub. Ltd., 2008.

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15

Luis, Lesur, ed. Manual de albañilería y autoconstrucción I. 2nd ed. Editorial Trillas, 1998.

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16

America, Radio Corporation of. Radio enters the home: How to enjoy popular radio broadcasting : with complete instructions and description of apparatus : for those who desire to be entertained with radio concerts, lectures, dance music, and for the radio amateur and experimenter. Vestal Press, 1988.

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17

McGuire, Charles Edward. Amateurs and Auditors. Edited by Christian Thorau and Hansjakob Ziemer. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190466961.013.10.

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Between 1810 and 1835 the British musical audience expanded from the nobility and the gentry to include members of the middle classes. Using the contemporary musical festival as a case study, this chapter examines how the accommodation of this larger, more intellectually diverse audience led to an early manifestation of the modern concert-listener. This development is explored in terms of factors that aided in the creation of a physical or intellectual “listening space.” These aspects include physical structures (stages, galleries), educational structures (histories of musical festivals, comme

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18

Concert!: A concert of sacred music will be given in the Brussels St. Baptist Church on Thursday even'g., 25th inst., by the choir, assisted by Mrs. W.H. Lawton and a number of amateurs .. s.n., 1986.

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19

Grand concert!: Given at the Mechanics' Institute on Wednesday evening, October 28, by Mrs. G.H. Perley, assisted by a number of lady and gentlemen amateurs. s.n., 1986.

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20

Ruck Keene, Hermione, and Lucy Green. Amateur and Professional Music Making at Dartington International Summer School. Edited by Roger Mantie and Gareth Dylan Smith. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190244705.013.16.

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Music summer schools in the United Kingdom offer a holiday context for “serious leisure” for amateurs, and high-level tuition for aspiring professionals. The majority exist in distinct spaces for either the vocational or avocational musician; Dartington International Summer School is anomalous in that it is attended by amateur, aspiring professional and professional musicians. Theories of leisure as symbol, play, and the other, and Bahktin’s theory of the “carnivalesque” are used in this chapter as lenses to view participant experience. Mantie’s concept of the learner-participant dichotomy she

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21

Jacobs, David H. Concrete: A Homeowner's Illustrated Guide. Tab Books, 1992.

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22

Jacobs, David H. Concrete: A Homeowner's Illustrated Guide. Tab Books, 1992.

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23

Better homes and gardens masonry & concrete: Step-by-step. Meredith, 2004.

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24

Bonds, Mark Evan. Turning Liebhaber into Kenner. Edited by Christian Thorau and Hansjakob Ziemer. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190466961.013.6.

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Johann Nikolaus Forkel’s Ueber die Theorie der Musik (1777) is one of the earliest music guides aimed specifically at listeners. Nature, he argues, is not the best guide for listening; only a thorough knowledge of the elements of music will help music lovers understand what they hear. Forkel promises to elevate amateurs to the level of connoisseurs. An unpublished manuscript of Forkel’s university lectures based on Ueber die Theorie der Musik allows us to reconstruct his vision of the ideal listener in greater detail. These lectures advocate a fundamental shift in the relationship between the

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25

Rambarran, Shara. “DJ Hit That Button”. Edited by Roger Mantie and Gareth Dylan Smith. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190244705.013.19.

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Music making and leisure in the digital age are challenging and exciting for various reasons. For example, someone who may not be a specialist in music can create music, such as the laptop musician. This chapter explores why the amateur laptop musician participates in making music for leisure. The concept of the amateur musician, as well as the amateur laptop musician is examined. The appeal of amateur laptop musicians is considered: are they demonstrating their virtual music collection, or are they gaining a skill in making music? Music that has been composed and performed on a laptop has res

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26

City Hall, grand amateur benevolent concert in aid of the widows Casson, Comer and Smith who have been suddenly left in destitute circumstances, to take place on Friday, Oct. 16 in the City Hall. s.n., 1985.

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27

Amateur concert in aid of the parsonage fund, Christ Church: Under the management of Mrs. Raymond, organist of St. Paul's Cathedral, to be held in the City Hall, London, on Easter Monday, April 13 .. s.n., 1985.

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28

Navarro, Jaume. Ether and Wireless. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198797258.003.0008.

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This chapter explores the ways in which the ether saw its popularity renewed by its link to the modern wireless technologies. With the creation of the BBC in 1922, wireless sets ceased to be obscure devices for military and commercial communication and became household goods to entertain the British middle classes. Wireless amateurs, electrical engineers, inventors and specialised physicists engaged in a cultural exchange among themselves and with the general public in order to explain and understand the mechanisms and possibilities of the new technology. This created a new arena for discussio

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29

O’Connor, Michael, Hyun-Ah Kim, and Christina Labriola, eds. Music, Theology, and Justice. Lexington Books, 2017. https://doi.org/10.5040/9781978725645.

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Music does not make itself. It is made by people: professionals and amateurs, singers and instrumentalists, composers and publishers, performers and audiences, entrepreneurs and consumers. In turn, making music shapes those who make it—spiritually, emotionally, physically, mentally, socially, politically, economically—for good or ill, harming and healing. This volume considers the social practice of music from a Christian point of view. Using a variety of methodological perspectives, the essays explore the ethical and doctrinal implications of music-making. The reflections are grouped accordin

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30

Llewellyn, Matthew P., and John Gleaves. The Ultimate Move. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040351.003.0009.

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This chapter discusses the continued decline of amateurism in the late twentieth century. As professional sport grew in popularity, the lines between amateurism and professionalism blurred further. An expanding global media apparatus, in concert with avaricious corporations and shrewd marketing agencies, transformed professional athletes into global sporting icons. The Olympic Movement faced higher competition. Although the fusion of nationalism and Citius, Altius, Fortius made the Olympic Games an attractive commodity, the Internatioal Olympic Commitee's eligibility code—and the forced prohib

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31

Lumpkin, Angela. Modern Sport Ethics. 2nd ed. ABC-CLIO, LLC, 2016. http://dx.doi.org/10.5040/9798400686948.

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The descriptions and examples of unethical behaviors in sport in this book will challenge readers to rethink how they view sport and question whether participating in sport builds character―especially at the youth and amateur levels. Sport potentially can teach character as well as social and moral values, but only when these positive concepts are consistently taught, modeled, and reinforced by sport leaders with the moral courage to do so. The seeming moral crisis threatening amateur and youth sport―evidenced by athletes, coaches, and parents alike making poor ethical choices―and ongoing scan

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32

Recueil de Cantates : Contenant Toutes Celles Qui Se Chantent Dans les Concerts: Pour l'usage des Amateurs de la Musique & de Poësie. Creative Media Partners, LLC, 2023.

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33

Lesur, Luis. Albanileria Y Autoconstruccion II. Trillas, 2001.

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34

Orr, N. Lee. Music of the Gilded Age. Greenwood Publishing Group, Inc., 2007. http://dx.doi.org/10.5040/9798400688737.

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America's Gilded Age was a time of great musical evolution. As the country continued to develop a musical style apart from Europe, its church and religious music and opera took on new forms. Music-as-entertainment also evolved, with marching bands at public events and the new musicals in theaters. This volume presents the composers, musicians, songwriters, instruments and musical forms that uniquely identify the Gilded Age. Chapters include: Concerts and Symphony orchestras; Grand Opera; Composers, Critics, and Conservatories; Amateurs and Music at Home; Sacred Music, Black and White; Ragtime,

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35

Neil, T. J. Sculpting Concrete Garden Ornaments. Schiffer Publishing Ltd, 2008.

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36

Gooley, Dana. Postlude. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190633585.003.0008.

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THE FOREGOING CHAPTERS about free playing and discourses of improvisation could leave the impression that improvisation was “everywhere,” or at least common and familiar, in European music of the nineteenth century. It was not. One can read through hundreds of pages of musical periodicals reporting on symphonic music, amateur choirs, domestic parlor music, concert virtuosos, opera, and oratorios without discovering a single mention of an improvisation. In the one sphere where free playing was actually standard—the world of liturgical organists—it was barely recognized as improvisation and was

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37

Wilson, Robin. Number Theory: A Very Short Introduction. Oxford University Press, 2020. http://dx.doi.org/10.1093/actrade/9780198798095.001.0001.

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Number Theory: A Very Short Introduction explains the branch of mathematics primarily concerned with the counting numbers, 1, 2, 3, …. Long considered one of the most ‘beautiful’ areas of mathematics, number theory dates back over two millennia to the Ancient Greeks, but has seen some startling new developments in recent years. Trailblazers in the field include mathematicians Euclid of Alexandria, Pierre de Fermat, Leonhard Euler, and Carl Friedrich Gauss. Number theory has intrigued and attracted amateurs and professionals alike for thousands of years, appearing in both recreational contexts

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38

Rider, Toby C. A Campaign of Truth. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040238.003.0004.

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This chapter demonstrates how U.S. information officers devised plans to showcase the friendliness and sportsmanship of the U.S. Olympic team and encouraged private businesses to make the hosting cities a showground for U.S. enterprise and culture. In tandem with these efforts, U.S. propaganda depicted communist sport in a highly negative manner. Furthermore, in order to create and implement a propaganda strategy for the winter and summer Olympic festivals of 1952, the U.S. information program also facilitated cooperation with both the United States Olympic Committee (USOC) and the Amateur Ath

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39

Patton, Raymond A. Subcultural Capital. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190872359.003.0004.

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This chapter shows punk’s explosive reaction with (and against) the globalizing music industries of the East and West using the concept of “subcultural capital”—which punk bands needed to maintain their alternative credibility with punks, but which could be exchanged for record contracts in the right situation. It examines the different responses to this dilemma among punk scenes in the West (London and New York), and two distinct types of punk scenes in communist Eastern Europe (those of states that divided bands into categories of “professional” and “amateur” and those of states that did not

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40

Lewis, Nora Anderson. Notes for Oboists. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197546581.001.0001.

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Abstract Notes for Oboists: A Guide to the Repertoire offers important historical and analytical information about thirty-five of the best-known pieces composed for the instrument. Numerous contextual and theoretical insights make it an essential resource for professional, amateur, and student oboists. With engaging prose supported by fact-filled analytical charts, the book offers rich biographical information and informative analyses to help oboists gain a more complete understanding of works including Alessandro Marcello’s Concerto in D Minor, Robert Schumann’s Three Romances Op. 94, Francis

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41

Kopecka-Piech, Katarzyna. Mediatization of Physical Activity. Lexington Books, 2019. https://doi.org/10.5040/9781666997897.

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This book demonstrates how media technologies shape amateur sports and how some of these sports are modified. The author uses an innovative measuring approach to analyze how people use media technologies in conjunction with sports and how their relationship with physical activity is affected by the ever-present influence of the media. The research used includes a meta-theoretical analysis of the current mediatization theory, as well as quantitative and qualitative empirical research. The author integrates these aspects into the new concept of media saturation, supplementing the current theory

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42

Ridpath, Ian, ed. A Dictionary of Astronomy. Oxford University Press, 2018. http://dx.doi.org/10.1093/acref/9780191851193.001.0001.

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‘An enormous amount of obscure data is satisfactorily explained here’ Times Literary SupplementOver 4,300 entriesCompiled with the help of a team of expert contributors under the editorship of renowned author and broadcaster Ian Ridpath, the third edition of this dictionary covers everything from space exploration and the equipment involved to astrophysics, cosmology, and the concept of time. The dictionary also includes biographical entries on eminent astronomers, as well as worldwide coverage of observatories and telescopes. Supplementary material is included in the appendices, such as table

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43

Fink, Robert, Zachary Wallmark, and Melinda Latour. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199985227.003.0001.

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The introduction discusses the conceptual underpinnings of the book, focusing on the ideological values ascribed to tone in popular music. It begins with a discussion of the ways electric guitar tone is represented in hobbyist and professional magazines, and how it is understood by the amateur and professional musicians who seek to find “their” tone through various modes of production and amplification. Tone in popular music is best understood as a “quasi-object” in the sense defined by philosopher Bruno Latour, as a complex ongoing negotiation in a distributed network of things, ideas, and bo

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44

Weston, Maureen A. The Regulation of Doping in U.S. and International Sports. Edited by Michael A. McCann. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190465957.013.4.

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This chapter examines the regulation of doping in U.S. professional and amateur sport, as well as the anti-doping regime for Olympic and international sport. Doping is generally defined as the presence, use or attempted use, trafficking, possession, or administration of any prohibited substance or method—as well as evading, refusing, or failing to submit to sample collection; to file whereabouts, information, or missed tests; or to tampering or attempting to tamper with any part of doping control. Doping in sport jeopardizes the health and safety of athletes, undermines the fairness and integr

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45

Mehta, Smith, Alisa Perren, Michael Curtin, et al. The New Screen Ecology in India. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781839025693.

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This book provides an in depth look into the digital transformation of the Indian media industries, arguing that it has primarily been facilitated by the advent of social media platforms and a resulting shift in the creator dynamics of contemporary film and television production. Drawing on first-hand research within three categories of agents: creators, platform and portal executives, and intermediaries (talent agents, and multi-channel networks), Smith Mehta develops the concept of the ‘new screen ecology’ to show how the Indian screen industries are affected by social relations between thes

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46

O’Connell, Tom. Play Ball. Human Kinetics, 2010. http://dx.doi.org/10.5040/9781718218741.

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“Amateur baseball has been waiting for a book like Play Ball. Tom O'Connell has done a magnificent job in laying out the practice-to-game concept for the readers.” Ron Polk Assistant Baseball Coach, University of Alabama at Birmingham “Tom O’Connell, one of the most respected baseball coaches in the world, has hit a home run with Play Ball: 100 Baseball Practice Games. It should be required reading for every baseball coach on all levels of the game.” Lou Pavlovich Editor, Collegiate Baseball newspaper “Coach O’Connell has assembled learning, teaching, and playing all in one book. Play Ball is

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47

Shonk, David J., and James F. Weiner. Sales and Revenue Generation in Sport Business. Human Kinetics, 2021. http://dx.doi.org/10.5040/9781718235939.

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The ability to generate sources of revenue continues to be the most important skill for individuals working in the sport industry. Sales and Revenue Generation in Sport Business provides a comprehensive overview of the many ways in which sport organizations generate revenues, and it teaches students the practical concepts they will need for success. Going beyond theoretical concepts of sales and sales management, the authors present an applied approach to revenue generation in sport: the PRO method of sales (PROspect, PRObe, PROvide, PROpose, PROtect). Students will learn how this proven five-

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48

Haglund, Kristine L. Eugene England. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043932.001.0001.

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Eugene England was that rarest of creatures—a liberal Mormon. He was a believer, deeply rooted in his inherited faith, and he possessed the small-l liberal virtues of openness to new ideas, a willingness to challenge received wisdom, and confidence in the ethical power of human reason. He found within Mormonism the core of a faith open to modernity in the form of scientific progress, civil rights, an expanded literary canon, and critical approaches to scripture and religious history. This strain of Mormon thought had always existed alongside a more authoritarian and fundamentalist tradition. B

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49

Wells, Christi Jay. Between Beats. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197559277.001.0001.

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Between Beats: The Jazz Tradition and Black Vernacular Dance explores the complex intersections between jazz music and popular dance over the last hundred-plus years. It aims to show how popular entertainment and cultures of social dancing were crucial to jazz music’s formation and development, but it also investigates the processes through which jazz music came to earn a reputation as a “legitimate” art form better suited for still, seated listening. Through the concept of “choreographies of listening,” the book explores amateur and professional jazz dancers’ relationships with jazz music and

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50

Mantie, Roger, and Gareth Dylan Smith, eds. The Oxford Handbook of Music Making and Leisure. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190244705.001.0001.

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Music has been a vital part of leisure activity across time and cultures. Contemporary commodification, commercialization, and consumerism, however, have created a chasm between conceptualizations of music making and numerous realities in our world. From a broad range of perspectives and approaches, this handbook explores avocational involvement with music (i.e., amateur, recreation) as an integral part of the human condition. The chapters in The Oxford Handbook of Music Making and Leisure present a myriad of ways for reconsidering—refocusing attention on—the rich, exciting, and emotionally ch

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