Thematische Bibliographien / Constance. Cathedral

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Bücher
  3. Buchteile
  4. Konferenzberichte

Auswahl der wissenschaftlichen Literatur zum Thema „Constance. Cathedral“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 29. Juli 2025

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Zeitschriftenartikel zum Thema "Constance. Cathedral"

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BURN, DAVID J. "What Did Isaac Write for Constance?" Journal of Musicology 20, no. 1 (2003): 45–72. http://dx.doi.org/10.1525/jm.2003.20.1.45.

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ABSTRACT It has long been known that Henricus Isaac (ca. 1450––1517) wrote mass-propers for Constance cathedral. These are preserved in his posthumously printed, three-volume collection entitled Choralis Constantinus. Yet the first generation of postwar Isaac researchers showed that the Choralis contains music not only for Constance but for the Imperial court as well. Since then several theories have been advanced regarding the intended recipients of parts of the Choralis repertory. The present paper assesses these conflicting theories. It concludes that with one small possible alteration, the
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Osellame, Gino. "Presentación de la edición Cathedra 22." Revista Cathedra, no. 22 (November 30, 2024): 6–8. https://doi.org/10.37594/cathedra.n22.1416.

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“A pesar de que ya soy mayor, sigo aprendiendo de mis discípulos" Marco Tulio Cicerón Ser jurista es ser un incansable estudioso. La noble tarea de un jurista, consiste en poner el conocimiento a los pies, de quien los necesite, para soslayar un obstáculo o bien, resolver una lid que afronta con un tercero. Juristas son aquellos que incansablemente, en el medio de sus responsabilidades ordinarias, consultan la gaceta oficial, leen los registros judiciales, analizan la aplicación de un principio, se documentan por medio de libros empolvados, de esos llamados clásicos, pero también, aquellos que
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Carr, Andrew. "Cathedrals on the light of a butterfly’s wing: the momentary architecture of Virginia Woolf." Architectural Research Quarterly 27, no. 1 (2023): 4–23. http://dx.doi.org/10.1017/s1359135523000088.

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When discussing ‘How Should One Read a Book?’, Virginia Woolf describes the work of an author as ‘an attempt to make something as formed and controlled as a building‘, using architecture as an analogy for the structure of a literary work. The ‘formed and controlled‘ structures of Woolf‘s books are here explored through her 1927 novel To the Lighthouse, which she was writing around the same time as her essay on ‘How Should One Read a Book?‘ and for which she drew a diagram of its tripartite structure. While Woolf repeatedly uses imagery that juxtaposes transitory life with fixed buildings, her
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Brown, Daniel J. F. "Power and Patronage across the North Channel: Hugh de Lacy, St Andrews and the Anglo-Scottish Crisis of 1209." Scottish Historical Review 94, no. 1 (2015): 1–23. http://dx.doi.org/10.3366/shr.2015.0237.

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The connections between the medieval kingdom of Scots and Irish earldom of Ulster have remained elusive. One of the most intriguing points of contact occurred in 1205×10, when the first earl of Ulster, Hugh II de Lacy (d. 1242), granted churches within his Irish lordship to the cathedral priory of St Andrews. Exploring de Lacy's links to the bishop of St Andrews, William Malveisin, and the constable of Scotland, Alan of Galloway, this article suggests that the gift to St Andrews was part of the earl's bid to secure King William the Lion, as an ally in the North Channel region. The king of Scot
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Mena García, Enrique. "La torre de la Catedral de Murcia. Representaciones en pintura y fotografía." Imafronte, no. 31 (March 16, 2024): 204–23. https://doi.org/10.6018/imafronte.561181.

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The tower of the Cathedral of Murcia, considered the most iconic architecture in the Region of Murcia after several centuries of construction, is presented as a reason for investigation, not because of its well-known heritage value and for which it has been written, but because of its role in the arts from the last third of the 19th century to the present. It is about positioning the tower, one of the first manifestations of the Renaissance on Spanish soil, in its rightful place from its aesthetic reinterpretations in the arts, a living and symbolic legacy that establishes a link with generati
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Ahmed Elhalwany, Manar. "Las implicaciones sociales de la (des)cortesía en el lenguaje narrativo de los autores Nobel." Revista Cognosis. ISSN 2588-0578 6, no. 2 (2021): 01. http://dx.doi.org/10.33936/cognosis.v6i2.2235.

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En este trabajo se expone un análisis contrastivo a nivel pragma-lingüístico del lenguaje narrativo en dos novelas: Charla sobre el Nilo del escritor Nobel egipcio Naguib Mahfuz y Conversación de la Catedral del novelista peruano Mario Vargas Llosa. El análisis se centra en el acuerdo intuitivo notable entre estos dos autores Nobel, a pesar de la distancia cultural, lingüística y geográfica, en desviar el Principio de Cortesía de Geoffery Leech. En ambas novelas se ve claro el uso de fórmulas lingüísticas que rompen la Cortesía pragmática con el fin de lograr una profunda y concienzuda crítica
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Mena, García Enrique. "La torre de la Catedral de Murcia. Representaciones en pintura y fotografía. THE TOWER OF THE CATHEDRAL OF MURCIA. REPRESENTATIONS IN PAINTING AND PHOTOGRAPHY." January 14, 2025. https://doi.org/10.6018/imafronte.

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RESUMENLa torre de la catedral de Murcia, considerada la arquitectura más icónica de la Región deMurcia tras varios siglos de construcción, se presenta como motivo de investigación, no porsu valor patrimonial de sobra conocido y por el que se ha escrito, sino por su protagonismoen las artes a partir del último tercio del siglo XIX hasta la actualidad. Se trata de posicionar latorre, una de las primeras manifestaciones del renacimiento en suelo español, en el lugar quele corresponde desde sus reinterpretaciones estéticas en las artes, lega
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Bücher zum Thema "Constance. Cathedral"

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Gramm, Josef. Spätmittelalterliche Wandgemälde im Konstanzer Münster: Beitrag zur Entwicklungsgeschichte der Malerei am Oberrhein. Univ.-Buchdr. von J.H.E. Heitz, 1988.

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2

Monagle, Clare Frances, ed. The Intellectual Dynamism of the High Middle Ages. Amsterdam University Press, 2022. http://dx.doi.org/10.1017/9789048537174.

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Constant J. Mews's groundbreaking work reveals the wide world of medieval letters. Looking beyond the cathedral and the cloister for his investigations, and taking a broad view of intellectual practice in the Middle Ages, Mews demands that we expand our horizons as we explore the history of ideas. Alongside his cutting-edge work on Abelard, he has been a leader in the study of medieval women writers, paying heed to Hildegard and Heloise in particular. Mews has also expanded our knowledge of medieval music, and its theoretical foundations. In Mews' Middle Ages, the world of ideas always belongs
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Buchteile zum Thema "Constance. Cathedral"

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Beckett, R. B. "1823 Read of the Flowing Locks: and Salisbury Cathedral from the Bishop's Grounds." In John Constable and the Fishers. Routledge, 2023. http://dx.doi.org/10.4324/9781003352938-10.

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Hoock, Holger. "Professional Representations." In The King’s Artists. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780199266265.003.0011.

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Abstract London, Jamaica, and Madras provided the first opportunities for the Royal Academy to engage in public artistic projects. In 1773, under the auspices of the Academy, six history painters offered to decorate St Paul’s Cathedral in London with scripture paintings, free of charge. By the mid-eighteenth century, St Paul’s-a city church, not a royal peculiar like Westminster Abbey-was a public space in that it was included in London tours, and charged for the view of specific sights such as the geometrical staircase or the great model. Previously, the only decoration of the Cathedral had b
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"Circle of John Constable, Harnham Bridge and Salisbury Cathedral from the Avon." In Masterpieces from the Clowes Collection: Paintings. Indianapolis Museum of Art, 2022. http://dx.doi.org/10.58609/1.12.

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Sicari, Stephen. "Eliot: “And the Church must be forever building, and always decaying, and always being restored”." In Modernist Reformations. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781638040248.003.0011.

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The only one of the three writers in this study to belong to an established Church, Eliot enacts a its reformation, especially in an often-neglected poem, “Choruses to The Rock.” This poem marks a turn in his career, as it is a series of choruses for public performance. The Rock, the spokesman for the Church, calls for constant renewal as historical circumstances demand, and Eliot continues and culminates his reformation of Church in the last of the Four Quartets, a poem written during the darkest hours of WWII called Little Gidding, which was a chapel founded during the English Civil War. As
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"Affirmation means that the party seeking relief is aware of the facts which give rise to the right to rescind and that, by words or conduct, he has decided not to exercise that right. Typical examples of affirmation include the situation in which the buyer of goods, after becoming aware of the falsity of a misrepresentation, continues to use them. Similarly lapse of time may be taken as evidence of affirmation as may an agreement to accept a cure of defects in the subject matter of the contract. In Leaf v International Galleries, the plaintiff purchased from the defendant a painting entitled ‘Salisbury Cathedral’ for £85. The defendant had innocently, but falsely, represented that the painting was by John Constable, but, five years after the purchase, it was discovered that this was not the case. The plaintiff sought to return the picture to the defendants and to recover the price he had paid. The Court of Appeal refused to grant rescission of the contract on the ground that the buyer, due to the lapse of time, must be taken to have accepted the goods sold under the contract: Leaf v International Galleries [1950] 2 KB 86, CA, p 89." In Sourcebook on Contract Law. Routledge-Cavendish, 1995. http://dx.doi.org/10.4324/9781843141518-285.

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Konferenzberichte zum Thema "Constance. Cathedral"

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Viñals, Maria José, Penélope Teruel Resio, José Manuel Gandia, and Patricio Rodrigo Orozco Carpio. "Study of visitor flows in heritage streetscapes based on counting people using motion-image sensors. The case of Valencia Cathedral (Spain)." In HEDIT 2024 - International Congress for Heritage Digital Technologies and Tourism Management. Universitat Politècnica de València, 2024. http://dx.doi.org/10.4995/hedit2024.2024.18435.

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Historical centres are popular places for tourist visits. The public spaces that make up these urban areas are usually characterised by being narrow streets with difficult traffic and where, on occasions, vehicular traffic is restricted in favour of pedestrian traffic. This historic streetscape, together with the concentration of visitors that usually occurs in these areas due to the presence of important heritage assets and cultural attractions, often leads to situations of physical and psychological discomfort for both residents and visitors, and can even lead to episodes of saturation and o
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Río Vázquez, Antonio Santiago. "La lección del embalse. Le Corbusier y los aprovechamientos hidroeléctricos." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1007.

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Resumen: El interés de Le Corbusier por los aprovechamientos hidroeléctricos es una constante a lo largo de su vida, sobre todo como inspiración y referencia para proyectar su arquitectura, dando forma a una lección del embalse que veremos enfocada de diferentes maneras y en distintos momentos, desde su descubrimiento durante el trabajo en Vienne (Francia) para la Société d’applications du bétón armé hasta el intento de materialización con la obra de Bhakra en la India, pasando por etapas sucesivas en las que se va exponiendo, publicando o compartiendo, mediante conferencias, textos teóricos o
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