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Thematische Bibliographien / Copyright Moral rights Australia / Dissertationen

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Dissertationen zum Thema „Copyright Moral rights Australia“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 31. Januar 2023

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1

O'Neill, P. B. "Moral rights in Australia : the case for legislative protection." Thesis, Queensland University of Technology, 1997. https://eprints.qut.edu.au/36895/1/36895_O%27Neill_1997.pdf.

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'Moral rights' should not be thought of as a system of ethical or moral principles, rather, they are personal rights of the author of a literary, artistic, musical or like work which proponents of moral rights protection argue arise from the intimate bond between the author of such a work and the work itself. Focus in the common law countries has always been on the economic rights associated with a copyright work and how those economic rights could be best protected and exploited by the copyright owner: 'The common law, however, has always placed more emphasis on the preservation of property i

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Rimmer, Matthew Rhys. "The pirate bazaar the social life of copyright law." View electronic text, 2001. http://eprints.anu.edu.au/documents/disk0/00/00/08/14/index.html.

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Available via the Australian National University Library Electronic Pre and Post Print Repository. Title from title screen (viewed Mar. 28, 2003) Includes bibliographical references. Mode of access: World Wide Web.

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Banks, Catherine, and n/a. "Lost in Translation: A History of Moral Rights in Australian Law." Griffith University. Griffith Law School, 2005. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20061006.114720.

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This thesis is a history of moral rights in Australian law. It traces the historical discourse about moral rights in Australian law and demonstrates how that discourse has shaped the meaning moral rights have come to assume in their current form under the current regime contained in the Copyright Amendment (Moral Rijghts) Act 2000. This history examines the reception and later production of a moral rights discourse in Australian law, and reveals that the historical discourse about Australian moral rights was dominated by the three themes; foreignness, international obligation and economic impa

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Anderson, Jane Elizabeth Law Faculty of Law UNSW. "The production of indigenous knowledge in intellectual property law." Awarded by:University of New South Wales. School of Law, 2003. http://handle.unsw.edu.au/1959.4/20491.

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The thesis is an exploration of how indigenous knowledge has emerged as a subject within Australian intellectual property law. It uses the context of copyright law to illustrate this development. The work presents an analysis of the political, social and cultural intersections that influence legal possibilities and effect practical expectations of the law in this area. The dilemma of protecting indigenous knowledge resonates with tensions that characterise intellectual property as a whole. The metaphysical dimensions of intellectual property have always been insecure but these difficulties co

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Kariyawasam, Kanchana. "Moral rights protection in a copyright system /." [St. Lucia, Qld.], 2001. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16318.pdf.

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6

Bartholomew, Peter G. "Personal rights, property rights and Section 55(2) of the Copyright Act 1968 : a consideration of the adaptation right in the compulsory licensing scheme for recording of musical works." Thesis, Queensland University of Technology, 1998. https://eprints.qut.edu.au/36898/1/36898_Digitised%20Thesis.pdf.

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7

Almawla, Hanan Mohamed. "Moral rights in the conflict-of-laws : alternatives to the copyright qualifications." Thesis, Queen Mary, University of London, 2012. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8730.

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This thesis examines the intersection between authors' moral rights and conflict-of-laws. The research question has been triggered by two important, interlinked factors. The first is that the currently applicable choice-of-law rules to moral rights are the same as those applicable to copyright. The second concerns the fact that moral rights are different from copyright - both in their nature and in the interest they aim to protect. Since these two factors coincide, it is questionable whether it ought to be the case that moral rights are subjected to the same choice-of-law rules as are applicab

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Klein, Jeff. "Identity Protection: Copyright, Right of Publicity, and the Artist's Negative Voice." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395585265.

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9

Gudaitė, Martyna. "Teisės į kūrinio neliečiamybę įgyvendinimo problemos." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2007. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2006~D_20070105_093921-83127.

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The topic of the paper is integrity right implementation problems. Author‘s right of integrity is on the list of international obligations since the beginning of the XIX century and has to be made available by all Berne convention members‘ national laws. However this International obligation only imlies a minimum standart for integrity right protection, thereby it‘s implementation issues are to be solved at national level. The goal of the paper is identification and analysis of integrity right implementation problems in modern states under the rule of law. Accordingly different legal regulatio

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Loff, Beatrice. "Health and human rights : case studies in the potential contribution of a human rights framework to the analysis of health questions." Monash University, Dept. of Epidemiology and Preventive Medicine, 2004. http://arrow.monash.edu.au/hdl/1959.1/5291.

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Munro, Lyle 1944. "Beasts abstract not : a sociology of animal protection." Monash University, School of Political and Social Inquiry, 2002. http://arrow.monash.edu.au/hdl/1959.1/7967.

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12

Holmedal, Samuel. "Förslag till reform av den upphovsrättsliga skyddstiden : En argumentsorienterad studie över skyddstidens längd." Thesis, Uppsala universitet, Juridiska institutionen, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-248067.

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13

Dagher, Chantal. "Analyse comparée franco-américaine de la protection des œuvres par le droit d’auteur." Thesis, Paris 2, 2017. http://www.theses.fr/2017PA020041.

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L’appel au renforcement de la protection du droit d’auteur dans le but de mieux lutter contre la contrefaçon, surtout avec l’avènement et le développement incessant des nouvelles technologies, est-il justifié ? Le bilan des efforts déployés récemment sur la scène internationale pour réaliser un tel renforcement, ayant débouché sur l’élaboration du très controversé ACTA, démontre que la réponse à cette question ne peut être ni simple ni immédiate. Evaluer l’opportunité et déterminer la nécessité de renforcer cette protection ne peuvent se faire qu’après un examen approfondi des solutions juridi

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Sullivan, Camille. "Two's legal but three's a crowd : law, morality and three-parent embryos: regulation of mitochondrial replacement therapy." Thesis, Canberra, ACT : The Australian National University, 2013. http://hdl.handle.net/1885/109247.

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15

Mouron, Philippe. "Le droit d'exposition des oeuvres graphiques et plastiques." Thesis, Aix-Marseille 3, 2011. http://www.theses.fr/2011AIX32062/document.

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Le droit d’exposition des oeuvres graphiques et plastiques est un élément nouveau du droit d’auteur, dégagé par la Cour de cassation en 2002. Il permet à l’auteur d’autoriser ou d’interdire l’exposition publique de ses oeuvres, qu’elles soient de dessin, de peinture, de sculpture, de photographie, d’architecture ou de tout autre oeuvre graphique. Ce droit lui permet aussi d’en contrôler les conditions de présentation et d’en tirer une rémunération. Il est en cela assimilable au droit de représentation, tel qu’il s’exerce pour les oeuvres dramatiques ou musicales. Mais le droit d’exposition ouv

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Hendrychová, Jitka. "Vybrané právní otázky výtvarných děl." Master's thesis, Vysoká škola ekonomická v Praze, 2015. http://www.nusl.cz/ntk/nusl-204947.

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This diploma thesis deals with selected legal questions regarding artwork in Czech Republic. Author focuses on artwork from copyright and civil legal perspective, specifically author´s rights and copyright and its legal protection (civil, administrative and criminal). It also addresses questions concerning licenses and licensing agreements, relation between artwork and its material object, buying and selling artwork, purchase agreement and other types of contract that artists usually encounter. The aim of this thesis is to identify the current state of legislation in this matter and issues tha

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Sol, Credence. "Le droit des artistes-interprètes à la protection de leur travail à l'ère numérique." Thesis, Tours, 2017. http://www.theses.fr/2017TOUR2026/document.

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Ce travail s’attache à étudier le droit des artistes interprètes à la protection de leur travail à l’ère numérique. La première partie de ce travail s’intéresse à la théorie des droits d’auteur, l’histoire des droits moraux, et à l’application de la théorie des droits moraux aux procès qui impliquent les artistes interprètes aux Etats-Unis, au Royaume-Uni, et en France. De plus, ce travail présente le droit international en la matière, y compris la Convention de Berne et le Traite de Beijing. La deuxième partie de ce travail examine l’histoire de l’industrie du cinéma. Plus spécifiquement, il

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Mohamad, Hashim Haswira Nor. "Enabling open access to and re-use of publicly funded research data in Malaysian public universities : a legal and policy analysis." Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/63944/1/Haswira_Mohamad_Hashim_Thesis.pdf.

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Numerous statements and declarations have been made over recent decades in support of open access to research data. The growing recognition of the importance of open access to research data has been accompanied by calls on public research funding agencies and universities to facilitate better access to publicly funded research data so that it can be re-used and redistributed as public goods. International and inter-governmental bodies such as the ICSU/CODATA, the OECD and the European Union are strong supporters of open access to and re-use of publicly funded research data. This thesis focu

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19

Davies, Llewellyn Willis. "‘LOOK’ AND LOOK BACK: Using an auto/biographical lens to study the Australian documentary film industry, 1970 - 2010." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154339.

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While much has been written on the Australian film and television industry, little has been presented by actual producers, filmmakers and technicians of their time and experiences within that same industry. Similarly, with historical documentaries, it has been academics rather than filmmakers who have led the debate. This thesis addresses this shortcoming and bridges the gap between practitioner experience and intellectual discussion, synthesising the debate and providing an important contribution from a filmmaker-academic, in its own way unique and insi

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Radkova, Lenka. "Moral rights of authors in international copyright of the 21st century : time for consolidation?" Thesis, 2001. http://hdl.handle.net/2429/12202.

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This thesis provides an insight into the current position of moral rights of authors and outlines the perspectives of the doctrine of moral rights in international copyright regime of the 21st century. Such survey is particularly urgent at a time when the doctrine of droit moral, one of the most contentious and controversial issues in copyright, is now in an international spotlight again. The recent decade has seen two contradictory trends in the field of international copyright. The 1994 Uruguay Round saw the emergence of new global intellectual property regime, embodied in the TRIPs A

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Yu, Chang Chien Cheng, and 張簡正裕. "A Comparison of Employee’s Moral Rights Protection in Taiwan and U.S. under the Copyright Law." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/s54v4u.

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碩士<br>東吳大學<br>法律學系<br>102<br>Abstract Due to advances in technology, the complexity of creation has increased and Professional Services come of age. Most creation can only be created with multiple people’s collaboration instead of one single person’s work. Among these collaborated creations, most of them are under employment conditions. Especially in Newspaper Offices, Advertising Agencies, Construction Companies, and Computer Software Companies, almost every creation is completed collaboratively. For these creations, copyright laws usually focus on their intellectual property aspects while th

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22

Hui, Alan Ho Lam. "99 problems but a riff ain't one : How sampling helps copyright promote originality." Phd thesis, 2017. http://hdl.handle.net/1885/141160.

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This legal policy thesis asks: Is sampling so inconsistent with copyright that it warrants a unique system? Sampling is the musical practice of arranging new recordings from existing recordings. Often, it conflicts with copyright, a legal system that aims to encourage progress and innovation, primarily by granting exclusive rights as incentives to create and distribute original works. Two countervailing positions in existing literature articulate the conflict between sampling and copyright. The first views sampling as an appropriative practice

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Češka, Miroslav. "Osobnostní práva autorská a jejich vývoj po dobu trvání autorskoprávní ochrany." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-334863.

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The aim of this master's thesis is to probe into copyright, especially the moral rights that are inevitably included. Due to the complexity of terminology in intellectual property law, which includes the copyright, it is first provided an overview of intellectual property rights and somewhat as highlighting of some changes that were caused by the adoption of the new Civil Code, particularly with regards to the change of perspective in the conception of a thing in a legal sense. After this lets say general introduction to intellectual property rights the main focus passes to the definition of b

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Wegschmiedová, Markéta. "Osobnostní práva autorská." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-380261.

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Moral rights in copyright Abstract This thesis, after a brief introduction to the issue of copyright, defines the basic concepts relating to author's moral rights and its nature. It provides an insight into the issue from various different points of view, focusing on the natural nature of moral rights and the natural nature of an author's work, that is reflected in the copyright legislation. The thesis also offers a comparison of two major legal systems of copyright - the authors' right system and the copyright system, which demonstrate the key institutes and characterize both legal cultures t

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Votava, Antonín. "Osobnostní autorská práva v ČR a vybraných zemích kontinentálního systému a Common Law." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-388979.

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Moral rights in the Czech Republic and in selected countries of continental and Common Law legal systems Abstract This thesis focuses on moral rights, which together with economic rights form one of basic ways how to divide copyright law. The primary function of moral (copyright) rights is to protect various rights of the author, which are not economic rights. In the introduction part of this thesis there are basic definitions and specifications of moral rights and their genesis in the continental legal system. The second chapter explains the different approach to moral copyright in the contin

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Carrito, Octávio Miranda. "Os crimes contra o direito de autor : análise à tutela penal consagrada no código do direito de autor e dos direitos conexos." Master's thesis, 2020. http://hdl.handle.net/10400.14/33727.

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O presente trabalho versa na análise dos crimes contra o direito de autor e os problemas que se levantam com a aplicabilidade prática das normas previstas no título IV do Código do Direito de Autor e dos Direitos Conexos. Para além disso, será feita uma breve menção a outras incriminações que se encontram fora do Código.<br>The present work deals with the analysis of crimes against copyright and the problems that arise with the practical applicability of the rules provided for in Title IV of the Code of Copyright and Related Rights. In addition, a brief mention will be made of other offenses o

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Кулініч, Ольга Олексіївна, Ольга Алексеевна Кулинич та Olha O. Kulinich. "Теоретичні проблеми реалізації та захисту права фізичної особи на власне зображення". Thesis, 2017. http://hdl.handle.net/11300/7805.

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Кулініч О.О. Теоретичні проблеми реалізації та захисту права фізичної особи на власне зображення: дис. ... доктора юрид. наук: 12.00.03 / Кулініч Ольга Олексіївна. - Одеса, 2017. - 489 с.<br>Дисертація на здобуття наукового ступеня доктора юридичних наук за спеціальністю 12.00.03 - цивільне право і цивільний процес; сімейне право; міжнародне приватне право. - Національний університет «Одеська юридична академія», Одеса, 2017. Дисертація є першим у вітчизняній науці цивільного права спеціальним комплексним дослідженням теоретичних проблем реалізації та захисту права фізичної особи на власн

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