Thematische Bibliographien / Crime Fiction Technique

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  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile

Auswahl der wissenschaftlichen Literatur zum Thema „Crime Fiction Technique“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 1. Februar 2022

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Zeitschriftenartikel zum Thema "Crime Fiction Technique"

1

Pape, Toni. "Moving in stealth: On the tracking shot as a technique for imperceptibility." Critical Studies in Television: The International Journal of Television Studies 14, no. 1 (March 2019): 40–54. http://dx.doi.org/10.1177/1749602018816876.

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This article explores recent uses of the tracking shot in various media. Examples drawn from television, video games and video art reveal that recent audiovisual media have frequently used a particular kind of tracking shot that follows an individual through a complex environment. This article argues that this tracking shot contributes to an aesthetic of stealth, that is, a perceptual attunement to notions of imperceptibility and secrecy. The stealth tracking shot can thus be seen as one of the aesthetic principles that articulate discourses of securitisation. The argument proceeds in three st
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Achsani, Ferdian. "REALITAS SOSIAL MASYARAKAT PERKAMPUNGAN DALAM NASKAH DRAMA H.A.H KARYA PUTU WIJAYA." LEKSEMA: Jurnal Bahasa dan Sastra 4, no. 2 (December 31, 2019): 139. http://dx.doi.org/10.22515/ljbs.v4i2.1769.

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The drama script is a type of prose fiction literature that can not only be enjoyed through pen strokes from writers, but also aims to be performed on stage shows. In drama scripts, the topic or story that is displayed is inseparable from the life of society in general. Through the action of the cast of the cast, it is able to show that the story brought in the script seems to reflect the real life. This study aims to describe the form of reality of social life that occurs in the H.A.H drama by Putu Wijaya. This research is in the form of qualitative descriptive, with the method of analysis an
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3

Khisamova, Zarina, and Ildar Begishev. "Criminal Liability and Artificial Intelligence: Theoretical and Applied Aspects." Russian Journal of Criminology 13, no. 4 (August 23, 2019): 564–74. http://dx.doi.org/10.17150/2500-4255.2019.13(4).564-574.

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The humanity is now at the threshold of a new era when a widening use of artificial intelligence (AI) will start a new industrial revolution. Its use inevitably leads to the problem of ethical choice, it gives rise to new legal issues that require urgent actions. The authors analyze the criminal law assessment of the actions of AI. Primarily, the still open issue of liability for the actions of AI that is capable of self-learning and makes a decision to act / not to act, which is qualified as a crime. As a result, there is a necessity to form a system of criminal law measures of counteracting
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Alzouabi, Lina. "Social Environment and Crime in Dickens' Oliver Twist and Great Expectations." International Journal of Linguistics, Literature and Translation 4, no. 6 (June 30, 2021): 163–70. http://dx.doi.org/10.32996/ijllt.2021.4.6.19.

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This study reads Charles Dickens' Oliver Twist and Great Expectations as crime novels by applying Sutherland's theory of "differential association" which postulates that criminal behavior is learned rather than inherited, and it is learned through interaction with other people within intimate personal groups in which one learns techniques and acquires motives for committing crimes. In Oliver Twist, Oliver is portrayed as a victim of the corrupted social environment as well as Monks' conspiracy with Fagin to drag him down to the underworld.; he is raised as an orphan in a workhouse and subjecte
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Berberich, Christine. "Detecting the Past: Detective Novels, the Nazi Past, and Holocaust Impiety." Genealogy 3, no. 4 (December 7, 2019): 70. http://dx.doi.org/10.3390/genealogy3040070.

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Crime writing is not often associated with Holocaust representations, yet an emergent trend, especially in German literature, combines a general, popular interest in crime and detective fiction with historical writing about the Holocaust, or critically engages with the events of the Shoah. Particularly worthy of critical investigation are Bernhard Schlink’s series of detective novels focusing on private investigator Gerhard Selb, a man with a Nazi background now investigating other people’s Nazi pasts, and Ferdinand von Schirach’s The Collini Case (2011) which engages with the often inadequate
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Sampytho, Gilang Rizky, Tutik Sulistyowati, and Muhammad Hayat. "Sistem Mafia Aplikasi Online Grab di Era Digitalisasi." Al-Mada: Jurnal Agama, Sosial, dan Budaya 4, no. 1 (January 12, 2021): 40–63. http://dx.doi.org/10.31538/almada.v4i1.837.

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The development of technology will be followed by the development of crime, one of which is the Grab online application mafia in the form of a fictional restaurant. Humans become objects so it must also be analyzed that the mafia experiences control by technology, it is an important subject when analyzing using the Herbert Mercuse theory. digitization. The research method used is qualitative, with a descriptive type of research. Descriptive is a type of qualitative research that describes problems that exist in society. The technique of determining the subject using purposive sampling. The ana
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Carvalho, Tiago Jose de, Helio Pedrini, and Anderson De Rezende Rocha. "Visual Computing and Machine Learning Techniques for Digital Forensics." Revista de Informática Teórica e Aplicada 22, no. 1 (May 18, 2015): 128. http://dx.doi.org/10.22456/2175-2745.49492.

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It is impressive how fast science has improved day by day in so many different fields. In special, technology advances are shocking so many people bringing to their reality facts that previously were beyond their imagination. Inspired by methods earlier presented in scientific fiction shows, the computer science community has created a new research area named Digital Forensics, which aims at developing and deploying methods for fighting against digital crimes such as digital image forgery.This work presents some of the main concepts associated with Digital Forensics and, complementarily, prese
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Nayebpour, Karam. "Narrativity in The Thousand and One Nights." Advances in Language and Literary Studies 8, no. 4 (August 31, 2017): 85. http://dx.doi.org/10.7575/aiac.alls.v.8n.4p.85.

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Scheherazade’s art of storytelling is the main vehicle for the fictional worldmaking in The Thousand and One Nights. The overall structure of the folktale narrative depends on the tales she recounts to King Shahriyar, and it is through these tales that she finally is able to change his mind. The richness of the narrative qualities, properties, and techniques in The Thousand and One Nights has attracted narrative scholars and narratologists for a long time. Besides applying the frame narrative as a basic narrative technique for storytelling practices, Scheherazade’s tales include many other nar
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Herzog, Todd. "Crime Stories: Criminal, Society, and the Modernist Case History." Representations 80, no. 1 (2002): 34–61. http://dx.doi.org/10.1525/rep.2002.80.1.34.

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THIS ARTICLE EXAMINES the role that the case history plays in distinguishing criminal from noncriminal. It focuses on a remarkable moment in the development of the criminal case history: the ambitious but short-lived series Außßenseiter der Gesellschaft——die Verbrechen der Gegenwart (Outsiders of Society——the Crimes of Today), published in Germany in 1924-25. In a project without precedent in German literature, the series enlisted the talents of some of Germany's and Austria's most important novelists and journalists to write book-length studies of recent sensational criminal cases. The topics
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Semenova, Oksana. "National Cinematography as a Response to Russian Information Aggression (A Case Study of Historical and Patriotic Films)." Ukrainian Studies, no. 2(79) (August 3, 2021): 30–49. http://dx.doi.org/10.30840/2413-7065.2(79).2021.234951.

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The article reveals the influence of Russian information propaganda on cultural industries of Ukraine, in particular film making, and describes place and role of contemporary Ukrainian cinematography as a “soft power” in counteracting humanitarian expansion of the Russian Federation, as a factor having an influence on mass consciousness and social attitudes of Ukrainians, as means of counter-propaganda and construction of all-Ukrainian identity and formation of consolidated political nation as a whole. The author has studied the state of national cinematography during 2014–2021, analyzed the r
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Dissertationen zum Thema "Crime Fiction Technique"

1

Robb, Simon. "Fictocritical sentences." 2001, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phr631.pdf.

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Includes bibliographical references (leaves 166-168). CD-ROMs comprise: Appendix A. Family values: fictocritical sentences -- appendix C. Reforming the boy: fictocritical sentences Primarily enacts a fictocritical mapping of local cultural events essentially concerned with crime and trauma in Adelaide. The fictocritical treatment of these events simulates their unresolved or traumatised condition. A secondary concern is the relationship between electronic writing (hypertext) and fictocriticism.
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Jiang, Yan-Lin, and 江彥琳. "Narrative Technique in Crime Fiction: Examples from Dürrenmatt's "The Judge and His Hangman" and "Suspicion"." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/81741717068166899324.

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碩士<br>輔仁大學<br>德國語文學系<br>99<br>Together with Max Frisch, the writer Friedrich Dürrenmatt (1921-1990), who wrote numerous works, is regarded as one of the most important and outstanding Swiss authors in the twentieth century. He is not only well-known as dramatist, but also as narrator and crime author. Before he triumphed with dramas, he had already arrived at the first success with his first novel “The Judge and His Hangman” (1950/51) and its sequel “Suspicion” (1951/52), in which the detective figure Inspector Bärlach is focused as the main character. On one hand, Dürrenmatt follows the tradi
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Wan, Tze-yin, and 萬姿吟. "Analysis of Seicho Matsumoto''s Writing Techniques for Crime Fiction: Early Works." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/93333039866198045980.

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碩士<br>國立高雄第一科技大學<br>應用日語所<br>95<br>Before the Second World War, Japanese crime fiction was considered as a genre of fiction that was popular, exaggerated and playful. Seicho Matsumoto, however, was an unconventional writer with distinct techniques which made his crime fiction more realistic and refined than others. Therefore, “Seicho’s Revolution” is well known in Japanese literature. The term “revolution” indicates that Seicho Matsumoto thoroughly reformed Japanese crime fiction. Since the publication of his first crime fiction Points and Lines in 1958, Seicho Matsumoto has created a new tre
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Bücher zum Thema "Crime Fiction Technique"

1

K, Kamerman Sylvia, ed. Writing mystery and crime fiction. Boston: The Writer, 1985.

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2

Keating, H. R. F. Writing crime fiction. London: A & C Black, 1986.

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Keating, H. R. F. Writing crime fiction. New York: St. Martin's Press, 1987.

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4

James, P. D. Talking about detective fiction. New York: Alfred A. Knopf, 2009.

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D, James P. Talking about detective fiction. New York: Alfred A. Knopf, 2009.

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D, James P. Talking About Detective Fiction. New York: Knopf Doubleday Publishing Group, 2009.

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7

Tadié, Benoît. Le polar américain, la modernité et le mal: 1920-1960. Paris: Presses universitaires de France, 2006.

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Le polar américain, la modernité et le mal: 1920-1960. Paris: Presses universitaires de France, 2006.

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9

Writing crime fiction. 2014.

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10

Laurence, Janet. Writing Crime Fiction. GLMP Limited, 2011.

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Buchteile zum Thema "Crime Fiction Technique"

1

Johnson, Rebecca C. "Introduction." In Stranger Fictions, 1–24. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501753060.003.0001.

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This chapter discusses the history of translations in Arabic literature. The book begins with the first translations performed by Lebanese and Egyptian translators under the auspices of British missionary societies in Malta in the 1830s and ends in the first decade of the twentieth century with the translations of British and French sentimental and crime novels published in Cairo. Each connects the purportedly marginal enterprise of translating foreign fiction, performed by well-known and forgotten translators, to the concerns of canonical nahḍa thinkers and the literary and cultural debates in which they participated. These authors developed translation techniques and writing styles that cultivated a new mode of reading that the book calls reading in translation, which required the reader to move comparatively within and among languages and with the awareness of the diverging interpretive frameworks that animated the investments of multiple audiences. Far from being mere bad translators, these authors appear as translation theorists and informed commentators on literary history. Presenting their own work as occurring within an ongoing history of translation rather than deviating from it, these translators contend that the Arabic novel takes translation and cultural transfer as its foundation, as does the European novel. This book takes the implications of these translators' claims seriously, counterpoising them to standard accounts of the novel's supposed travels in translation.
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Zarri, Gian Piero. "Conceptual Tools for Dealing with ‘Narrative' Terrorism Information." In Handbook of Research on Computational Forensics, Digital Crime, and Investigation, 447–69. IGI Global, 2010. http://dx.doi.org/10.4018/978-1-60566-836-9.ch019.

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In this paper, we evoke first the ubiquity and the importance of the so-called ‘non-fictional narrative’ information, with a particular emphasis on the terrorism- and crime-related data. We show that the usual knowledge representation and ‘ontological’ techniques have difficulties in finding complete solutions for representing and using this type of information. We supply then some details about NKRL, a representation and inferencing environment especially created for an ‘intelligent’ exploitation of narrative information. This description will be integrated with concrete examples to illustrate the use of this conceptual tool in a terrorism context.
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