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Thematische Bibliographien / Cultural history / Dissertationen

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Dissertationen zum Thema „Cultural history“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 25. Juli 2025

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1

Ford, Marcia. "Una historia cultural de LatinoAmerica : a cultural history of Latin America /." [Rohnert Park, Calif.], 2003. http://members.aol.com/latinowebquest/Index.html.

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2

Watson, Kelly L. "Encountering Cannibalism: A Cultural History." Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1149995164.

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3

Marris, Alan David. "The cultural history of the werewolf." Thesis, University of Sussex, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260040.

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4

Gee, Lindsay Mary. "Lydia : a cultural and social history." Thesis, University of Oxford, 1993. http://ora.ox.ac.uk/objects/uuid:3ab35d75-60de-4739-81ad-5e4e8dfb912a.

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A date-chart of significant periods and events from the third millennium BC to the seventh century AD prefaces the work. The text's chronological span runs from the heyday of the Mermnad kingdom to that of the Roman Empire, and the primary emphasis is on giving a narrative of the country's development under Greek influence: a wide range of literary and archaeological material is employed to this end. The thesis is divided into six parts: the first deals with geographical notices in such authors as Strabo and Pliny; the second chronicles the Mermnad period, between the seventh and sixth centuri

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5

Micaković, Elizabeth Joan. "T.S. Eliot's voice : a cultural history." Thesis, University of Exeter, 2015. http://hdl.handle.net/10871/18902.

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This thesis is a diachronic account of T. S. Eliot’s speaking voice, which, over fifty years, developed into the meticulously crafted tool of the twentieth-century author and critic and the politically and socially powerful instrument of the public intellectual. Eliot’s voice, although certainly the offspring of the nineteenth-century marriage of authorship as a bona fide profession and oral performance, was, however, unique in its responsiveness to twentieth-century legal and political debates on national identity and stability, copyright, and the powerful potential of recording technologies

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6

Munro, Lisa L. "Inventing Indigeneity: A Cultural History of 1930s Guatemala." Diss., The University of Arizona, 2014. http://hdl.handle.net/10150/347326.

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Popular images of indigenous cultures, both past and present, have served to construct pernicious racial stereotypes of native peoples throughout the Americas. These stereotypes have led to the discrimination and marginalization of native peoples; however, they also have functioned to construct identities and cultural values of non-Indian people. Existing scholarship on the representation of native peoples of Latin America has focused on the ways that nineteenth-century elites in that region appropriated certain elements of indigenous cultures to construct a sense of national unity and histori

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7

Hatherell, William. "A cultural history of Brisbane 1940-1970 /." [St. Lucia, Qld.], 2003. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe17644.pdf.

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8

Armstrong, Christopher. "Placing Atlantic Canada, community, cultural history, politics." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0020/NQ43463.pdf.

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9

Driscoll, P. M. "A cultural history of Wiltshire, 1750-1800." Thesis, University of Cambridge, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.598655.

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This thesis constructs the first integrated cultural history of a county as a unit for the eighteenth century. Surveying a diversity of environments, urban and rural, this study emphasises the variety of cultural activities and contexts within a single English county. Such a detailed study of a whole county – not just major towns – brings geography to the fore, recognising the importance of not only ‘natural’, but also human, geography – in the form of communications networks, urban planning, and local economies – in shaping provincial cultural life in the eighteenth century. The thesis mines

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10

Stevens, Charlotte. "Snapshots from the cultural history of taste." Thesis, Loughborough University, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.416724.

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This thesis explores the cultural, or literary history of taste as a social construct. Taking the mid-eighteenth century as its starting point, the thesis adopts an historicist approach to five very particular texts from this vast history. It begins by focusing on three novels: firstly, Henry Fielding's Tom Jones (1749) which was published at a time when there was increasing pressure to create `standards' of taste; secondly, Jane Austen's Sense and Sensibility (1811) which belongs to a moment that scrutinised these `standards'; and thirdly, Charles Dickens's Oliver Twist (1837), which reflects

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11

Downes, Aviston Decourcei. "Barbados 1880-1914 : a socio-cultural history." Thesis, University of York, 1994. http://etheses.whiterose.ac.uk/14001/.

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12

Lauritzen, Lydia J. "THE MAKING OF BIOETHICAL HISTORY." Case Western Reserve University School of Graduate Studies / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=case1259859539.

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13

Ghosh, Gour Chandra. "History of minor dynasties in early Bengal : studies in socio-political cultural history." Thesis, University of North Bengal, 1993. http://hdl.handle.net/123456789/1591.

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14

Jokilehto, Jukka. "A history of architectural conservation /." Click here to access, 1986. http://www.iccrom.org/eng/e-docs/ICCROM_05HistoryofConservation.pdf.

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15

Hackenesch, Silke [Verfasser]. "Chocolate and Blackness : A Cultural History / Silke Hackenesch." Frankfurt am Main : Campus Verlag, 2017. http://www.campus.de/home/.

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16

Tsetskhladze, Gocha R. "Cultural history of Colchis (6th-1st centuries BC)." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244242.

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17

Downing, Phoebe C. "Fabians and 'Fabianism' : a cultural history, 1884-1914." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:425127c1-94c1-4d20-ba58-fdd457c1f6b8.

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This thesis is a cultural history of the early Fabian Society, focusing on the decades between 1884, the Society’s inaugural year, and 1914. The canonical view is that ‘Fabianism,’ which the Oxford English Dictionary defines as the ‘doctrine and principles of the Fabian Society,’ is synonymous with State socialism and bureaucratic ‘efficiency.’ By bringing the methods of cultural history to bear on the Society’s founding members and decades, this thesis reveals that ‘Fabianism’ was in fact used as a dynamic metonymy, not a fixed doctrine, which signified a range of cultural, and even literary,

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18

Patterson, Ian. "Cultural critique and canon formation, 1910-1937 : a study in modernism and cultural memory." Thesis, University of Cambridge, 1997. https://www.repository.cam.ac.uk/handle/1810/244805.

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This thesis argues that one of the tasks of literary hiStory is to identify and challenge the processes by which writers who were once highly valued come to be forgotten and excluded from the canon. I investigate the work and cultural milieu of three such writers: Douglas Goldring, John Rodker and Mary Butts. The first chapter sets the terms of the argument, and presents the grounds for a reconfiguration of the conventional historical view of modernism. The second examines the early wor~ of Douglas Goldring: his achievements as editor of The Tramp are related to its cultural and historical sit

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19

Falk, Marcus. "Cultural Materiality : The correlation between material and cultural capital in the late eighteenth century Stockholm elite burgher home." Thesis, Uppsala universitet, Historiska institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-360585.

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The eighteenth century saw the slow but steady rise of the middling classes to their nineteenth century social and cultural prominence, reinforced by a changing political landscape and the steadily increasing importance of the market. As the social and cultural power of the city burghers making up the majority of the middling classes grew, so did they start to consume in a manner to reflect to their new status in society. The question that arises then is more exactly how this group consumed, what types of objects that became important and what type of status that became the most paramount. Sin

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20

Peters, Philip. "Historical cultural memory celebrated through architecture." This title; PDF viewer required. Home page for entire collection, 2006. http://archives.udmercy.edu:8080/dspace/handle/10429/9.

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21

Cerqueira, André Sekkel. "A donzela alada: reflexões sobre a retórica e história em Portugal no século XVII." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-17072017-192645/.

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Em nossa pesquisa analisamos os preâmbulos dos livros de história impressos em Portugal entre 1640-1680, dando atenção às práticas da escrita desses textos dedicatórias, cartas ao leitor, prólogos e licenças para a impressão. Os preâmbulos, como constatamos, têm a função retórica de exórdio da obra e, portanto, pretendem captar a benevolência, atenção e tornar o leitor dócil com relação à matéria do livro. Segundo os preceitos retóricos usados no século XVII, uma das maneiras para se atingir esses objetivos era falar sobre o assunto tratado adiante. Encontramos, então, nos prólogos dos livros

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22

Poltan, Andreas. "Translating Swedish Automotive History : Terminology, cultural adaptations and connectors." Thesis, Växjö University, School of Humanities, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-2366.

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<p>This essay is an analysis of a translation of the chapter Success Begets Success – From 1800 to C70 Coupé in David G. Styles’ book Volvo 1800. The Complete Story. By studying cultural adaptations together with the translation of terminology and connectors and basing the analysis on translation theory, certain conclusions can be drawn about the problems of translating a car-related text. This essay is mainly based on the theories of Vinay & Darbelnet (in Munday 2001), Rune Ingo (2007) and Bengt Altenberg (1999). The main results are that terminology is very important and that a translator ne

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23

Fredin, Sabrina. "History and geography matter : The cultural dimension of entrepreneurship." Doctoral thesis, Blekinge Tekniska Högskola, Institutionen för industriell ekonomi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-14018.

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This dissertation deals with the rise of new industries through entrepreneurial activities. The aim is to investigate how differences in contexts might encourage or discourage entrepreneurial activities. This contextualization of entrepreneurship enhanced our understanding of when, how and why entrepreneurial activities happen. Entrepreneurship is recognized to be a spatially uneven process and, in addition to previous research that has examined the actions of individual entrepreneurs, we also need to understand the context in which entrepreneurship occurs. We have a good understanding of how

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24

Cockayne, Emily Jane. "A cultural history of sound in England 1560-1760." Thesis, University of Cambridge, 2000. https://www.repository.cam.ac.uk/handle/1810/251723.

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Sounds both penetrate bodies and emanate from them, and in this thesis I consider both the reception and deployment of sounds in a variety of social contexts - an aural history of England between 1560 and 1760. I confine my analysis to nonverbal and non-musical sounds which were made both deliberately and incidentally, voluntarily and involuntarily, and ask, under what conditions were sounds meaningful? The concern of Chapter 2 is the sense of hearing - how and when it was appreciated or confused, and how it could be sharpened, or dulled and deafened. The experiences of the deaf are also discu

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25

Clements, Rebekah Elizabeth. "A cultural history of translation in early-modern Japan." Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/252271.

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26

Gapps, Stephen. "Performing the past : a cultural history of historical reenactments." Online version, 2002. http://hdl.handle.net/2100/625.

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University of Technology, Sydney.<br>The reenactment of the past itself has a history. This thesis analyses self-styled 'historical reenactors' in the West and traces the history of the broader phenomenon of historical reenactment in the Australian context from the late nineteenth century to the present. The historical section focuses on several events significant in Australian cultural memory that have been reenacted over time. Historical parades, pageants and reenactments dramatically narrate culturally specific historical sensibilities and demonstrate inter and cross cultural exchanges of h

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27

Ryu, Jae Hyung. "Reality & effect a cultural history of visual effects /." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-03292007-172937/.

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Thesis (Ph. D.)--Georgia State University, 2006.<br>Title from file title page. Ted Friedman, committee chair; Kathy Fuller-Seeley, Angelo Restivo, Jung-Bong Choi, Alisa Perren, committee members. Electronic text (249 p.) : digital, PDF file. Description based on contents viewed Oct. 29, 2007. Includes bibliographical references (p. 236-249).

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Papadimitriou, Lydia. "The Greek film musical : a critical and cultural history /." Jefferson, N.C. [u.a.] : McFarland, 2006. http://www.loc.gov/catdir/toc/ecip0517/2005022634.html.

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29

Kaleba, Casey Dean. "Violent delights a cultural history of media violence debates /." College Park, Md. : University of Maryland, 2004. http://hdl.handle.net/1903/2130.

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Thesis (M.A.) -- University of Maryland, College Park, 2004.<br>Thesis research directed by: Dept. of Theatre. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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30

Ryu, Jae Hyung. "Reality & Effect: A Cultural History of Visual Effects." Digital Archive @ GSU, 2007. http://digitalarchive.gsu.edu/communication_diss/13.

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The purpose of this dissertation is to chart how the development of visual effects has changed popular cinema¡¯s vision of the real, producing the powerful reality effect. My investigation of the history of visual effects studies not only the industrial and economic context of visual effects, but also the aesthetic characteristics of the reality effect. In terms of methodology, this study employs a theoretical discourse which compares the parallels between visual effects and the discourse of modernity/postmodernity, utilizing close textual analysis to understand the symptomatic meanings of key

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31

Cheung, Desmond H. H. "A socio-cultural history of sites in Ming Hangzhou." Thesis, University of British Columbia, 2011. http://hdl.handle.net/2429/37020.

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This dissertation takes a fresh approach to the study of place for parsing Ming society. Through a close analysis of the construction and representation of five famous places in the former imperial capital of Hangzhou – a pair of official shrines, a Buddhist monastery, the city god temple, and West Lake – I develop the dual idea of the “site” as a physical place that people made and maintained, and also as an imagined place that had important meanings in the cultural landscape. I argue that no individual group – not even the Ming state – was able to maintain a site on its own, nor was it able

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32

Herman, Dana. "Hashavat Avedah : a history of Jewish Cultural Reconstruction, Inc." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99925.

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This thesis is an institutional history of Jewish Cultural Reconstruction, Inc. (JCR), an organization mandated by the Office of Military Government, United States (OMGUS) to assume trusteeship over heirless Jewish cultural property that had been plundered by the Nazis and later centralized in depots in the American Zone of Germany in the wake of the Second World War. Formally established in 1947, until 1951 JCR functioned as the cultural arm of the Jewish Restitution Successor Organization (JRSO) and distributed hundreds of thousands of books, thousands of ceremonial objects, and Torah scroll

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Barker, Clare Frances. "Exceptional.Children, Disability and Cultural History in Contemporary Postcolonial Fiction." Thesis, University of Leeds, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.486383.

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This thesis explores representations of children with disabilities in recent postcolonial fictions from New Zealand, Africa and South Asia. It contends that while disabled characters appear frequently within postcolonial texts, disability is rarely considered critically within postcolonial literary studies and that this is a significant omission. In turn, humanities-based disabilitY studies has not yet paid adequate attention to conceptions of disability arising from non-Western cultura.1 contexts. In order to begin to address these theoretical elisions, I apply disability theory in my textual

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34

Bain, Alastair G. D. "A Cultural History of Silence in England 1500-1800." Thesis, University of Aberdeen, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.509224.

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This thesis is a cultural-historical discussion of the role and significance of silence in shaping aspects of belief and practice in early modern England. It proposes that silence was significant and formative not just as a relative absence of sound but also as a recognised characteristic of certain forms of behaviour. Thus, it was figured in the modification, control or suppression of speech; in actions such as gesture and bodily comportment; and in conditions such as obedience, subordination, humility, piety, and patience. Some forms of silence also derived from, and influenced, human rela

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35

Berry, Trine Bjørkmann. "The film of tomorrow : a cultural history of videoblogging." Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/53713/.

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Videoblogging is a form of cultural production that emerged in the early 2000s as a result of the increasing availability of cheap digital recording equipment, new videoediting software, video website hosting and innovative distribution networks across the internet. This thesis explores the close entanglement of culture and technology in this early and under-examined area of media production – most notably in the self-definition and development of a specific community around video practices and technologies between 2004-2009. These videobloggers' digital works are presented as an original case

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36

Murphy, P. P. "A cultural history of gesture : England c.1380-1559." Thesis, Queen's University Belfast, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.680230.

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This thesis evaluates the cultural work of gestures in the religious life of late medieval England. It exposes a void in current scholarship to suggest that gestural performances lie at the centre of contemporary modes of learning, highlighting how embodied engagements with faith allow for a new analysis of the nature of late medieval religious practices and teaching. The study establishes a sustainable grammar of religious gestures in late medieval England, tracing sources of encouragement for embodied performance before examining how established corporeal regimes could be distorted and re-ap

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37

Takegami, Mano. "A Humanitarian Monster| Mizuki Shigeru and Manga as Cultural Redemption." Thesis, California State University, Long Beach, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10829947.

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<p> Shigeru Mizuki (1922-2015) is one of the most sophisticated and accomplished of modern manga artists. His work synthesizes ancient and modern Japanese visual artistic methods with contemporary tropes from Western graphic art to tell profound and complex stories that reflect major themes of war and the supernatural world. This thesis argues that Mizuki’s work should be reevaluated as a valuable contribution to modern art based on the following three qualities: technical mastery and innovation in visual art; socio-political and philosophical depth of content; and his impact on other co

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38

Selby, Shawn M. "Congress, Culture and Capitalism: Congressional Hearings into Cultural Regulation, 1953-1967." Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1212766295.

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39

Schillinger, Stephen. "Common representations : Jack Straw and literary history as cultural history on the early modern stage /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/9363.

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40

Drelová, Agáta. "A cultural history of Catholic nationalism in Slovakia, 1985-1993." Thesis, University of Exeter, 2015. http://hdl.handle.net/10871/21846.

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This thesis is about the construction of a nationalised public Catholic culture in Slovakia from 1985 to 1993. At the core of this culture was the assumption that the Catholic Church had always been an integral part of the Slovak nation, her past, her present and her future. The thesis seeks to answer the question of who created this culture during the 1980s and 1990s and how and why they did so. To answer these questions this thesis adopts a cultural approach and explores how this culture was created utilising the concepts of collective memory, symbols and events as its main analytical tools.

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Samuelsson, Johan. "Kommunen gör historia : Museer, identitet och berättelser i Eskilstuna 1959-2000." Doctoral thesis, Uppsala University, Department of Economic History, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-6196.

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<p>The overall purpose of the thesis is to examine the shaping of the identity of the municipality. One empirical question raised in the dissertation is how the municipal museum has been established as a part of the municipal administration. This is done through an empirical study of the municipality of Eskilstuna in the period 1959-2000 and its official historical narration. I have analyzed four cases where historical narration was produced, mainly by the city museum. These cases are: a city Jubilee in 1959, the building of a city museum in 1979, a city exhibition in 2000 and the documentary

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Bilton, Chris. "Towards cultural democracy : contradiction and crisis in British and U.S. cultural policy 1870-1990." Thesis, University of Warwick, 1997. http://wrap.warwick.ac.uk/36329/.

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This study examines the theoretical contradictions of 'cultural democracy' in Britain and the United States. Cultural democracy here refers to the claim that community participation in cultural activities (artistic production and consumption) leads to participation in a democratic society. In Britain 'cultural democracy' has been associated especially with the 'community arts' movement of the 1970s and 1980s. Using Gramsci's theory of 'hegemony' as a framework for analysis, I will argue that the theoretical inconsistencies of 'cultural democracy' in the 1970s and 1980s can be traced back to a

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43

Maxson, Brian. "Review of The Italian Renaissance and Cultural history of the Rinascimento." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/6193.

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This book reviewed rejects recent scholarship that has minimized the significance of the Italian Renaissance. Instead, it argues that the cities of Florence, Venice, and Milan enjoyed a distinct period of precocity over the rest of Europe between roughly 130--1500.

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44

Gao, Qian. "Remembering the Cultural Revolution : history and nostalgia in the marketplace /." view abstract or download file of text, 2007. http://proquest.umi.com/pqdweb?did=1421604431&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2007.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 182-204). Also available for download via the World Wide Web; free to University of Oregon users.

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45

Calder, Lendol Glen. "Financing the American dream : a cultural history of consumer credit /." Princeton, NJ [u.a.] : Princeton Univ. Press, 1999. http://www.h-net.org/review/hrev-a0b4s4-aa.

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46

Downs, Carolyn Mary. "A social, economic and cultural history of bingo (1906-2005)." Thesis, Lancaster University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.440405.

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47

O'Callaghan, Liam. "A social and cultural history of rugby football in Munster." Thesis, Leeds Beckett University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.528350.

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48

Cole, E. J. "The cultural history of exotic fruits in England 1650-1820." Thesis, University of Cambridge, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.597824.

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This thesis examines the place of fruit in early-modern English culture and society, and in particular as a dimension of its response to the West Indian environment. Only a small minority encountered exotic fruit in this period. But in patterns of attraction and resistance to these immigrants from the colonial periphery we may find important markers for wider kinds of cultural change. The first section of this study, entitled ‘Exotic Fruits and the English Mind’, considers the impact of tropical fruits upon the English psyche. In the <i>Essay Concerning Human Understanding</i> (1690), John Loc

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Pietruska, Jamie L. "Propheteering : a cultural history of prediction in the Gilded Age." Thesis, Massachusetts Institute of Technology, 2009. http://hdl.handle.net/1721.1/47827.

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Thesis (Ph. D. in History, Anthropology, and Science, Technology and Society (HASTS))--Massachusetts Institute of Technology, Program in Science, Technology and Society, 2009.<br>Includes bibliographical references (v. 2, leaves 316-340).<br>This study of the changing practices and perceptions of prediction in the late nineteenth century reveals the process by which Americans came to rationalize economic and cultural uncertainty into modern life. Forecasts of all kinds were ubiquitous in the late nineteenth century; as the United States fashioned itself into an urban-industrial power with a na

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Speakman, Lydia M. "The cultural construction of history in museums and heritage attractions." Thesis, Sheffield Hallam University, 1992. http://shura.shu.ac.uk/20390/.

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This study examines the role of the curator in the interpretation of history in museums and heritage attractions. The research uses data from twelve case studies collected from observation and interviews to examine the decision-making processes undertaken by curators in devising exhibitions and displays. The study examines the different interpretative opportunities available to the curator in determining their construction of history, in the selection of artefacts and the choice of historical interpretative approaches and interpretative techniques. The study demonstrates that the curator has t

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