Thematische Bibliographien / Detective and mystery stories, German

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Auswahl der wissenschaftlichen Literatur zum Thema „Detective and mystery stories, German“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 24. Januar 2023

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Zeitschriftenartikel zum Thema "Detective and mystery stories, German"

Mojalefa, M. J., und N. I. Magapa. „Mystery in Sepedi detective stories“. Literator 28, Nr. 1 (30.07.2007): 121–40. http://dx.doi.org/10.4102/lit.v28i1.154.

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The aim of this article is to illustrate the importance of the concept “mystery” in the classification of Sepedi detective stories. Mystery is therefore first defined, and then some rules governing how mystery is created and sustained in a narrative are reviewed. Examples are given of how the writers of Sepedi detective stories mislead their readers in order to create mystery. Mystery is then examined according to five of its constituent elements, namely the real character of the detective, the name of the criminal, the identity of the victim, the evidence that reveals the mystery in the end, and the investigation that reveals the mystery. Each category is explored by citing relevant examples from Sepedi detective stories.

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Curcio, Frances R., und J. Lewis McNeece. „The Case of Video Viewing, Reading, and Writing in Mathematics Class: Solving the Mystery“. Mathematics Teacher 86, Nr. 8 (November 1993): 682–85. http://dx.doi.org/10.5951/mt.86.8.0682.

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The element of mystery can be a naturally intriguing component of a mathematics lesson for middle school students. Mystery stories capture students“ interest and attention and contribute to developing critical-reading skills (Crouse and Bassett 1975; Curcio 1982; Scalzitti 1982). When presenting mystery stories within the context of a mathematics lesson, students often ask, “What does this have to do with mathematics?” Significant connections can be made between solving a mystery and solving a mathematics problem that supply a rationale for incorporating mystery stories in the mathematics class. In particular, similarities in the questions a problem solver asks when confronting a problem (Polya 1973) and the questions a detective asks in solving a mystery can be found in figure 1. After solving short mystery stories, students will see the connection between solving a mystery and solving a mathematics problem.

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Ramazan, Farman J. „THE GOLDEN AGE OF DETECTIVE FICTION: GENRE CONVENTIONS OF AGATHA CHRISTIE’S COSY MYSTERIES“. Scientific Journal of Polonia University 49, Nr. 6 (18.01.2022): 17–21. http://dx.doi.org/10.23856/4902.

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The article focuses on the investigation of detective fiction in general and detective stories in particular which in this research is understood as a narrative where the plot hinges on a crime that the characters investigate and attempt to solve. The research also deals with various genre types of detective stories, such as police-department procedurals, hardboiled, locked room mysteries, cosy mysteries. Special attention is paid to the genre development of detective stories from a historical perspective. It is worth underlining that the period between World War I and World War II (the 1920s and 1930s) is generally referred to as the Golden Age of Detective Fiction. The purpose of the study is to highlight the main plot elements of a cosy mystery, such as the protagonist, the antagonist, the setting, the crime event, and definite narrative mechanisms involved in a story.

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Rybakova, M. B. „Ways of Expicit Verbalizing Space in Modern German Detective Stories“. Вестник Московского государственного лингвистического университета. Гуманитарные науки, Nr. 5 (2022): 93–98. http://dx.doi.org/10.52070/2542-2197_2022_5_860_93.

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O.Ya., Doichyk, und Tomash Ya.Z. „METAPHORIC REPRESENTATION OF THE CONCEPTS OF CRIME AND INVESTIGATION IN DETECTIVE STORIES“. South archive (philological sciences), Nr. 88 (16.12.2021): 24–35. http://dx.doi.org/10.32999/ksu2663-2691/2021-88-3.

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Purpose. The article dwells upon the range of conceptual metaphors with the target domains CRIME and INVESTIGATION verbalized in Arthur Conan Doyle’s detective stories. The research aims at tracing the cognitive mechanisms of conceptual metaphoric mappings which objectify the key concepts of the detective text: CRIME and INVESTIGATION. The analysis is done on the basis of the theoretical points of cognitive linguistic schools, namely the conceptual metaphor theory. The aim is achieved by completing the following tasks: singling out the key concepts of a detective story and tracing their conceptual correlations; schematic representing the basic frame of CRIMINAL INVESTIGATION; analyzing the cognitive mechanisms behind the metaphoric interpretations of CRIME and INVESTIGATION concepts; and describing metaphoric correlations of the basic frame slots (CRIME, CRIMINAL, DETECTIVE, INVESTIGATION).Methods, applied in the research, include contextual and descriptive analysis, conceptual analysis. The range of metaphors with the target domains CRIME and INVESTIGATION is analyzed according to the conceptual metaphor theory methodology.Results. In the detective stories under study the key concepts CRIME, CRIMINAL, DETECTIVE, and INVESTIGATION are represented by a certain set of metaphoric models. The metaphoric expressions that verbalize the concepts of CRIME and INVESTIGATION reveal their conceptual correlations with the concepts of DETECTIVE і CRIMINAL, which obtain further metaphoric interpretation according to these mappings.Conclusions. The research has revealed that the concepts of CRIME and INVESTIGATION have high capacity to be metaphorically interpreted due to their abstract nature. The target domain CRIME is associated with the following set of source domains: PERFORMANCE, GAME, A TANGLE / A PUZZLE / A CHAIN / A RIDDLE / MYSTERY / A LOCKED DOOR, BUSINESS, OCCUPATION, ENTERTAINMENT, MENTAL ACTIVITY, STORY, and PHENOMENON. The range of source domains which correlate with the target domain INVESTIGATION includes: JOURNEY, ROLEPLAY, HUNTING, CHASE, COMPLETING LINKS TO A CHAIN, MAKING VISIBLE, UNTANGLING, and ENTERTAINING ACTIVITY.Key words: frame, conceptual metaphor, range of metaphor, target domain, metaphoric mapping. Статтю присвячено дослідженню діапазону концептуальних метафор для референтів ЗЛОЧИН / CRIME та РОЗСЛІДУВАННЯ / INVESTIGATION у текстах детективних оповідань А. Конан Дойла. Метою статті є простеження когнітивних механізмів творення концептуальних метафор, що об’єктивують ключові концепти оповідань детективного жанру, – ЗЛОЧИН / CRIME та РОЗСЛІДУВАННЯ / INVESTIGATION. Аналіз здійснюється з опертям на положення провідних шкіл когнітивної лінгвістики, зокрема теорії концептуальної метафори. Реалізація поставленої мети відбувається шляхом виокремлення ключових концептів детективної розповіді та з’ясування їхніх концептуальних зв’язків; схематичного моделювання фрейму ДЕТЕКТИВНЕ РОЗСЛІДУВАННЯ / CRIMINAL INVES-TIGATION; аналізу механізмів творення концептуальних метафор, які об’єктивують концепти CRIME та INVESTIGATION і виявляють концептуальні зв’язки між слотами фрейму (CRIME, CRIMINAL, DETECTIVE, INVESTIGATION).Методи, застосовані в дослідженні, включають контекстуальний і концептуальний аналізи, метод суцільної вибірки, описовий метод. Визначення діапазону метафор концептів CRIME та INVESTIGATION здійснюється відповідно до положень теорії концептуальної метафори.Результати. У досліджуваних оповіданнях концепти CRIME, CRIMINAL, DETECTIVE, INVESTIGATION об’єктивовані певним набором метафоричних моделей. У метафоричних висловах, що об’єктивують концепти CRIME та INVESTIGATION у текстах оповідань, відображено їхні зв’язки з концептами DETECTIVE і CRIMINAL, які також отримують своє метафоричне осмислення в межах цих концептуальних метафор.Висновки. Дослідження показує, що високий ступінь метафоризації концептів CRIME та INVESTI-GATION зумовлений абстрактністю референтів. Концептуальний референт CRIME корелює з доменами PERFORMANCE, GAME, A TANGLE / A PUZZLE / A CHAIN / A RIDDLE / MYSTERY / A LOCKED DOOR, BUSINESS, OCCUPATION, ENTERTAINMENT, MENTAL ACTIVITY, STORY, PHENOMENON. Діапазон корелятивних доменів, які проєктуються на референтний домен INVESTIGATION, включає такі кореляти, як JOURNEY, ROLEPLAY, HUNTING, CHASE, COMPLETING LINKS TO A CHAIN, MAKING VISIBLE, UNTANGLING, ENTERTAINING ACTIVITY.Ключові слова: фрейм, концептуальна метафора, діапазон метафори, домен цілі, метафоричне мапування.

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Has-Tokarz, Anita. „Kryminały (są) dla dziewczyn… — refleksje wokół cyklu detektywistycznego Karen Karbo o Minervie Clark“. Literatura i Kultura Popularna 28 (06.10.2022): 63–80. http://dx.doi.org/10.19195/0867-7441.28.5.

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In recent years, there has been a growing interest in detective literature among the youngest readers. The appeal of this type of literature is confirmed not only by a kind of “publication overproduction” observable in the segment of books for children and young adults, but also by reader rankings. The latter also show two significant trends: firstly — the declining age of the youngest readers who choose detective stories, secondly — girls are beginning to prevail among the young recipients of this literature. The goal of the article is to seek an answer to the question why young girls increasingly often choose detective literature and what makes it attractive from the reception perspective. The example which is the focus of attention is the mystery-type trilogy written by American author Karen Karbo about the adventures of an eccentric teenager Minerva Clark. The series consists of the following volumes: Minerva Clark Gets a Clue, Minerva Clark Goes to the Dogs, and Minerva Clark Gives Up the Ghost, all of which can be categorized as classical detective stories. The latest detective fiction for young girls, which readily utilizes gender and feminist topics, features more and more characters of brave and independent female amateur detectives. Minerva Clark has joined this colorful gallery of characters, who appeared in the twentieth-century literature thanks to Miss Marple novels authored by Agatha Christie. The literary character of Minerva Clark arouses associations with another fictional character meant for female teenage readers — Nancy Drew, the titular hero of American novels Nancy Drew Mystery Series, published in the USA since the 1930s. Minerva Clark has become part of the contemporary discourse on femininity and the role of gender in popular culture. The popularity of the trilogy in question as well as the whole trend of detective stories for girls can be explained in several ways. Apart from the feminine topic repertoire, the literary factors are of significance: suspense-keeping stories, captivating plots, young people’s slang, and most of all — humor, highly thought of by the young audience. In Karen Karbo’s series we are dealing with verbal-intellectual and situational comedy as well as that of characters. The content-related comedy-making factors in the trilogy about Minerva Clark also include humorous narration (play on words), situational scenes, and a happy ending. Books about female teenage detectives such as Minerva evoke a substantial response among their gender also because they are written with present-day girls and their needs in mind.

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John, Jerrin Aleyamma. „Serial Killing as a Defence Mechanism: A Study of Thomas Harris’s “The Silence of the Lambs”“. SMART MOVES JOURNAL IJELLH 7, Nr. 11 (28.11.2019): 8. http://dx.doi.org/10.24113/ijellh.v7i11.10123.

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The literary canon carries with it a huge array of possible writings exploring the various contours of fiction, the genre of Detective fiction is one such umbrella term. The effect of mystery and suspense and the surprise factors being hidden away in the pages, keeps the readers glued to detective fiction. This paper explores the plot line of one of the prominent detective stories, Thomas Harris’s ‘The Silence of the Lambs’ in search of certain existential questions regarding the named serial killer in the plot. The social evil of killing the lives of many for the purely pleasure aspect is viewed from multiple viewpoints and a new reading of the plot by placing it within relevant contextual framework is carried out. A traversal through the psychological, behavioural and social norms of the context is explores within the paper.

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Shotwell, Gregg. „A Working-Class Sherlock“. Monthly Review 68, Nr. 5 (07.10.2016): 62. http://dx.doi.org/10.14452/mr-068-05-2016-09_7.

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Timothy Sheard, the Lenny Moss mystery series (New York: Hardball).At its best, the art of fiction reveals the underlying truth of human relations: we are communal and collaborative by nature. Selfishness and greed are social aberrations because, ultimately, they violate the principle of self-preservation. No wonder we are drawn to crime stories: they mirror our common experience. Capitalism is high crime disguised as church doctrine. Conspiracy is evident, though the evidence is concealed. Hence, our fascination with the detective genre. We are in dire need of Timothy Sheard's scrutiny—a detective who peers through a working-class eyeglass.Click here to purchase a PDF version of this article at the Monthly Review website.

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Sungkowati, Yulitin. „PENGARUH CERITA DETEKTIF TRADISIONAL BARAT TERHADAP NOVEL INDONESIA MENCARI SARANG ANGIN DAN KREMIL KARYA SUPARTO BRATA (The Influence of West Traditional Detective Stories on Indonesian Novel: Suparto Brata’s “Mencari Sarang Angin” and “Kremil”)“. METASASTRA: Jurnal Penelitian Sastra 7, Nr. 1 (11.03.2016): 109. http://dx.doi.org/10.26610/metasastra.2014.v7i1.109-122.

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Penelitian ini bertujuan mendeskripsikan hubungan Suparto Brata dengan cerita detektif tradisional Barat dan mendeskripsikan pengaruh cerita detektif tradisional Barat terhadap novelnya yang berjudul Kremil dan Mencari Sarang Angin. Kajian ini termasuk ke dalam studi sastra bandingan. Penelitian ini menghasilkan temuan bahwa Suparto Brata merupakan pembaca cerita-cerita detektif tradisional Barat. Pengaruh bacaan tersebut terhadap novel Kremil dan Mencari Sarang Angin yang ditulisnya teridentifikasi dari fakta cerita berupa alur (yang terdiri atas tiga bagian: kejahatan, pelacakan, dan pembongkaran misteri), penokohan (penjahat, korban, pelacak, dan tokoh lainnya), dan latar terisolasi. Akan tetapi, dalam beberapa hal, novel Kremil dan Mencari Sarang Angin menunjukkan penyimpangan atau modifikasi dari cerita detektif tradisional Barat.Abstract:This study focuses on describing the relationship between Suparto Brata as a writer and western traditional detective stories. It also examines their influence on his works: “Kremil” and “Mencari Sarang Angin”. The research is under comparative literary study. The result of the re- search shows that Suparto Brata is the western detective stories reader. Their influence on his works, “Kremil” and “Mencari Sarang Angin”, can be identified from their plot, character, and isolated setting. Firstly, the plot is divided into three parts: criminality, tracing the story, and un- covering the mystery. Secondly, the characters consist of criminal, victim, and other characters. In some cases, however, “Kremil” and “Mencari Sarang Angin” indicate the deviation or modification of the western traditional detective stories.

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Chakravarty, Prerana. „The Culinary Space: Food as a Narrative Tool in Agatha Christie’s Detective Novels“. Southeast Asian Review of English 59, Nr. 2 (02.01.2023): 58–76. http://dx.doi.org/10.22452/sare.vol59no2.6.

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Kevin Burton Smith in his article ‘Murder on the Menu’ (2010), comments, “right from the start there’s been a curious link between food (and drink) and crime fiction.” Despite the fact that culinary mystery novels arose as a subgenre of crime fiction in the late twentieth century, food has always been a part of crime fiction, and has played an important role in the early stories of Sherlock Holmes and Edgar Allan Poe. Food is frequently depicted as a source of stability and order in crime novels, establishing verisimilitude, creating a genuine world, a world as we know it. Agatha Christie, too, has included significant reference to food, eating habits and food rituals throughout her detective stories, using it as a tool to create a feminine and domestic space. This paper will analyse how Christie has used the depiction of food as a tool to further the narrative, portraying it in her novels as a calming ritual and a clue to the murder. However, food in Christie’s stories can also gain a more sinister undertone, and this paper will also analyse this, focusing on how Christie transforms food into a murder weapon itself, as a bad omen indicating events, thereby, blending reality with the storyline and lending vivacity to her characters and her plots.

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Dissertationen zum Thema "Detective and mystery stories, German"

Schultz, Bryan J. „The portrayal of Switzerland and the role of the Swiss detective in the modern Swiss crime novel /“. Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79977.

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The primary objective of this M.A. thesis is to examine the portrayal of Switzerland and the role of the Swiss detective in the modern Swiss crime novel, with special focus on the works of three modern Swiss authors of different social status: Friedrich Glauser, Friedrich Durrenmatt and Hansjorg Schneider. While the crime novel is generally considered trivial entertainment for mass audiences within the realm of German literature, the case is somewhat different in Switzerland, a country with a small state mentality. The forthcoming analysis will demonstrate how these authors employ the crime novel as an educational device to convey a very important message to their fellow countrymen about the society in which they live. In their portrayal of Switzerland, the authors cover a wide range of circumstances relevant to their respective time periods, often dealing with controversial issues. Consequently, the Swiss detective plays a major role, as he must often solve difficult cases while faced with tremendous pressure from society. By focusing exclusively on Switzerland, this analysis will ultimately prove that the modern Swiss crime novel contains not only an entertainment aspect, but also important political, sociological and historical elements that distinguish the phenomenon from its international counterparts.

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Barfoot, Nicola. „Frauenkrimi : generic expectations and the reception of recent French and German crime novels by women = Polar féminin /“. Frankfurt am Main [u.a.] : Lang, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=015744779&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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Gläßer, Jana. „Was ist Mystery?“ Thesis, Universitätsbibliothek Chemnitz, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-qucosa-137295.

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Die vorliegende Seminararbeit zeigt anhand einer breit gefächerten Analyse von Mystery die Vielfältigkeit des Mystery-Begriffes und -Genres auf, besonders im Hinblick auf die Parallelen und Unterschiede zu seinem englischen Ursprung. Es erfolgt eine detaillierte etymologisch-lexikografische Betrachtung. In dieser wird auf die verschiedenen Bedeutungsfacetten von Mystery eingegangen sowie eine Anglizismus-/Pseudoanglizismus-Debatte geführt. Ausgangspunkt bildet der ursprüngliche Sinn von Mystery als Unerklärliches, generelles Rätsel, Geheimnis oder religiöses Mysterium. Es werden Verbindungen zu englischen Rätselgeschichten (mystery stories) gezogen, die allgemein von unerklärlichen Begebenheiten erzählt. Diese mysteries umfassen sowohl Rätsel im verbrechensbezogenen Kontext (detective stories) als auch die im Deutschen vorherrschenden Verbindungen zum Übernatürlichen sowie Geheimnisvoll-Rätselhaftes in den vielfältigsten Kontexten (Gothic novels, moderne American mystery story). Somit wird eine Annäherung der englisch-deutschen Mystery-Bedeutung sichtbar. Ferner versucht die Arbeit, auf Ursprünge und Entwicklungen des deutschen Mystery-Trends einzugehen und die Faszination Mystery zu erklären. Eine bedeutende Rolle kommt der Serie Akte X zu. Denn im Zuge ihrer Ausstrahlung und Vermarktung im deutschen Fernsehen wurde die englische Mystery-Bezeichnung aufgegriffen. In die gesamte Aufarbeitung werden verschiedenste Meinungen von Rezipientenseite, Vermarktung, Medien, Wissenschaft einbezogen. So entsteht ein Überblick zum Dargestellten im Mystery-Genre. Es wird belegt, dass im deutschsprachigen Raum ein relativ einheitliches Bewusstsein dafür besteht, was das Genre Mystery im filmischen und literarischen Bereich ausmacht.

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Lake, Darlene Margaret. „The detective as social critic : the Spanish and Mexican detective novel 1970-1995 /“. Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/8312.

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Meyer, Deon Meyer Deon. „'n Praktiese ondersoek na die struktuur van die speur- en spanningsroman : met spesifieke verwysing na die werk van Michael Connelly, John le Carré, Ian Rankin, Lee Child en Frederick Forsyth /“. Link to the online version, 2005. http://hdl.handle.net/10019/1111.

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Wallis-Martin, Julia Wallis-Martin Julia. „Crime fiction and the publishing market /“. St Andrews, 2008. http://hdl.handle.net/10023/710.

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Trott, Sarah Louise. „The detective as veteran : the trauma of war in the work of Raymond Chandler“. Thesis, Swansea University, 2010. https://cronfa.swan.ac.uk/Record/cronfa42370.

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Raymond Chandler created his detective Philip Marlowe not as the idealisation of heroic individualism as is commonly perceived, but instead as an authentic individual subjected to very real psychological frailties resulting from his traumatic experiences during World War One. Marlowe's characterisation goes beyond the traditional chivalric readings and should instead be interpreted as an authentic representation of a traumatised veteran in American society. Substituting the horror of the trenches for the corruption of the city. Chandler's disillusioned protagonist and his representation of an uncaring American society resonate strongly with the dislocation of the Lost Generation. Consequently, it is profitable to consider Chandler not simply as a generic writer but as a genuine literary figure. This thesis re-examines important primary documents highlighting extensive discrepancies in existing biographical narratives of Chandler's war experience, and unveils an account that is significantly different from that of his biographers, revealing the trauma that troubled Chandler throughout his life. The application of psychological behavioural interpretation to interrogate Chandler's novels demonstrates the variety of post-traumatic symptoms that tormented both Chandler and his protagonist. A close reading of his personal papers reveals the psychological symptoms of PTSD that were subconsciously encoded into Marlowe's characterisation. Marlowe can only be understood a character shaped by Chandler's own experiences. This conflation of the hard-boiled style and war experience has influenced many contemporary crime writers, particularly in the traumatic aftermath of the Vietnam War. The sum of this work offers a new understanding of Chandler's traumatic war experience, how that experience established the traditional archetype of detective fiction, and how this reading of his work allows Chandler to transcend generic limitations to be recognised as a key twentieth century literary figure.

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Nuñez, Gabriela. „Investigating La Frontera : transnational space in contemporary Chicana/o and Mexican detective fiction /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2007. http://wwwlib.umi.com/cr/ucsd/fullcit?p3286241.

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Nelson, Colby David. „Literary investigations of modern American crime narratives /“. Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/9349.

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Cleveland, William. „"Why is Everyone So Interested in Texts?": The Shifting Role of the Reader in the Genre of Hard-boiled Fiction“. Fogler Library, University of Maine, 2007. http://www.library.umaine.edu/theses/pdf/ClevelandW2007.pdf.

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Bücher zum Thema "Detective and mystery stories, German"

Deitmer, Sabine. Bye-bye, Bruno: Wie Frauen morden: Kriminalgeschichten. Frankfurt am Main: Fischer Taschenbuch Verlag, 1988.

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Prokop, Gert. Wer stiehlt schon Unterschenkel?: Kriminalgeschichten aus dem 21. Jahrhundert. Berlin: Verlag Das Neue Berlin, 1993.

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Bosetzky, Horst. Ein Mann fürs Grobe. Reinbek bei Hamburg: Rowohlt, 1996.

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Bosetzky, Horst. Kein Reihenhaus für Robin Hood. Reinbek bei Hamburg: Rowohlt, 1990.

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Myŏng-sun, Kang, Hrsg. Sarin ŭi maŭl Tʻannoedŭ: Andŭrea Maria Syenkʻel changpʻyŏn sosŏl. Sŏul-si: Chungang Books, 2007.

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Tannöd: Kriminalroman. 3. Aufl. Hamburg: Ed. Nautilus, 2006.

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Tannöd: Kriminalroman. Augsburg: Weltbild, 2007.

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Tannöd: Roman. München: btb, 2009.

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Kurbjuweit, Dirk. Die Einsamkeit der Krokodile: Roman. Frankfurt am Main: Fischer, 2001.

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Dürrenmatt, Friedrich. Izbrannoe. Kiev: "Fita", 1995.

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Buchteile zum Thema "Detective and mystery stories, German"

Trensky, Paul I. „Detective and Mystery Stories“. In The Fiction of Josef Škvorecký, 118–25. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21531-7_11.

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Borgmeier, Raimund. „A Further Case of the 'Detective Novel Unbound'. Thornton Wilder's the Eighth Day and the Mystery Novel“. In Telling Stories, 296–311. Amsterdam: B.R. Grüner Publishing Company, 1992. http://dx.doi.org/10.1075/zg.141.20thr.

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Andrews, Molly. „The Mystery of the Dangerous Book“. In Stories Changing Lives, 19–30. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190864750.003.0002.

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What stories are told, and ultimately tellable, has consequences for our ability to imagine the world otherwise. This chapter examines in-depth a particular story told 25 years in retrospect by an East German dissident about a book that he had hidden from the Stasi and that ultimately disappeared. After the wall opened, the narrator reads his Stasi file. Most remarkable to him was what was not there: there was no mention of the stolen book. The narrator invites me, his listener, into a world of intrigue where the stakes are high. Despite not knowing how the book disappeared, it is clear that with its discovery, he could have been jailed for years. The story hinges on a moment in which the narrator was not present and requires a leap from both teller and audience. Ultimately, it delivers its punch from a contemplation of what did not happen, an alternative imagined (yet once fully possible) future that would have followed on the heels of any official reporting of the hidden book. The story conveys much about the dissident, even while it offers insight into a world beyond any one individual

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Kretzenbacher, Heinz L. „The Forgotten German-Australian Stories of Australian History: Lesbia Harford’s The Invaluable Mystery and the Plight of German-Australians in the First World War“. In Limbus – Australisches Jahrbuch für germanistische Literatur- und Kulturwissenschaft Krieg / War, 45–78. Rombach Wissenschaft – ein Verlag in der Nomos Verlagsgesellschaft, 2014. http://dx.doi.org/10.5771/9783968219578-45.

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Buzzoni, Marina. „Gli occhi di Laura“. In Le lingue occidentali nei 150 anni di storia di Ca’ Foscari. Venice: Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-262-8/023.

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Laura Mancinelli is a highly esteemed scholar and one of Italy’s foremost contemporary writers. In the 1970s, she taught Germanic Philology (and subsequently History of the German Language) at Ca’ Foscari University of Venice for eight years. In this period, she became fully aware of her passion for writing novels inspired by her medieval studies – albeit imbued with autobiographical details and witty self-mockery. This paper will explore the nature of her relationship with Venice and Ca’ Foscari through her own eyes, captured in the autobiographical novels as well as in the detective short stories with Superintendent Florindo Flores as main character. Archival research has also been carried out to provide a full picture of her Venice experience.

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