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Thematische Bibliographien / Dissemination of art / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Dissemination of art“

Autor: Grafiati

Veröffentlicht am 29. Juni 2021

Zuletzt aktualisiert am 11. Februar 2022

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Mosher, Heather. "A question of quality: the art/science of doing collaborative public ethnography." Qualitative Research 13, no. 4 (2013): 428–41. http://dx.doi.org/10.1177/1468794113488131.

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Social science researchers have long stressed the importance of a more publically relevant and accessible science. Nevertheless, significant barriers remain within the academy, such as processes for peer review, promotion, and awarding of degrees, which discourage the use of nontraditional dissemination techniques that support a more public ethnography. Concerns over scientific rigor, best practices, and methods for disseminating ethnographic research to public audiences may act as some of the barriers, among others. The purpose of this article is to discuss challenges in doing and disseminati

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Wong, Andrew L., Judith O. Harker, Victoria P. Lau, Sue Shatzel, and Lori H. Port. "Spanish Arthritis Empowerment Program: A dissemination and effectiveness study." Arthritis Care & Research 51, no. 3 (2004): 332–36. http://dx.doi.org/10.1002/art.20395.

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Coad, Jane, and Patric Devitt. "Research dissemination: The art of writing an abstract for conferences." Nurse Education in Practice 6, no. 2 (2006): 112–16. http://dx.doi.org/10.1016/j.nepr.2005.08.003.

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Simeoni, Edda, Adrian Bauman, Judith Stenmark, and Jane O'Brien. "Evaluation of a community arthritis program in Australia: Dissemination of a developed program." Arthritis Care & Research 8, no. 2 (1995): 102–7. http://dx.doi.org/10.1002/art.1790080208.

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Bukvic, Ivica Ico. "RTMix – towards a standardised interactive electroacoustic art performance interface." Organised Sound 7, no. 3 (2002): 275–86. http://dx.doi.org/10.1017/s1355771802003072.

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The following article offers an analytical overview of the currently available software technologies designed to assist in creation, dissemination, and most importantly performance of interactive electroacoustic art. By grouping the software into two basic groups based on their interfaces, my aim is to provide a comprehensive list of two groups' strengths and shortcomings, therefore exposing common issues that arise whenever a composer utilises such software interfaces in performance settings. Finally, as an incentive in solving a number of given problems, the author will present RTMix, his ow

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Feldman, Marian H. "Rethinking the Canon of Ancient Near Eastern Art in the Internet Age." Journal of Ancient Near Eastern History 3, no. 1 (2017): 57–79. http://dx.doi.org/10.1515/janeh-2016-0002.

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AbstractThe formation and perpetuation of intellectual canons – as consensually agreed upon corpora considered most significant and representative of a time, place or person – rely heavily on closed systems of knowledge. The bound-paper book exemplifies such a closed system and has been a primary form of constructing and disseminating canons of ancient works. The Internet, however, challenges the very structuring principles of knowledge production inherent in books, offering potentially boundless networks of unorchestrated knowledge bits. As scholars, teachers, and students turn more to the In

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Li, Zhiyuan, Junlei Bi, and Carlos Borrego. "Exploiting Temporal and Spatial Regularities for Content Dissemination in Opportunistic Social Network." Wireless Communications and Mobile Computing 2019 (March 6, 2019): 1–16. http://dx.doi.org/10.1155/2019/3173152.

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Recently, content dissemination has become more and more important for opportunistic social networks. The challenges of opportunistic content dissemination result from random movement of nodes and uncertain positions of a destination, which seriously affect the efficiency of content dissemination. In this paper, we firstly construct time-varying interest communities based on the temporal and spatial regularities of users. Next, we design a content dissemination algorithm on the basis of time-varying interest communities. Our proposed content dissemination algorithm can run in O(nlog⁡n) time. F

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Witczak, Karolina. "Comperative aspect of terms „image”, „recording” and „dissemination” in view of art. 23 of Civil Code and art. 81 of Act of 4 February 1994 on Copyright and Related Rights and art. 191a of the Criminal Code." Filozofia Publiczna i Edukacja Demokratyczna 6, no. 2 (2018): 81–108. http://dx.doi.org/10.14746/fped.2017.6.2.16.

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The terms „image”, „recording” and „dissemination” are presented in art. 191a of the Criminal Code. However, the source of these phrases derives from civil law, especially art. 23 of Civil Code and art. 81 of Act of 4 February 1994 on Copyright and Related Rights. The article author makes a comparison of these terms in view of different legal orders (criminal law order and civil law order). The purpose of such a comparative study is to show differences and similarities in the range of designatums of analyzed terms. Furthermore, this article indicates “the most effective” structure of analyzed

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Smirnova, Alexandra. "MINISTRIES OF PEACE: HISTORY OF DEVELOPMENT, DISSEMINATION AND IMPLEMENTATION OF THE IDEA." Nordic and Baltic Studies Review, no. 1 (December 2016): 10. http://dx.doi.org/10.15393/j103.art.2016.511.

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Wang, Xia. "Reception and Dissemination of Qiyun Shengdong in the Western Art Criticism." Critical Arts 34, no. 2 (2020): 43–54. http://dx.doi.org/10.1080/02560046.2019.1690536.

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McCoy, Kathleen P. "The Science, and Art, of Program Dissemination: Strategies, Successes, and Challenges." New Directions for Child and Adolescent Development 2015, no. 149 (2015): 1–10. http://dx.doi.org/10.1002/cad.20109.

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Gartina, Dhani. "DISEMINASI INOVASI TEKNOLOGI PERTANIAN MELALUI PORTAL WEB BADAN PENELITIAN DAN PENGEMBANGAN PERTANIAN." Informatika Pertanian 24, no. 1 (2015): 121. http://dx.doi.org/10.21082/ip.v24n1.2015.p121-132.

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The Indonesian Agency for Agricultural Research and Development (IAARD) has the mandates of creating and disseminating agricultural technology innovations. The dissemination process of the agricultural technology innovations has not yet been maximized, and consequently not many people (farmers) can benefit from the R&amp;D results. Technology innovation dissemination through a web portal has become IAARD’s choice. Problems related to dissemination through a web portal is in the method of presenting and managing the information in the web site. This research aimed to determine the benefits

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Linte, Cristian. "The art of dissemination: what makes an effective scientific presentation? [Student's Corner]." IEEE Engineering in Medicine and Biology Magazine 27, no. 4 (2008): 5–9. http://dx.doi.org/10.1109/memb.2008.925877.

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Roy, Callista. "State of the Art: Dissemination and Utilization of Nursing Literature in Practice." Biological Research For Nursing 1, no. 2 (1999): 147–55. http://dx.doi.org/10.1177/109980049900100213.

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Faxon, Alicia Craig. "Rossetti's Reputation: A Study of the Dissemination of His Art through Photographs." Visual Resources 8, no. 3 (1992): 219–45. http://dx.doi.org/10.1080/01973762.1992.9659234.

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Boydell, Katherine M., Michael J. Hodgins, Brenda M. Gladstone, and Elaine Stasiulis. "Ineffable knowledge: Tensions (and solutions) in art-based research representation and dissemination." Journal of Applied Arts & Health 8, no. 2 (2017): 193–207. http://dx.doi.org/10.1386/jaah.8.2.193_1.

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Lapum, Jennifer L., Linda Liu, Kathryn Church, et al. "Knowledge Translation Capacity of Arts-informed Dissemination: A Narrative Study." Art/Research International: A Transdisciplinary Journal 1, no. 1 (2016): 258. http://dx.doi.org/10.18432/r2bc7h.

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Background: Arts-informed dissemination is an expanding approach to enhancing knowledge translation in the health sciences. Problematic is the minimal evaluation studies and the rare reporting of the influencing factors of knowledge translation. “The 7,024th Patient” is a research-derived art installation created to disseminate findings about patients’ experiences of heart surgery and the importance of humanistic patient-centred care approaches. The current study’s purpose was to explore how arts-informed dissemination (i.e., “The 7,024th Patient”) influenced healthcare practitioners’ delivery

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Boaden, Sue. "Education for art librarianship in Australia." Art Libraries Journal 19, no. 2 (1994): 5–6. http://dx.doi.org/10.1017/s0307472200008725.

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The growth of art history and art practice courses in Australia has been remarkable over the last 20 years. Unfortunately training for art librarianship has not matched this growth. There are eleven universities in Australia offering graduate degrees and post-graduate diplomas in librarianship but none offer specific courses leading towards a specialisation in art librarianship. ARLIS/ANZ provides opportunities for training and education. Advances in scholarly art research and publishing in Australia, the development of Australian-related electronic art databases, the growth of specialist coll

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Hoguane, José João, Mirian N. Tavares, and Sandra Boto. "The Use of Media Convergence in the Preservation and Dissemination of Cultural Assets." International Journal of Creative Interfaces and Computer Graphics 11, no. 2 (2020): 16–26. http://dx.doi.org/10.4018/ijcicg.2020070102.

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This article intends to present the experience and perspectives of the use of media convergence through an artifact/installation in media digital art. The aim of the experience is, as an interface, to contribute to the knowledge dissemination about timbila of Mozambique as cultural asset, especially in the younger strata, and to lead reflection and awareness about the problem due the risc of it disappearance. The article aims to elucidate the role of digital media art in solving humanities' problems.

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Maqueda García-Morales, Raúl, and Manuel Luque Cortina. "Paleocatálogo 3D: Photogrammetry for the realization of a high quality, accessible and free 3D Virtual Catalog." Virtual Archaeology Review 6, no. 13 (2015): 35. http://dx.doi.org/10.4995/var.2015.4369.

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To develop quality tools for dissemination and outreach today is no longer a problem. The access to archaeological collections, to have at our disposal a repertoire of portable art, tools, etc. of European Prehistory, neither will be. In these lines we will see the project in which we combine technology, information and accessibility to that information, as a tool for the study and dissemination of prehistory for all educational levels.

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Amani, Arifah Fathia, and Hanifah Ihsaniyati. "Barista Art: Coffee Education Strategy to The Community." Mudra Jurnal Seni Budaya 35, no. 2 (2020): 127–32. http://dx.doi.org/10.31091/mudra.v35i2.1043.

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The phenomenon of coffee consumption is currently rife among young people as a lifestyle. Coffee had become one of the ﬁrst global commodities. It has become common to ﬁnd coffee shops, coffee bars, and kiosks. The phenomenon of coffee consumption is related to the role of a barista’s art. Baristas can be said as people who are experts in making coffee. However, while barista is widely known to the public only in the coffee shop even though many places for baristas can introduce coffee, such as in hotels, restaurants, offices or other public places. This paper aims to describe the role of bari

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Ebrahim, Osman, and Ahmad Haeri Mazanderani. "Recent developments in HIV treatment and their dissemination in poor countries." Infectious Disease Reports 5, no. 1S (2013): 2. http://dx.doi.org/10.4081/idr.2013.s1.e2.

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As the world enters the fourth decade of the HIV/AIDS epidemic a number of new drugs have been developed that address current challenges with antiretroviral therapy (ART), such as pill burden, toxicity and drug-resistance. These new agents have not only been developed from established drug-classes, namely nucleoside reverse transcriptase inhibitors (NRTIs), non-nucleoside reverse transcriptase inhibitors (NNRTIs) and protease inhibitors (PIs), but also include innovative ways of suppressing viral replication. Intergrase inhibitors and chemokine receptor blockers have been developed which, comb

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Sayers, William. "The Arthur of Medieval Latin Literature: The Development and Dissemination of the Arthurian Legend in Medieval Latin (review)." Arthuriana 22, no. 2 (2012): 102–4. http://dx.doi.org/10.1353/art.2012.0019.

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Riter, Robert B. "Book art and the representation and communication of original sources." Art Libraries Journal 44, no. 4 (2019): 167–73. http://dx.doi.org/10.1017/alj.2019.25.

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Works of book art can express archival and documentary values. Book artists whose work is informed by archival and documentary evidence contribute to the wider dissemination of original sources. In supporting this function, their generative practices can be viewed as curatorial and editorial functions. How does archivally informed book art represent and communicate evidence? How can these sources operate as documentary sources? This essay offers a discussion of these questions.

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Andros, G., and L. Lee. "Bypass Grafts: The State of the Art." Scandinavian Journal of Surgery 101, no. 2 (2012): 100–106. http://dx.doi.org/10.1177/145749691210100205.

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The treatment options for infra-renal arteriosclerotic occlusive (ASO) vascular disease have never been more varied. The history of open revascularization procedures now exceeds 60 years. This represents three generations of vascular surgeons, the most recent of whom have witnessed more than 30 years of endovascular surgery development and dissemination. Both open and endovascular treatments should be considered mature; moreover, we are improving our understanding of the strategies and tactics that lead to the clinical application of one approach instead of the other. There are other important

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Yang, Xu Guang, and Shu Ping Xu. "Research in Hebei Private Digital Information Technology for the Development of Calligraphy and Art Institutions." Advanced Materials Research 998-999 (July 2014): 1182–85. http://dx.doi.org/10.4028/www.scientific.net/amr.998-999.1182.

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With the innovative development of technology, computer technology in digital art painting has become a reality of modern tools and means of dissemination of artistic creation.The digital painting which regarded computer languages as the main means of calligraphy is rapidly emerging.Therefore, the traditional painting and calligraphy art enter the a new digital realm. Clearly, advances in computer technology has greatly promoted the art of painting the wheels forward, and also painting and calligraphy provides a new creative path for the development of private sector. It has Hebei private pain

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Smith, Terry. "An Introduction to Nicos Hadjinicolaou's “Art Centers and Peripheral Art” (1982)." ARTMargins 9, no. 2 (2020): 112–18. http://dx.doi.org/10.1162/artm_a_00266.

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Change in the history of art has many causes, but one often overlooked by art historical institutions is the complex, unequal set of relationships that subsist between art centers and peripheries. These take many forms, from powerful penetration of peripheral art by the subjects, styles and modes of the relevant center, through accommodation to this penetration to various degrees and kinds of resistance to it. Mapping these relationships should be a major task for art historians, especially those committed to tracing the reception of works of art and the dissemination of ideas about art. This

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Balakrishna K. "WSN-Based Information Dissemination for Optimizing Irrigation Through Prescriptive Farming." International Journal of Agricultural and Environmental Information Systems 11, no. 4 (2020): 41–54. http://dx.doi.org/10.4018/ijaeis.2020100103.

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Prescriptive agriculture is the art of science utilizing modern technology to enhance productivity with optimizing inputs/cost. In this paper, the advent of wireless sensor network, APSim, and statistical software spurred a new direction in the farming domain at optimizing irrigation. Sensors are designed to collect the datasets of climatic parameters such as relative humidity and temperature, where the datasets were forwarded to the server through a GSM module. Datasets collected were analyzed through statistical software for grown crops by considering field soil conditions and evapotranspira

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Yao, Yu. "Research on the Theoretical Innovation of Chinese Land Art from the perspective of Internet+." E3S Web of Conferences 236 (2021): 04046. http://dx.doi.org/10.1051/e3sconf/202123604046.

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At the Echigo-Tsumari Art Triennial, artists used the countryside as a stage for their artworks. The Echigo-Tsumari region has also taken this opportunity to revive its economy and rural culture. And the inspiration from this case is something that cannot be ignored in China today. This article analyzes the Echigo-Tsumari Art Triennial and some Chinese local arts festivals, go a step further and taking advantage of the advantages of China's Internet in logistics and information dissemination to extend the cultural strategy of combining rural culture with art.

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Vainalavičiūtė, Gintarė. "Communication Solutions by Improving Interactive Art Projects." Coactivity: Philosophy, Communication 24, no. 1 (2016): 36–47. http://dx.doi.org/10.3846/cpc.2016.191.

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The article examines the emergence of new forms of expression in modern society such as technology, which makes the traditional art active and the users are drawn into the processes of creation and dissemination. Interactive art technology gradually integrates more and more people to be interested on it because of its innovative and interesting concept and idea. Interactive art removes traditional boundaries between the artist and “public”. Appearance of the new modern technologies in the art provoked the development of the interactive art which later evolved into some other forms of art as ci

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Boyd, Candice P., and Kaya Barry. "Challenges of creative collaboration in geographical research." cultural geographies 27, no. 2 (2019): 307–10. http://dx.doi.org/10.1177/1474474019886838.

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There is a long history of collaboration between artists and geographers, with creative forms of research and dissemination of findings taking shape as artworks. In addition, there has been significant push from academia for researchers to maximise their research in ways that cater to, and engage with, broader public audiences. Art and creative practices tap into this through formats such as exhibitions, performances and participatory workshops which draw upon arts-based research methodologies with which geographers are becoming increasingly engaged. However, with this enthusiasm to adopt art

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Delmas-Glass, Emmanuelle. "THE YCBA HISTORIC FRAME COLLECTION: USING SEMANTIC WEB TECHNOLOGY TO CONTRIBUTE TO THE SCHOLARSHIP OF BRITISH ART." ARTis ON, no. 2 (February 12, 2016): 9–23. http://dx.doi.org/10.37935/aion.v0i2.37.

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Following a technical survey of its of historic frame collection, the Yale Center for British Art has catalogued its frames as extensively as its art collection, and now shares it with the world via web pages for human users as well as through machine readable formats (LIDO XML, CIDOC-CRM RDF) for data aggregators. This paper proposes a data management and dissemination strategy model that relies on data exchange protocols and Linked Open Data to ensure that our rich cultural knowledge can be reused by scholars and contributes to the study of frames and the British art in general.

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Nedlina, Valeriya E. "Reinterpretation of Cultural Heritage in Music Art in Kazakhstan between 1980 and 2010." Observatory of Culture, no. 2 (April 28, 2015): 47–52. http://dx.doi.org/10.25281/2072-3156-2015-0-2-47-52.

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Addresses the new approaches to the study of folk music, revival of ethnic traditions, intensification of exchange with foreign countries, updating academic music, and dissemination of mass culture with specific ethnic components that characterise the process. That type of reinterpretation produces a more complicated structure of musical culture in Kazakhstan and a new evaluation of the place of Kazakh music in world culture.

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Whatley, Edward. "Book Review: Freedom of Speech: Reflections in Art and Popular Culture." Reference & User Services Quarterly 57, no. 3 (2018): 226. http://dx.doi.org/10.5860/rusq.57.3.6625.

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For a country that prides itself on the freedoms it bestows on its citizens, the United States has a surprisingly extensive history of censorship. As Patricia L. Dooley’s Freedom of Speech: Reflections in Art and Popular Culture demonstrates, the arts and pop culture have long been favored targets of censors. Sometimes the censors are private citizens or organizations acting as self-appointed guardians of morality. More ominously, they sometimes are government entities intent on controlling the dissemination and consumption of creative products.

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Puguh, Dhanang Respati, Rabith Jihan Amaruli, and Mahendra Pudji Utama. "Environmental Themes in Gendhing-Gendhing Ki Nartosabdho and Its Dissemination." E3S Web of Conferences 202 (2020): 07005. http://dx.doi.org/10.1051/e3sconf/202020207005.

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Ki Nartosabdho (hereinafter Nartosabdho, 1925-1985), besides being known as a prominent dhalang, was also known as a very productive Javanese musical-masters. Hundreds of Javanese gendhing have been produced from the creative process. His works are very influential in the world of Javanese musical art until the present. Thematically his works are very numerous and diverse, some of which are about the environment. This article discusses Nartosabdho’s environmental themes by using the literature study and document research methods. He works under the theme of the environment ranging from the bea

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Coughlan, David. "The Art of Everyday Haunting." Derrida Today 5, no. 2 (2012): 199–213. http://dx.doi.org/10.3366/drt.2012.0040.

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The question of where ghosts live can hardly be addressed without speaking of a haunted house. This essay reads Don DeLillo's novel The Body Artist, in which there is a ghost called Mr. Tuttle who haunts the house of Lauren Hartke, the body artist, as a text grafted onto Jacques Derrida's Dissemination. The essay takes as its starting point the first words spoken in DeLillo's text, ‘I want to say something but what’, a quasi-question directed to Lauren by her husband Rey, in order to ask if it can ever be said what lies on the other side of ‘what’, or if it remains forever unknowable, or unhea

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Bergaust, Kristin. "What Can Art Do? A Review of Bridging Communities through Socially Engaged Art Edited by Alice Wexler and Vida Sabbaghi." Art/Research International: A Transdisciplinary Journal 5, no. 1 (2020): 233–40. http://dx.doi.org/10.18432/ari29527.

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My review of Bridging Communities Through Socially Engaged Art (2019), looks at this collection of case-studies and practical examples, mainly from the United States, read by a Northern-European reviewer. The book presents twenty-seven inspiring project examples from artistic practice, art education, art dissemination and art therapy. This review looks at some chapters, representing different sections of the book: Museums and Cultural Institutions in Diverse Communities, Art Pedagogy in Diverse Communities, Critical Race and Gender Perspectives, and DIS/ability Justice and Outsiders. The inclu

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Zhang, Yao, Xiaoming Li, Shan Qiao, Yuejiao Zhou, and Zhiyong Shen. "THE ROLE OF ICT IN ANTIRETROVIRAL THERAPY-RELATED KNOWLEDGE SEEKING AMONG OLDER CHINESE LIVING WITH HIV." Innovation in Aging 3, Supplement_1 (2019): S413. http://dx.doi.org/10.1093/geroni/igz038.1539.

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Abstract Antiretroviral therapy (ART) enables HIV patients to reduce disease progression. ART adherence is closely related to patients’ knowledge about the medical treatment. This study investigated the role of information and communication technologies (ICTs) in supporting ART-related knowledge seeking among older Chinese with HIV, using cross-sectional data collected from 2012 to 2013 in Guangxi, China. Of the 2987 HIV patients, 688 were 45 years or older and going through ART. We used an 11-item scale (α=0.69), which was developed based on existing literature, to assess ART-related knowledg

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Mehl, Margaret. "Between the Global, the National and the Local in Japan: Two Musical Pioneers from Sendai." Itinerario 41, no. 2 (2017): 305–25. http://dx.doi.org/10.1017/s0165115317000389.

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Western visitors to Japan are often surprised at how widely European art music can be heard. The roots of what is arguably one of Japan’s greatest success stories lie in the systematic introduction and dissemination of Western music by the government after the Meiji Restoration of 1868. Much research has focused on the government’s role; but how was Western music disseminated and received in different parts of Japan? This article discusses the roles of two brothers, Shikama Totsuji (1853–1928) and Shikama Jinji (1863–1941), who in different ways contributed significantly to the dissemination o

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Di Paola, F., L. Inzerillo, and Y. Alognaa. "A GAMING APPROACH FOR CULTURAL HERITAGE KNOWLEDGE AND DISSEMINATION." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W15 (August 22, 2019): 421–28. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w15-421-2019.

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<p><strong>Abstract.</strong> In these last years, video games have become one of the most popular entertainment for children/teenagers/adults thanks to their appealing and seductive features and, in this context, the Serious Games (SG) have become an important research field. The most popular SGs in Cultural Heritage (CH) used the historical building like scenario where the game is playing. In this paper we show the procedure to achieve a CH video game where the Cultural Heritage is the main actor and not the scenario of the game. Furthermore, the game is not a SG but an Act

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Hughes, Sarah Anne. "The role of printed books in the dissemination of contemporary South African art and artists." Critical Arts 28, no. 5 (2014): 783–90. http://dx.doi.org/10.1080/02560046.2014.970811.

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Tan, Haowen, Dongmin Choi, Pankoo Kim, Sungbum Pan, and Ilyong Chung. "Secure Certificateless Authentication and Road Message Dissemination Protocol in VANETs." Wireless Communications and Mobile Computing 2018 (2018): 1–13. http://dx.doi.org/10.1155/2018/7978027.

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As a crucial component of Internet-of-Thing (IoT), vehicular ad hoc networks (VANETs) have attracted increasing attentions from both academia and industry fields in recent years. With the extensive VANETs deployment in transportation systems of more and more countries, drivers’ driving experience can be drastically improved. In this case, the real-time road information needs to be disseminated to the correlated vehicles. However, due to inherent wireless communicating characteristics of VANETs, authentication and group key management strategies are indispensable for security assurance. Further

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Hadjinicolaou, Nicos. "Art Centers and Peripheral Art [A Lecture at the University of Hamburg, October 15, 1982]." ARTMargins 9, no. 2 (2020): 119–40. http://dx.doi.org/10.1162/artm_a_00267.

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Change in the history of art has many causes, but one often overlooked by art historical institutions is the complex, unequal set of relationships that subsist between art centers and peripheries. These take many forms, from powerful penetration of peripheral art by the subjects, styles and modes of the relevant center, through accommodation to this penetration to various degrees and kinds of resistance to it. Mapping these relationships should be a major task for art historians, especially those committed to tracing the reception of works of art and the dissemination of ideas about art. This

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Picard, Alyssa. "“To Popularize the Nude in Art”: Comstockery Reconsidered." Journal of the Gilded Age and Progressive Era 1, no. 3 (2002): 195–224. http://dx.doi.org/10.1017/s1537781400000232.

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Of all the figures in the struggle over turn-of-the-century vice reform, Anthony Comstock is perhaps the last one might expect to encounter immortalized in the nude. He acquired his fame as a censor of nudity, among other offenses: from 1873 to his death in 1915, Assistant United States Postmaster Comstock lent his name and his enthusiasm for law enforcement to the prosecution of the “Comstock Laws,” the eponymous statutes which restricted the dissemination of vicious images and information through the United States mail. In his government post and as the head of New York City's private Societ

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MacDonald, Corina. "Scoring the Work: Documenting Practice and Performance in Variable Media Art." Leonardo 42, no. 1 (2009): 59–63. http://dx.doi.org/10.1162/leon.2009.42.1.59.

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This paper examines the issues inherent to documenting integral characteristics of variable media artworks. The author begins by revisiting Suzanne Briet's vision of documentation as a socially constructed practice central to the creation and dissemination of knowledge. This perspective lends insight into the nature of the document in the digital age and suggests a new cultural technique for working with variable media art as both document and documented. Janet Cardiff's 40 Part Motet (2001) provides case material for this discussion, and Richard Rinehart's proposal of the score as a documenta

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Qureshi, Kashif Naseer, Farooq Ul Islam, Omprakash Kaiwartya, Arvind Kumar, and Jaime Lloret. "Improved Road Segment-Based Geographical Routing Protocol for Vehicular Ad-hoc Networks." Electronics 9, no. 8 (2020): 1248. http://dx.doi.org/10.3390/electronics9081248.

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The real-time traffic information dissemination among on-road vehicles has been envisioned via realizing vehicular ad hoc networks (VANETs) as smart service-oriented roadside wireless sensor networks. The network enables various types of real-time traffic applications related to safety and infotainment for drivers and passengers. The information dissemination-centric routing protocols for vehicular networks have to dynamically adopt under the constrained network environment while considering the higher mobility of vehicular nodes and unpredictable physical topologies in the network. The issue

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Van Remoortel, Marianne, Kristin Ewins, Maaike Koffeman, and Matthew Philpotts. "Joining Forces: European Periodical Studies as a New Research Field." Journal of European Periodical Studies 1, no. 1 (2016): 1. http://dx.doi.org/10.21825/jeps.v1i1.2573.

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In recent decades, periodical studies have burgeoned into a vibrant field of research. Increasing numbers of scholars working in disciplines across the humanities — literary studies, history, art history, gender studies, media studies, legal history, to name a few — are exploring the press as a key site for cultural production, public debate and the dissemination of knowledge. [...]

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Fawcett, Trevor. "The nineteenth-century art book: Content, Style and Context." Art Libraries Journal 17, no. 3 (1992): 12–17. http://dx.doi.org/10.1017/s0307472200007902.

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Although ‘art books’ of various kinds existed before 1800, art publishing grew significantly and with increasing speed through the 19th century. Two key factors, each encouraging the other, were the growth of interest in art among a heterogeneous public, and developments in printing technology, especially in methods of reproducing illustrations. Increasing numbers of illustrated art books contributed to the dissemination of awareness of an ever-broader spectrum of works of art, and of the decorative arts, throughout society, and nourished the historicism and eclecticism practised by contempora

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Ilyin, Nikolay N. "A JUDICIAL AND ART EXAMINATION IN THE INVESTIGATION OF MANUFACTURE AND CIRCULATION OF FILES OR ITEMS WITH PORNOGRAPHIC IMAGES OF UNDERAGE PERSONS." Russian investigator 10 (October 8, 2020): 3–7. http://dx.doi.org/10.18572/1812-3783-2020-10-3-7.

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The article considers theoretical and practical issues of using the results of forensic and art analysis in the investigation of the production and circulation of materials or objects with pornographic images of minors, as well as their dissemination using the media, including on the Internet. On the basis of expert, investigative and judicial practice, the possibilities of art-based expertise in the examination of images of minors in which there are signs of pornographic information are presented. It is noted that such expertise can be comprehensive when specialized knowledge from other areas

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Giral, Angela. "Digital image libraries and the teaching of art and architectural history." Art Libraries Journal 23, no. 4 (1998): 18–25. http://dx.doi.org/10.1017/s0307472200011251.

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Can museums and libraries profit from sharing their information, visual or textual? Is direct access to digital archives a more logical or economic way to develop access to images for teaching and research than assembling local collections? Recent digital image library projects in the United States, and their impact on the teaching practices of art and architectural historians, show the advantages of focusing on issues such as licensing and intellectual property, metadata and evolving cataloging practice, image quality, and the different costs of creation and delivery. But there are other pote

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