Thematische Bibliographien / Documentary videos, Mexico

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen

Auswahl der wissenschaftlichen Literatur zum Thema „Documentary videos, Mexico“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 21. Februar 2023

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Zeitschriftenartikel zum Thema "Documentary videos, Mexico"

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ross, jesikah maria, and Vicky Funari. "Participatory Documentary Then and Now." Television & New Media 18, no. 3 (November 23, 2016): 283–93. http://dx.doi.org/10.1177/1527476416675418.

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In this conversation, community media activist jesikah maria ross and filmmaker Vicky Funari talk about the work they have done together in alternative media since the 1990s. Their shared projects include skin•es•the•si•a (1994), an experimental video exploring the cultural codification of the female body; Paulina (1998), a feature-length documentary about a resilient Mexican woman whose parents traded her for land when she was a child; and Maquilápolis [City of Factories] (2006), a participatory documentary that tells the stories of women workers in Tijuana’s multinational factories, and expl
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González Hurtado, Argelia. "Resistance and Revival: Indigenous Women Media-Makers in Contemporary Mexico." Latin American Perspectives 48, no. 2 (March 2021): 63–76. http://dx.doi.org/10.1177/0094582x20988695.

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Through the use of the documentary genre, a group of Mexican indigenous women video-makers and their collaborators are depicting contemporary indigenous women. Occupying transformative roles in their communities, indigenous women are pioneers opening new cultural and social spaces to work toward a more equitable society. The main scenarios of their struggle are indigenous marginalization and women’s marginalization under patriarchy. The documentaries Voladora/Flying Woman (Chloé Campero, 2008), La vida de la mujer en resistencia/We Are Equal (Chiapas Media Project–Promedios, 2004), and La rebe
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Martínez Meza, Karina Nohemí, and Arturo Miguel Chípuli Castillo. "VIDEOJUEGOS Y CLASIFICACIÓN. UNA MIRADA DESDE LA GARANTÍA DEL INTERÉS SUPERIOR DE LA INFANCIA EN MÉXICO. (CLASSIFICATION OF VIDEO GAMES IN MEXICO: GENDER PERSPECTIVE AND THE BEST INTERESTS OF GIRLS AND ADOLESCENTS)." Universos Jurídicos, no. 17 (November 5, 2021): 282–304. http://dx.doi.org/10.25009/uj.v0i17.2590.

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El objetivo de este artículo es analizar de qué manera se garantiza el interés superior de la infancia en la clasificación de los videojuegos en México. Es una investigación cualitativa a partir de del método documental. Se concluye que la implementación del marco jurídico no es clara ni definitiva, además de que no existen políticas públicas que garanticen la efectiva protección del interés superior de la infancia en México. No cuenta con una norma y metodología que permitan la verificación y evaluación de la pertinencia del contenido de los videojuegos según su edad y no hay claridad sobre l
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Verónica, García-Cruz Karla, and Cruz-Sánchez David. "La enseñanza de endemismos mexicanos a través de video documental e infografía, un ejemplo de Aprendizaje Basado en Proyectos." South Florida Journal of Development 2, no. 4 (August 29, 2021): 5472–80. http://dx.doi.org/10.46932/sfjdv2n4-036.

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En este proyecto se describe la experiencia durante la aplicación de 2 Tecnologías de la Información: el video documental y la infografía, como medios para adquirir aprendizajes significativos sobre el tema: Endemismos mexicanos: causas, distribución e importancia. Este tema pertenece al programa de Biología IV del bachillerato de la UNAM. Las TIC fueron desarrolladas por los alumnos de quinto año de bachillerato de dos grupos diferentes. La finalidad de este trabajo es que los alumnos emplearán diversas herramientas colaborativas como Google Docs para realizar un proyecto cuyo producto fuera
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Ferrer Mariano, Claudia Daniela. "Videocinta de vanguardia, la primera exposición de videoarte en México." Index, revista de arte contemporáneo 7, no. 13 (May 31, 2022): 48–66. http://dx.doi.org/10.26807/cav.v0i13.465.

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En julio de 1973 la Galería de Exposiciones Temporales del Museo de Arte Moderno de la Ciudad de México (MAM) inauguró la muestra Videocinta de Vanguardia. Video Art Estética Televisual, bajo el auspicio de la Embajada de los Estados Unidos. El evento fue el primer acercamiento del público mexicano con el videoarte (estadunidense), en una época en la que los recintos culturales continuaban priorizando a las artes visuales más tradicionales.
 El artículo ofrece una reconstrucción histórica de esta muestra escasamente documentada, mediante el análisis de dos críticas publicadas del teórico
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Moura, Hudson. "Political Engagement in Carne y Arena by Alejandro González Iñárritu." Interactive Film & Media Journal 2, no. 3 (June 23, 2022): 56–75. http://dx.doi.org/10.32920/ifmj.v2i3.1635.

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Created by Mexican awarded director Alejandro González Iñárritu, Carne y Arena is an immersive mixed-reality installation that allows visitors to experience traumatic and violent incidents with illegal immigrants crossing the Mexican–US border. Carne y Arena’s mixed reality combines VR experience with physical components, turning it into a multisensory, bodily immersive experience. As part of the art installation, the whole VR arena is surrounded by the remains of a wall’s border; while inside, actual immigrants’ clothes and objects are also exhibited. Another component is the documentary aspe
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Thomson, Nathan Riki. "Resonance. (Re)forming an Artistic Identity through Intercultural Dialogue and Collaboration." Trio 10, no. 2 (December 31, 2021): 49–56. http://dx.doi.org/10.37453/trio.113284.

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This artistic doctoral research examines how the third space emerging from intercultural dialogue and transcultural collaboration can be a catalyst for new musical discoveries, intercultural humility, and the (re)forming of artistic identities. The body of this project is centred around three doctoral concerts, a CD/LP recording, and a documentary film which took place between 2016 and 2021. In addition, I draw on the embodied experience of a five-year period that I spent living and collaborating with musicians and dancers in Tanzania and Zambia prior to the doctoral project.As a double bass p
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Schleser, Max, and Gerda Cammaer. "Mina #Ecosmartphone Films 2021." Interactive Film & Media Journal 2, no. 2 (May 25, 2022). http://dx.doi.org/10.32920/ifmj.v2i2.1596.

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MINA - Mobile Innovation Network and Association is the longest-running film festival in the Southern Hemisphere dedicated to mobile & smartphone filmmaking with a focus on moving-image arts, documentary, community-engaged film productions, experimental films and emerging film production forms and formats, such as MoJo, drone videos, AR and Mobile Cinematic VR. The tenth edition of MINA is presenting a special program titled #EcoSmartphoneFilms, a showcase of contemporary mobile film production about environmental protection and ecology in all its aspects. It is an eclectic collection of s
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Álvarez-García, Mónica, Carlos Guerrero-Ibarra, Silvia Gutiérrez-Jiménez, and Margarita Larios-Calva. "The insurance market in the young population of Ciudad Nezahualcóyotl." Journal Business Administration and Business Economics Marketing Accounting, June 30, 2019, 9–14. http://dx.doi.org/10.35429/jbab.2019.4.3.9.14.

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The insurance market in Mexico has grown slowly even though crime has increased in recent years, this is due to the lack of risk prevention culture within the population. Regarding young people, nowadays with the advance of new technologies, the use of cell phones, tablets, laptops and video games has increased. Likewise, for them, the favorite means of transport are "motorcycles and bicycles," which is why some insurance companies are working to offer new and diverse products, thus seeking a change in the use of insurance by the future customers: the "Millennials." Insecurity is one of the gr
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Dissertationen zum Thema "Documentary videos, Mexico"

1

Magallanes-Blanco, Claudia, University of Western Sydney, of Arts Education and Social Sciences College, and School of Humanities. "Video, a revolutionary medium for consciousness-raising in Mexico : a dialogic analysis of independent video makers on the Zapatistas." THESIS_CAESS_HUM_Magallanes-Blanco_C.xml, 2004. http://handle.uws.edu.au:8081/1959.7/658.

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This thesis examines the use of video technology as an alternative communication medium within a dialogic framework. It explores multiple dialogic encounters and different meanings of dialogue. It analyses dialogues within and around video technology and dialogues with contemporary events in Mexican history. The author argues that these dialogic encounters are contributing to an ongoing process of transformation in Mexican consciousness. The thesis’s theoretical framework draws on Mikhail Bakhtin’s theory of dialogism and employs a dialogic method that emphasises diversity. The author conducts
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Magallanes-Blanco, Claudia. "Video, a revolutionary medium for consciousness-raising in Mexico : a dialogic analysis of independent video makers on the Zapatistas." Thesis, View thesis, 2004. http://handle.uws.edu.au:8081/1959.7/658.

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This thesis examines the use of video technology as an alternative communication medium within a dialogic framework. It explores multiple dialogic encounters and different meanings of dialogue. It analyses dialogues within and around video technology and dialogues with contemporary events in Mexican history. The author argues that these dialogic encounters are contributing to an ongoing process of transformation in Mexican consciousness. The thesis’s theoretical framework draws on Mikhail Bakhtin’s theory of dialogism and employs a dialogic method that emphasises diversity. The author conducts
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3

Magallanes-Blanco, Claudia. "Video, a revolutionary medium for consciousness-raising in Mexico a dialogic analysis of independent video makers on the Zapatistas /." View thesis, 2004. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20050622.151734/index.html.

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Thesis (Ph.D.) -- University of Western Sydney, 2004.<br>Thesis submitted for the degree of Doctor of Philosophy, School of Humanities, Centre for Cultural Research, University of Western Sydney. Includes bibliography.
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Magallanes, Blanco Claudia. "Video, a revolutionary medium for consciousness-raising in Mexico a dialogic analysis of independent video makers on the Zapatistas /." 2004. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20050622.151734/.

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