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Thematische Bibliographien / Embroidery techniques

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Auswahl der wissenschaftlichen Literatur zum Thema „Embroidery techniques“

Autor: Grafiati

Veröffentlicht am 29. Juni 2021

Zuletzt aktualisiert am 29. Juli 2025

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Zeitschriftenartikel zum Thema "Embroidery techniques"

1

Yonif Rimba Cahyani and Agus Ridwan Mesbahudin. "HASIL JADI BORDIR DENGAN MENGGUNAKAN KAIN VELVET MENGGUNAKAN MESIN BORDIR JUKY DI SURABAYA." BUGARIS 1, no. 1 (2024): 30–36. http://dx.doi.org/10.36456/bugaris.v1i1.8945.

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This research is motivated by the fact that decorate fabric with embroidery because it feels more practical, the fabric often used is cloth embroidered Cotton because it is easy, but the clothing, accessories and household linen also uses fabrics that sparkle like Velvet fabric. The statements of the problem is how the influence of Velvet material types to the result of embroidery using Juky embroidery machine? The is purpose of the study to describe the influence of Velvet material types to the result of embroidery using Juky embroidery machine. The significance of the study is to obtain rese

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Yang, SuJeang. "The Relationship and Development of Joseon Embroidery and Lu-Embroidery of Shandon : Focusing on Embroidered Dwelling by a Mountain Stream at the National Museum of Korea." Korean Journal of Art History 315 (September 30, 2022): 75–117. http://dx.doi.org/10.31065/kjah.315.202209.003.

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This study aims to fill the gaps in the history of Korean embroidery by examining Luembroidery of Shandong, an area closely related to the Korean peninsula in history, geography, culture, and custom. Unlike Gu-embroidery of Jiangnan that gained renown in the late Ming dynasty, Lu-embroidery’s relations to Korea could be found from the ancient times, through medieval Yuan to the Qing period, and therefore has significance as historical documents. Needlework in Lu-embroidery style, made or brought to Korea in the late Joseon period represent the literary preferences of the ruling class at the ti

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Anjani, Sophia Dewi, and Ahda Yunia Sekar. "Application of Embellishment Techniques to Fashion Products with Pekalongan Buketan Batik Inspiration." KnE Social Sciences 10, no. 1 (2025): 46–54. https://doi.org/10.18502/kss.v10i1.17849.

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The fashion business is now experiencing several advancements, including the employment of methods for manufacturing decorations, among others. However, many people in Indonesia have yet to recognize the enormous potential for developing cultural diversity by preserving Indonesian culture by utilizing traditional cloth in a way that adapts the Batik Buketan motif using the Tasik Embroidery technique, which will be combined with beads made into embellishments and applied to fashion products. The local fashion sectors have changed dramatically over time, starting with the processes utilized to c

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Larkin, Alison. "Replicating Captain Cook's Waistcoat: Exploring the Skills of a Named Embroiderer during the Eighteenth Century." Costume 51, no. 1 (2017): 54–77. http://dx.doi.org/10.3366/cost.2017.0005.

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This article discusses a project to replicate an unfinished waistcoat believed to have been embroidered in the late 1770s for Captain James Cook by his wife, Elizabeth. The intention was to explore the techniques of embroidery used during the eighteenth century, and to replicate a garment belonging to a major historical figure. The original waistcoat was embroidered on Tahitian tapa cloth with a linen backing. The embroidery used silk and metallic thread and silver-plated spangles, employing chain stitch, long-and-short stitch and tambouring. The replica was completed using materials closely a

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Baykaoglu, Nursel, and Hatice Feriha Akpinarli. "Sample of German embroidery from the hand embroidery applications in the city of Kahramanmaras." Global Journal of Arts Education 10, no. 1 (2020): 85–92. http://dx.doi.org/10.18844/gjae.v10i1.4793.

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Forming one of the most important branches of our culture and traditional arts, embroidery was born by sewing in a decorative way and it is worth mentioning that it is as early as humanity. Embroidered clothing on the sculptures excavated and the narration that the daughter of Noah in Hebrew history wears an embroidered belt shows that this branch of art goes back to earlier times. Hand embroidery, which is the products of intelligence, skill and subtle wit, has reached the current time by preserving its value. Out of a great many embroidery techniques reaching large public masses, a technique

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Rambe, Armaini, Juliarti, Eka Rahma Dewi, and Ulfa Annida. "Development of Tutorial-Based Teaching Books in Basic Embroidery Engineering Courses." Edukasi 18, no. 1 (2024): 45–53. https://doi.org/10.15294/edukasi.v18i1.7277.

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The lack of availability of teaching materials on basic embroidery techniques means students learn embroidery by relying on examples from previous assignments and searching for assignments on YouTube. Even though this example does not contain detailed steps, students still experience difficulties in understanding embroidery techniques, the art of arranging thread, adjusting and placing the right colors for good, embroidered decoration. Therefore, there is a need for tutorial-based textbooks on learning basic embroidery techniques. The aim of the research is to produce a tutorial-based textbook

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Xuan, Zhen, Sarah Wahida Hasbullah, and NanNan Gao. "RESEARCH ON THE FORMS AND APPLICATIONS OF TRADITIONAL CHINESE BEAD-ENBROIDERY CRAFTS." International Journal of Heritage, Art and Multimedia 8, no. 25 (2025): 01–13. https://doi.org/10.35631/ijham.825001.

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Heritage value, characterized by intricate craftsmanship and aesthetic appeal, has gained global fashion attention. Yet technological progress and economic shifts threaten preserving traditional bead embroidery’s cultural and artisan heritage, risking handcrafted techniques and narrative loss.This study uses a literature review to analyze bead embroidery’s historical development, craftsmanship, and cultural significance across eras, exploring influences from material constraints and socio-political changes. Focusing on Chinese bead embroidery, it highlights its meticulous techniques, symbolic

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Martsiniv, Yuliia. "Vyshyvanka of Pokuttia and the Elements of Folk Costume: Past and Present (Based on the Expedition to Horodenkivshchyna)." Folk Art and Ethnology, no. 2 (June 30, 2024): 68–75. http://dx.doi.org/10.15407/nte2024.02.068.

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The article is devoted to the study of Pokuttia embroidery as a phenomenon of ethnic culture, in particular in Horodenka region. The peculiarities of techniques, ornaments and color range are defined. There we can see rukavienky, risheni and tserkovani embroidered shirts, pleats, skirts «in wheat» and other interesting clothes. The ornaments mostly include geometric figures, flower and plant patterns. There are also shirts with embroidered Ukrainian symbols, in particular in the village of Khmeleva. Embroidery techniques consist of cross stitch, plain stitch, low stitch and even on hoops. It i

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Tripathi, Ragini, Ekta Sharma, and Nargis Fatima. "Adaptation of Kantha Motifs for Designing and Development of ready to use Centre Panels using Machine Embroidery." International Journal of Current Microbiology and Applied Sciences 13, no. 10 (2024): 240–47. https://doi.org/10.20546/ijcmas.2024.1310.028.

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There is a growing demand for the rebirth of traditional Indian embroideries due to their time-consuming procedures, antiquated appearance, and pursuit of the pinnacle of painting technique. These need to be developed using quicker methods and given a more modern appearance. Machine embroidery is an innovative, economical and time saving technique as compared to the hand embroidery. Present study was conducted on adoption of Kantha traditional embroidery designs for machine embroidery on centre panels. A total of fifteen motifs were collected and arranged to prepare design for centre panels. 8

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Heneha, Roman. "FROM NATIONAL TO INTERNATIONAL: UKRAINIAN ACCENTS IN THE POST-WAR LVIV FASHION IN 1940–1950S." Вісник Львівського університету. Серія історична / Visnyk of the Lviv University. Historical Series, no. 54 (November 3, 2022): 154–68. http://dx.doi.org/10.30970/his.2022.54.11607.

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The author analyzes the use of Ukrainian themes by the Soviet fashion industry in the first postwar decade on the basis of archival materials, periodicals, specialized literature, and historiography. The article reads that a number of Russian fashion designers actively used Ukrainian ethnic elements in their work – cut, embroidery, drapery, etc. At the same time, most of the borrowings were presented as “Russian ornament”, “Russian silhouette” or as the best – “embroidery of the peoples of the USSR”. At the same time, the post-war demand for “Ukrainian culture” led to the popularization of Ukr

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Dissertationen zum Thema "Embroidery techniques"

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Gardner, Simon Paul. "The use of embroidery techniques in structural composites." Thesis, University of Nottingham, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362892.

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Lawrence, Kay Sheila. "Material Matters: Contemporary ‘Women’s Work’." Thesis, Griffith University, 2014. http://hdl.handle.net/10072/367033.

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This exegesis situates and explores my contemporary art practice that aims to address global ecological and social issues through the mediums of ‘women’s work’ and digital technologies. As used here, ‘women’s work’ refers to all needlework techniques and myriad other textile techniques (m)aligned with females, including but not limited to, embroidery, knitting, crochet, and binding. At the heart of the project is a sustained exploration of these mediums’ inherent materiality beyond their obvious aesthetic attributes. This is inextricably entwined with the processes of ‘women’s work’, the devic

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Sun, Lushan. "Slow design in Chinese Su Xiu embroidery for apparel: applying silk, cotton, and wool flosses to silk and cotton fabrics with physical resist dyeing techniques using natural dye." Kansas State University, 2012. http://hdl.handle.net/2097/13704.

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Master of Science<br>Department of Apparel, Textiles, and Interior Design<br>Sherry J. Haar<br>This study was based on the concept of slow design, proposed after the slow food movement. The idea of slowing down production processes and increasing product quality and value suggests an antidote to the fast cycle of the fashion industry. Slow design supports two principals, inheriting tradition and maintaining eco-efficiency, which guided this project. Inheriting tradition is an expression that explores ways to sustain lost art and traditional heritage in our daily lives, as well as develop produ

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Gomes, Márcia Cristina Sousa. "O bordado Madeira." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2018. http://hdl.handle.net/10400.5/17775.

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Dissertação de Mestrado em Design, com a especialização em Design de Moda apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.<br>A presente investigação surge da necessidade de preservar a técnica artesanal do Bordado Madeira, técnica esta que acompanha a história da Ilha da Madeira desde a sua povoação e que foi durante várias décadas uma das suas principais indústrias. Atualmente, a produção do Bordado Madeira depara-se com uma situação de crise, com várias fábricas a fechar as portas e com o número de bordadeiras a diminuir. O artesanato é rep

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Winther, Leslie. "Från Japan till Sundborn : En undersökning av Karin Larssons textilier." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-435083.

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The present essay explores artworks of Karin Larsson through the feminist theoretical field of studies. The following three textile works were in the centre of the study, Kärlekens ros, Duk med tecken and Sashiko-gardin. The connection between japonisme, Japanese inspired art, and Karin Larssons art works were studied. Through feminist theories by art historians such as Linda Nochlin and Griselda Pollock the experience of being a woman in the 1800s affected the works of Karin Larsson were discussed. It was found that Karin Larssons upbringing and education as a woman differs from the usual mal

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Dyer, Mary Anne. "Threads of Time: Technique, Structure and Iconography in an Embroidered Mantle from Paracas." VCU Scholars Compass, 1996. http://scholarscompass.vcu.edu/etd/1501.

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This thesis analyzes the structure, technique and iconography of an embroidered burial mantle from Wari Kayan Necropolis on the Paracas Peninsula, Peru, which dates between approximately 100 B.C. and A.D. 100. The mantle is currently in the collection of the American Museum of Natural History in New York City (Accession no. 41.2/632), and will be referred to subsequently as the AMNH mantle. This study will consist of a structural analysis of the burial mantle, addressing the design of the textile and the iconography. In addition to examining the origin and iconography of the double-headed bird

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LI, CHUN-I., and 李俊毅. "The Embroidership / Practical Research of Traditional Embroidery Techniques and Innovative Application of Hand-made Embroidery Crafts to Fashion." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/a5ypx6.

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碩士<br>實踐大學<br>服裝設計學系碩士班<br>106<br>The Fashion industry contains a wide range of fields, inclusive of design, pattern making, manufacturing, and marketing. Each of them is worth tons of in-depth researches to explore and extract its essences. This thesis basically probes into manufacturing field and especially focuses on subfields such as garment processing and craftsmanship, and how to apply both to fashion design. By integrating Taiwanese traditional embroidery arts and techniques with modern fashion design, the author aims to conserve cultural legacy and apply it to re-creation in order to e

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Yen, Chiuan-Liang, and 顏銓良. "A Study in Applying the Cultural Images of Matsu Embroidery Techniques in Modern Fashion Design." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/05014657754033446002.

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碩士<br>樹德科技大學<br>應用設計研究所<br>102<br>This study is going to discuss the culture of Mazu belief and attempting to use the development in cultural and creative design to refine the essence of it. By researching the fundamental ideas of the culture deeply and digging the historic stories and meanings, the processes make the creative designs able to transfer the culture functionally and valuably. This study analyzed step by step; it deconstructed and organized from those images in Mazu belief. Through the extraction of the cultural elements, we reconstruct symbols and combine them with the indispensa

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Marešová, Kateřina. "Techniky a symbolismus dekorování dvorských oděvů se zaměřením na ženské oděvy období Čoson." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-369945.

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This diploma thesis deals with techniques and history of traditional women's court clothes' decorating during the Choseon dynasty, and at the same time it deals with symbolism of motifs portrayed on these clothes with the use of these techniques. Simultaneously, it's aim is to analyze selected preserved garments of that time and illustrate the mentioned techniques and motifs on them.

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Chang, Chia-Kai, and 張家愷. "A Non Photorealistic Rendering Technique with The Chinese Embroidery Style." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/52833080118980594878.

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碩士<br>國立東華大學<br>資訊工程學系<br>91<br>We present a non photorealistic rendering method with the Chinese embroidery style. In our proposed method, every stitch is represented by a stitch pattern. We use a 3D object or a color image as our input, and figure out several rules of embroidery skills in our method. The input data may be preprocessed if the applied skill needed. This method uses a texture mapping skill to prevent the complex calculation of yarn presentation. As the experimental results shown, the proposed method has good visual effect.

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Bücher zum Thema "Embroidery techniques"

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Barışta, Örcün. Techniques from Turkish embroidery. Gazi University, Informal Vocational Education Faculty, 1997.

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Elder, Karen. Embroidery: Projects, techniques, motifs. Quadrille, 1995.

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Campbell-Harding, Valerie. Machine embroidery: Stitch techniques. Batsford, 1989.

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Tryde, Sandeman Pia, and Country Living, eds. Embroidery: Projects, techniques, motifs. Quadrille, 1998.

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Tamura, Shuji. The techniques of Japanese embroidery. Krause Publications, 1998.

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Mulari, Mary. Embroidery machine essentials: Appliqué techniques. Krause Publications, 2004.

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Brown, Pauline. The encyclopedia of embroidery techniques. Headline, 1994.

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Morrell, Anne. The techniques of Indian embroidery. B.T. Batsford, 1994.

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Morrell, Anne. The techniques of Indian embroidery. Batsford, 1994.

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Hazel, Everett. Goldwork: Techniques, projects and pure inspiration. Search Press, 2011.

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Buchteile zum Thema "Embroidery techniques"

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Schade, Mirko. "Embroidered Semi-finished Products and Embroidery Techniques." In Textile Materials for Lightweight Constructions. Springer Berlin Heidelberg, 2016. http://dx.doi.org/10.1007/978-3-662-46341-3_10.

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Zeng, Lanjian. "Digital Protection and Development of Intangible Cultural Heritage Gan Embroidery Based on Digital Technology." In 2021 International Conference on Applications and Techniques in Cyber Intelligence. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-79200-8_120.

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3

Margariti, Christina, Stella Spantidaki, Maria Kinti, and Tina Chanialaki. "Conservation Approaches for Pyre-Burial Textiles Excavated in Greece." In Interdisciplinary Contributions to Archaeology. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-69461-5_9.

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Abstract Archaeological textiles are generally made of organic materials (like plant and animal fibres), which are largely affected by microorganisms growing in a burial/archaeological context. Special conditions that inhibit microbial growth need to be established for textile preservation to be achieved. In Greece, the most common condition is the gradual replacement of the organic matter of the textile fibres by metal salts, a process known as mineralization. Copper is the metal that, upon degradation, forms salts with the highest biocidal properties. Across the country, many textiles have s

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Taylor, A. "Digital embroidery techniques for smart clothing." In Smart Clothes and Wearable Technology. Elsevier, 2009. http://dx.doi.org/10.1533/9781845695668.3.279.

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Guru, Ramratan, Jyoti Rani, and Ushma Saini. "To Study the Indian Heritage of Textile Embroidery & Creative Design Techniques Process." In Techniques and Innovation in Engineering Research Vol. 5. B P International (a part of SCIENCEDOMAIN International), 2023. http://dx.doi.org/10.9734/bpi/taier/v5/4611c.

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Marey Mahmoud, Hussein. "Painting on Fibers." In Preservation and Restoration Techniques for Ancient Egyptian Textiles. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-7998-4811-0.ch004.

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In ancient Egypt, color expressed both symbolic and aesthetic value. For decorating purposes, the ancient Egyptians used an intensive chromatic palette based on a broad source of natural and artificial origins. Beside dyeing, decorating textiles in ancient Egypt had different forms, such as embroidery or the painting of a smooth coating applied on the textile matrix. Physical analytical approaches are an essential request prior any restoration project. In this chapter, the benefits of a wide range of non- or micro-destructive methods to study the physiochemical behavior of pigments used in anc

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Linscheid, Petra. "Early Byzantine embroidery techniques and an unusual tunic in the Römisch-Germanisches Zentralmuseum Mainz." In Ancient Textiles Modern Science II. Oxbow Books, 2018. http://dx.doi.org/10.2307/j.ctv13pk8gq.10.

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Stijnman, Ad. "Anatomy to Embroidery: Intaglio Colour-Printed Illustrations in European Books and Periodicals, 1700–1850." In Printing Colour 1700 - 1830. British AcademyLondon, 2024. https://doi.org/10.5871/bacad/9780197267530.003.0023.

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Abstract From the 1470s until shortly after 1600, almost all European colour-printed book illustrations were in relief, mainly woodcut. Few monochromatic and some bi-colour intaglio illustrations are found until two ‘colour revolutions’: the development of a way to ink intaglio plates à la poupée in up to ten colours in Holland in the 1680s and the invention of trichromatic printing, a precursor to today’s four-colour process printing, in the 1710s. Both processes were used in a wide range of genres through the long 18th century, until chromolithography supplanted colour intaglio techniques fr

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"Material, Colour, Technique and Designs." In Embroidered Histories. Böhlau Verlag, 2016. http://dx.doi.org/10.7767/9783205203605-009.

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Yaniv, Bracha. "Chapter Two Fabrics and Techniques." In Ceremonial Synagogue Textiles, translated by Yohai Goell. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781906764180.003.0002.

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This chapter is devoted to the linen and silk fabrics used in the production of medieval ceremonial textiles, and the techniques employed to create the embroidered and woven patterns that embellished them. As we have already seen, the elegance of ceremonial textiles in antiquity is revealed in the use in early sources of the term ...

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Konferenzberichte zum Thema "Embroidery techniques"

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Lee, Yi-Chin, and Daniel Cardoso Llach. "Hybrid embroidery." In SIGGRAPH '20: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2020. http://dx.doi.org/10.1145/3386567.3388575.

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Wolz, Ursula, Michael Auschauer, and Andrea Mayr-Stalder. "Programming embroidery with turtlestitch." In SIGGRAPH '19: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2019. http://dx.doi.org/10.1145/3306306.3328002.

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Banu, Ionuț Alexandru. "Embroidery on drawings — pieces from the textile collection of Dr. Nicolae Minovici Museum of Popular Art." In Simpozion internațional de etnologie: Tradiții și procese etnice, Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841733.04.

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In a first part, the paper proposes to analyze a short introduction regarding the history of embroidery, from its appearance to embroidery techniques, especially in the Romanian space. In the second part of the paper, a part of the embroideries owned by the museum is analyzed, as well as one of embroidery techniques called the irásos technique. Th is is an embroidery technique of Hungarian origin, a combination of colors and stitching taken to the level of art. On the territory of our country, it is specifi c to the Călata area. Călata or Kalotaszeg is the area between Huedin and Cluj, an area

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Gayk, Michael. "Fuzzy Boundary (An Embroidery Installation)." In SIGGRAPH '22: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2022. http://dx.doi.org/10.1145/3532725.3538709.

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Liu, Ying, Jared Wright, and Alexander Alvarado. "Making Beautiful Embroidery for “Frozen 2”." In SIGGRAPH '20: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2020. http://dx.doi.org/10.1145/3388767.3407360.

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Liu, Yulong, Lulu Xu, Yi Li, and Terry Tao Ye. "Textile Based Embroidery-Friendly RFID Antenna Design Techniques." In 2019 IEEE International Conference on RFID (RFID). IEEE, 2019. http://dx.doi.org/10.1109/rfid.2019.8719270.

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Chen, Yan. "Application research on computer modeling techniques in Miao embroidery." In 2013 International Conference on Sport Science and Computer Science. WIT Press, 2014. http://dx.doi.org/10.2495/cccs130371.

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Митрофанова, Н. Ю. "SAMPLER. STORIES IN EMBROIDERY." In КОДЫ. ИСТОРИИ В ТЕКСТИЛЕ. Crossref, 2024. http://dx.doi.org/10.54874/9785605162971.2024.3.19.

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Сэмплер как образец рукоделия известен с эпохи Средневековья. Он появляется как способ фиксации приемов вышивания. Со временем форма сэмплера меняется, расширяются его функции. Он превращается в кладезь ремесленной мудрости, становится основой для развития художественного вкуса и фантазии, базой для выработки трудолюбия и аккуратности, средством воспитания религиозного чувства, а также инструментом образования и постижения наук. Сэмплер — это история в текстиле о создавшем его человеке и о времени. The sampler as an example of handicraft has been known since the Middle Ages. It appears as a wa

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Velasquez, Jose, Alexander Alvarado, Ying Liu, and Maryann Simmons. "Embroidery and Cloth Fiber Workflows on Disney’s ”Encanto”." In SIGGRAPH '22: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2022. http://dx.doi.org/10.1145/3532836.3536250.

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Субботина, О. С. "MONUMENTAL EMBROIDERY BY TATYANA AKHMETGALIEVA." In КОДЫ. ИСТОРИИ В ТЕКСТИЛЕ. Crossref, 2024. http://dx.doi.org/10.54874/9785605162971.2024.3.25.

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Татьяна Ахметгалиева — петербургский художник-график, автор инсталляций и художник видео-арта. За десять лет творчества она вошла в авангард актуальной художественной жизни, создав себе имя, а своей стилистике — стойкую репутацию. Монументальные графические работы Татьяны Ахметгалиевой в авторской технике вышивки и шитья представляют уникальную линию в современном российском искусстве. Tatyana Akhmetgalieva is a modern graphic artist, author of installations and video art. Over ten years of creativity, she entered the vanguard of contemporary artistic life. She has created a name for herself a

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