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Thematische Bibliographien / English literature History and criticism 17th century / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „English literature History and criticism 17th century“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

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1

Grošelj, Nada. "Two 17th century Jesuit plays in Ljubljana inspired by English literature." Acta Neophilologica 37, no. 1-2 (December 1, 2004): 61–71. http://dx.doi.org/10.4312/an.37.1-2.61-71.

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Jesuit teachers, whose members came to Ljubljana in the late 16th century, placed great emphasis on the production and staging of the school drama. Despite the domination of religious themes, the range of its subject matter was wide and varied. The article discusses two plays which derived their subject matter from English literature, namely from Bede's Ecclesiastical History of the English People and Holinshed's Historie of Britain.The texts themselves are lost, but in the case of the Holinshed-inspired work (a version of the King Lear story), a detailed synopsis has been preserved. The artic

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Jenkins, E. R. "English South African children’s literature and the environment." Literator 25, no. 3 (July 31, 2004): 107–24. http://dx.doi.org/10.4102/lit.v25i3.266.

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Historical studies of nature conservation and literary criticism of fiction concerned with the natural environment provide some pointers for the study of South African children’s literature in English. This kind of literature, in turn, has a contribution to make to studies of South African social history and literature. There are English-language stories, poems and picture books for children which reflect human interaction with nature in South Africa since early in the nineteenth century: from hunting, through domestication of the wilds, the development of scientific agriculture, and the chang

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Martín, Javier Calle. "“When That Wounds Are Evil Healed”: Revisiting Pleonastic That in Early English Medical Writing." Studia Anglica Posnaniensia 52, no. 1 (March 28, 2017): 5–20. http://dx.doi.org/10.1515/stap-2017-0001.

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Abstract The origin of pleonastic that can be traced back to Old English, where it could appear in syntactic constructions consisting of a preposition + a demonstrative pronoun (i.e., for py pat, for pæm pe) or a subordinator (i.e., op pat). The diffusion of this pleonastic form is an Early Middle English development as a result of the standardization of that as the general subordinator in the period, which motivated its use as a pleonastic word in combination with many kinds of conjunctions (i.e., now that, if that, when that, etc.) and prepositions (i.e., before that, save that, in that) (Fi

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Brannigan, John, Marcela Santos Brigida, Thayane Verçosa, and Gabriela Ribeiro Nunes. "Thinking in Archipelagic Terms: An Interview with John Brannigan." Palimpsesto - Revista do Programa de Pós-Graduação em Letras da UERJ 20, no. 35 (May 13, 2021): 3–28. http://dx.doi.org/10.12957/palimpsesto.2021.59645.

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John Brannigan is Professor at the School of English, Drama and Film at University College Dublin. He has research interests in the twentieth-century literatures of Ireland, England, Scotland, and Wales, with a particular focus on the relationships between literature and social and cultural identities. His first book, New Historicism and Cultural Materialism (1998), was a study of the leading historicist methodologies in late twentieth-century literary criticism. He has since published two books on the postwar history of English literature (2002, 2003), leading book-length studies of working-c

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Waters, Lindsay. "To Become What One Is." boundary 2 48, no. 1 (February 1, 2021): 251–63. http://dx.doi.org/10.1215/01903659-8821510.

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In the twentieth century, criticism flourished in the academy in the English language from the 1930s to the 1960s, but gradually a hyperprofessionalized discourse purporting to be criticism took its place. The problem was exacerbated because people misunderstand literary theory thinking it superior to criticism. Big mistake. Theory proper begins its life as criticism, criticism that has staying power. Central to criticism as Kant argued is judgment. Judgment is based on feeling provoked by the artwork in our encounters with artworks. This essay talks about the author’s encounter with Mary Gait

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Caldwell, Patricia. "Why Our First Poet Was a Woman: Bradstreet and the Birth of an American Poetic Voice." Prospects 13 (October 1988): 1–35. http://dx.doi.org/10.1017/s0361233300005226.

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Anne Bradstreet has come a long way since John Harvard Ellis hailed her over a century ago as “the earliest poet of her sex in America.” Today, more justly, we view Bradstreet simply as “the first authentic poetic artist in America's history” and even as “the founder of American literature.” At the same time, a more sensitive criticism is looking anew at Bradstreet's personal drama as a woman in the first years of the New England settlement: her life as a wife, as mother of eight children, as a frontier bluestocking (though still, in many critics' eyes, “restless in Puritan bonds”), and even a

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Caldwell, Patricia. "Why Our First Poet Was a Woman: Bradstreet and the Birth of an American Poetic Voice." Prospects 13 (October 1988): 1–35. http://dx.doi.org/10.1017/s0361233300006670.

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Anne Bradstreet has come a long way since John Harvard Ellis hailed her over a century ago as “the earliest poet of her sex in America.” Today, more justly, we view Bradstreet simply as “the first authentic poetic artist in America's history” and even as “the founder of American literature.” At the same time, a more sensitive criticism is looking anew at Bradstreet's personal drama as a woman in the first years of the New England settlement: her life as a wife, as mother of eight children, as a frontier bluestocking (though still, in many critics' eyes, “restless in Puritan bonds”), and even a

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Barendse, R. J. "Shipbuilding in Seventeenth-Century Western India." Itinerario 19, no. 3 (November 1995): 175–95. http://dx.doi.org/10.1017/s0165115300021392.

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The history of Indian shipbuilding is a relatively well-studied topic. There are two strands of literature on Indian shipping. First there is the Indian: R.N. Mukherjee (1923) is, in spite of some minor criticism which could be levelled at it, still the basic work on the topic. Among the more recent contributions should be mentioned those of L. Gopal and J. Qaisar. The second strand is Portuguese. Much of the Portuguese work on ‘Portuguese’ shipbuilding in the sixteenth century deals with shipbuilding in Goa. Now, was this ‘Portuguese’ shipbuilding or ‘Indian’ shipbuilding? ‘European’ and ‘Ind

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Suh, Serk-Bae. "The Location of “Korean” Culture: Ch'oe Chaesŏ and Korean Literature in a Time of Transition." Journal of Asian Studies 70, no. 1 (February 2011): 53–75. http://dx.doi.org/10.1017/s0021911810003001.

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This essay focuses on Ch'oe Chaesŏ, a leading Korean intellectual, active translator of English literary criticism, and editor in chief of Kokumin Bungaku (National Literature), a prominent Japanese-language journal published in colonial Korea. Ch'oe asserted that the unfolding of history in the twentieth century demanded a paradigmatic transition from liberalism to state-centered nationalism in culture. He also privileged everyday life as allowing people to live as members of communities that ultimately are integrated into the state. By positioning Koreans firmly as subjects of the Japanese s

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Kirillova, Natalia B. "Metamorphoses of Russian Mass Culture." Observatory of Culture 16, no. 5 (December 4, 2019): 536–41. http://dx.doi.org/10.25281/2072-3156-2019-16-5-536-541.

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The article is a review of the monograph “Russian Mass Culture: From Baroque to Post-Modernism” by Doctor of Philosophy, Professor of the Russian State University for the Humanities, Academician of the Russian Academy of Natural Sciences I.V. Kondakov. The book, which consists of seven chapters, is devoted to the history of the emergence and development of mass culture in Russia from ancient times to the beginning of the 20th century. Studying its origins dating back to antiquity, the author proves that Russian mass culture received an “impulse of independence” in the 17th century, as the cu

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ROLLS, ALISTAIR. "Primates in Paris and Edgar Allan Poe’s Paradoxical Commitment to Foreign Languages." Australian Journal of French Studies 58, no. 1 (April 1, 2021): 76–87. http://dx.doi.org/10.3828/ajfs.2021.07.

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Drawing on recent innovations in detective criticism in France, this article broadens the quest to exonerate Poe’s famous orang-utan and argues that the Urtext of modern Anglo-American crime fiction is simultaneously a rejection of linguistic dominance (of English in this case) and an apologia for modern languages. This promotion of linguistic diversity goes hand in hand with the wilful non-self-coincidence of Poe’s detection narrative, which recalls, and pre-empts, the who’s-strangling-whom? paradox of deconstructionist criticism. Although “The Murders in the Rue Morgue” is prescient, foundin

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Burney, Fatima. "Strategies of Sound and Stringing in Ebenezer Pocock's West–East Verse." Comparative Critical Studies 17, no. 2 (June 2020): 319–36. http://dx.doi.org/10.3366/ccs.2020.0365.

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In an effort to capture how Orientalist translations, imitations and criticism of Asian poetry came to inform the idealization of lyric as a universal genre, this paper focuses on the practice of poetic metre in the nineteenth century. How did Victorian conceptions of recitational communities, bounded by shared ‘national’ metres, square against the wealth of translated works that were a major component of Victorian print culture? The amateur Orientalist Ebenezer Pocock explained various metres and musical practices associated with ‘Persian lyrics’ in his book Flowers of the East (1833) and off

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Tkachuk, Olena. "MULTICULTURALISM BY CONRAD-EMIGRANT." Polish Studies of Kyiv, no. 35 (2019): 376–80. http://dx.doi.org/10.17721/psk.2019.35.376-380.

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The article is devoted to the problem of the multiculturalism by Joseph Conrad, the English writer and the world classic of the 20th century, who, due to the preservation of his Polish national-cultural identity, and by estrangement from this identity in his artistic consciousness, was able to influence the intellectual and artistic atmosphere in England of his times. In this way, the Polish identity became a background for Conrad’s artistic creativity, and at the same time, universal values and criteria were the key to the successful acculturation in English society in its one of the most eff

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Priydarshi, Ashok Kumar. "Morality, Religion and Capitalism in Jane Austen’s ‘Pride and Prejudice’." International Journal of Advanced Research in Peace, Harmony and Education 05, no. 01 (December 19, 2020): 4–6. http://dx.doi.org/10.24321/2455.9326.202002.

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The rise and development of English novel, like any other phenomenon in literature, can be seen as a part of a history or the process of the individual development. Romantic novels are non-realistic and considered as the aristocratic literature of feudalism. They are non-realistic in sense that their underlying intention is not to help people cope in a positive way. These novels, express and recommend the attitudes of the aristocratic class to which it was ideally supposed to sustain. The genre, developed, however, as a reaction to the aristocratic romance, and grows with the middle class a ne

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Panina, Nina L. "Illustrations in Children’s Educational Books in Russia in the Late 17th – Early 19th Centuries." Tekst. Kniga. Knigoizdanie, no. 23 (2020): 82–99. http://dx.doi.org/10.17223/23062061/23/5.

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The aim of this article is to analyse the transition period in the history of illustrating children’s educational books on the material of Russian-language publications. It is the period in which the function of an intermedial representation gradually develops from emblematic to encyclopedic and narrative-figurative images. This process is related to the literary history of children’s books and their genre transformations. In the last third of the 18th century, children’s literature in Russia was formed as an independent direction with its special goals, and the basis for further search for sp

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Jaumann, Herbert. "Wozu hütete Abel seine Schafe, wenn es keine Diebe gab? ‒ Altes und Neues zu Isaac La Peyrère und seiner Präadamiten-These (1655)." Scientia Poetica 23, no. 1 (October 21, 2019): 22–43. http://dx.doi.org/10.1515/scipo-2019-002.

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Abstract The two treatises of 1655, entitled Prae-Adamitae and Systema theologicum ex Praeadamitarum hypothesi, are among the principal works of the French Huguenot author Isaac La Peyrere (1596-1676). Peyrere ‘s theses have occupied a key position within the heretical branch of 17th-century Biblical Criticism: God must have created a human race before Adam, the Bible does not tell the history of mankind but of the elect people of Israel only, and the books of the Pentateuch were certainly not written, if at all, by Moses alone. The present contribution offers an outline of the recent La Peyre

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Wang, Yi. "Carpe Diem Revisited in Poetry, Fiction and Film." Theory and Practice in Language Studies 10, no. 3 (March 1, 2020): 294. http://dx.doi.org/10.17507/tpls.1003.04.

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Carpe Diem is considered to be an eternal theme in English literature. Being pervasively spread through all ages, it is indeed of universal significance, reflecting one of the important philosophical issues of human world. Albeit this phrase was first created by Horace in ancient Rome, it has greatly influenced the renaissance poetry and the metaphysical poetry of the 17th century. This paper sets out to analyze different representations of Carpe Diem or its variations in various literary forms, namely, poetry, fiction and even film. After these contemplations it is safe to say that the connot

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Roberts, David. "Ravishing Strides: Signs of the Peripatetic in Early Modern Performance." New Theatre Quarterly 17, no. 1 (February 2001): 18–30. http://dx.doi.org/10.1017/s0266464x00014299.

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Actors' feet are accepted as part of their expressive equipment – but doubts are often expressed that this has always been so. The evidence of early English theatre history is adduced to suggest otherwise, while recent treatments of the peripatetic in literary studies argue that the ‘visible walk’ attains prominence only in the Romantic period. But David Roberts argues that, from the emergence of permanent theatres, walking offered a metonymy for performance which persisted throughout the seventeenth century. Cross-dressing highlighted the expressive potential of the feet, while close examinat

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Sokolov, Alexander I., and Irina A. Malysheva. "Turkisms in one of the early Russian translations of the 18th century." Vestnik of Saint Petersburg University. Language and Literature 18, no. 1 (2021): 187–201. http://dx.doi.org/10.21638/spbu09.2021.110.

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The article considers Turkic borrowings in the Russian language at the beginning of the 18th century. The material of the study was a translation of the 17th century treatise “The History of the Present State of the Ottoman Empire” written by the English diplomat Paul Ricaut and translated into a number of European languages. The Russian translation was done by P.A.Tolstoy from the Italian version in 1702–1714 and published as “The Turkish Monarchy” in 1741. The study presents the methods of phonetic (orthographic) and morphological adaptation of Turkisms by comparing a typographical manuscrip

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Mitrofanov, Vladimir P. "The Participation of Estates in the Adoption of Agricultural Legislation in Tudor England of the Mid-16th – Early 17th Century." Vestnik NSU. Series: History and Philology 20, no. 1 (2021): 9–20. http://dx.doi.org/10.25205/1818-7919-2021-20-1-9-20.

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On the basis of parliamentary documents of the Tudor era the author attempts to find out the degree of participation of both direct and indirect representatives of the nobility, clergy and peasantry in the adoption of laws by parliament regarding enclosures. Analysis of the debates in the parliaments makes it possible to trace the position of the English nobility and the bourgeoisie regarding the process of enclosing the arable land of peasants. The estate of the nobility, with the support of deputies from the bourgeoisie, in fact, was able to significantly influence the content of agrarian bi

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Chang, Han-liang. "Notes towards a semiotics of parasitism." Sign Systems Studies 31, no. 2 (December 31, 2003): 421–39. http://dx.doi.org/10.12697/sss.2003.31.2.06.

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The metaphor of parasites or parasitism has dominated literary critical discourse since the 1970s, prominent examples being Michel Serres in France and J. Hillis Miller in America. In their writings the relationship between text and paratext, literature and criticism, is often likened to that between host and parasite, and can be therefore deconstructed. Their writings, along with those by Derrida, Barthes, and Thom, seem to be suggesting the possibility of a semiotics of parasitism. Unfortunately, none of these writers has drawn enough on the biological foundation of parasitism. Curiously, ev

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Hernán, Enrique García. "War and Society in Spain." International Bibliography of Military History 35, no. 1 (May 30, 2015): 9–35. http://dx.doi.org/10.1163/22115757-03501001.

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This article offers a new historiographical overview of the military history of Spain in the early modern period, covering recent works published by English-speaking scholars as well as the latest studies by Spanish and Italian historians. Differences tend to focus on whether the rival paradigms of ‘decline’ or ‘resilience’ offer the better insights into the period after the end of Spanish military supremacy (c. 1648). A survey of recent work on this topic leads us to some very significant observations about factors underpinning power, such as a common or shared culture and identity, as well a

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Ziemba, Antoni. "Mistrzowie dawni. Szkic do dziejów dziewiętnastowiecznego pojęcia." Porta Aurea, no. 19 (December 22, 2020): 35–56. http://dx.doi.org/10.26881/porta.2020.19.01.

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In the first half of the 19th century in literature on art the term ‘Old Masters’ was disseminated (Alte Meister, maître ancienns, etc.), this in relation to the concept of New Masters. However, contrary to the widespread view, it did not result from the name institutionalization of public museums (in Munich the name Alte Pinakothek was given in 1853, while in Dresden the Gemäldegalerie Alte Meister was given its name only after 1956). Both names, however, feature in collection catalogues, books, articles, press reports, as well as tourist guides. The term ‘Old Masters’ with reference to the a

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Kinkley, Jeffrey C. "The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China. By David Der-Wei Wang. [Berkeley, Los Angeles and London: University of California Press, 2004. 402 pp. ISBN 0-520-23140-6.]." China Quarterly 182 (June 2005): 439–41. http://dx.doi.org/10.1017/s0305741005270261.

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This celebration of modern Chinese literature is a tour de force, David Wang's third major summation in English. He is even more prolific in Chinese. Wang's command of the creative and critical literatures is unrivalled.Monster's subject is “the multivalence of Chinese violence across the past century”: not 1960s “structural violence” or postcolonial “epistemic violence,” but hunger, suicide, anomie, betrayal (though not assassination or incarceration), and “the violence of representation”: misery that reflects or creates monstrosity in history. Monster thus comments on “history and memory,” l

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Garcha, Amanpal. "FORGETTING THACKERAY AND UNMAKING CAREERS." Victorian Literature and Culture 46, no. 2 (May 16, 2018): 531–45. http://dx.doi.org/10.1017/s1060150318000128.

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One of the peculiar challengesfacing scholars who wish to write about Thackeray's fiction is locating a dominant critical account to argue against. TheMLA Bibliographycontains a great number of examples of scrupulously argued, compelling research into Thackeray's body of writing, but few if any of them have reached any kind of canonical status as the (or even one of the) interpretive accounts that define how critics understand his fiction. It can seem, for example, that Thackeray is either consciously or unconsciously evaded by many scholars seeking to develop overarching, defining accounts of

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Matar, N. I. "Encountering Islam. Joseph Pitts: An English Slave in 17th-Century Algiers and Mecca. A critical edition, with biographical introduction and notes of Joseph Pitts of Exeter's 'A Faithful Account of the Religion and Manners of the Mahometans' 1731 * By PAUL AUCHTERLONIE." Journal of Islamic Studies 24, no. 2 (March 6, 2013): 239–41. http://dx.doi.org/10.1093/jis/ett012.

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Andrianova, Irina. "Stenography and Literature: What did Western European and Russian Writers Master the Art of Shorthand Writing For?" Studia Slavica Academiae Scientiarum Hungaricae 64, no. 1 (June 2019): 1–11. http://dx.doi.org/10.1556/060.2019.64101.

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What brings together Daniel Defoe, Charles Dickens, Vsevolod Krestovsky, Nikolai Chernyshevsky, Fyodor Dostoevsky, Аlexander Kuprin, George Bernard Shaw, and Аstrid Lindgren, i.e. writers from different countries and belonging to different epochs? In their creative work, they all used stenography, or rapid writing, permitting a person to listen to true speech and record it simultaneously. This paper discloses the role of stenography in literary activities of European and Russian writers in the 19th and early 20th centuries. Some researchers believe that the first ties between shorthand and lit

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Блашків, О. В. "INTELLECTUALS IN THE FACE OF HISTORIC TURMOIL: “THE REVENGE OF THE PRINTER” BY STANISLAV ROSOVETSKYJ AS ACADEMIC FICTION." Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 3, no. 93 (December 20, 2019): 3–15. http://dx.doi.org/10.34142/2312-1076.2019.3.93.01.

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Since mid-twentieth century the academic novel has been treated in English literary criticism as a separate literary genre centered on the life of professors. Often the action takes place on and outside of campus, revealing the professors’ private concerns. Satire is a characteristic feature of academic novels, which usually drives the action. In these novels university appears as a “microcosm of society at large.” Even though the academic novel is an emerging genre in Ukrainian literature, there are texts which fall into this category. In the article the author analyzes “The Revenge of the Pr

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Petrenko-Tseunova, Olha. "THE STATUS OF CAPITAL IN THE “KYIV’S TEXT” OF THE BAROQUE EPOCH." City History, Culture, Society, no. 8 (June 16, 2020): 11–23. http://dx.doi.org/10.15407/mics2020.08.011.

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Urban studies are a multidisciplinary area, but experts in different fields conclude that the city is worth considering in the categories of text. Moreover, urban studies in literary criticism are distinguished by the fact that the phrase “a city as a text” for philologists is not only a beautiful metaphor. The fiction space, including urban space, is a separate reality that exists according to its own rules, depending on the epoch style and the genre of a particular piece of writing. In the Baroque times, a city is a place of creation and functioning of culture. In the XVII century in Ukraini

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Parker, Christopher, Elizabeth Truax, Ivan Roots, Christopher Hill, R. C. Richardson, Joan Thirsk, W. A. Speck, Neil Curtin, Asa Briggs, and William Richardson. "Reviews: Companion to Historiography, Engendering a Nation: A Feminist Account of Shakespeare's English Histories, the Debate on the English Revolution, the Invention of the Newspaper: English Newsbooks, 1641–49, God's Englishwomen: Seventeenth-Century Radical Sectarian Writing and Feminist Criticism, Birth, Marriage and Death: Ritual, Religion and the Life-Cycle in Tudor and Stuart England, the Politics of Sensibility: Race, Gender and Commerce in the Sentimental Novel, the Oxford Book of the American South: Testimony, Memory and FictionBentleyMichael (ed.), Companion to Historiography , Routledge, 1997, pp. xvii + 997, £100.HowardJean E. and RackinPhyllis, Engendering a Nation: A Feminist Account of Shakespeare's English Histories , Routledge, 1997, pp. xviii + 215, £14.99 pb.RichardsonR. C., The Debate on the English Revolution , 3rd ed., Manchester University Press, 1998, pp.x + 262, £14.99.RaymondJoad, The Invention of the Newspaper: English Newsbooks, 1641–49 , Oxford University Press, 1996, pp. xii + 379, £45.HindsHilary, God's Englishwomen: Seventeenth-century Radical Sectarian Writing and Feminist Criticism , Manchester University Press, 1996, pp. vii + 264, £35, £14.99 pb.CressyDavid, Birth, Marriage and Death: Ritual, Religion and the Life-Cycle in Tudor and Stuart England , Oxford University Press, 1997, pp. 641, £25.00.EllisMarkman, The Politics of Sensibility: Race, Gender and Commerce in the Sentimental Novel , Cambridge University Press, 1996, pp. xii + 264, £45.AyersEdwards L., and MittendorfBradley C. (eds), The Oxford Book of the American South: Testimony, Memory and Fiction , Oxford University Press, 1997, pp. 597, £30.WinterJay and RobertJean-Louis, Capital Cities at War, 1914–1919 , Cambridge University Press, 1997, pp. xviii + 622, £60.NaimanEric, Sex in Public: The Incarnation of Early Soviet Ideology , Princeton University Press, 1997, pp. 307, $39.50, £27.50." Literature & History 8, no. 1 (May 1999): 76–90. http://dx.doi.org/10.7227/lh.8.1.6.

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Grane, Leif. "Grundtvigs forhold til Luther og den lutherske tradition." Grundtvig-Studier 49, no. 1 (January 1, 1998): 21–41. http://dx.doi.org/10.7146/grs.v49i1.16265.

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Grundtvig's Relations with Luther and the Lutheran TraditionBy Leif GraneGrundtvig’s relations with Luther and the Lutheran tradition are essential in nearly the whole of Grundtvig’s lifetime. The key position that he attributed to Luther in connection with his religious crisis 1810-11, remained with the Reformer until the very last, though there were changes on the way in his evaluation of the Reformation.The source material is overwhelming. It comprises all Grundtvig’s historical and church historical works, but also a large number of his theological writings, besides a number of his poems a

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Birkett, Jennifer, R. C. Richardson, Richmond Barbour, Joan Thirsk, Elizabeth Truax, Peter J. Parish, V. G. Kiernan, et al. "Reviews: Encyclopaedia of Historians and Historical Writing, Turks, Moors, and Englishmen in the Age of Discovery, Urbane and Rustic England: Cultural Ties and Social Spheres in the Provinces, 1660–1780, Myth and National Identity in Nineteenth-Century Britain: The Legends of King Arthur and Robin Hood, the Debate on the American Civil War Era, under Western Eyes: India from Milton to Macaulay, Realms of Memory: The Construction of the French Past. Volume III: Symbols, Literary Journals in Imperial Russia, Criticism and Modernity: Aesthetics, Literature, and Nations in Europe and its Academies, Railways and the Victorian Imagination, Virginia Woolf: Icon, Gertrude Stein: Modernism, and the Problem of ‘Genius’, History of Suicide: Voluntary Death in Western Culture, English Literature of the 1920s, the Vices of Integrity: E. H. Carr 1892–1982, Literary Theory from Plato to Barthes: An Introductory History, Why History? Ethics and PostmodernityBoydKelly (ed.), Encyclopaedia of Historians and Historical Writing , Fitzroy Dearborn, 1999, 2 vols, I: pp. xl + 742; II: pp. xxxii + 820, £175.MatarNabil Turks, Moors, and Englishmen in the Age of Discovery , Columbia University Press, 1999, pp. xi+268, $32.50.EstabrookCarl B., Urbane and Rustic England: Cultural Ties and Social Spheres in the Provinces, 1660–1780 , Manchester University Press, 1998, pp. xiv + 317, £49.00.BarczewskiStephanie L., Myth and National Identity in Nineteenth-century Britain: The Legends of King Arthur and Robin Hood , Oxford University Press, 2000, pp. 267, £40.TullochHugh, The Debate on the American Civil War Era , Manchester University Press, 1999, pp. xi + 255, £45.00, £14.99 pb.RajanBalachandra, Under Western Eyes: India from Milton to Macaulay , Duke University Press, 1999, pp. 288, £34, £11.95 pb.NoraPierre, Realms of Memory: The Construction of the French Past. Volume III: Symbols , Columbia University Press, n.d. [1998], pp. xii + 751, £31.95.MartinsenDeborah A. (ed.), Literary Journals in Imperial Russia , Cambridge Studies in Russian Literature, Studies of the Harriman Institute, Columbia University, Cambridge University Press, 1997 pp. xiv + 265, $64.95.DohertyThomas, Criticism and Modernity: Aesthetics, Literature, and Nations in Europe and its Academies , Oxford University Press, 1999, pp. vi + 248, £40.00.FreemanMichael, Railways and the Victorian Imagination , Yale University Press, 1999, pp. 271, £25.FletcherA. and HusseyS. (eds), Childhood in Question: Children, Parents and the State , Manchester Univesity Press, 1999 pp. 177, £12.99 pb.SilverBrenda, Virginia Woolf: Icon , University of Chicago Press, 2000, pp. 324, $19.WiltBarbara, Gertrude Stein: Modernism, and the Problem of ‘Genius’ , Edinburgh University Press, 2000, pp. 180, £40.MinoisGeorges, History of Suicide: Voluntary Death in Western Culture , trans. CochraneLydia G., Johns Hopkins University Press, 1999, pp. 387, £30.AyersDavid, English Literature of the 1920s , Edinburgh University Press, 1999, pp. 223, £40.HaslamJonathan, The Vices of Integrity: E. H. Carr 1892–1982 , Verso Press, 1999, pp. 306, £25.HarlandRichard, Literary Theory from Plato to Barthes: An Introductory History , Macmillan Press, 1999, pp. xiii + 302, £14.99 pb.JenkinsKeith, Why History? Ethics and Postmodernity , Routledge, 1999, pp. 232, £12.99." Literature & History 10, no. 1 (May 2001): 70–92. http://dx.doi.org/10.7227/lh.10.1.7.

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Ewals, Leo. "Ary Scheffer, een Nederlandse Fransman." Oud Holland - Quarterly for Dutch Art History 99, no. 4 (1985): 271–90. http://dx.doi.org/10.1163/187501785x00134.

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AbstractAry Scheffer (1795-1858) is so generally included in the French School (Note 2)- unsurprisingly, since his career was confined almost entirely to Paris - that the fact that he was born and partly trained in the Netherlands is often overlooked. Yet throughout his life he kept in touch with Dutch colleagues and drew part of his inspiration from Dutch traditions. These Dutch aspects are the subject of this article. The Amsterdam City Academy, 1806-9 Ary Scheffer was enrolled at the Amsterdam Academy on 25 October 1806, his parents falsifying his date of birth in order to get him admitted

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Goggin, Joyce. "Transmedia Storyworlds, Literary Theory, Games." M/C Journal 21, no. 1 (March 14, 2018). http://dx.doi.org/10.5204/mcj.1373.

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IntroductionThis essay will focus on some of the connections between digitally transmitted stories, games, narrative processes, and the discipline whose ostensible job is the study of storytelling, namely literature. My observations will be limited to the specific case of computer games, storytelling, and what is often unproblematically referred to as “literature,” in order to focus attention on historical and contemporary features of the development of the relationship between the two that remain largely unexamined. Therefore, one goal of this essay is to re-think this relationship from a fre

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Voss, Tony. "Where Roy Campbell stands." Literator 34, no. 1 (July 25, 2013). http://dx.doi.org/10.4102/lit.v34i1.378.

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Although critical interest in Roy Campbell’s work remains lively and his place in South African literary history seems secure, he is not a vital presence in the new South Africa; his work has become peripheral to metropolitan English literature, a small manifestation of a more general shift in global culture. Where then does Roy Campbell stand? Is there a new context for his work? In a review of a range of criticism from the first decade of the 21st century, this article finds that Roy Campbell’s work can be rewardingly read in the context of the Graeco-Roman classical inheritance that he embr

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Wessell, Adele. "Cookbooks for Making History: As Sources for Historians and as Records of the Past." M/C Journal 16, no. 3 (August 23, 2013). http://dx.doi.org/10.5204/mcj.717.

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Historians have often been compared with detectives; searching for clues as evidence of a mystery they are seeking to solve. I would prefer an association with food, making history like a trained cook who blends particular ingredients, some fresh, some traditional, using specific methods to create an object that is consumed. There are primary sources, fresh and raw ingredients that you often have to go to great lengths to procure, and secondary sources, prepared initially by someone else. The same recipe may yield different meals, the same meal may provoke different responses. On a continuum o

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Provençal, Johanne. "Ghosts in Machines and a Snapshot of Scholarly Journal Publishing in Canada." M/C Journal 11, no. 4 (July 1, 2008). http://dx.doi.org/10.5204/mcj.45.

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The ideas put forth here do not fit perfectly or entirely into the genre and form of what has established itself as the scholarly journal article. What is put forth, instead, is a juxtaposition of lines of thinking about the scholarly and popular in publishing, past, present and future. As such it may indeed be quite appropriate to the occasion and the questions raised in the call for papers for this special issue of M/C Journal. The ideas put forth here are intended as pieces of an ever-changing puzzle of the making public of scholarship, which, I hope, may in some way fit with both the work

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Kincheloe, Pamela J. "The Shape of Air: American Sign Language as Narrative Prosthesis in 21st Century North American Media." M/C Journal 22, no. 5 (October 9, 2019). http://dx.doi.org/10.5204/mcj.1595.

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The word “prosthetic” has its origins as a mathematical term. According to scholar Brandon W. Hawk, Plato uses the words prosthesis and prostithenai in Phaedo to mean "addition, add to, to place", and Aristotle uses it in a similar, algebraic sense in the Metaphysics. Later, as the word appears in classical Latin, it is used as a grammatical and rhetorical term, in the sense of a letter or syllable that is added on to a word, usually the addition of a syllable to the beginning of a word, hence pro-thesis (Hawk). This is the sense of the word that was “inherited … by early modern humanists”, sa

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Bowles-Smith, Emily. "Recovering Love’s Fugitive: Elizabeth Wilmot and the Oscillations between the Sexual and Textual Body in a Libertine Woman’s Manuscript Poetry." M/C Journal 11, no. 6 (November 28, 2008). http://dx.doi.org/10.5204/mcj.73.

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Elizabeth Wilmot, Countess of Rochester, is best known to most modern readers as the woman John Wilmot, Earl of Rochester, abducted and later wed. As Samuel Pepys memorably records in his diary entry for 28 May 1665:Thence to my Lady Sandwich’s, where, to my shame, I had not been a great while before. Here, upon my telling her a story of my Lord Rochester’s running away on Friday night last with Mrs Mallet, the great beauty and fortune of the North, who had supped at Whitehall with Mrs Stewart, and was going home to her lodgings with her grandfather, my Lord Haly, by coach; and was at Charing

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Piatti-Farnell, Lorna, and Erin Mercer. "Gothic: New Directions in Media and Popular Culture." M/C Journal 17, no. 4 (August 20, 2014). http://dx.doi.org/10.5204/mcj.880.

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In a field of study as well-established as the Gothic, it is surprising how much contention there is over precisely what that term refers to. Is Gothic a genre, for example, or a mode? Should it be only applicable to literary and film texts that deal with tropes of haunting and trauma set in a gloomy atmosphere, or might it meaningfully be applied to other cultural forms of production, such as music or animation? Can television shows aimed at children be considered Gothic? What about food? When is something “Gothic” and when is it “horror”? Is there even a difference? The Gothic as a phenomeno

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Toutant, Ligia. "Can Stage Directors Make Opera and Popular Culture ‘Equal’?" M/C Journal 11, no. 2 (June 1, 2008). http://dx.doi.org/10.5204/mcj.34.

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Cultural sociologists (Bourdieu; DiMaggio, “Cultural Capital”, “Classification”; Gans; Lamont & Foumier; Halle; Erickson) wrote about high culture and popular culture in an attempt to explain the growing social and economic inequalities, to find consensus on culture hierarchies, and to analyze cultural complexities. Halle states that this categorisation of culture into “high culture” and “popular culture” underlined most of the debate on culture in the last fifty years. Gans contends that both high culture and popular culture are stereotypes, public forms of culture or taste cultures, each

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Carty, Breda. "Interpreters in Our Midst." M/C Journal 13, no. 3 (June 30, 2010). http://dx.doi.org/10.5204/mcj.257.

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When deaf people work in professional environments and participate in public events, we are often accompanied by sign language interpreters. This usually means wonderfully enhanced access – we can learn, participate and network in ways which are difficult if not impossible on our own. But while we often try to insist that our interpreters are ‘invisible’, that we are the ones learning, engaging in dialogue and consuming services, we are regularly bemused by the public fascination and focus on our interpreters – sometimes at the expense of their attention to us. When interpreters are in our mid

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Rolls, Alistair. "The Re-imagining Inherent in Crime Fiction Translation." M/C Journal 18, no. 6 (March 7, 2016). http://dx.doi.org/10.5204/mcj.1028.

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Introduction When a text is said to be re-appropriated, it is at times unclear to what extent this appropriation is secondary, repeated, new; certainly, the difference between a reiteration and an iteration has more to do with emphasis than any (re)duplication. And at a moment in the development of crime fiction in France when the retranslation of now apparently dated French translations of the works of classic American hardboiled novels (especially those of authors like Dashiell Hammett, whose novels were published in Marcel Duhamel’s Série Noire at Gallimard in the decades following the end

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Rutherford, Leonie Margaret. "Re-imagining the Literary Brand." M/C Journal 18, no. 6 (March 7, 2016). http://dx.doi.org/10.5204/mcj.1037.

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IntroductionThis paper argues that the industrial contexts of re-imagining, or transforming, literary icons deploy the promotional strategies that are associated with what are usually seen as lesser, or purely commercial, genres. Promotional paratexts (Genette Paratexts; Gray; Hills) reveal transformations of content that position audiences to receive them as creative innovations, superior in many senses to their literary precursors due to the distinctive expertise of creative professionals. This interpretation leverages Matt Hills’ argument that certain kinds of “quality” screened drama are d

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Jones, Timothy. "The Black Mass as Play: Dennis Wheatley's The Devil Rides Out." M/C Journal 17, no. 4 (July 24, 2014). http://dx.doi.org/10.5204/mcj.849.

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Literature—at least serious literature—is something that we work at. This is especially true within the academy. Literature departments are places where workers labour over texts carefully extracting and sharing meanings, for which they receive monetary reward. Specialised languages are developed to describe professional concerns. Over the last thirty years, the productions of mass culture, once regarded as too slight to warrant laborious explication, have been admitted to the academic workroom. Gothic studies—the specialist area that treats fearful and horrifying texts —has embraced the growi

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Lobato, Ramon, and James Meese. "Kittens All the Way Down: Cute in Context." M/C Journal 17, no. 2 (April 23, 2014). http://dx.doi.org/10.5204/mcj.807.

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This issue of M/C Journal is devoted to all things cute – Internet animals and stuffed toys, cartoon characters and branded bears. In what follows our nine contributors scrutinise a diverse range of media objects, discussing everything from the economics of Grumpy Cat and the aesthetics of Furbys to Reddit’s intellectual property dramas and the ethics of kitten memes. The articles range across diverse sites, from China to Canada, and equally diverse disciplines, including cultural studies, evolutionary economics, media anthropology, film studies and socio-legal studies. But they share a common

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Dutton, Jacqueline. "Counterculture and Alternative Media in Utopian Contexts: A Slice of Life from the Rainbow Region." M/C Journal 17, no. 6 (November 3, 2014). http://dx.doi.org/10.5204/mcj.927.

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Introduction Utopia has always been countercultural, and ever since technological progress has allowed, utopia has been using alternative media to promote and strengthen its underpinning ideals. In this article, I am seeking to clarify the connections between counterculture and alternative media in utopian contexts to demonstrate their reciprocity, then draw together these threads through reference to a well-known figure of the Rainbow Region–Rusty Miller. His trajectory from iconic surfer and Aquarian reporter to mediator for utopian politics and ideals in the Rainbow Region encompasses in a

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Brien, Donna Lee. "Bringing a Taste of Abroad to Australian Readers: Australian Wines & Food Quarterly 1956–1960." M/C Journal 19, no. 5 (October 13, 2016). http://dx.doi.org/10.5204/mcj.1145.

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IntroductionFood Studies is a relatively recent area of research enquiry in Australia and Magazine Studies is even newer (Le Masurier and Johinke), with the consequence that Australian culinary magazines are only just beginning to be investigated. Moreover, although many major libraries have not thought such popular magazines worthy of sustained collection (Fox and Sornil), considering these publications is important. As de Certeau argues, it can be of considerable consequence to identify and analyse everyday practices (such as producing and reading popular magazines) that seem so minor and in

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Burrough, Xtine, and Sabrina Starnaman. "Epic Hand Washing." M/C Journal 24, no. 3 (June 21, 2021). http://dx.doi.org/10.5204/mcj.2773.

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In March 2020, co-authors burrough and Starnaman with Technical Director Dale MacDonald had just finished collaborating on a work of computational art, A Kitchen of One’s Own, for The Photographers’ Gallery in London. In this essay we discuss the genealogy of our Zoom performance, Epic Handwashing for Synchronous Participation, which was an extension of two earlier projects—one that was derailed due to COVID-19, and the other that resulted from our pivot towards reflecting on the pandemic experience. Our performance was a response to, and offered a collaborative moment of reflection on, the un

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Pryor, Melanie. "Dark Peripatetic Walking as Radical Wandering in Cheryl Strayed’s Memoir Wild." M/C Journal 22, no. 4 (August 14, 2019). http://dx.doi.org/10.5204/mcj.1558.

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IntroductionWhen she divorced, Cheryl Strayed chose for herself an entirely new surname. In Wild: A Journey from Lost to Found, the memoir she wrote and published in 2012 about hiking 1,100 miles of the Pacific Crest Trail (PCT) from the Mojave Desert to the Oregon-Washington border, she recalls looking up the definition of the word “strayed”, and how its meaning resonated for her. “I had diverged, digressed, wandered, and become wild”, Strayed writes. “Even in my darkest days—those very days in which I was naming myself—I saw the power of the darkness. Saw that, in fact, I had strayed and tha

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