Thematische Bibliographien / European festivals

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte
  6. Berichte der Organisationen

Auswahl der wissenschaftlichen Literatur zum Thema „European festivals“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 29. Juli 2025

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Zeitschriftenartikel zum Thema "European festivals"

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McGee, Kristin. "Staging jazz pasts within commercial European jazz festivals: The case of the North Sea Jazz Festival." European Journal of Cultural Studies 20, no. 2 (2016): 141–66. http://dx.doi.org/10.1177/1367549416638525.

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This article examines the North Sea Jazz Festival in order to highlight the growing influence of both ‘convergence culture’ (Jenkins) and prevailing jazz mythologies upon the reception and organization of contemporary European jazz festivals. In particular, the European jazz festival is examined within the context of increasing commercialization and digital mediation of the live music field. To stake my claim, I first sketch the context within which European jazz festivals arose, especially as initially driven by curators/aficionados, whose longing for ‘authentic’ jazz within natural (resort)
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Nevolov, Vasily, and Valeriy Patsunov. "Ukrainian Theater Art in the Context of the European International Theater Festivals." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art Current Archives Announcements About 1, no. 2 (2018): 94–103. https://doi.org/10.31866/2616-759x.2.2018.153232.

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The purpose of the study is to identify the effectiveness of the interaction between Ukrainian and European theatrical art on the experience of international theatrical festivals in Ukraine and in Europe, the Ukrainian theaters’ participation in international theatrical festivals, studying the influence of this experience on the festival movement in Ukraine, and also on the intensification of the integration process Ukrainian theatrical art into the European cultural space in the context of Ukraine’s European choice. Research methods.  A comparative method of research has been
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Hunter, Russ. "Capturing European crime." On the Cultural Circulation of Contemporary European Crime Cinema, no. 22 (March 2, 2022): 31–41. http://dx.doi.org/10.33178/alpha.22.02.

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As “shop windows” for newly produced but not-yet-released films, the study of festivals is one measure by which it is possible to assess the nature, presence and relative quantity of European crime films made in any given year. This article explores the presence of European crime films at European film festivals by examining the complete festival programmes from Cannes, Berlin and Venice. These three festivals are widely regarded as the most prestigious and largest in Europe (forming part of the global “Big 5” alongside Sundance and Toronto) and as such are premier destination for films of all
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Skliamis, Kostas, and Dirk J. Korf. "Cannabis festivals and their attendees in four European cities with different national cannabis policies." International Journal of Event and Festival Management 10, no. 2 (2019): 138–54. http://dx.doi.org/10.1108/ijefm-08-2018-0049.

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Purpose The purpose of this paper is to: describe and contextualize the aims and distinctive and common characteristics of cannabis festivals in countries with different cannabis policies; assess characteristics of participants; identify reasons to attend cannabis festivals; explore to which extent cannabis festivals contribute to the social and cultural acceptance of cannabis, as perceived by attendees. Design/methodology/approach The approach incorporates three methods of data collection in the research design; quantitative research among 1,355 participants, participant observation and inter
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Jászay, Tamás. "Shakespeare Matrix Across the Continent." Theatron 16, no. 4 (2022): 170–75. http://dx.doi.org/10.55502/the.2022.4.170.

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The volume offers a representative collection of Shakespeare festivals from the European continent in the form of individual case studies. The book makes the case for a “pan-European and post-English” Shakespeare by providing evaluative and interpretative accounts of both well-known and less-focused festivals in Eastern and Western Europe. The essays combine an external, objective eye with an internal perspective, in just the right balance. Shakespeare on European Festival Stages is a high-quality travel companion, providing a brand-new Shakespearean Grand Tour for all interested theatre schol
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Pavluković, Vanja, Uglješa Stankov, and Daniela Arsenović. "Social impacts of music festivals: A comparative study of Sziget (Hungary) and Exit (Serbia)." Acta geographica Slovenica 60, no. 1 (2020): 21–35. http://dx.doi.org/10.3986/ags.6514.

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Music festivals are often seen as a key driver of the city's economies. Therefore, there is an increasing interest in the impacts associated with them. The aim of this research is to examine residents' perceptions of the social impacts of two European music festivals, Sziget (Budapest, Hungary) and Exit (Novi Sad, Serbia), applying the modified Festival Social Impact Attitude Scale and to compare the results using Importance–Performance Analysis. Similarities and differences in perceptions of social impacts of two festivals are discussed with the proposition of priorities for destinations. The
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Tymoshenko, Alyona. "The image of the hero in modern Ukrainian cinema. Interview with Dmytrо Sukholytkyy-Sobchuk". UKRAINIAN CULTURAL STUDIES, № 1 (14) (2024): 103–7. http://dx.doi.org/10.17721/ucs.2024.1(14).16.

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His feature film debut was Pamphyr (2022), which had its world premiere at the Cannes Film Festival. The film was nominated for the EFA Prize for Best First Feature and won more than 30 awards at over 70 festivals. His short films have been selected for the most prestigious festivals, including Sundance Film Festival, DOC NYC, IDFA, Toronto International Film Festival, Clermont-Ferrand International Short Film Festival, Palm Springs International Festival of Short Films and others. He is a member of the Ukrainian (since 2017) and European (since 2018) film academies, the founder and organiser
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Mathur, Surendra. "Similarities between festivals ‘Diwali’ in India and ‘Samhain’ in European civilizations." Dev Sanskriti Interdisciplinary International Journal 17 (January 31, 2021): 52–56. http://dx.doi.org/10.36018/dsiij.v17i.207.

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Diwali is an Indian festival which is still alive in European tradition in a different form. The ritual for celebrating the Diwali and its cultural significance has close similarities with Samhain in Europe to that of India. The present perspective looked into available evidences for similarities of ‘Diwali’ with Samhain in European civilization. The study has been analyzed by dividing this topic into four parts, 1) Name Similarities between Samhain and Diwali, 2) Dates similarities between Samhain and & Diwali, 3) the similarity in the way these both festivals are celebrated even today an
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Reynolds, Peter. "TRANSIT New Music Festival, Leuven, Belgium, 25–27 October 2013." Tempo 68, no. 268 (2014): 88–89. http://dx.doi.org/10.1017/s0040298213001794.

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TRANSIT is a festival packed into just a weekend. Despite this, it consistently punches above its weight in international standards of performance and a commitment to today's most adventurous music; this year's festival featured 18 premieres. It is one of the most attractive autumn European festivals, based in the Flemish town of Leuven, though the sheer number of events leaves little time for sightseeing.
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Hawkins, Rowena. "Contemporary Shakespeares on Festival Stages: Empathy and Futurity in Poland and Hungary." Shakespeare Bulletin 41, no. 1 (2023): 105–23. http://dx.doi.org/10.1353/shb.2023.a907993.

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Abstract: This article explores “contemporariness” at European international Shakespeare Festivals. It begins by outlining the “disjunctions” and “anachronisms” of festival contexts, which combine highly contemporary productions with deeply commemorative practices. Through their unique temporality (“Festival Time”), festivals allow us to grasp our present moment from a crucial critical distance. To test the limits of this theory, this article considers two productions hosted on festival stages in recent years: Romeo i Julia , a Polish 3D water musical hosted by the Festiwal Szekspirowski in Gd
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Dissertationen zum Thema "European festivals"

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Weeks, Susan Jane, and Francesca Clotilde Scialdone. "Management of Uncertain Resources in Film Festival Organisations : a first European Picture." Thesis, Umeå universitet, Företagsekonomi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-130737.

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Purpose – The purpose of this thesis is to investigate how film festivals use project management techniques to manage uncertain resources. Design/methodology/approach – Fourteen case studies are used to explore the project management techniques used by film festivals across Europe. An extensive theoretical framework brings together a number of key fields for the first time and provides an informative background to the study. Based on this theoretical framework a conceptual model was developed, ‘the film festival ‘smoothie’ model’, which provides a guide for data collection and analysis. The re
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Golisano, Alice. "Les festivals internationaux de théâtre comme médiateurs culturels dans la construction de la cohésion européenne et leur rôle dans Diplomatie culturelle." Electronic Thesis or Diss., CY Cergy Paris Université, 2024. http://www.theses.fr/2024CYUN1275.

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Pour le but de mon projet, j'ai choisi de me concentrer sur trois festivals de théâtre européens: le Festival d'Avignon, le Festival international de théâtre de Belgrade (BITEF) et le Festival international de théâtre de Sibiu (FITS), qui représentent diverses cartographies européennes aux trajectoires géopolitiques et culturelles complexes. La thèse montre comment ces festivals ont réagi aux ferments historiques de l'Europe d'après-guerre, et comment les allégeances politiques et les politiques culturelles de leurs pays ont affecté leurs approches curatoriales. J'avais l'intention d'explorer
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Lee, Toby Kim. "Public Culture and Cultural Citizenship at the Thessaloniki International Film Festival." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11165.

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This dissertation explores the relationship between state, citizen and public culture through an ethnographic and historical examination of the Thessaloniki International Film Festival in northern Greece. In the two-year period leading up to and following its fiftieth anniversary in 2009, the festival was caught up in the larger economic, political and social crises that have overtaken Greece in the last five years - a painful period of rapid transformation and neoliberalization for one of Europe's staunchest social-welfare states. As the Greek state faces bankruptcy - both economic and politi
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Rhodes, Mark A. II. "The Memory Work of Welsh Heritage: Multidimensional landscapes of a multinational Wales." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1555693473757734.

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Vukovic, Kresimir. "The Roman festival of the Lupercalia : history, myth, ritual and its Indo-European heritage." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:2765ebe9-20ef-47c0-9d48-63c7e8a2fb34.

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The Roman festival of the Lupercalia is one of the most discussed issues in the field of pre-Christian Roman religion. Hardly a year goes by without an article on the subject appearing in a major Classics journal. But the festival presents a range of issues that individual articles cannot address. This thesis is an attempt to present a modern analysis of the phenomenon of the Lupercalia as a whole, including literary, archaeological and historical evidence on the subject. The first section presents the ancient sources on the Lupercalia, and is divided into five chapters, each analysing a parti
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Domínguez, Soto Iván. "Festival de Dramaturgia Europea Contemporánea: una mirada a su recepción en Chile." Tesis, Universidad de Chile, 2013. http://repositorio.uchile.cl/handle/2250/131376.

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Tesis para optar al grado de Magíster en Literatura mención Literatura Chilena e Hispanoamericana<br>El Festival de Dramaturgia Europea Contemporánea se estableció, durante los once años que se realizó, como uno de los eventos más importantes del ambiente cultural nacional, pues permitió acercar al público chileno las obras de los representantes más destacados de la actual escena teatral europea. Este festival fue creado con el objetivo de servir de instancia de diálogo cultural entre los artistas teatrales de Chile y Europa, por lo que el presente trabajo busca indagar si se produjo realmente
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Pachaly, Christina. "Kulturhauptstadt Europas Ruhr 2010 ein Festival als Instrument der Stadtentwicklung /." Berlin : Univ.-Verl. der Techn. Univ., Univ.-Bibliothek, 2008. http://d-nb.info/989419509/34.

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Farine, Anaïs. "Imaginaire cinématographique du « dialogue euro-méditerranéen » (1995 - 2017) ˸ formes festivalières, formes institutionnelles, formes alternatives." Thesis, Sorbonne Paris Cité, 2019. http://www.theses.fr/2019USPCA006.

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Consacrée à l'imaginaire du « dialogue euro-méditerranéen » tel qu'il se manifeste depuis le milieu des années 1990 en particulier (après la Déclaration de Barcelone en 1995 puis la mise en place de la Politique Européenne de Voisinage), cette thèse se penche sur trois cas d'étude qu'elle se propose d'analyser par le biais d'une approche transdisciplinaire. La première partie cherche à comprendre comment se construit et circule un « cinéma méditerranéen » et le savoir sur cette possible cinématographie régionale en analysant quatre festivals qui lui sont consacrés à Alger, Bruxelles, Montpelli
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Rieffly, Barbara. "Gli eventi off diffusi sul territorio delle città metropolitane europee : tra strategie di branding urbano e identità locale." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3138.

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L'objectif de la thèse est d'analyser le phénomène des événements off, événements urbains alternatifs et indépendants, qui naissent «du bas» à partir des initiatives qui rejettent le système institutionnalisé. Dans la première partie, nous proposons une reconstruction du débat sur les événements urbains contemporains : les principales classifications sont identifiées ; les trois débats dominants sont présentés et le concept de la ville événement est remis en cause. Dans la deuxième partie, nous analysons trois études de cas différents : Marseille 2013 Off (Marseille), Fuorisalone (Milan) et Pa
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Tuaillon, Demésy Audrey. "L'histoire vivante médiévale. Approche socio-anthropologique." Phd thesis, Université de Franche-Comté, 2011. http://tel.archives-ouvertes.fr/tel-01062398.

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L'histoire vivante est une manière de présenter le passé, qui peut se décliner en fonction d'époques variées ; celle qui est prise en compte dans cette recherche concerne la période médiévale. La pratique s'expose à travers deux activités distinctes mais complémentaires : la reconstitution historique et les Arts martiaux historiques européens, couramment nommés AMHE. L'étude menée répond à un travail de terrain interdisciplinaire, mêlant des approches ethnologiques et sociologiques. Les données recueillies proviennent d'observations participantes, mises en place lors de différents événements,
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Bücher zum Thema "European festivals"

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Verhoef, Matty. European Festivals. European Festivals Association, 1995.

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Luard, Elisabeth. European festival food. Grub Street, 2009.

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R, Mulryne J., and Shewring Margaret, eds. Italian Renaissance festivals and their European influence. Edwin Mellen Press, 1992.

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Valck, Marijke de. Film festivals: From European geopolitics to global cinephilia. Amsterdam University Press, 2007.

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Eleftheriadis, Konstantinos. Queer Festivals. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462982741.

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To what extent is queer anti-identitarian? And how is it experienced by activists at the European level? At queer festivals, activists, artists and participants come together to build new forms of sociability and practice their ideals through anti-binary and inclusive idioms of gender and sexuality. These ideals are moreover channelled through a series of organisational and cultural practices that aim at the emergence of queer as a collective identity. Through the study of festivals in Amsterdam, Berlin, Rome, Copenhagen, and Oslo, Queer Festivals: Challenging Collective Identities in a Transn
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Luard, Elisabeth. Seasonal European dishes. Grub Street, 2013.

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R, Mulryne J., and Goldring Elizabeth 1970-, eds. Court festivals of the European Renaissance: Art, politics, and performance. Ashgate, 2002.

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Wansdyke, Carl. Baelder's book of pagan festivals: A celebration of the European pagan year. Coxland Press, 1994.

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Stredoeurópsky, festival koncertného umenia (6th 1996 Žilina Slovakia). VI. Stredoeurópsky festival koncertného umenia: Žilina, Dom Umenia Fatra, 22.-28 apríl 1996 = VI. Middle-European Festival of Concert Art. Spolok koncertných umelcov pri Slovenskej hudobnej únii, 1996.

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Melos-Étos (Festival) (3rd 1995 Bratislava, Slovakia). III. Medzinárodný festival súčasnej hudby, 7.17. november, 1995, Bratislava, Melos-Étos '95, člen asociácie European Conference of Promoters of New Music. Slovenská hudobná únia, 1995.

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Buchteile zum Thema "European festivals"

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Kaliff, Anders, and Terje Oestigaard. "Seasonality and Fire Festivals." In Indo-European Fire Rituals. Routledge, 2022. http://dx.doi.org/10.4324/9781003300915-3.

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Arfara, Katia. "Festivals and curation." In The Routledge Companion to Contemporary European Theatre and Performance. Routledge, 2023. http://dx.doi.org/10.4324/9781003082538-76.

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Vallejo, Aida, and Christel Taillibert. "Finding Allies in Pandemic Times: Documentary Film Festivals and Streaming Platforms." In Rethinking Film Festivals in the Pandemic Era and After. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14171-3_6.

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AbstractThis chapter analyzes the collaboration between documentary film festivals and streaming platforms before and during the Covid-19 pandemic. Our study of collaborative practices revolves around the concepts of reciprocity and strategic alliances, developed within Anthropology and Management Studies. We focus on two pioneer streaming platforms, which are initiatives of documentary distribution created by or with film festivals. In our first case study, DAFilms (originated from an alliance of seven European documentary festivals), we analyze why a video-on-demand (VOD) platform born out o
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Verderame, Dario. "‘Festivals Implicate Others’: Framing Cosmopolitan Encounters at a European Festival." In Cosmopolitanism, Markets, and Consumption. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64179-9_9.

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Luscombe, Jayne. "Promoting ‘European’ Identities at and through Pan-European Events." In Identity Discourses and Communities in International Events, Festivals and Spectacles. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137394934_9.

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Wright, Susan. "‘Heritage' and critical history in the reinvention of mining festivals in North-east England." In Revitalizing European Rituals. Routledge, 2025. https://doi.org/10.4324/9781003625070-2.

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McGee, Kristin. "Part One: Configuring Crisis and Sampling Swing in Vintage Festivals and Electro Swing." In Remixing European Jazz Culture. Routledge, 2019. http://dx.doi.org/10.4324/9780429505232-8.

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Dovey, Lindiwe. "Early Curatorial Practices, European Colonialism, and the Rise of “A-list” Film Festivals." In Curating Africa in the Age of Film Festivals. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137404145_2.

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Trandafoiu, Ruxandra. "A Tale of Two (or #EverMore) Festivals: Electronic Music in a Transylvanian Town." In Eastern European Popular Music in a Transnational Context. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-17034-9_11.

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Tsai, Beth. "Film Festivals in Taiwan: Lurking on the Periphery." In Rethinking Film Festivals in the Pandemic Era and After. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14171-3_11.

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AbstractThis chapter investigates an ongoing geopolitical shift concerning the status of festivals in Taiwan—exemplified by the Taipei Film Festival and the Taipei Golden Horse Film Festival and Awards—and their future challenges instigated by the global pandemic. I consider film festivals in Taiwan to be lurking on the “periphery” and argue they should not be prescribed as secondary and unnoticed (in terms of prestige and influences). Instead, we need to identify the center (Western Europe and wealthy North America) versus the periphery paradigm in which the global festival circuit continued
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Konferenzberichte zum Thema "European festivals"

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Lupu, Mirabela Ioana, Alina Maier, Cristina Maria Canja, Vasile Padureanu, and Geronimo Raducu Branescu. "ROMANIAN GASTRONOMIC HERITAGE: REDISCOVERING TRADITIONAL PRODUCTS." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s05.16.

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Romania is a country that boasts a rich and diverse gastronomic culture, making it a must-visit destination for food lovers and culinary enthusiasts. From traditional dishes passed down through generations to modern interpretations of classic recipes [1], Romanian cuisine offers a unique and flavorful experience that is sure to tantalize the taste buds of even the most discerning travelers. One of the best ways to experience Romanian gastronomic culture is through culinary tourism, a growing trend that allows visitors to immerse themselves in the local food scene and learn about the history an
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Csapody, Bence, Katalin Ásványi, and Melinda Jászberényi. "SUSTAINABLE BEST PRACTICES OF EUROPEAN CULINARY FESTIVALS." In Tourism in Southern and Eastern Europe 2021: ToSEE – Smart, Experience, Excellence & ToFEEL – Feelings, Excitement, Education, Leisure. University of Rijeka, Faculty of Tourism and Hospitality Management, 2021. http://dx.doi.org/10.20867/tosee.06.11.

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Purpose – The COVID-19 pandemic has a major impact on the operation of hospitality establishments today. Conscious entrepreneurs have exploited this critical situation to carry out self-revision and examined the opportunities to open towards new models. But what is the situation with culinary events? The period of recovery after a crisis often shifts in a new direction of operation such as the emergence of sustainable approaches in gastronomy and tourism. In order to showcase exemplary methods, our main research question is “what sustainable practices are applied in European culinary festivals
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Peláez-Barceló, Antonio. "Cultural Diversity in Film Festivals – A Case Study: Glocal in Progress, San Sebastián International Film Festival." In The European Conference on Media, Communication & Film 2020. The International Academic Forum(IAFOR), 2020. http://dx.doi.org/10.22492/issn.2188-9643.2020.1.

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Kruk, Sandor, Oana Romocea, Eliza Casapopol, Cristian Ignat, Iuliana Bledea, and Alina Vizireanu. "Space education activities at the Romanian Science Festival." In Symposium on Space Educational Activities (SSAE). Universitat Politècnica de Catalunya, 2022. http://dx.doi.org/10.5821/conference-9788419184405.131.

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Eastern European countries, in particular Romania, offer much fewer opportunities for science and space outreach and informal science education compared to the West. Romanian Science Festival was founded in 2018 with the aim of answering questions raised by the inquisitive minds of children all over Romania. In 2019, we reached over 20,000 people with our live events: open-air science festivals, space talks and astronomical observations. During the COVID-19 pandemic, we organised 58 live webinars of over 75 hours in total, one of the largest scientific resources in the Romanian language. Moreo
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Fiore, Francesca, Alessandra Scroccaro, Arianna Conci, and Alberto Montresor. "Challenge-based learning as a tool for creativity and talent expression." In SEFI 50th Annual conference of The European Society for Engineering Education. Universitat Politècnica de Catalunya, 2022. http://dx.doi.org/10.5821/conference-9788412322262.1259.

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After the stop caused by the pandemic, the University of Trento and its newly born FabLab reopened the doors to DigiEduHack (https://digieduhack.com/en/), the decentralized hackathon dedicated to the most pressing challenges of digital and innovative education. More than 30 multidisciplinary students have ventured into the design of innovative learning tools to meet the challenge thrown at them: prototyping educational board games; multimedia artefacts and installations at the intersection of big data, art and technology; co-designing festivals in a combination of art, science and fun; laborat
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Shea, Brendan Sullivan, and Neal Lucas Hitch. "School’s Out: Exploring Learning By Doing Methods In On-Site Design Build Architecture Workshops." In 2022 AIA/ACSA Intersections Research Conference. ACSA Press, 2022. http://dx.doi.org/10.35483/acsa.aia.inter.22.18.

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The paper details current endeavors by the authors to explore and expand notions of sustainable design through two design-build festivals hosted during the summer of 2022 that each re-engaged historical architectural sites in ecologically diverse contexts. The paper first outlines the history of design-build pedagogies in the United States, from the founding of some of the country’s first colleges of design to contemporary manifestations of festival architecture as seen in pop-culture contexts. Next, the authors detail how this history impacts the site, structure, and organization of the two r
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Barbosa, Diego. "Careta, who are you? Aspects of the carnivalesque in African Brazilian manifestations as strategies of subversion and resistance." In LINK 2023. Tuwhera Open Access, 2023. http://dx.doi.org/10.24135/link2022.v4i1.197.

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The element of nonconformity in opposition to the authoritarianism of the official culture present in European folk carnival festivities traveled with European colonisers to the Americas, where they were met by diverse African and Indigenous traditions, giving birth to new forms of manifestation in the melting pot of cultures collateral to colonialism. Existing under a colonial system willing to suppress any subversive or marginal aspects, diasporic Black culture made use of carnivalesque modes of representation to temporarily subvert the authority of the official institutions, having the resi
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D'Huys, Elke, Petra Vanlommel, Jan Janssens, and Ronald Van der Linden. "Come fly with us: services provided by the Space Weather Education Centre." In Symposium on Space Educational Activities (SSAE). Universitat Politècnica de Catalunya, 2022. http://dx.doi.org/10.5821/conference-9788419184405.004.

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The Solar-Terrestrial Centre of Excellence brings together and supports sun-space-earth research and services present at the federal level in Belgium. In 2019, the STCE was a founding member of a European network, PECASUS, that provides space weather services for civil aviation. Our expertise in solar observations and research combined with the experience of our Global Navigation Satellite System and solar particle radiation group proved to be crucial. The STCE also strongly invests in education and training as these are a backbone of quality research and services, and therefore created the Sp
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Cosi, Piero, Fabio Tesser, Roberto Gretter, Cinzia Avesani, and Mike Macon. "Festival speaks Italian!" In 7th European Conference on Speech Communication and Technology (Eurospeech 2001). ISCA, 2001. http://dx.doi.org/10.21437/eurospeech.2001-137.

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Stipanović, Christian, Elena Rudan, and Vedran Zubović. "ENHANCING COMPETITIVENESS FOR ECONOMIC AND TOURISM GROWTH: CASE OF CROATIA." In Tourism in Southern and Eastern Europe 2023: Engagement & Empowerment: A Path Toward Sustainable Tourism. University of Rijeka, Faculty of Tourism and Hospitality Management, 2023. http://dx.doi.org/10.20867/tosee.07.26.

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Purpose – Music tourism refers to attendance at music events such as concerts, festivals, and other music-related activities. This form of tourism can have a significant effect on the development of destinations hosting music events, and can also contribute to the promotion of a destination's cultural heritage and identity. Croatian destinations organize various music events and strive to become distinctive music-event destinations. In the process of diversification relative to the global, universal offering, the valorisation of traditional music plays an important role in creating a unique ex
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Berichte der Organisationen zum Thema "European festivals"

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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.

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Bendigo, where the traditional owners are the Dja Dja Wurrung people, has capitalised on its European historical roots. Its striking architecture owes much to its Gold Rush past which has also given it a diverse cultural heritage. The creative industries, while not well recognised as such, contribute well to the local economy. The many festivals, museums and library exhibitions attract visitors from the metropolitan centre of Victoria especially. The Bendigo Creative Industries Hub was a local council initiative while the Ulumbarra Theatre is located within the City’s 1860’s Sandhurst Gaol. Ma
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Chaitoo, Ramesh. The Entertainment Sector in CARICOM: Key challenges and Proposals for Action. Inter-American Development Bank, 2013. http://dx.doi.org/10.18235/0009113.

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Although small in terms of population, the Caribbean is renowned for its creativity. Its cultural diversity is manifested in a variety of artistic expressions including folklore, crafts, performances, music festivals, and carnivals. Despite the Caribbean's great potential in the entertainment sector, important domestic challenges - emanating from both public and private sectors - have long impeded the successful growth of creative industries. The paper explains how the implementation of the Economic Partnership Agreement with the European Union should serve as an impetus for stakeholders in th
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Cortés-Selva, L., M. Jurado-Martín, and L. Ostrovskaya. European Jewels: Camerimage, the uniqueness of a festival devoted to the art of cinematography. Revista Latina de Comunicación Social, 2018. http://dx.doi.org/10.4185/rlcs-2018-1272en.

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Ortiz, Verónica, Rosa Rodriguez, and Joaquin Tintoré. Lessons learnt from the EuroSea public engagement activities. EuroSea, 2023. http://dx.doi.org/10.3289/eurosea_d8.5.

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The overall goal of this report is to analyse the EuroSea itinerant exhibition as a case study of public engagement activity. Aimed at the general public, this modular and itinerant exhibition raises awareness about the EuroSea project while also promoting ocean literacy and highlighting the importance of ocean observing and forecasting. Public engagement plays a crucial role in Horizon 2020, the EU's research and innovation funding program. It aims to bridge the gap between researchers and society, ensuring that their work is aligned with societal needs and values. This involves bringing toge
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