Thematische Bibliographien / Fiction / Bücher
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Bücher zum Thema „Fiction“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 25. Juli 2025

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1

Lardreau, Guy. Fictions philosophiques et science-fiction: Récreation philosophique. Éditions Actes Sud, 1988.

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2

Paul, West. The universe, and other fictions: Short fiction. Overlook Press, 1988.

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3

Lardreau, Guy. Fictions philosophiques et science-fiction: Récréation philosophique. Actes Sud, 1988.

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4

Zamaron, Alain. Récits et fictions des mondes disparus: L'archéologie-fiction. Publications de l'université de Provence, 2007.

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5

Talbot, Mary M. Fictions at work: Language and social practice in fiction. Longman, 1995.

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6

Dietz, Steven. Fiction. Samul French, Inc., 2005.

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7

Gilou, Le Gruiec, and Caujolle Christian, eds. Fiction. Kehayoff, 2001.

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8

Jenise, Williamson C., Alvarez Rafael, and Minot George, eds. Fiction. Damascus Works, 1990.

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9

Dietz, Steven. Fiction. Samuel French, 2006.

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10

Ackerman, Michael. Fiction. Delpire, 2001.

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11

S, Gwynn R., ed. Fiction. 2nd ed. Longman, 1998.

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12

Elish, Dan. Fiction. Marshall Cavendish Benchmark, 2012.

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13

Leggett, Jane. Fiction. ILEA English Centre, 1986.

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14

Thomas, P. L., ed. Science Fiction and Speculative Fiction. SensePublishers, 2013. http://dx.doi.org/10.1007/978-94-6209-380-5.

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15

1946-, Hottois Gilbert, ed. Science-fiction et fiction spéculative. Editions de l'Université de Bruxelles, 1985.

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16

Lamarque, Peter. Fiction. Edited by Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0021.

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The concept of fiction is not identical to that of literature, and the discussion that follows concentrates on the former alone. Not only do the terms ‘fiction’ and ‘literature’ have different extensions — not all fictions are literary and not all literary works are fictional — but their meanings differ too, not least because the latter has an evaluative element lacking in the former. Of course, many of the great works of literature are also fictional, so an analysis of fiction will shed light on one aspect of them. But it should not be supposed that an analysis of fiction will exhaust all the
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17

Stock, Kathleen. The Nature of Fiction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198798347.003.0006.

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Drawing upon extreme intentionalism, a theory of fiction is built, arguing that a fiction is a set of instructions to a reader, instructing her to imagine various things. Call this ‘the basic claim’. This view is defended against those, such as Gregory Currie, Peter Lamarque and Stein Olsen, and David Davies, who would agree with the basic claim as one condition of fiction, but who would argue that a theory of fiction also needs additional conditions. It is also defended against those, such as Stacie Friend and Derek Matravers, who would reject even that basic claim. Finally there is a conside
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18

Abell, Catharine. Fiction. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198831525.001.0001.

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The aim of this book is to provide a unified solution to a wide range of philosophical problems raised by fiction. While some of these problems have been the focus of extensive philosophical debate, others have received insufficient attention. In particular, the epistemology of fiction has not yet attracted the philosophical scrutiny it warrants. There has been considerable discussion of what determines the contents of works of fiction, but there have been few attempts to explain how audiences identify their contents, or to identify the norms governing the correct understanding and interpretat
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19

Jones, John Beauchamp. Wild Fiction Scenes: A Narrative of Fictions in the Fiction Wilderness,. BiblioBazaar, 2007.

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20

Fictional Immorality and Immoral Fiction. Lexington Books/Fortress Academic, 2021.

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21

Young, Garry. Fictional Immorality and Immoral Fiction. The Rowman & Littlefield Publishing Group, 2021. https://doi.org/10.5040/9781666989151.

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It is commonplace for fictional content to depict immoral activities: the kidnapping of a politician, for example, or the elaborate theft of a national treasure, or perhaps the gruesome proclivities of a sadistic murderer. These and similar depictions can be found across a range of media, and in varying degrees of detail and realism. Fictional Immorality and Immoral Fiction examines potential conditions for transforming fictional immorality into immoral fiction, in order to establish what makes a depiction of fictional immorality and/or one’s engagement with it immoral. To achieve this aim, Ga
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22

e Fictions: Eng 322-01: Writing Fiction. Heinle & Heinle, 2002.

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23

Iberian Crime Fiction Cymru European Crime Fictions. University of Wales Press, 2011.

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24

McGregor, Rafe. A Criminology Of Narrative Fiction. Policy Press, 2021. http://dx.doi.org/10.1332/policypress/9781529208054.001.0001.

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This book answers the question of the usefulness of criminological fiction. Criminological fiction is fiction that can provide an explanation of the causes of crime or social harm and could, in consequence, contribute to the development of crime or social harm reduction policies. The book argues that criminological fiction can provide at least the following three types of criminological knowledge: (1) phenomenological, i.e. representing what certain experiences are like; (2) counterfactual, i.e. representing possible but non-existent situations; and (3) mimetic, i.e. representing everyday real
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25

Leacock, Stephen. Frenzied Fiction: Fiction. Independently published, 2018.

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26

Jean Michel, et al. Alberola. Fiction? Non-Fiction? Editions Florence Loewy, 1995.

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27

Jones, John Beauchamp. Wild Fiction Scenes (Large Print Edition): A Narrative of Fictions in the Fiction Wilderness,. BiblioBazaar, 2007.

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28

Fictions of Language and the Languages of Fiction. Routledge, 1993.

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29

Fictions of Dreams: Dreams, Literature, and Fiction Writing. Karnac Books, 2017.

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30

Thought X: Fictions and Hypotheticals (Science-into-fiction). Comma Press, 2017.

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31

Fludernik, Monika. Fictions of Language and the Languages of Fiction. Taylor & Francis Group, 2003.

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32

Broderick, Damie. Reading by Starlight: Postmodern Science Fiction (Popular Fictions). Routledge, 1994.

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33

Rheinschmiedt, Otto M. Fictions of Dreams: Dreams, Literature, and Fiction Writing. Karnac Books, 2017.

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34

Fludernik, Monika. Fictions of Language and the Languages of Fiction. Taylor & Francis Group, 2003.

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35

Fludernik, Monika. Fictions of Language and the Languages of Fiction. Taylor & Francis Group, 2003.

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36

Fictions of Dreams: Dreams, Literature, and Fiction Writing. Taylor & Francis Group, 2017.

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37

Koenigs, Thomas. Founded in Fiction. Princeton University Press, 2021. http://dx.doi.org/10.23943/princeton/9780691188942.001.0001.

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What is the use of fiction? This question preoccupied writers in the early United States, where many cultural authorities insisted that fiction reading would mislead readers about reality. This book argues that this suspicion made early American writers especially attuned to one of fiction's defining but often overlooked features—its fictionality. The book shows how these writers explored the unique types of speculative knowledge that fiction could create as they sought to harness different varieties of fiction for a range of social and political projects. Spanning the years 1789 to 1861, the
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38

Augustine, Ayanna. No Laughing Matter... . A Fictional Non Fiction. Lulu Press, Inc., 2010.

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39

Augustine, Ayanna. No laughing Matter... A Fictional Non Fiction. Lulu Press, Inc., 2010.

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40

Kahn, Andrew, Mark Lipovetsky, Irina Reyfman, and Stephanie Sandler. Prose Fiction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0019.

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This chapter considers the prose genres that developed in the period and their relative artistic success and limitations, recognizing that poetry had been much more open to innovation than prose. Forms such as the memoir (fictional as well as real), autobiography, letter writing, the allegorical novel, and the short story conform to the general pattern of literary norms adapted from European models. The chapter explains that a gap opened between literary fiction in translation and novels written in Russia, arguing that Russian writers chose not to emulate the contemporary European novel, revis
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41

Fiction and Non-fiction. Rigby Educational Publishers, 2007.

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42

Fiction South-Fiction North. Ridgefield Press, 1992.

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43

Maier, Emar, and Andreas Stokke, eds. The Language of Fiction. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198846376.001.0001.

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The Language of Fiction brings together new research on fiction from philosophy and linguistics. Fiction is a topic that has long been studied in philosophy. Yet recently there has been a surge of work on fictional discourse in the intersection between linguistics and philosophy of language. There has been a growing interest in examining long-standing issues concerning fiction from a perspective informed both by philosophy and linguistic theory. The Language of Fiction contains fourteen essays by leading scholars in both fields, as well as a substantial Introduction by the editors. The collect
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44

Talbot, Mary M. Fictions at Work: Language and Social Practice in Fiction. Taylor & Francis Group, 2014.

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45

Talbot, Mary M. Fictions at Work: Language and Social Practice in Fiction. Taylor & Francis Group, 2014.

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46

Fludernik, Monika. The Fictions of Language and the Languages of Fiction. Routledge, 2014.

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47

Karmakar, Indrani. Maternal Fictions: Writing the Mother in Indian Women's Fiction. Taylor & Francis Group, 2022.

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48

Karmakar, Indrani. Maternal Fictions: Writing the Mother in Indian Women's Fiction. Taylor & Francis Group, 2022.

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49

Karmakar, Indrani. Maternal Fictions: Writing the Mother in Indian Womens Fiction. Routledge, 2022.

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50

Hanrahan, Mairéad. Cixous's Semi-Fictions: Thinking at the Borders of Fiction. Edinburgh University Press, 2014.

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