Auswahl der wissenschaftlichen Literatur zum Thema „Fictional time“
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Zeitschriftenartikel zum Thema "Fictional time":
Valsiner, Jaan. „Between fiction and reality: Transforming the semiotic object“. Sign Systems Studies 37, Nr. 1/2 (15.12.2009): 99–113. http://dx.doi.org/10.12697/sss.2009.37.1-2.05.
Mosselaer, Nele Van de. „How Can We Be Moved to Shoot Zombies? A Paradox of Fictional Emotions and Actions in Interactive Fiction“. Journal of Literary Theory 12, Nr. 2 (03.09.2018): 279–99. http://dx.doi.org/10.1515/jlt-2018-0016.
Urian, Adriana Diana. „Narrative Language and Possible Worlds in Postmodern Fiction. A Borderline Study of Ian McEwan’s The Child in Time“. Studia Universitatis Babeș-Bolyai Philologia 66, Nr. 3 (20.09.2021): 247–64. http://dx.doi.org/10.24193/subbphilo.2021.3.16.
M. Adel, Abdel-Fattah. „Fictional Characters Outside Fiction: “Being” as a Fictional Character in Heidegger’s Being and Time“. Arab World English Journal For Translation and Literary Studies 1, Nr. 2 (15.05.2017): 163–75. http://dx.doi.org/10.24093/awejtls/vol1no2.13.
Villegas López, Sonia. „Truth and Wonder in Richard Head’s Geographical Fictions“. Sederi, Nr. 30 (2020): 117–37. http://dx.doi.org/10.34136/sederi.2020.6.
WU, Meng. „Fanning Out Possibilities: Dung Kai-cheung and the Multiplicities of Time“. Modern Chinese Literature and Culture 34, Nr. 2 (Dezember 2022): 420–44. http://dx.doi.org/10.3366/mclc.2022.0020.
Panto, Francesco, Tamaki Saito, Nobuaki Morita und Yasukazu Ogai. „The Correlation between Enjoying Fictional Narratives and Empathy in Japanese Hikikomori“. F1000Research 10 (09.08.2021): 776. http://dx.doi.org/10.12688/f1000research.55398.1.
Panto, Francesco, Tamaki Saito, Nobuaki Morita und Yasukazu Ogai. „The Correlation between Enjoying Fictional Narratives and Empathy in Japanese Hikikomori“. F1000Research 10 (21.01.2022): 776. http://dx.doi.org/10.12688/f1000research.55398.2.
Descher, Stefan. „Satirical Novels of the Late Enlightenment and the Practice of Fiction. A Methodological Proposal for Investigations Into the History of Fiction“. Journal of Literary Theory 14, Nr. 2 (25.09.2020): 147–72. http://dx.doi.org/10.1515/jlt-2020-2003.
Park, J. P. „Art-Historical Fiction or Fictional Art History?“ Archives of Asian Art 72, Nr. 2 (01.10.2022): 181–219. http://dx.doi.org/10.1215/00666637-9953432.
Dissertationen zum Thema "Fictional time":
Armstrong, Sean Somerville. „Being in time : the fictional coloniser as Dasein“. Thesis, University of Glasgow, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274759.
Primorac, Ranka. „Displacement, identity and fictional formation in selected recent Zimbabwean novels“. Thesis, Nottingham Trent University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271213.
Sambell, Kay. „The use of future fictional time in novels for young readers“. Thesis, University of York, 1996. http://etheses.whiterose.ac.uk/4269/.
Slagle, Judith Bailey. „Appropriating the Restoration: Fictional Place and Time in Rose Tremain’s Restoration: A Novel of Seventeenth-Century England“. Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/721.
Yu, Chen-Wei. „Perception and its objects in time : narrative dynamics and the existence of Ursula K. Le Guin's fictional worlds“. Thesis, University of Warwick, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.443627.
Slagle, Judith Bailey. „Appropriating the Restoration: Fictional Place and Time in Works by Daniel Defoe, Sir Walter Scott and Rose Tremain“. Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/3220.
Picard, Manon. „La smartfiction : une fiction interactive à lire, un rôle à incarner ou une partie à jouer sur son smartphone ?“ Electronic Thesis or Diss., Compiègne, 2022. http://www.theses.fr/2022COMP2681.
A smartfiction is a story to be read and played on the smartphone. Taking the technical, aesthetic, social and cultural codes of the smartphone to reinvest them in the framework of a fiction, smartfiction relies on a reflexive dimension in relation to the smartphone. By using the conventions of ordinary smartphone practices, the user of a smartfiction must project themself as a smartphone user when reading, interpreting and acting out a fictional life story. Indeed, the very nature of the story is to tell a life that is no longer mine or that is not mine. Me listening, I coincide with a telling time which projects me in the told time. The writing of the story and the devices make the telling time a construction of the reading self. Within the framework of the smartfictions, this game on time relies in particular on the instant (fictional) chat and the notifications (which I name notifictions to indicate fictional notifications). That way, the user has a framework for blending into the time of the story by articulating it to a reading time. But they interpret this story as an actor interprets a role in the theater. By embodying the role assigned to him, the user lives the time of the story as a time played in the first person. To do this, they must approach their role as if they were playing a game and thus transform the time of the story into a time of play. They must “play the ga.Me”. Narrative, theater and game are then three temporal modalities of the lived time that are reset by the smartfiction : a story that one plays and that one incarnates. A smartfiction has thus a double status, phenomenological and semiotic. Indeed, the reader-actor-player interacts with the smartfiction and synchronizes their flow of consciousness with the different objects composing it in order to live the experience of reading in the first person. They synchronize their living time with the time of the fiction. This synchronization is punctuated by the interaction with the specific codes related to the use of a smartphone, which becomes the semiotic and pragmatic framework of the smartfiction. This framework allows both the contextualization of the smartfiction and functions as a defamiliarization of the smartphone. The study, based on a corpus of eleven smartfictions, thus articulates a double phenomenological and semiotic approach. A smartfiction is a story on a smartphone that happened to someone, a story that is a game in which the user plays as an actor. With the smartfiction, we witness the birth of a format, even of a genre. The emergence of a new genre invites us to question its articulation with existing genres, or even their reconfiguration: does smartfiction correspond to another way of telling, another form of staging, another practice of acting? These questions also refer to the role of the device which stands out in these creative modes. In particular, smartfiction invites us to objectify the role of a smartphone in a narrative. Smartfiction is thus a laboratory for the analysis of creative genres and for the understanding of the role of the medium and the devices
Mitin, Andrew. „Time Spent Away“. PDXScholar, 2016. http://pdxscholar.library.pdx.edu/open_access_etds/3033.
Armstrong, Paul Walter. „Fact or fiction : the problem of bias in Government Statistical Service estimates of patient waiting times“. Thesis, London School of Hygiene and Tropical Medicine (University of London), 2000. http://researchonline.lshtm.ac.uk/682277/.
McSorley, Tom. „Modern times : time and the modern in the fiction films of William D. MacGillivray“. Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33477.
Bücher zum Thema "Fictional time":
1959-, Jarvis Robert M., und Joseph Paul R, Hrsg. Prime time law: Fictional television as legal narrative. Durham, N.C: Carolina Academic Press, 1998.
Arnold, Catharine. Lost time. New York, N.Y., U.S.A: Viking, 1987.
Kataev, Valentin Petrovich. Time, forward! Evanston, Ill: Northwestern University Press, 1995.
Yu, Charles. How to live safely in a science fictional universe: A novel. New York: Pantheon Books, 2010.
Martín-Santos, Luis. Time of silence. New York: Columbia University Press, 1989.
Francis, Pauline. The time machine. New York: Skyview Books, 2009.
Alkon, Paul K. Defoe and Fictional Time. University of Georgia Press, 2010.
Predelli, Stefano. Fictional Discourse. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198854128.001.0001.
Spacey, John. Negative Space Time: Fictional Scientific Essay. Independently Published, 2019.
Grossman, Robert M. Another Time/ Another Land: A Fictional Memoir. Xlibris Corporation, 2011.
Buchteile zum Thema "Fictional time":
Bourne, Craig, und Emily Caddick Bourne. „Fictional Branching Time?“ In Around the Tree, 81–94. Dordrecht: Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-94-007-5167-5_5.
Hemmeter, Thomas. „Hitchcock's Narrative Modernism: Ironies of Fictional Time“. In A Companion to Alfred Hitchcock, 67–85. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444397321.ch4.
Spiropoulou, Angeliki. „Historical Fictions, Fictional Fashions and Time: Orlando as the ‘Angel of History’“. In Virginia Woolf, Modernity and History, 75–95. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230250444_5.
De Grandis, Mario, und Filippo Costantini. „Negotiating with the tradition: representations of fish in Alai’s fictional writing“. In Studi e saggi, 111–25. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-506-6.11.
Naicker, Kamil. „Time and Tide“. In Women and Water in Global Fiction, 155–70. New York: Routledge, 2023. http://dx.doi.org/10.4324/9780429298837-11.
„Fictional time“. In Possible Worlds in Literary Theory, 197–228. Cambridge University Press, 1994. http://dx.doi.org/10.1017/cbo9780511597480.008.
„7. Fictional Knowledge“. In About Time, 107–36. Edinburgh University Press, 2006. http://dx.doi.org/10.1515/9780748630400-009.
Bourne, Craig, und Emily Caddick Bourne. „Branching Fictional Time?“ In Time in Fiction, 67–82. Oxford University Press, 2016. http://dx.doi.org/10.1093/acprof:oso/9780199675319.003.0006.
Bourne, Craig, und Emily Caddick Bourne. „Recurring Fictional Time?“ In Time in Fiction, 91–116. Oxford University Press, 2016. http://dx.doi.org/10.1093/acprof:oso/9780199675319.003.0008.
Bourne, Craig, und Emily Caddick Bourne. „The Fictional Future“. In Time in Fiction, 42–64. Oxford University Press, 2016. http://dx.doi.org/10.1093/acprof:oso/9780199675319.003.0005.
Konferenzberichte zum Thema "Fictional time":
Dzyubenko, Anna I., und Irina A. Zyubina. „MODERN ENGLISH FEMALE FICTIONAL DISCOURSE THROUGH THE PRISM OF TIME REFERENCE“. In Current Issues in Modern Linguistics and Humanities. Peoples' Friendship University of Russia, 2019. http://dx.doi.org/10.22363/09321-2019-32-41.
Malá, Markéta. „English and Czech children’s literature: A contrastive corpus-driven phraseological approach“. In Eighth Brno Conference on Linguistics Studies in English. Brno: Masaryk University Press, 2020. http://dx.doi.org/10.5817/cz.muni.p210-9767-2020-8.
Nikolić, Andrijana A. „MOTIVI FANTASTIKE U ROMANU „NA PUTU ZA DARDEL“ SLOBODANA ZORANA OBRADOVIĆA I U PRIPOVJEDNOJ PROZI „ZAPISI IZ HODNIKA VREMENA“ ALEKSANDRA OBRADOVIĆA“. In KNjIŽEVNOST ZA DECU U NAUCI I NASTAVI. University of Kragujevac, Faculty of Education in Jagodina, 2022. http://dx.doi.org/10.46793/kdnn21.113n.
Manuel Figueiredo, Carlos, und Sofia Machado Santos. „Virtual models of architectural spaces: methods for exploration, representation and interaction through narratives and visual grammars“. In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001935.
Ribeiro Rabello, Rafaelle. „Between absence and presence: Augmented Reality as a self-fiction poetic“. In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.105.
Hanák, Róbert. „Are Deliberative People More Consistent in Decision Making?“ In Applied Human Factors and Ergonomics Conference. AHFE International, 2019. http://dx.doi.org/10.54941/ahfe100187.
Prior, Matthew A., Ian C. Stults, Matthew J. Daskilewicz, Scott J. Duncan, Brian J. German und Dimitri N. Mavris. „A Design Methodology Enabling the Efficient High-Fidelity Design of Combined Cycle Power Plants“. In ASME 2009 3rd International Conference on Energy Sustainability collocated with the Heat Transfer and InterPACK09 Conferences. ASMEDC, 2009. http://dx.doi.org/10.1115/es2009-90291.
Moncayo, Sergio, Sandra Szlapa, Ahmed AlJanahi und Sayed Abdelrady. „One of a Kind BHA Design for ERD Wells in Bahrain“. In International Petroleum Technology Conference. IPTC, 2022. http://dx.doi.org/10.2523/iptc-22658-ea.
Schiele, Alexandre. „THE NORMAL AND THE EXCEPTIONAL: A COMPARISON OF PU SONGLING’S AND MO YAN’S SURREAL WORLDS“. In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.10.
Giunti, Carlo. „THE GSI TIME ANOMALY: FACTS AND FICTION“. In Proceedings of the Fourteenth Lomonosov Conference on Elementary Particle Physics. WORLD SCIENTIFIC, 2010. http://dx.doi.org/10.1142/9789814329682_0028.
Berichte der Organisationen zum Thema "Fictional time":
Kamminga, Jorrit, Cristina Durán und Miguel Ángel Giner Bou. Zahra: A policewoman in Afghanistan. Oxfam, Dezember 2020. http://dx.doi.org/10.21201/2020.6959.
STROYKOV, S., und I. NIKITINA. THE CURRENT STATE OF THE PROBLEM OF HYPERTEXT IN LINGUISTIC LITERATURE. Science and Innovation Center Publishing House, 2022. http://dx.doi.org/10.12731/2077-1770-2022-14-2-3-50-73.
TARAKANOVA, V., A. ROMANENKO und T. TROITSKAYA. FACTORS AND RISKS OF ENVIRONMENTAL SAFETY OF THE CITIES OF THE MOSCOW REGION. Science and Innovation Center Publishing House, 2022. http://dx.doi.org/10.12731/2077-1770-2022-14-2-2-19-29.
Tare, Medha, Susanne Nobles und Wendy Xiao. Partnerships that Work: Tapping Research to Address Learner Variability in Young Readers. Digital Promise, März 2018. http://dx.doi.org/10.51388/20.500.12265/67.
Murray, Chris, Keith Williams, Norrie Millar, Monty Nero, Amy O'Brien und Damon Herd. A New Palingenesis. University of Dundee, November 2022. http://dx.doi.org/10.20933/100001273.