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Thematische Bibliographien / Forgery – History / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Forgery – History“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 29. Juli 2025

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1

Hendel, Ronald. "Notes on the Orthography of the Shapira Manuscripts: The Forger’s Marks." Zeitschrift für die alttestamentliche Wissenschaft 133, no. 2 (2021): 225–30. http://dx.doi.org/10.1515/zaw-2021-2008.

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Abstract The Shapira manuscripts, putatively precursors of Deuteronomy, have many indications of forgery, particularly in the orthography, which mixes the writing conventions of the Mesha stele and the Hebrew Bible. Notably, the consistent use of waw, instead of he, to mark final ō is an anachronism. These problems were not perceivable by the text’s nineteenth century critics (or its forgers), but in hindsight are clear marks of the forger’s art.

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2

Soloshenko, Viktoriia. "Art Forgery: The International Context." Diplomatic Ukraine, no. XXII (2021): 829–41. http://dx.doi.org/10.37837/2707-7683-2021-45.

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The article deals with the problem of art forgery, its local and global dimensions, whilst also exploring the origins of this practice. The author argues that works of art have always aroused and continue arousing great interest among collectors, art admirers, and specialists in forgeries. It has been found in the research that collecting has been practiced since ancient times, in a certain way promoting the process of art forgery. The author mentions well-known and reputable world auction houses and reveals the role of some of them in trafficking forged paintings. The article emphasises that

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3

Shreyas, Dilip Shelke. "A Study of Handwriting & Specimen Signature Forensics." International Journal of Advance and Applied Research S6, no. 22 (2025): 1248–55. https://doi.org/10.5281/zenodo.15543153.

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<em>This Study makes an attempt to Handwriting & Specimen Signature Forensics through Handwriting Analysis & Signature Examination. The Paper also attempts to study briefly on the science of handwriting analysis and its history. Frauds have also taken place through Handwriting & signature forgery so a attempt is made to explain technology used for detecting forgery through Handwriting Analysis Forensics. It will also enable reader to understand Signature Examination & its Method, Types of Forgery through handwriting & Signature and its impact. An attempt is also made to stu

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4

Jones, Christopher. "The Jesus' Wife Papyrus in the History of Forgery." New Testament Studies 61, no. 3 (2015): 368–78. http://dx.doi.org/10.1017/s0028688515000119.

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Many forgeries pass through a cycle of fabrication, acceptance, doubt and final rejection. Consideration of a number of modern forgeries, notably those of Constantinos Simonides, illustrates how forgers exploit prevailing debates, look for persons or institutions on whom to practise their deception, and are often undone by their own errors, especially when manufacturing provenance. This ‘syntax’ of forgery can be applied to the case of the Jesus' Wife papyrus, though the participation of media corporations and the existence of the internet add a new element to the process.

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5

Vansina, Jan. "The Many Uses of Forgeries: The Case of Douville's Voyage au Congo." History in Africa 31 (2004): 369–87. http://dx.doi.org/10.1017/s0361541300003545.

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A forged travel account reminds me of a raffia palm in central Africa, because there is a use for every part of such a palm: the wine (sap), the nuts (edible), the raffia (for textiles), the other leaves (for roofcovering), the branches (for furniture), its pith (for making various articles), and lastly the grubs inside the pith (also edible). Nothing is wasted. In the same way a forged travel account can be deconstructed until all its parts down to the very last sentence or proper name can be used as evidence for one or another kind of history. The considerable interest fraudulent travel acco

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Hasan, Ragib, Radu Sion, and Marianne Winslett. "Preventing history forgery with secure provenance." ACM Transactions on Storage 5, no. 4 (2009): 1–43. http://dx.doi.org/10.1145/1629080.1629082.

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7

Sotiriou, Konstantinos-Orfeas. "The F Words: Frauds, Forgeries, and Fakes in Antiquities Smuggling and the Role of Organized Crime." International Journal of Cultural Property 25, no. 2 (2018): 223–36. http://dx.doi.org/10.1017/s0940739118000127.

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Abstract:The phenomenon of antiquities smuggling is a complicated issue. The lack of official data makes it difficult to do an integrated analysis of the problem. The aim of this article is to present an accurate view of antiquities smuggling in the recent past. After gaining official permission from the Greek police, we examined 246 official arrests made by the Greek Department against Antiquities Smuggling (Athens Office) that occurred between 1999 and 2009. First and foremost, our results revealed that many arrests showed instances of fake antiquities. Moreover, it seems that there is a con

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Matzukis, C. "The Donation of Constantine: History and Forgery." Acta Patristica et Byzantina 18, no. 1 (2007): 120–27. http://dx.doi.org/10.1080/10226486.2007.11879085.

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9

Franklin, M. J. "Another lewes forgery?" Journal of the Society of Archivists 9, no. 1 (1988): 30–37. http://dx.doi.org/10.1080/00379818809511574.

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10

Cao, Xiuqi. "Facial Deepfake Detection Based on Spactial Image Features." Applied and Computational Engineering 135, no. 1 (2025): 96–104. https://doi.org/10.54254/2755-2721/2025.21086.

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With the continuous development of deepfake technology, led by "ai in face" many depth of forged related technology began to fill in the line of sight of the public, its not only in the entertainment industry provides extremely convenient function, but also brought including but not limited to information fraud many malignant events, so the depth of forged detection technology is particularly important. This article begins by reviewing the history of deep forgery, And the most common reproduction, editing, replacement and synthesis, Following up with examples and comparisons of data sets emerg

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van Bladel, Kevin. "Al-Bīrūnī on Hermetic Forgery." Gnosis: Journal of Gnostic Studies 3, no. 1 (2018): 54–66. http://dx.doi.org/10.1163/2451859x-12340048.

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AbstractIn Central Asia in the early eleventh century, the Chorasmian scholar Abū Rayḥān al-Bīrūnī recognized that the Arabic works attributed to Hermes Trismegistus were inventions of recent centuries falsely written in the name of the ancient sage of legend. He did, however, accept the existence of a historical Hermes and even attempted to establish his chronology. This article presents al-Bīrūnī’s statements about this and contextualizes his view of the Arabic Hermetica as he derived it from Arabic chronographic sources. Al-Bīrūnī’s argument is compared with the celebrated seventeenth-centu

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12

Miles, R. "Romantic Forgery." Eighteenth-Century Life 34, no. 3 (2010): 41–47. http://dx.doi.org/10.1215/00982601-2010-009.

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13

Siegel, Andrea. "Art forgery: The history of a modern obsession." Visual Studies 28, no. 2 (2013): 196. http://dx.doi.org/10.1080/1472586x.2013.765242.

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14

Hick, D. H. "Art Forgery: The History of a Modern Obsession." British Journal of Aesthetics 52, no. 4 (2012): 427–30. http://dx.doi.org/10.1093/aesthj/ays017.

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15

Martin, Russell E. "Truth and Fiction in A. I. Sulakadzev’s Chronograph of the Marriages of Tsar Ivan Vasil’evich." Canadian–American Slavic Studies 47, no. 4 (2013): 436–58. http://dx.doi.org/10.1163/22102396-04704007.

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Few sources have exerted more influence on the biography of Ivan IV (Ivan the Terrible) than the so-called Chronograph of the Marriages of Tsar Ivan Vasil’evich, but the source has not to date been properly studied, except to note that it is a likely forgery of the notorious bibliophile and manuscript forger Alexander Ivanovich Sulakadzev. This article offers the first dedicated treatment of the Chronograph’s contents, comparing the information in it about the number, identity, and biographies of Ivan’s wives with what we know about them from other, unquestionably authentic sources of the sixt

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Sun, Jianqiang. "The Earliest Chinese Christian Manuscripts are Modern Forgeries?" Archiv orientální 91, no. 2 (2023): 279–305. http://dx.doi.org/10.47979/aror.j.91.2.279-305.

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This paper represents the first attempt to systemically critique the recent forgery theory concerning The Messiah Sutra 序聽迷詩所經 and On One God 一神論, the allegedly earliest Chinese Christian manuscripts created by the first known missionary Aluoben 阿羅本 and used in his discussions with the Tang Emperor Taizong 唐太宗 in the 640s. To achieve this, the paper not only re-reads the original manuscripts, but traces the emergence of the forgery thesis, and also evaluates the skeptics’ arguments with an exposé of the inherent defects. The paper argues that the weakness of the arguments is in itself sufficie

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Kiss Szemán, Róbert. "Slavic Antiquities and Forgeries as Means for the Shaping of Canons." Studia Slavica Academiae Scientiarum Hungaricae 64, no. 1 (2019): 47–58. http://dx.doi.org/10.1556/060.2019.64105.

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The study deals with the role of Slavic antiquities in the age of national revivals and with the forging of such antiquities. It discusses the subject of Slavic antiquities and forgeries in Central Europe, bringing in the cultural context of Western Europe as well. ‘Antiquity’ is understood to mean a kind of medium that conveyed textual or visual information. The collecting of antiquities became fashionable during the first decades of the 19th century and led to the need for antiquities to be described and categorized. In turn, antiquities served as corpuses for the shaping of modern national

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18

Thomas, David. "FORGERY IN THE ARCHIVES." Archives: The Journal of the British Records Association 34, no. 120 (2009): 21–35. http://dx.doi.org/10.3828/archives.2009.3.

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19

Priest, Dale G., and Michael Keevak. "Sexual Shakespeare: Forgery, Authorship, Portraiture." Sixteenth Century Journal 33, no. 3 (2002): 924. http://dx.doi.org/10.2307/4144104.

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20

Kutzner, Maximilian. "The Institute for Contemporary History and the Fake Hitler Diaries Affair, 1982–83." German Yearbook of Contemporary History 8, no. 1 (2024): 213–45. http://dx.doi.org/10.1353/gych.2024.a936782.

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Abstract: The publication of the fake Hitler diaries in April 1983 resulted in intense discussions among historians in West Germany and abroad, with many asking whether the diaries could actually be genuine. Even before publication, the Institute for Contemporary History (IfZ) had been in contact with the main protagonists of the eventual scandal. In the period between the announcement of the supposed discovery and the uncovering of the forgery, complex processes of self-positioning occurred within the IfZ's leadership. Documents from the IfZ archives reveal that the forged diaries also became

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21

Baranovska, T., and S. Sokha. "Formation and development of liability for forgery of money and documents: historical and legal analysis of foreign experience." Society and Security, no. 1(2) (April 17, 2024): 69–73. http://dx.doi.org/10.26642/sas-2024-1(2)-69-73.

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This article is devoted to the study of the formation and development of responsibility for forgery of money and documents, namely the historical and legal analysis of foreign experience. Types of crime that have a long history that coincides with the appearance of the first money signs and documents are considered. Awareness of the danger of counterfeiting and forgery of documents and securities is emphasized, which over time led to the strengthening of legal mechanisms for controlling these phenomena and to the improvement of technologies for the production of banknotes and documents to prev

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HAW, STEPHEN G. "The History of a Loyal Heart (Xin shi): a late-Ming forgery." Journal of the Royal Asiatic Society of Great Britain & Ireland 25, no. 2 (2014): 317–25. http://dx.doi.org/10.1017/s1356186314000686.

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AbstractThe History of a Loyal Heart (Xin shi) is allegedly a work by the Song loyalist, Zheng Sixiao, written to bemoan the fate of the Song empire after its conquest by the Mongols. There have always been doubts about its authenticity, however, and many scholars have believed it to be a forgery. The arguments for and against this have remained inconclusive, and the work has been commonly used as a source for the history of the Song–Yuan transition period. This article adduces compelling evidence to show that there can be very little doubt that it is a late-Ming forgery. Some of the implicati

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23

Županov, Ines G. "FORGERY AND THE SPECTER OF PHILOLOGY." History and Theory 56, no. 1 (2017): 146–59. http://dx.doi.org/10.1111/hith.12011.

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24

Hirai, Hiro. "Into the Forger’s Library: The Genesis of De natura rerum in Publication History." Early Science and Medicine 24, no. 5-6 (2020): 485–503. http://dx.doi.org/10.1163/15733823-02456p05.

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Abstract One of the most popular writings ascribed to Paracelsus, De natura rerum appeared in 1572. That was when the movement of forgery production reached its climax, in parallel with the multiple editions of his genuine work Archidoxis. This article aims to place the genesis of De natura rerum in the context of publication history. It will first reconstruct a “library” by surveying the works ascribed to Paracelsus which could serve as instruments for the “author/reworker/editor” of De natura rerum. Then it will examine the evolution of this forgery production by focusing on the divergent ed

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Landis, Leo E. "Harvesting History: McCormick's Reaper, Heritage Branding, and Historical Forgery." Agricultural History 98, no. 3 (2024): 502–4. http://dx.doi.org/10.1215/00021482-11225694.

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26

Azimi, Elhamsadat, Amirsaman Ashtari, and Jaehong Ahn. "Patch-Based Oil Painting Forgery Detection Based on Brushstroke Analysis Using Generative Adversarial Networks and Depth Visualization." Applied Sciences 15, no. 1 (2024): 75. https://doi.org/10.3390/app15010075.

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Art authentication has traditionally required deep expertise and knowledge of an artist’s work. Recently, computer vision algorithms have shown promise in image processing tasks; however, creating an automated model for painting authentication remains a challenge in art preservation and history. The challenge is heightened as forgers cleverly create artworks that imitate the original artist’s unique brushstroke signature while introducing new content. To address this and to emphasize the importance of the artist’s unique brushstroke signature, we present a model leveraging conditional Generati

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Gertzen, Thomas L. "Eine allzu lange 2. Zwischenzeit?" Zeitschrift für Ägyptische Sprache und Altertumskunde 149, no. 1 (2022): 36–43. http://dx.doi.org/10.1515/zaes-2020-0016.

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Summary In the 1830s, Ch. C. J. von Bunsen began to establish “Egypt’s place in universal history”. Initially he collaborated with C. R. Lepsius until by the earlier 1840s both men recognised insurmountable difficulties concerning chronology. Regardless, Lepsius praised Bunsen’s publication though he took exception to some details – in particular, rejecting Bunsen’s attribution of 900 years to the Hyksos Period. Shortly thereafter, a recently discovered history of Egypt by the Greek author Uranios was offered to the Berlin Academy. Initially Lepsius favoured its acquisition, but later he helpe

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Askeland, Christian. "A Lycopolitan Forgery of John's Gospel." New Testament Studies 61, no. 3 (2015): 314–34. http://dx.doi.org/10.1017/s0028688515000065.

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The internet publication of a Coptic Gospel of John fragment demonstrated that both it and the relatedGospel of Jesus' Wifefragment were modern creations. The Coptic John fragment was clearly copied from Herbert Thompson's 1924 publication of the Lycopolitan Qau codex, and shared the same hand, ink and writing instrument with theGospel of Jesus' Wifefragment. The present discussion will first survey the extant Coptic tradition of John's Gospel, and second outline the evidence for dependence on the Qau codex publication.

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Limerick, Patricia Nelson, Linda Sillitoe, and Allen D. Roberts. "Salamander: The Story of the Mormon Forgery Murders." Western Historical Quarterly 20, no. 2 (1989): 217. http://dx.doi.org/10.2307/969347.

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DALY, SAMUEL FURY CHILDS. "THE SURVIVAL CON: FRAUD AND FORGERY IN THE REPUBLIC OF BIAFRA, 1967–70." Journal of African History 58, no. 1 (2017): 129–44. http://dx.doi.org/10.1017/s0021853716000347.

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AbstractOver the course of the Nigerian Civil War (1967–70), many people in the secessionist Republic of Biafra resorted to forgery, confidence scams, and other forms of fraud to survive the dire conditions created by Nigeria's blockade. Forgery of passes and other documents, fraudulent commercial transactions, and elaborate schemes involving impersonation and racketeering became common in Biafra, intensifying as the Biafran government's ability to enforce the law diminished. Using long-neglected legal records from Biafra's courts and tribunals, this study traces the process by which deception

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Malton, Sara A. "ILLICIT INSCRIPTIONS: REFRAMING FORGERY IN ELIZABETH GASKELL'SRUTH." Victorian Literature and Culture 33, no. 1 (2005): 187–202. http://dx.doi.org/10.1017/s1060150305000793.

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Forgery is now considered an offence of the greatest magnitude;… In proportion, therefore, as a nation increases in wealth by buying and selling, it will magnify the criminality of a fraud by which buying and selling may be checked. The change of opinion will show itself in the penal laws, and in the not less deterrent force of social reprobation.—Luke Owen Pike,History of Crime in England(1876)

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MacCULLOCH, DIARMAID. "FOXES, FIREBRANDS, AND FORGERY: ROBERT WARE'S POLLUTION OF REFORMATION HISTORY." Historical Journal 54, no. 2 (2011): 307–46. http://dx.doi.org/10.1017/s0018246x10000580.

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ABSTRACTThis is an analysis of the extensive forgeries of Reformation history by Robert Ware of Dublin in the late seventeenth century, one of which, Archbishop Cranmer's speech at Edward VI's coronation, is still widely quoted and used as historical evidence. Ware's activity is explained in the context of Popish Plot agitation in Ireland and England, and John Strype's part in preserving some of the forgeries in the historical record is delineated. The survival of Ware's forgeries in English and Irish historiography over three centuries to the present day is exposed.

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Keevak (book author), Michael, and John D. Cox (review author). "Sexual Shakespeare: Forgery, Authorship, Portraiture." Renaissance and Reformation 38, no. 2 (2002): 94–96. http://dx.doi.org/10.33137/rr.v38i2.8778.

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34

Lim, Samson. "Photography and Forgery in Early Capitalist Siam." Technology and Culture 60, no. 3 (2019): 795–815. http://dx.doi.org/10.1353/tech.2019.0073.

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35

Park, J. P. "Art-Historical Fiction or Fictional Art History?" Archives of Asian Art 72, no. 2 (2022): 181–219. http://dx.doi.org/10.1215/00666637-9953432.

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Abstract In 1634 Zhang Taijie (b. 1588) published a woodblock edition of Baohuilu (A Record of Treasured Paintings), an extensive catalog of a massive painting collection he claimed to have built. This work would seem to be a useful resource for historians of Chinese art since it provides accounts of paintings by artists whose works are no longer extant. But there is one major problem: the book is a forgery. What is more, Zhang also forged paintings to match the documentation he created, so he could also profit from trading in them. Interestingly, the book also echoes unfounded claims register

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Hermkens, Harrie, Jan Noordegraaf, and Nicoline van der Sijs. "The Tawagonshi Tale: Can Linguistic Analysis Prove the Tawagonshi Treaty to be a Forgery?" Journal of Early American History 3, no. 1 (2013): 9–42. http://dx.doi.org/10.1163/18770703-00301003.

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In 1968 the American physician Lawrence G. van Loon published the text of the so-called Tawagonshi Treaty. This treaty, allegedly drawn up in 1613 between Dutch traders and Iroquois tribal leaders, is by some considered to be the first treaty made between Europeans and Native Americans. Others, however, believe it to be a fake. In this article we try to establish at what date the text was written, using linguistic analysis. Our conclusion is that the anachronisms and anglicisms in the Tawagonshi Treaty demonstrate without doubt that the text was forged in the twentieth century. Although it is

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Duba, William, and Christoph Flüeler. "Fragments and Fakes: The Arbor consanguinitatis of the Fondation Martin Bodmer and a Contemporary Forgery." Fragmentology 1 (December 2018): 121–53. http://dx.doi.org/10.24446/uau.

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A tree of consanguinity (arbor consanguinitatis) contained in a manuscript published on e-codices (Cologny, Fondation Martin Bodmer, Cod. Bodmer 28), served as the model for a new class of forgery. An analysis of the Bodmer leaf in the context of other arbores consanguinitatis shows how the leaf relates to tradition; an examination of the leaf’s history and provenance reveals that the leaf was mutilated, probably in the mid-twentieth century. The forgery is proven to be such through a paleographical and content analysis of the script, and through an examination of the leaf’s method of composit

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POLIKRETI, K. "DETECTION OF ANCIENT MARBLE FORGERY: TECHNIQUES AND LIMITATIONS." Archaeometry 49, no. 4 (2007): 603–19. http://dx.doi.org/10.1111/j.1475-4754.2007.00325.x.

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BRYSON, D. M. "THE VALLANT LETTERS OF JEANNE D'ALBRET: FACT OF FORGERY?" French History 13, no. 2 (1999): 161–86. http://dx.doi.org/10.1093/fh/13.2.161.

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Pantuck, Allan, and Scott Brown. "Morton Smith as M. Madiotes: Stephen Carlson's Attribution of Secret Mark to a Bald Swindler." Journal for the Study of the Historical Jesus 6, no. 1 (2008): 106–25. http://dx.doi.org/10.1163/174551908x266051.

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AbstractIn 1960, Morton Smith announced that he had discovered in the Mar Saba monastery tower library a fragment of a previously unknown letter of Clement of Alexandria containing excerpts from a longer version of the Gospel of Mark that Smith called the 'Secret Gospel of Mark'. Controversial since its publication in 1973, this discovery has recently been criticized in print as both an academic hoax and a malicious forgery. This paper uses newly discovered manuscript photographs and archived documents to refute a claim found in Stephen C. Carlson's The Gospel Hoax, namely that Smith invented

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Sholomova, Tatyana. "Art of Forgery as a Phenomenon of Culture." Ideas and Ideals 15, no. 4-2 (2023): 392–407. http://dx.doi.org/10.17212/2075-0862-2023-15.4.2-392-407.

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The article deals with the problem of falsifi cation of works of art (forgery) and attitudes towards falsifi ed works: falsifi cation as a cultural phenomenon; the meaning of falsifi cation in different types of art; falsifi cation through the eyes of an art connoisseur, philosopher, forger; falsifi cation as an aesthetic and ethical phenomenon; the signifi cance of falsifi cation for modern aesthetic theory and for the art market. The relevance of the topic is justifi ed by a large number of falsifi cations both in the modern art market and in the artistic fi eld. The article defi nes falsifi

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Piggott, Stuart. "William Stukeley: new facts and an old forgery." Antiquity 60, no. 229 (1986): 115–22. http://dx.doi.org/10.1017/s0003598x00058518.

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We print here a slightly revised version of a lecture given by Professor Stuart Piggott to the Wiltshire Archaeological and Natural History Society at Devizes on 15 October 1985. It includes new material, particularly relating to the Richard of Cirencester forgery, that has come to light since the publication of his book on William Stukeley, the new edition of which was recently reviewed in these pages (1986, 67–8).

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HANDLER, PHIL. "FORGERY AND THE END OF THE ‘BLOODY CODE’ IN EARLY NINETEENTH-CENTURY ENGLAND." Historical Journal 48, no. 3 (2005): 683–702. http://dx.doi.org/10.1017/s0018246x05004620.

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Penal reformers in the 1810s and 1820s condemned the English criminal law as a ‘bloody code’: a monolithic mass of draconian statutes inherited from a former, less civilized age. This overwhelmingly negative image underpinned the dramatic and unexpected repeal of the capital statutes in the 1830s and survived to define a whole era of criminal justice history. This article explores the conditions that enabled the reformers to establish such a powerful critique of the law in such a short space of time. It contends that a key to their success was their ability to exploit contemporary scandals to

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Novak, Daniel A. "Oscar Wilde’s Chatterton: Literary History, Romanticism, and the Art of Forgery." Nineteenth-Century Contexts 40, no. 3 (2018): 297–300. http://dx.doi.org/10.1080/08905495.2018.1460937.

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Apenko, Olga. "Trugare, or one case from the history of the forgery-making." Text and Image: Essential Problems in Art History, no. 1 (2023): 113–23. http://dx.doi.org/10.17721/2519-4801.2023.1.08.

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The paper is a part of the author’s larger research on the history of restoration of Limoges painted enamels in the end of the 19th and the beginning of the 20th century in Paris. It treats about a well-documented case of a French restorer and merchant Simon-Emérique Pierrat, accused in 1858 for selling false Limoges enamels to the members of the Rothschild family. The transcript of this process sheds light on methods and approaches used by some XIXth century forgers in the field of applied arts. Due to the high rank of his deceived clients, Pierra’s case was widely known by his contemporaries

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Cook, Edward M. "The Forgery Indictments and BAR: Learning from Hindsight." Near Eastern Archaeology 68, no. 1-2 (2005): 73–75. http://dx.doi.org/10.1086/nea25067597.

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47

McGowen, Randall. "Forgery and the Twelve Judges in Eighteenth-Century England." Law and History Review 29, no. 1 (2011): 221–57. http://dx.doi.org/10.1017/s0738248010001264.

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In his thoughtful and informative article on the twelve judges and judicial review, James Oldham illuminates an important if little-studied corner of eighteenth and nineteenth-century judicial practice. For centuries judges in criminal (and civil) cases had reserved questions that presented peculiar difficulties related to procedure or the interpretation of statute to the consideration of their colleagues. We seldom glimpse much of the substance or form of these deliberations. They were private and informal discussions, although by the eighteenth century the participants in these meetings obse

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48

Sweet, R. "The Truth against the World: Iolo Morganwg and Romantic Forgery." English Historical Review CXXIV, no. 506 (2009): 199–200. http://dx.doi.org/10.1093/ehr/cen344.

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49

Savill, Benjamin. "Prelude to Forgery: Baldwin of Bury meets Pope Alexander II*." English Historical Review 132, no. 557 (2017): 795–822. http://dx.doi.org/10.1093/ehr/cex228.

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Bauer, Stefan. "History for Hire in Sixteenth-Century Italy: Onofrio Panvinio’s Histories of Roman Families." Erudition and the Republic of Letters 4, no. 4 (2019): 397–438. http://dx.doi.org/10.1163/24055069-00404002.

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Onofrio Panvinio was hired by sixteenth-century Roman families to write their histories and, where necessary, be prepared to bend the facts to suit their interests. This occasionally entailed a bit of forgery, usually involving tampering with specific words in documents. In most respects, however, Panvinio employed the same techniques—archival research and material evidence such as tombs and inscriptions—which distinguished his papal and ecclesiastical histories. This suggests that genealogy, despite being commissioned by aristocratic families to glorify their ancestries, can be seen as a more

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