Thematische Bibliographien / Franciscan art

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte
  6. Berichte der Organisationen

Auswahl der wissenschaftlichen Literatur zum Thema „Franciscan art“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 28. Juli 2024

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Zeitschriftenartikel zum Thema "Franciscan art"

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Mathes, W. Michael. „Franciscan Art in Mexico“. Americas 43, Nr. 3 (Januar 1987): 355–56. http://dx.doi.org/10.1017/s0003161500053037.

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Derbes, Anne. „The Franciscans and Art Patronage in Late Medieval Italy. Louise Bourdua The Art of the Franciscan Order in Italy. William R. Cook“. Speculum 82, Nr. 2 (April 2007): 416–18. http://dx.doi.org/10.1017/s0038713400009477.

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Morales Francisco, OFM. „The Native Encounter with Christianity: Franciscans and Nahuas in Sixteenth-Century Mexico“. Americas 65, Nr. 2 (Oktober 2008): 137–59. http://dx.doi.org/10.1353/tam.0.0033.

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Among the nations of the New World, Mexico is probably the country in which the Franciscans worked most intensively. Having been the first missionaries to arrive in Mexico, they covered most of its territory and worked with numerous native groups: Nahuas, Otomies, Mazahuas, Huastecas, Totonacas, Tarascans, Mayas. Their intense missionary activity is evident in the many indigenous languages the Franciscans learned, the grammars and vocabularies they wrote, the numerous Biblical texts they translated, and the catechisms they wrote with ideographical techniques quite alien to the European mind. This activity left an indelible mark in Mexico, a mark still alive in popular traditions, monumental constructions, popular devotions, and folk art. Without a doubt, in spite of the continuous growth of the Spanish and Mestizo populations during colonial times, the favorite concern of Franciscan pastoral activity was the indigenous population. Thus, Franciscan schools and colleges, hospitals, and publications were addressed to it. For their part, the native population showed the same preference for the Franciscans. To the eyes of the civil and ecclesiastical authorities, Franciscans and natives appeared as an inseparable body, an association not always welcomed by the Spanish Crown. In fact, since the middle of the sixteenth century bishops and royal officials tried to separate them, assigning secular priests in the native towns and limiting the ecclesiastical authority of the friars.
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Bogataj, Jan Dominik. „Frančiškanska knjižnica in muzej s pinakoteko v Ljubljani“. Clotho 5, Nr. 2 (04.03.2024): 151–58. http://dx.doi.org/10.4312/clotho.5.2.151-158.

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The Franciscan Museum and Pinacotheca of the Franciscan Friary in the center of Ljubljana represent, together with the renovated library, a newly conceived cultural and art-historical section of the Friary as the mother house of the Slovenian Franciscan Province of the Holy Cross. The library currently holds ca. 70,000 book units, including precious books such as incunabula – one-seventh of all incunabula in the country – and can thus boast the title of Slovenia’s most extensive monastic library. The newly designed museum showcases some of the friary’s key cultural and artistic objects.
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Corrie, Rebecca. „Amy Neff. A Soul’s Journey: Franciscan Art, Theology, and Devotion in the “Supplicationes variae”“. Studies in Iconography 42, Nr. 1 (2021): 194–98. http://dx.doi.org/10.32773/mdnz8765.

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Begović-Sokolija, Ena. „Franciscan Characters in Bosnian-Herzegovinian Drama Literature: On the Phenomenon Of Remembrance and Memory“. Društvene i humanističke studije (Online) 6, Nr. 4(17) (22.12.2021): 33–56. http://dx.doi.org/10.51558/2490-3647.2021.6.4.33.

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In seven dramatic texts written by six Bosnian-Herzegovinian authors – Borivoje Jevtić, Štefa Jurkić, Nikola Šop, Nasko Frndić, Nada Đurevska and Dževad Karahasan – from the perspective of the art of memory we follow the construction of literary imaginaria on the examples of three Bosnian-Herzegovinian Franciscans (Anđeo Zvizdović, Matija Divković and Ivan Frano Jukić). The paper examines the relationship between historic reality and fiction, where in history was an inspirational incentive for dramatic texts, with individual members of the Franciscan order transformed into a collective place of traumatic memory. For this conscious work on cultural memory we are to thank both the history of remembrance and memory (mnemohistory) and the motivational associative images that have been cultivated in literature and the historiography of literature for more than a century.
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Jerman, Mateja. „Srebrni zidni svijećnjaci cara Leopolda I. u franjevačkom samostanu na Trsatu“. Ars Adriatica, Nr. 6 (01.01.2016): 139. http://dx.doi.org/10.15291/ars.535.

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The aim of this paper is to publish and place in an art-historical context two silver wall candelabra with busts of classical antique figures surrounded by intertwined stylized acanthus leaves. The candelabra are kept in the Franciscan convent of Trsat. They were last documented in a photo-documentary campaign by Artur Schneider during the 1930s, and in 1974 they were added to the culturalheritage list as part of the convent's inventory. It is a very valuable set of silver wall candelabra, donated to the Franciscan convent of Trsat in 1693 by the Holy Roman Emperor Leopold I Habsburg (1658-1705). The author refers to the written sources confirming the commission of the candelabra and analyses the evolution of their peculiar typology. In their design and iconographic programme, judging by the various analogies and graphic models, they corresponded to the production of Augsburg goldsmiths. This hypothesis is supported by the hallmark of the city of Augsburg and another one indicating goldsmith Antoni Grill I, documented in that art centre in the period from 1668-1700.
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Szyszka, Tomasz. „Franciszkańscy misjonarze w Peru“. Annales Missiologici Posnanienses, Nr. 22 (04.01.2018): 33–46. http://dx.doi.org/10.14746/amp.2017.22.3.

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The history of evangelization in Peru, which started at the very onset of the 16th century is connected with the presence of the missionaries of the Franciscan Order, who played a major role in the building of Church structures on the territory of the former Inca empire. However, their main contribution was an effective evangelization of the indigenous peoples through the use of innovative methods (music, singing and art, organizing schools for Indians, knowledge of indigenous languages, protection of Indians against excessive exploitation). In this activity they were urged by their Franciscan charisma summed up in the greeting “Peace and good”. Their missionary commitment was realized not only in the Andean world, but over time expanded across the Amazon Selva.
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Gamalinda, Carla. „Contributing to the Identification of Publications from the Dominican, Jesuit, and Franciscan Presses through a Study of Graphic Art in Manila, 1604-1815“. Philippiniana Sacra 56, Nr. 168 (01.05.2021): 409–41. http://dx.doi.org/10.55997/2004pslvi168a3.

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This article demonstrates the use of graphic art as a source of information. This information, gathered through non-verbal methods, and not available through other methodologies, contributes to the identification of anonymous publications by supporting or prompting reinvestigation of claims by previous scholars. The information was gathered through a chronological cataloguing of various graphic art elements from each press from the start of letterpress printing in the Philippines to 1825. The elements are categorized into (1) iniciales grabadas or decorative initials, (2) viñetas or printers decorations, (3) orla bordadas or border decorations (4) risos xilográficos or xylographic headers, and (4) laminas or copperplate prints. Organizing these graphic art elements in this manner presents the frequency of use of distinct elements over time. The article provides a timeline of the arrival and use of art movements that influenced decorative graphic art in Manila. Based on the catalogue, a narrative of the use of graphic art elements of the Dominican, Jesuit, and Franciscan press is presented, along with comparisons of elements from known presses to prints from unidentified presses.
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López Plasencia, José Cesáreo. „Una escultura inédita de san Roque del Círculo de Balduque, recuperada en Tenerife“. ACCADERE. Revista de Historia del Arte, Nr. 2 (2021): 31–45. http://dx.doi.org/10.25145/j.histarte.2021.02.02.

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"In this paper we study a wood sculpture representing Saint Roch of Montpellier that belongs to the parish church of The Immaculate Conception, in Realejo Bajo, Los Realejos (Tenerife). The religious effigy, which was venerated in the extinct Franciscan Convent of Saint Lucy, in the same town, has recently been restored. Its art features allow us to relate this simulacrum to the art of the well-known Flemish sculptor and woodcarver Roque de Balduque, who worked in Seville from 1534 to 1561 and is one of the most prominent figures in 16th-century Spanish sculpture."
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Dissertationen zum Thema "Franciscan art"

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Lepage, Andrea. „Arts of the Franciscan Colegio De San Andres in Quito : a process of cultural reformation“. View abstract/electronic edition; access limited to Brown University users, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3319103.

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Bai, Mengtian. „Yangzhou Latin Tombstones: A Christian Mirror of Yuan China Society“. Oberlin College Honors Theses / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1530141020070354.

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Giura, Giovanni. „San Francesco ad Asciano : un osservatorio per lo studio delle chiese minoritiche toscane“. Doctoral thesis, Scuola Normale Superiore, 2017. http://hdl.handle.net/11384/85777.

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Montes, Bardo Joaquín. „Arte y espiritualidad franciscana en la Nueva España : siglo XVI : iconología en la provincia del Santo Evangelio /“. Jaén : Universidad de Jaén, 2001. http://catalogue.bnf.fr/ark:/12148/cb388527338.

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Zardetto, Giorgia <1989&gt. „Francisco Infante: "Giochi Suprematisti" alla ricerca dell'Infinito“. Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3917.

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Preater, Jason. „Francisco Pacheco and polychromy in Seville (1580-1649)“. Thesis, University of Bristol, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300702.

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Daniel, Marko. „Art and propaganda : the battle for cultural property in the Spanish Civil War“. Thesis, University of Essex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285847.

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Roest, Bert. „Reading the book of history : intellectual contexts and educational functions of Franciscan historiography 1226 - ca. 1350 : proefschrift ter verkrijging van het doctoraat in de Letteren aan de Rijksuniversiteit Groningen... /“. [Groningen] : B. Roest, 1996. http://catalogue.bnf.fr/ark:/12148/cb37638066v.

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Mangipano, John. „Remolding Mexican Identity: The Wax Art of Francisco Vargas in 19th Century New Orleans“. ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/1327.

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In December of 1915, the New Orleans Times-Picayune reported on the death of the patriarch of four generations of Mexican wax figure artists whose artworks demonstrated a century of change in the city of New Orleans. The family's artworks included religious sculptures, representations of indigenous and peasant populations of Mexico, and the merchant populations of the French Quarter. Francisco's artworks represented Louisiana's agriculture at two World's Fairs in New Orleans and Buffalo. Francisco received a contract from Mississippi Commissioner R. H. Henry to produce the 30-foot King Cotton for the 1904 Louisiana Purchase International Exposition in St. Louis, Missouri. Though the family's success continued after Francisco's death, an examination into the family's business, artworks, travels, and personal connections during Francisco's lifetime provides a new avenue for exploring the relationship between New Orleans and Mexico in the nineteenth century
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Martin, Lisa. „Acts of Remediation : Curating contemporary art in cultural heritage sites“. Thesis, Stockholms universitet, Konstvetenskapliga institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-107220.

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Increasingly, contemporary artists are invited to create artworks responding to and located in cultural heritage sites such as national parks, national monuments, historic landmarks, and historic buildings. This thesis examines the nature of contemporary art production, display, and encounter in cultural heritage sites. The research is directed by the question: What are the conditions of curating contemporary art in cultural heritage sites?   The analysis builds from the idea that the meeting ground of contemporary art and cultural heritage produces a curatorial zone, and explores the implications of the interplay between these two fields for curatorial labor in cultural heritage sites specifically. A set of conditions that are central to both curating and cultural heritage management forms the methodological starting point for a comparative analysis of ten contemporary art projects in cultural heritage sites, including one in-depth case study.   The comparative analysis reveals that this curatorial zone is characterized by conditions that arise from conceptual tensions between the fields of contemporary art and cultural heritage. Specifically, a set of conditions I have termed change, temporal, interpretive, site-specific, and instrumental conditions actively shape the act of curating contemporary art in cultural heritage sites.
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Bücher zum Thema "Franciscan art"

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Roelvink, Henrik. Franciscans in Sweden: Medieval remnants of Franciscan activities. Assen: Van Gorcum, 1998.

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1943-, Cook William R., Hrsg. The art of the Franciscan Order in Italy. Leiden: Brill, 2005.

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Arthur, Kathleen Giles. Women, Art and Observant Franciscan Piety. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462984332.

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Caterina Vigri (later Saint Catherine of Bologna) was a mystic, writer, teacher and nun-artist. Her first home, Corpus Domini, Ferrara, was a house of semi-religious women that became a Poor Clare convent and model of Franciscan Observant piety. Vigri's intensely spiritual decoration of her breviary, as well as convent altarpieces that formed a visual program of adoration for the Body of Christ, exemplify the Franciscan Observant visual culture. After Vigri's departure, it was transformed by d'Este women patrons, including Isabella da Aragona, Isabella d'Este and Lucrezia Borgia. While still preserving Observant ideals, it became a more elite noblewomen's retreat. Grounded in archival research and extant paintings, drawings, prints and art objects from Corpus Domini, this volume explores the art, visual culture, and social history of an early modern Franciscan women's community.
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Roberto, Paciocco, und Pellegrini Luigi, Hrsg. I francescani nelle Marche: Secoli 13.-16. Cinisello Balsamo (Milano): Silvana, 2000.

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Luigi, Pellegrini, und Paciocco Roberto, Hrsg. I francescani nelle Marche: Secoli XIII-XVI. Cinisello Balsamo (Milano): Arti Grafiche Amilcare Pizzi, 2000.

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Luigi, Pellegrini, und Stanislao da Campagnola, Hrsg. Il francescanesimo nella Valle Reatina. [Cinisello Balsamo]: Silvana, 1993.

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Italy) Convegno L'osservanza minoritica dall'Abruzzo all'Europa (2015 L'Aquila. L'osservanza minoritica dall'Abruzzo all'Europa: Atti del convegno, L'Aquila - Convento di San Giuliano, 23-24 ottobre 2015. L'Aquila: Edizioni Libreria Colacchi, 2019.

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Leszek, Sosnowski, Moryc Cyprian und Murawiec Wiesław Franciszek 1935-, Hrsg. Skarby bernardynów. Kraków: Biały Kruk, 2009.

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Carolina, Miceli, Ciccarelli Diego und Biblioteca francescana di Palermo, Hrsg. Francescanesimo e cultura negli Iblei: Atti del convegno di studio, Ragusa, Modica, Comiso, 10-13 ottobre 2004. Palermo: Biblioteca francescana, 2006.

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Beyond the text: Franciscan art and the construction of religion. St. Bonaventure: Franciscan Institute Publications, 2013.

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Buchteile zum Thema "Franciscan art"

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Tsakiridou, C. A. „Sinaitic and Franciscan Theophanies“. In Tradition and Transformation in Christian Art, 64–79. New York : Routledge, 2018. | Series: Routledge research in art and religion: Routledge, 2018. http://dx.doi.org/10.4324/9781351187275-5.

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Flanigan, Theresa. „Likeness and Compassion in Franciscan Art“. In Aesthetic Theology in the Franciscan Tradition, 71–92. New York : Routledge, 2020. | Series: Routledge research in art and religion: Routledge, 2019. http://dx.doi.org/10.4324/9780429318658-4.

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Terry-Fritsch, Allie. „Franciscan Art and Somaesthetic Devotion in the Italian Renaissance Holy Lands“. In Aesthetic Theology in the Franciscan Tradition, 252–74. New York : Routledge, 2020. | Series: Routledge research in art and religion: Routledge, 2019. http://dx.doi.org/10.4324/9780429318658-12.

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Ben-Aryeh Debby, Nirit. „Images of Franciscan Missionaries in Italian Art and Sermons *“. In Preaching and New Worlds, 185–98. New York: Taylor and Francis, 2018. |: Routledge, 2018. http://dx.doi.org/10.4324/9781315159119-13.

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Huckins, Pamela Jill. „Art and the Sensory Experience of God in the Franciscan Missions of Upper California“. In Aesthetic Theology in the Franciscan Tradition, 275–95. New York : Routledge, 2020. | Series: Routledge research in art and religion: Routledge, 2019. http://dx.doi.org/10.4324/9780429318658-13.

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„The Functions of Early Franciscan Art“. In The World of St. Francis of Assisi, 19–44. BRILL, 2015. http://dx.doi.org/10.1163/9789004290280_003.

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„List of Plates and Figures“. In Women, Art and Observant Franciscan Piety, 7–12. Amsterdam University Press, 2018. http://dx.doi.org/10.1515/9789048534999-001.

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„Acknowledgments“. In Women, Art and Observant Franciscan Piety, 13–14. Amsterdam University Press, 2018. http://dx.doi.org/10.1515/9789048534999-002.

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„Abbreviations“. In Women, Art and Observant Franciscan Piety, 15–16. Amsterdam University Press, 2018. http://dx.doi.org/10.1515/9789048534999-003.

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„Introduction“. In Women, Art and Observant Franciscan Piety, 17–22. Amsterdam University Press, 2018. http://dx.doi.org/10.1515/9789048534999-004.

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Konferenzberichte zum Thema "Franciscan art"

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Pajić, Sanja, und Roza G. Damiko. „UMETNIČKO – ISTORIJSKE VEZE KRAJEM 13. I POČETKOM 14. VEKA: ZAJEDNIČKE TEME U SRPSKOJ I ITALIJANSKOJ UMETNOSTI“. In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.581p.

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The paper considers the relations between art created on the territory of the Serbian medieval state and Italian painting from the end of the 13th and the first two decades of the 14th century in the context of contemporary historical events, as well as political and family ties between the Angevin, Nemanjić and Árpád dynasties. Representations of standardized forms of rare iconographic solutions appear in the monumental painting in the endowments of King Milutin (1282–1321), spread predominantly in the art at the territory of Serbia and Macedonia. The monumental Mother of God Pelagonitissa was shown in the church of the mon- astery in Staro Nagoričino, as well as Christ’s Ascent of the Cross in its trium- phant version, while the same scene, a different iconographic scheme empha- sizing the strong emotional charge, is preserved in the church of St. Nikita in Čučer. Moreover, a fairly unknown motif of the Mother of God kissing the Son in the cradle-sarcophagus was painted on the scene of the Birth of Christ in the Sts. Joachim and Anna Church (King's Church) in Studenica. Variations of these themes appeared in Italy in the same period, most often on small-size panels. These works, intended primarily for the Franciscans, were created in the centres where this monastic order maintained strong connections with the Guelfs, the Angevin dynasty and the popes. Thus, the interpretations of the Mother of God Pelagonitissa are found primarily in Romagna and Rimini, where Giovanni da Rimini presented this theme as the central part of the triptych, on whose side wing there was, among others, the scene of the Birth of Christ with the motif of the Mother kissing the Child. The triumphant version of Christ's ascent to the cross was painted in Tuscany and Siena, while the variation seen in the fresco in Santa Maria Donnaregina Vecchia in Naples is close to the fresco from Čučer. The significant role of the political and cultural mediator of the Serbian state was confirmed in the time of Milutin and his mother Jelena, whose relations with Angevins and Franciscans, widely present in the Balkans, are well known, simultaneously being in close contacts with popes, starting with Franciscan Pope Nicholas IV.
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Milholland, Nancy, und Edward Pultar. „The San Francisco public art map application“. In the 1st ACM SIGSPATIAL International Workshop. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2534931.2534946.

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Petty, Cameron. „San Francisco rush“. In ACM SIGGRAPH 96 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '96. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/253607.253696.

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Litwinowicz, Peter. „Impressions of San Francisco“. In ACM SIGGRAPH 97 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '97. New York, New York, USA: ACM Press, 1997. http://dx.doi.org/10.1145/259081.259396.

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Zanatta, Maria Luiza. „Comunicação: “caminhando com Francisco de Holanda”“. In Encontro de História da Arte. Universidade Estadual de Campinas, 2009. http://dx.doi.org/10.20396/eha.5.2009.4045.

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Nos últimos 20 anos muitas pesquisas vêm sendo realizadas com o objetivo de promover um maior desenvolvimento da História da Arte e da Arqueologia no Brasil, relacionando-as com a produção internacional da área. A Unicamp tem realizado anualmente encontros no Instituto de Filosofia e Ciências Humanas onde são propostos debates de temas relevantes alcançando um público amplo e interessado.
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Berbara, Maria. „Considerações sobre o confronto quinhentista paisagem/figura: Francisco de Holanda e domenicus lampsonius“. In Encontro da História da Arte. Universidade Estadual de Campinas, 2008. http://dx.doi.org/10.20396/eha.4.2008.3784.

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Contrariamente a diversos humanistas portugueses seus contemporâneos, Francisco de Holanda escreveu majoritariamente em língua vernácula. O português de Holanda, apesar das diferenças próprias de uma distância secular, encontra-se surpreendentemente próximo ao atual, e não é difícil, para um pesquisador brasileiro ou português, ler com desenvoltura seus tratados. A proximidade lingüística, aliada à afinidade histórica entre Brasil e Portugal, não gerou, no entanto, um número significativo de investigações brasileiras sobre Francisco de Holanda, ou, mesmo, sobre o Renascimento e humanismo português.
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Conceição, Rosângela Aparecida da. „Arte religiosa e arte sacra na XXIV Exposição da Secessão de Viena“. In Encontro da História da Arte. Universidade Estadual de Campinas, 2018. http://dx.doi.org/10.20396/eha.13.2018.4596.

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Após o arrolamento do acervo têxtil da Coleção Histórico-Artística da Venerável Ordem Terceira de São Francisco da Penitência da Cidade de São Paulo que realizamos em 2010, para restauro da Igreja das Chagas do Seráfico Pai São Francisco, seguimos com a realização de pesquisas em acervos particulares, museológicos e eclesiásticos, tanto no Brasil quanto na Europa. Após a sua reabertura em 2014, prosseguimos com a catalogação e a respectiva realização de mostras temporárias, palestras, publicação de artigos e capítulos em livros, bem como a divulgação em um canal e rede social online.
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Rahme, Anna Maria. „Musa impassível cumpre destino mítico“. In Encontro da História da Arte. Universidade Estadual de Campinas, 2008. http://dx.doi.org/10.20396/eha.4.2008.4047.

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Em 13 de dezembro de 2006, uma movimentada e cuidadosa operação atestada por autoridades, estudiosos, familiares e curiosos em geral acompanhou o traslado da escultura Musa Impassível para a Pinacoteca do Estado de São Paulo. Trata-se de uma Alegoria à Poesia em homenagem à poetisa Francisca Júlia, implantada desde 1920 no Cemitério Araçá. A obra de Victor Brecheret, em mármore, é uma estátua hierática que reafirma os valores clássicos na arte tridimensional, unindo matéria, técnica, forma, adereços, suportes. Pode-se mesmo afirmar que o conjunto escultórico corporifica os versos, identificando similaridades entre a peça de Brecheret e o poema “Musa!” escrito alguns anos antes por Francisca Júlia. Em seu fazer artístico, Victor Brecheret incorpora a mitologia e a amplia, associando mãe e filho, feminino e masculino, sensualidade e gestação, classicismo e parnasianismo. A despeito de opiniões contrárias à mudança do locus, tem-se a certeza da justa ressurreição promovida pela Pinacoteca do Estado de São Paulo, nesses tempos de musealização indiscriminada de objetos com pouco ou nenhum valor cultural.
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Santos, Rogéria Olimpio dos. „O álbum das antigualhas de Francisco de Holanda“. In Encontro da História da Arte. Universidade Estadual de Campinas, 2015. http://dx.doi.org/10.20396/eha.11.2015.4377.

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De retorno a Portugal em 1540, Francisco de Holanda trouxe em sua bagagem uma série de desenhos – provavelmente esboços – das antiguidades e obras de arte encontradas por ele não só em Roma, mas também nos lugares percorridos no decorrer da sua viagem. Desses desenhos, alguns foram finalizados e reunidos em um livro na década de 1560. Este livroficou conhecido pelo nome de Álbum das Antigualhas.
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Berbara, Maria. „Francisco de Hollanda e a “teoria artística” michelangiana“. In Encontro da História da Arte. Universidade Estadual de Campinas, 2006. http://dx.doi.org/10.20396/eha.2.2006.3581.

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Berichte der Organisationen zum Thema "Franciscan art"

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Chass?, Michael. Restoring the endangered San Francisco lessingia to Fort Funston, GGNRA: Final project completion report. National Park Service, 2024. http://dx.doi.org/10.36967/2302635.

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San Francisco lessingia (lessingia germanorum) is an endangered plant species found in dune habitats on the northern San Francisco Peninsula of California, USA. Expanding habitat for this species through dune restoration is a key component of its recovery plan. The Golden Gate National Recreation Area (GGNRA) established a project to reintroduce San Francisco lessingia to potential habitat at Fort Funston. We (park staff, contractors, and volunteers) prepared restoration areas through invasive plant removal and installation of protective fencing. Over a three-year period, we collected seeds of San Francisco lessingia from the Daly City population throughout the summer fruiting season. GGNRA nursery staff propagated San Francisco lessingia and other associated dune plants, which were planted and direct seeded at Fort Funston. A monthly volunteer stewardship program was established to support ongoing habitat restoration at Fort Funston. Park staff have initiated annual monitoring of San Francisco lessingia. As of the writing of this report, a small population of San Francisco lessingia has persisted in the primary reintroduction site. Although it is too early to determine if the reintroduction is successful in the long term, the restored dune habitats now support a more diverse dune flora with greatly reduced invasive plant threats.
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Tidwell, Vincent Carroll, Amy Cha-Tien Sun, William J. Peplinski und Geoffrey Taylor Klise. Modeling the Gila-San Francisco Basin using system dynamics in support of the 2004 Arizona Water Settlement Act. Office of Scientific and Technical Information (OSTI), April 2012. http://dx.doi.org/10.2172/1044988.

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Angel, Félix, und Cristina Rossi. Latin American Artists of Italian Descent. Inter-American Development Bank, August 2011. http://dx.doi.org/10.18235/0006441.

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This catalogue belongs to the exhibit that celebrates the 150th Anniversary of Italy's Unification. The exhibition includes a selection of art works by Latin American artists of Italian descent that constitutes a symbolic yet significant exploration of the Italian cultural presence and its influence in Latin America. Among the artists included are: Héctor Borla, Sergio Camporeale, Ricardo Crivelli, Eduardo Medici, Emilio Pettoruti, and Rogelio Polesello (Argentina), Lyria Palombini (Brazil), Roberto Sebastián Matta (Chile), Umberto Giangrandi (Colombia), Francisco Amighetti (Costa Rica), Javier Bassi, Miguel A. Battegazzore, José Belloni, Enrique Broglia, Pedro Figari, Antonio Frasconi, Diego Masi and Carlos María Tonelli (Uruguay). The catalogue comprises an essay on the interaction of experiences between Italy and Latin America by Professor Cristina Rossi. The text can be found in English, Spanish and Italian.
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Sequeira, Dora María, Ileana Alvarado V. und Félix Angel. Young Costa Rican Artists: Nine Proposals. Inter-American Development Bank, August 2007. http://dx.doi.org/10.18235/0006438.

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Nine artists, all living in Costa Rica, were selected out of thirty-four who responded to an open call to present portfolios. The selection criteria is to be forty years of age or younger, have had at least one individual show, and have participated in a minimum of three group exhibitions. The exhibition has been organized by the IDB Cultural Center in collaboration with the Foundation of the Central Bank Museums of Costa Rica. Works include installations and interactive digital art, digital graphics, conventional photography, ceramics, painting, wire drawing and design objects manufactured with recycled materials. Artists include Víctor Agüero Gutiérrez, Jorge Albán Dobles, Tamara Ávalos León, Paco Cervilla Cartín, Carolina Guillermet Dejuk, José Alberto Hernández Campos, Sebastián Mello Salaberry, Francisco Munguía Villalta, and Guillermo Vargas Jiménez (a.k.a. Habacuc). The exhibit was part of the IDB Cultural Center¿s 15th anniversary celebration (1992-2007).
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Henderson, Tim, Vincent Santucciq, Tim Connors und Justin Tweet. National Park Service geologic type section inventory: San Francisco Bay Area Inventory & Monitoring Network. National Park Service, Mai 2022. http://dx.doi.org/10.36967/nrr-2293533.

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A fundamental responsibility of the National Park Service (NPS) is to ensure that the resources of the National Park System are preserved, protected, and managed in consideration of the resources themselves and for the benefit and enjoyment by the public. Through the inventory, monitoring, and study of park resources, we gain a greater understanding of the scope, significance, distribution, and management issues associated with these resources and their use. This baseline of natural resource information is available to inform park managers, scientists, stakeholders, and the public about the conditions of these resources and the factors or activities that may threaten or influence their stability and preservation. There are several different categories of geologic or stratigraphic units (supergroup, group, formation, member, bed) that form a hierarchical system of classification. The mapping of stratigraphic units involves the evaluation of lithologies (rock types), bedding properties, thickness, geographic distribution, and other factors. Mappable geologic units may be described and named through a rigorously defined process that is standardized and codified by the professional geologic community (North American Commission on Stratigraphic Nomenclature 2021). In most instances when a new geologic unit such as a formation is described and named in the scientific literature, a specific and well-exposed section or exposure area of the unit is designated as the stratotype (see “Definitions” below). The type section is an important reference exposure for a named geologic unit that presents a relatively complete and representative example for this unit. Geologic stratotypes are important both historically and scientifically, and should be available for other researchers to evaluate in the future. The inventory of all geologic stratotypes throughout the 423 units of the NPS is an important effort in documenting these locations in order that NPS staff recognize and protect these areas for future studies. The focus adopted for completing the baseline inventories throughout the NPS is centered on the 32 inventory and monitoring networks (I&M) established during the late 1990s. The I&M networks are clusters of parks within a defined geographic area based on the ecoregions of North America (Fenneman 1946; Bailey 1976; Omernik 1987). These networks share similar physical resources (geology, hydrology, climate), biological resources (flora, fauna), and ecological characteristics. Specialists familiar with the resources and ecological parameters of the network, and associated parks, work with park staff to support network-level activities (inventory, monitoring, research, data management). Adopting a network-based approach to inventories worked well when the NPS undertook paleontological resource inventories for the 32 I&M networks. The planning team from the NPS Geologic Resources Division who proposed and designed this inventory selected the Greater Yellowstone Inventory & Monitoring Network (GRYN) as the pilot network for initiating this project (Henderson et al. 2020). Through the research undertaken to identify the geologic stratotypes within the parks of the GRYN methodologies for data mining and reporting on these resources were established. Methodologies and reporting adopted for the GRYN have been used in the development of this report for the San Francisco Bay Area Inventory & Monitoring Network (SFAN). The goal of this project is to consolidate information pertaining to geologic type sections that occur within NPS-administered areas, in order that this information is available throughout the NPS to inform park managers and to promote the preservation and protection of these important geologic landmarks and geologic heritage resources. The review of stratotype occurrences for the SFAN shows there are currently no designated stratotypes for Fort Point National Historic Site (FOPO) and Muir Woods National Monument (MUWO)...
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Rodier, Caroline, Andrea Broaddus, Miguel Jaller, Jeffery Song, Joschka Bischoff und Yunwan Zhang. Cost-Benefit Analysis of Novel Access Modes: A Case Study in the San Francisco Bay Area. Mineta Transportation Institute, November 2020. http://dx.doi.org/10.31979/mti.2020.1816.

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The first-mile, last-mile problem is a significant deterrent for potential transit riders, especially in suburban neighborhoods with low density. Transit agencies have typically sought to solve this problem by adding parking spaces near transit stations and adding stops to connect riders to fixed-route transit. However, these measures are often only short-term solutions. In the last few years, transit agencies have tested whether new mobility services, such as ridehailing, ridesharing, and microtransit, can offer fast, reliable connections to and from transit stations. However, there is limited research that evaluates the potential impacts of these projects. Concurrently, there is growing interest in the future of automated vehicles (AVs) and the potential of AVs to solve this first-mile problem by reducing the cost of providing these new mobility services to promote access to transit. This paper expands upon existing research to model the simulate the travel and revenue impacts of a fleet of automated vehicles that provide transit access services in the San Francisco Bay Area offered over a range of fares. The model simulates a fleet of AVs for first-mile transit access at different price points for three different service models (door-to-door ridehailing and ridesharing and meeting point ridesharing services). These service models include home-based drop-off and pick-up for single passenger service (e.g., Uber and Lyft), home-based drop-off and pick-up for multi-passenger service (e.g., microtransit), and meeting point multi-passenger service (e.g., Via).
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Shannon, Caitlin S., und Beverly Winikoff. Misoprostol: An emerging technology for women's health—Report of a seminar. Population Council, 2004. http://dx.doi.org/10.31899/rh17.1002.

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On May 7–8, 2001, the Population Council and the Center for Reproductive Health Research & Policy of the University of California, San Francisco, convened a technical seminar in New York City on the use of misoprostol for women’s health indications. The seminar was designed to provide a forum for researchers, providers, women’s health advocates, and educators to exchange information with the goal of advancing the potential of misoprostol to improve women’s health. Participants discussed the state of the art in research, examined current clinical use of misoprostol, and created strategies for the future. The first day focused on scientific and clinical aspects of misoprostol use. The second day’s discussion centered on the future of misoprostol for women’s health, including identifying priorities for research and the role of provider groups and women’s health and advocacy organizations in helping to ensure misoprostol’s continued, appropriate use. At the end of each session, the group had an opportunity to share ideas and discuss unanswered questions. This report covers the key issues raised by each speaker and highlights general areas of discussion among participants.
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Wei, Wenbin, Kerry Rohrmeier, Tiffany Martinez, Michael Winans und Heungseok Park. Land Use Analysis on Vertiports Based on a Case Study of the San Francisco Bay Area. Mineta Transportation Institute, Mai 2023. http://dx.doi.org/10.31979/mti.2023.2122.

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Vertiport research and development trails in the emerging commercial air taxi sector known as Advanced Air Mobility (AAM). Published scholarship remains limited as federal, state, and local governments have yet to create or implement policies for the rapidly progressing larger AAM ecosystem, which is designed around autonomous electric vehicle takeoff and landing aircraft. With the potential for frequent low altitude flights, long-range planning must demonstrate awareness, knowledge, and utilization of geographic information science to select safe and just vertiport locations. This study summarizes the AAM literature and offers planners a set of stakeholder-informed parameters to use in a no-cost preliminary GIS analysis when applied to urban, suburban, and exurban site suitability models. Parameters for this case study were identified under the considerations of safety, access, and equity for vertiport placement and given a high, medium, or low priority level to determine site suitability. The goals of this study are to establish a framework for the systematic approach to vertiport site selection and to provide recommendations for how a region might plan its AAM network, regulations, or best practices. The approach established by this framework would ensure general consistency in AAM land use planning for a region while remaining flexible enough to allow for other considerations that may differ between regions, such as local zoning or state regulations. The study also highlights the importance of integrating a focus on land use planning when implementing AAM, especially as it relates to a case study of the San Francisco Bay Area.
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Sripad, Pooja. Exploring barriers and enablers of service provision for survivors of human trafficking in the Bay Area: An action research study. Population Council, 2021. http://dx.doi.org/10.31899/sbsr2021.1067.

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Despite increasing recognition of public health and rights issues associated with human trafficking globally and in the United States following the Trafficking Victims Protection Act of 2000, there has been limited research on how to systematically strengthen service access for survivors of sex and labor trafficking. The experience of service providers may provide insight into how trafficking survivor responses and service networks function in California’s Bay Area. This study explores provider perspectives on existing service networks and collaboration dynamics, including the barriers to and enablers of long-term service provision and survivor follow-up. A participatory research design included qualitative interviews with key informants working at nongovernmental organizations, organizational website reviews, and consultation with network service providers in the Greater San Francisco Bay Area. This study approach allowed for eliciting in-depth reflections of service provision, collective generation of stakeholder mapping, and consensus-driven recommendations arising from barriers and enablers to anti-trafficking service provision. This report enhances stakeholder awareness of existing organizational and policy resources and offers insights into research and programming on how anti-trafficking service response networks can be strengthened to provide survivor-centric support in the long-term.
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Tran, My-Thu, und Bo Yang. Using Thermal Remote Sensing to Quantify Impact of Traffic on Urban Heat Islands during COVID. Mineta Transportation Institute, April 2023. http://dx.doi.org/10.31979/mti.2023.2207.

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A three-month lockdown in the U.S. at the beginning of the COVID-19 outbreak in 2020 greatly reduced the traffic volume in many cities, especially large metropolitan areas such as the San Francisco Bay Area. This research explores the impact of transportation on climate change by using remote sensing technology and statistical analysis during the COVID-19 lockdown. Using thermal satellite data, this research measures the intensity of the urban heat island, the main driver for climate change during the urbanization process. The research team acquired morning and afternoon MODIS data in the same periods in 2019 before the pandemic and 2020 during the pandemic. MODIS imagery provides a wall-to-wall land surface temperature map to precisely measure the dynamics of the urban heat effect. In situ meteorological data were also acquired to build an urban surface energy budget and construct statistical models between solar radiation and the intensity of heat dynamics. The team implemented this urban heat budget in six counties in Northern California. This research quantifies the impact of lockdown policies on heat intensity in urban areas and human mobility in the context of COVID-19 and future pandemics. The quantitative results obtained in this study provide critical information for analyses of climate change impact on an urban scale.
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