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1

Williams, Gavin. "A Voice of the Crowd: Futurism and the Politics of Noise." 19th-Century Music 37, no. 2 (2013): 113–29. http://dx.doi.org/10.1525/ncm.2013.37.2.113.

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Abstract In his 1913 manifesto “L'arte dei rumori” (The Art of Noises), Futurist painter Luigi Russolo exhorted readers to “walk across a great modern metropolis with ears more attentive than eyes.” For Russolo, attentive listening to the urban environment enacted a visionary aurality: the city was a mine for “new” noises, such as rumbling motors and jolting trams. However, Russolo's embrace of noise—much like that of Futurist painter Umberto Boccioni and Futurist poet Filippo Tommaso Marinetti—was undeniably a product of its time and place. This article excavates the sounds of 1913 Milan as a
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Wood, Jamie. "‘On or about December 1910’: F. T. Marinetti's Onslaught on London and Recursive Structures in Modernism." Modernist Cultures 10, no. 2 (2015): 135–58. http://dx.doi.org/10.3366/mod.2015.0106.

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Many accounts of the formative years of English modernism rely on Futurism's own questionable record of F. T. Marinetti's visit to London in the spring of 1910 as the catalyst for an avant-garde revolution in Anglo-American literature that led through Roger Fry's revolutionary Post-Impressionist exhibition to Imagism, and onto Vorticism. New evidence presented here, however, supports the position advanced by a number of scholars that Marinetti did not visit until after Fry's exhibition. We can now quite precisely date Marinetti's important ‘Futurist Speech to the English’ to Tuesday 13 Decembe
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Avdeev, Vasilii Aleksandrovich, and Svetlana Vital'evna Lavrova. "The image of a machine in Italian futurism: manifests, music, painting." PHILHARMONICA. International Music Journal, no. 3 (March 2021): 47–68. http://dx.doi.org/10.7256/2453-613x.2021.3.35341.

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The 20th century became a new epoch in the development of the European civilization which projected images begotten by the process of technological transformation of reality into an artistic space. The quick growth of technologies and the industrialization of all spheres of life were reflected in the works of artists in urbanized images of reality. One of these images was a machine as an embodiment of speed and technical progress. Being a central motive of the main idea of the Italian futurism (the most dynamic branch of modernism), the image of a car penetrated into all artistic spheres of th
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GIULIODORI, Lucio, Valentina ULIUMDZHIEVA, Elena NOTINA, and Irina BYKOVA. "Thinking beyond, living beyond: Futurism." WISDOM 15, no. 2 (2020): 176–87. http://dx.doi.org/10.24234/wisdom.v15i2.346.

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Living in the future, constantly thinking over it, incessantly inventing it, anticipating it, more than a Weltanschauung, a state of consciousness. It’s not about predicting rather living the prediction, experimenting with it, chasing the words to describe it, imagining the machines to produce it.
 The futurists’ undertaking was fueled by an overwhelming desire to overcome their present time through art and influence, by dint of its momentum, the society, culture and life that thrived around it, shifting their current world and the one to come by virtue of an overflowing power of insights
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Gewirtz, Julian. "The Futurists of Beijing: Alvin Toffler, Zhao Ziyang, and China's “New Technological Revolution,” 1979–1991." Journal of Asian Studies 78, no. 1 (2019): 115–40. http://dx.doi.org/10.1017/s0021911818002619.

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This article examines former Chinese Premier and General Secretary Zhao Ziyang's policies to respond to a “New Technological Revolution,” which resulted from a most unlikely influence: the prominent American writer Alvin Toffler and other futurists. Drawing on previously unstudied materials and internal Chinese sources, this article demonstrates how Zhao and other senior Chinese officials interpreted and deployed these ideas to advocate for distinctive and influential policies. This policy vision of actionable futurism shaped science and technology policy during the 1980s—especially the major
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Aptekman, Marina. "The problem of language and reality in Russian modernism: The conception of mirotvorchestvo in A. Remizov’s Rossiya v pis’menah." Sign Systems Studies 31, no. 2 (2003): 465–82. http://dx.doi.org/10.12697/sss.2003.31.2.08.

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Alexej Remizov is usually regarded by literary critics as a Symbolist rather than a Futurist writer. However, I would posit that Remizov similarly to the Futurists viewed language as “logos,” bozhestvennii glagol. According to the mystical interpretation of the famous words “At the beginning there was Word and the Word was with God and the Word was God”, when God was creating the world he named the objects, and these abstract names became a force for the appearance of an object in physical reality. In the light of these words, The Medieval mystical and magical philosophers claimed that one cou
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Park, Sun Hee. "The Influence of 1960's Futurism on Modern Make-up." International Journal of Costume and Fashion 8, no. 2 (2008): 11–19. http://dx.doi.org/10.7233/ijcf.2008.8.2.011.

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Gorrillot, Bénédicte. "Illisibilité ou dis-lisibilité de l’écriture poétique française contemporaine : le cas de Christian Prigent / Il-Legibility or Dis-Legibility in French Contemporary Poetry: Christian Prigent." Aletria: Revista de Estudos de Literatura 26, no. 3 (2017): 253–72. http://dx.doi.org/10.17851/2317-2096.26.3.253-272.

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Résumé: Cette étude interroge l’illisibilité dont est fréquemment accusée une certaine poésie française contemporaine (depuis 1968), notamment liée aux influences avant-gardistes héritées de la première moitié du 20e siècle européen (Futurisme, Dada, Surréalisme, Lettrisme) ou à celles du Modernisme dit « américain » (de Cummings à Burroughs). Elle prend pour cas exemplaire l’écriture du polygraphe Christian Prigent, prolongeant les réflexions menées lors du colloque de San Diego de 2008 dont les actes sont parus en 2014 sous le titre : L’Illisibilité en questions (autour de Michel Deguy, Jean
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Merwin, Ted. "I. Loïe Fuller's influence on F. T. Marinetti's futurist dance." Dance Chronicle 21, no. 1 (1998): 73–92. http://dx.doi.org/10.1080/01472529808569297.

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10

Bylieva, Daria, and Victoria Lobatyuk. "The image of the sun in the art of the beginning of the 20th century." OOO "Zhurnal "Voprosy Istorii" 2021 (March 1, 2021): 200–205. http://dx.doi.org/10.31166/voprosyistorii202103statyi10.

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The publication discusses the use of the image of the Sun as an adversary that must be defeated in the early 20th century in Russia. The authors analyze this phenomenon in the context of the conquest of natural forces with the help of scientific and technological progress and the approval of new art, focusing on the landmark work of the period under consideration “Victory over the Sun” by the poet Alexei Kruchenykh and composer Mikhail Matyushin. The work also analyzes the influence of electrification on the development of cosmism and futurism in Soviet Russia.
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Wu, Shi-Yen, Felicia Wagiri, Yen-Fen Huang, and Shen-Guan Shih. "Digital Biomimetic Architecture between Art and Dynamic Structure: Case Study—Wings in Flight." Complexity 2020 (June 22, 2020): 1–15. http://dx.doi.org/10.1155/2020/2757929.

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Architecture as a multirelated field is influenced and connected by many subjects. Among those subjects, the role of art and natural science is the most dominant frame without ignoring the development of advanced technology. By using technology, the impossible becomes possible such as to capture the body motion of humans as the subject of art and science at the same time. Body motion is a potential research of movement over the time. This does not only involve the aesthetic, but also even more the scientific aspect of a dynamic motion of an organism that can be investigated through a biomimeti
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Cho, Youngah, and Keysook Geum. "A Study on the Formativeness of Tuta, an Artistic Clothing Influenced by Futurism." Journal of the Korean Society of Costume 65, no. 7 (2015): 19–31. http://dx.doi.org/10.7233/jksc.2015.65.7.019.

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13

Gary, Jay. "Graham Molitor: A Futurist for the Third Millennium." World Futures Review 10, no. 1 (2017): 38–42. http://dx.doi.org/10.1177/1946756717746978.

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The Molitor Model of Change is a unique approach, yet has largely been overlooked as a futures studies method. This article traces the influences that led Graham Molitor to develop Emerging Issues Analysis.
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Vanagaitė, Gitana. "Lithuanian Literature in 1918–1940: The Dynamics of Influences and Originality." Interlitteraria 23, no. 2 (2019): 340–53. http://dx.doi.org/10.12697/il.2018.23.2.10.

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Lithuanian independence (1918–1940), which lasted for twentytwo years, and its symbolic center, the provisional capital Kaunas, have been very important for the country’s political, social, and cultural identity. In 1918, changes in the social, economic, and political status of an individual as well as transformations in the literary field followed the change of the political system. In what ways the relationship between the center and the periphery and the spheres of literary influences were altered by the new forms of life? Lithuania, the former geographic periphery of tsarist Russia, after
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Vacche, Angela Dalle. "Lyda Borelli’s Satanic Rhapsody: The Cinema and the Occult." Cinémas 16, no. 1 (2006): 91–115. http://dx.doi.org/10.7202/013052ar.

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Abstract Discussing Nino Oxilia’s film Satanic Rhapsody (Rapsodia Satanica, 1915) starring Lyda Borelli, the author examines the influence of Bergsonism on the perception of cinema right before and during World War I. In particular, she points out the intersection between the film and, among other references, the tradition of the early Italian diva film, the plastic dynamism of Futurist painter Umberto Boccioni, the dance/performance art of Loïe Fuller, and the emerging figure of the New Woman.
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Duffy, Kevin P., Laura N. Rickard, and Paul Grosswiler. "Routine Influences on Aquaculture News Selection: A Q Method Study With New England Journalists." Science Communication 41, no. 5 (2019): 602–32. http://dx.doi.org/10.1177/1075547019862554.

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Environmental journalists, as gatekeepers, often become arbiters of risk and benefit information. This study explores how their routine news value judgments may influence reporting on marine aquaculture, a growing domestic industry with complex social and ecological impacts. We interviewed New England newspaper journalists using Q methodology, a qualitative dominant mixed-method approach to study shared subjectivity in small samples. Results revealed four distinct reporting perspectives—“state structuralist,” “neighborhood preservationist,” “industrial futurist,” and “local proceduralist”—stem
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Daly, Selena. "Arrigo Boito’s Legacy to Futurism:Re Orsoand its influence on Filippo Tommaso Marinetti’sLe Roi Bombance." Romance Studies 34, no. 2 (2016): 101–13. http://dx.doi.org/10.1080/02639904.2016.1151259.

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Kling, Oleg A. "REALIZATION OF THEORETIC AND LITERARY VIEWS OF ANDREI BELY IN "PETERSBURG": INFLUENCE ON THE FORMALISM AND FUTURISM." RSUH/RGGU Bulletin. Series History. Philology. Cultural Studies. Oriental Studies, no. 2 (2018): 194–205. http://dx.doi.org/10.28995/2073-6355-2018-2-194-205.

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19

Dematagoda, Udith. "‘Machinic Desire’: Wyndham Lewis, Masculinity and the Sublime Horror of Technological War." Modernist Cultures 15, no. 4 (2020): 488–514. http://dx.doi.org/10.3366/mod.2020.0310.

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This article explores Wyndham Lewis's experience of the First World War, and its influence on his varied artistic output. It interrogates how Lewis's initial ambivalence towards an emergent technological society shifted through direct encounters with mechanized warfare, and speculates on the effect of these upon his post-war writing and criticism. By contrasting Lewis's thought against that of his Italian Futurist contemporaries, I will demonstrate the centrality of their divergent conceptions of masculinity in accounting for this opposition – and how Lewis's critique of technological society
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Kuznetsova, Ekaterina V. "Reception of Henri de Regnier’s Poetry by Maximilian Voloshin and Igor Severyanin." Studia Litterarum 6, no. 1 (2021): 66–87. http://dx.doi.org/10.22455/2500-4247-2021-6-1-66-87.

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The article examines the reception of the poetry by a French poet Henri de Regnier in the works of Maximilian Voloshin and Igor Severyanin. Voloshin was a passionate promoter of Regnier in Russia; he appealed to him in criticism, translated his poems and prose, and considered him to be a forerunner of “neo-realism,” a new stage of development in European and Russian literature. The interest of Severyanin in the work of Regnier develops under the influence of Voloshin’s 1910 article “Henri de Regnier.” The young Severyanin was influenced by this article and used accurate translations of Regner’
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Ilnytskyi, Mykola. "If really “without school and inheritors”?" Слово і Час, no. 6 (November 26, 2020): 47–56. http://dx.doi.org/10.33608/0236-1477.2020.06.47-56.

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The paper analyzes the return of Bohdan Ihor Antonych’s name to the literature after several decades of suppression and prohibition by the Soviet totalitarian regime. The author also focuses on the interpretation of the poet’s work in Ukrainian and foreign literary studies.
 The researcher points out the following historical and cultural factors: partial liberalization of the communist regime in the Soviet Union; high appreciation of Antonych’s work by leading poets and literary critics in Ukraine and the Ukrainian diaspora; translations of works into foreign languages, in particular, Sla
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22

Bátiz-Lazo, Bernardo, Thomas Haigh, and David L. Stearns. "How the Future Shaped the Past: The Case of the Cashless Society." Enterprise & Society 15, no. 1 (2014): 103–31. http://dx.doi.org/10.1093/es/kht024.

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The future matters to business history, because the adoption of new technology and new organizational forms has often been driven by acceptance of a collective sense of what the future will be. Investments are made and strategies set on an industry-wide basis, influenced by the predictions of business consultants, industry groups, and futurists. To explore the part played by the future in shaping the past, we focus on the establishment and early acceptance of the idea of a rapid and inevitable transition to a “cashless society” in the US retail financial services industry during the 1960s and
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ARFARA, KATIA. "Denaturalizing Time: On Kris Verdonck's Performative Installation End." Theatre Research International 39, no. 1 (2014): 47–56. http://dx.doi.org/10.1017/s0307883313000540.

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Originating from the avant-garde's attempt to supplant the structural limitations of perspective which ‘bound the spectator to a single point of view’, installation art emerged during the 1960s and the 1970s as a critique of the pure, self-referential work of art. Belgian artist Kris Verdonck integrates that modernist debate into his hybrid practice of performative installation. Trained in visual arts, architecture and theatre, Verdonck uses sophisticated technological devices in order to blur binary distinctions such as time- and space-art, inanimate and animate figures, and immateriality and
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Kaźmierczyk, Zbigniew. "Rosja Aleksandra Wata – Czesławowi Miłoszowi ukazana." Acta Polono-Ruthenica 4, no. XXII (2018): 33–46. http://dx.doi.org/10.31648/apr.1236.

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The article displays the image of Russia through the eyes of Wat in reference to the mental Russia of Miłosz. It discusses the similarities and differences of both of the views. It indicates the affinities in experiencing the communist Russia by Avant-garde poets – futurists and poets affiliated to “Żagary” magazine. The author proves that Wat’s narration in My Century organizes the dualism of the declining West and the revolutionary East. The article’s author reveals the mistake of mixing the negative data of existence with the political reality. He indicates that this contamination resulted
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MCNEELY, IAN F. "PETER DRUCKER'S PROTESTANT ETHIC: BETWEEN EUROPEAN HUMANISM AND AMERICAN MANAGEMENT." Modern Intellectual History 17, no. 4 (2018): 1069–97. http://dx.doi.org/10.1017/s1479244318000525.

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Peter Drucker (1909–2005) is celebrated as perhaps the greatest management guru, and one of the greatest futurists, of the twentieth century, but he has rarely been taken seriously as an intellectual. Raised in Vienna among a cohort of émigré academics that included Schumpeter, Hayek, and von Mises, among others, Drucker was both deeply learned and incredibly prolific. This essay seeks to rehabilitate Drucker as a humanistic social thinker, reinterpreting his earliest writings in German, his two major treatises on totalitarianism and the crisis of capitalism published after he emigrated to the
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Mayo, Peter. "Gramsci: Power, culture & education." ACTIO NOVA: Revista de Teoría de la Literatura y Literatura Comparada, no. 4 (December 18, 2020): 23–45. http://dx.doi.org/10.15366/actionova2020.4.002.

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This paper traces the connection between cultural work and power in the thinking and writing of Italian socio-political theorist and strategist, Antonio Gramsci. His rootedness in Marxism and a deep humanistic culture are emphasised as well as how his main conceptual tools (e.g. Hegemony, Intellectuals, ‘Popular Creative Spirit’, Critical Appropriation and ‘National-Popular’) are central to his analyses of different forms of cultural production, intellectual activity and educational developments in his time. The paper dwells on his musings on the ever so pertinent issue of Migration as it foun
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Gamsa, Mark. "Sergei Tret'iakov's Roar, China! between Moscow and China." Itinerario 36, no. 2 (2012): 91–108. http://dx.doi.org/10.1017/s0165115312000587.

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The writer, poet and dramatist Sergei Tret'iakov was a central figure of the early Soviet literary and artistic avant-garde. Born in 1892 in Kuldiga, a town in what is now Latvia and was then the Governorate of Courland, one of the three Baltic provinces of the Russian empire, he was educated in prerevolutionary Riga and Moscow. Fluent also in Latvian and German, he started out as a poet in Russian and came under the influence of futurism when living in Vladivostok in 1919. During the Russian Civil War, Tret'iakov spent several months in Harbin, Tianjin, and Beijing in 1920 and 1921, and he re
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Opran, Elena Rodica, Dan Valeriu Voinea, and Mirela Teodorescu. "Art and Being in Neutrosophic Communication." International Letters of Social and Humanistic Sciences 47 (February 2015): 16–27. http://dx.doi.org/10.18052/www.scipress.com/ilshs.47.16.

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What seems to suggest various avant-garde and artistic experimentalism movements from futurism to cubism, from expressionism to surrealism, from Picasso to the great masters of informal art is a Beauty of challenge. The avant-garde art does not arise the issue of Beauty. It is understood without saying that the new images are "beautiful" in terms of art and that should produce the same pleasure that feel the contemporaries of Rafael and Giotto in front of their works” asserts Umberto Eco (Eco, 2005). The phenomenon is due to the fact that the challenge of avant-garde tear down all aesthetic ca
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Macalam, Trecella May, and Rozzano Locsin. "Humanoid Nurse Robots and Compassion: Dialogical Conversation with Rozzano Locsin." Journal of Health and Caring Sciences 2, no. 1 (2020): 71–77. http://dx.doi.org/10.37719/jhcs.2020.v2i1.rna001.

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It is important that in the future, nursing practice is framed with the humanoid nurse robot (HNR) functionality as a sure partner capable of expressing compassion that mimics human persons. Sr. Trecella May Macalam, SPC, a member of the Sisters of St. Paul of Chartres congregation, and doctoral student of St. Paul University Philippines and Dr. Rozzano Locsin, nurse theorist and author of the theory of Technological Competency as Caring in Nursing (TCCN) discuss the futurist idea of HNR’s capability to express compassion in nursing. Locsin’s theory has inspired the utility of advancing machin
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Sarnitz, August E. "Proportion and Beauty-The Lovell Beach House by Rudolph Michael Schindler, Newport Beach, 1922-1926." Journal of the Society of Architectural Historians 45, no. 4 (1986): 374–88. http://dx.doi.org/10.2307/990208.

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This is a contextual investigation of the theory and design of Rudolph M. Schindler (1887-1953), one of the most outstanding and interesting architects of the Modern Movement in the United States. Born in 1887 in Vienna, he was trained under Otto Wagner at the Academy of Fine Arts, under Adolf Loos in the Bauschule, and under Frank Lloyd Wright working in his studio in Oak Park and Taliesin. The architectural design of Schindler not only reflects the influence of his teachers but it also has had a lasting influence on modern architecture in the United States. Although Schindler did not teach e
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Bulgakowa, Oksana. "From stage to brain: Montage as a new principle of scientific narrative." Sign Systems Studies 41, no. 2/3 (2013): 200–218. http://dx.doi.org/10.12697/sss.2013.41.2-3.04.

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German Dadaists, Italian and Russian Futurists and Constructivists created in their experiments multi-medial orthopedic bodies as products of collage and montage. Sergei Eisenstein, who was influenced by these experiments, organized his theatrical productions as a chain of independent fragments capable of entering any possible combination/recombination and labelled this method “montage of attractions”. He used the same montage principle not only for a new theatrical or cinematic narrative but also to conceptualize the expressive movement of the theatrical or cinematic body created on stage and
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Double, Oliver. "Punk Rock as Popular Theatre." New Theatre Quarterly 23, no. 1 (2007): 35–48. http://dx.doi.org/10.1017/s0266464x06000613.

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Punk rock performance consciously draws on popular theatre forms such as music hall and stand-up comedy – as was exemplified on the occasion when Max Wall appeared with Ian Dury at the Hammersmith Odeon. Oliver Double traces the historical and stylistic connections between punk, music hall and stand-up, and argues that punk shows can be considered a form of popular theatre in their own right. He examines a wide range of punk bands and performers – including The Sex Pistols, Iggy Pop, Devo, Spizz, The Ramones, The Clash, and Dead Kennedys – to consider how they use costume, staging, personae, c
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Inna, Gumennyk. "THE ROLE OF FREDERICK KIZLER'S CREATIVE ACHIEVEMENT IN THE DEVELOPMENT OF NATIONAL ARCHITECTURE OF LANDSCAPE THEATERS." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 3, no. 1 (2021): 53–59. http://dx.doi.org/10.23939/sa2021.01.053.

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The article is devoted to the study on the influence of the work of the outstanding architect-scenographer of Ukrainian origin Frederic Kizler on the formation of authentic features in the architecture of landscape theatres in Ukraine and the establishment of characteristic features present in modern national cultural and entertainment institutions. The author explores how the creative work in scenography and design of theatrical objects by F.Kizler forms the main trends in the development of the concept of the idea of correalism as the main philosophy of architecture in the future. The role o
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Rajula, Hema Sekhar Reddy, Giuseppe Verlato, Mirko Manchia, Nadia Antonucci, and Vassilios Fanos. "Comparison of Conventional Statistical Methods with Machine Learning in Medicine: Diagnosis, Drug Development, and Treatment." Medicina 56, no. 9 (2020): 455. http://dx.doi.org/10.3390/medicina56090455.

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Futurists have anticipated that novel autonomous technologies, embedded with machine learning (ML), will substantially influence healthcare. ML is focused on making predictions as accurate as possible, while traditional statistical models are aimed at inferring relationships between variables. The benefits of ML comprise flexibility and scalability compared with conventional statistical approaches, which makes it deployable for several tasks, such as diagnosis and classification, and survival predictions. However, much of ML-based analysis remains scattered, lacking a cohesive structure. There
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Christodoulou, Chris. "Haunted Science: The BBC Radiophonic Workshop and the lost futures of hauntological music." Scene 6, no. 2 (2018): 107–20. http://dx.doi.org/10.1386/scene_00012_1.

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This article will explore the particular sense of nostalgia evoked by the sound and music of the BBC Radiophonic Workshop for a utopian future that has been irrevocably lost; a future contextualized in Britain by the post-war consensus and its attendant narratives of public service broadcasting, state planning and benevolent social engineering. I examine the relationship between the workshop’s output and the contemporary cultural experience Mark Fisher defined as ‘hauntology’, before investigating the workshop’s influence on the hauntological music of contemporary artists who use radiophonic s
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Gambini, M., G. L. Guizzi, and M. Vellini. "H 2 ∕ O 2 Cycles: Thermodynamic Potentialities and Limits." Journal of Engineering for Gas Turbines and Power 127, no. 3 (2004): 553–63. http://dx.doi.org/10.1115/1.1924401.

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In this paper, the thermodynamic potentialities and limits of the H2∕O2 turbine cycles (afterward named only H2∕O2 cycles) are investigated. Starting from the conventional gas turbine and steam turbine technology, the paper qualitatively tackles problems related to a change of oxidizer and fuel: from these considerations, an internal combustion steam cycle is analyzed where steam, injected into the combustion chamber together with oxygen and hydrogen, is produced in a regenerative way and plays the important role of inert. A proper parametric analysis is then performed in order to evaluate the
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Cox, Geoffrey. "‘There Must Be a Poetry of Sound That None of Us Knows…’: Early British documentary film and the prefiguring of musique concrète." Organised Sound 22, no. 2 (2017): 172–86. http://dx.doi.org/10.1017/s1355771817000085.

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Standard histories of electronic music tend to trace the lineage of musique concrète as lying mainly in the Futurists’ declarations of the 1910s, through Cage’s ‘emancipation’ of noise in the 1930s, to Schaeffer’s work and codifications of the late 1940s and early 1950s. This article challenges this narrative by drawing attention to the work of filmmakers in the 1930s that foreshadowed the sound experiments of Pierre Schaeffer and thus offers an alternative history of their background. The main focus of the article is on the innovations within documentary film and specifically the sonic explor
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Al-Oshaibat, Suleiman Daood, and Sufian Radwan Al-Manaseer. "The Effect of Accounting and Market Indicators on Predicting the Stock Prices for Jordanian Banks: An Econometric Study for the Period (2010-2015)." International Journal of Economics and Finance 10, no. 4 (2018): 146. http://dx.doi.org/10.5539/ijef.v10n4p146.

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This study aims at examine the ability of a group of financial ratios, which is derived from the financial statements of Jordanian commercial banks, to predict the prices of the market shares for the period (2010-2015). Besides, it investigates the explanatory power and the nature of the relation between some accounting and market indices, including compound and individual indicators, and the market share price. In order to achieve the objectives of this study, the researcher used the Panel Data and the time series data. While the Hussmann Test is used to choose the appropriate model whether i
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Devyatyarova, I. G. "Georgy Maslov and Leonid Martynov: Meetings in the White Capital (Omsk, 1919)." Studies in Theory of Literary Plot and Narratology 15, no. 2 (2020): 236–53. http://dx.doi.org/10.25205/2410-7883-2020-2-236-253.

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The subject of this article arose in connection with the study of the cultural history of Siberia during the Civil War (1918–1922). An appeal to archival documents and L. N. Martynov’s memoirs made it possible to reveal many interesting facts from the life of the White capital and recall one of its significant episodes – the meeting of the schoolboy Leonid Martynov with the Petrograd poet Georgy Maslov in the summer of 1919. They met at the book collection office creating hospital libraries in August 1919. The meeting with the first real poet made a strong impression on Leonid. Young people me
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Ekaterina A., Denisova. "Poetics of the Story Dere ‒ Water Wedding (1932) in the Context of V. Mart’s Far Eastern Prose of the 1920–1930s." Humanitarian Vector 15, no. 5 (2020): 36–43. http://dx.doi.org/10.21209/1996-7853-2020-15-5-36-43.

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The article discusses the poetics of the story Dere ‒ Water Wedding by Venedikt Mart in the context of prose published in the period from 1924 to 1930 devoted to the Far East topics. The writer is often remembered as one of the brightest representatives of futurism in the Far East, however, his prose is still poorly understood. V. Mart’s work is closely connected with the literary process of the Asia-Pacific region, this work reflects the problem of the loss of national and cultural identity of the Far Eastern population, in particular the identity of “gol’dy”. The story has an educational ori
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Klapuri, Tintti. "Venäläisen modernistisen runouden suomalainen käännöshistoria, 1918–1930." AVAIN - Kirjallisuudentutkimuksen aikakauslehti, no. 3 (October 2, 2016): 40–55. http://dx.doi.org/10.30665/av.66163.

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 The Finland-Swedish and Finnish Translation History of Russian Modernist Poetry, 1918–1930
 This article examines the arrival of Russian modernist and avant-garde poetry in Finland in the 1920s by mapping its translation history. The material employed in the article consists of translations into Swedish and Finnish that were published in anthologies or in journals (such as Ultra, Nuori Voima, Quosego, and Tulenkantajat), translation bibliographies, and translators’ personal archives.
 The article shows that Finland-Swedish translations are considerably earlier th
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Jurak, Mirko. "William Shakespeare and Slovene dramatists (III): (1930-2010)." Acta Neophilologica 44, no. 1-2 (2011): 3–34. http://dx.doi.org/10.4312/an.44.1-2.3-34.

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In the final part of my study I shall present Shakespeare's influence on Slovene dramatists from the 1930s to the present time. In this period an almost unbelievable growth in Slovene cultural activities took place. This is also reflected in a very large number of new Slovene playwrights who have written in this time, in their international orientation in dramatic art as well as in the constantly growing number of permanent (and ad hoc) theatre companies. Communication regarding new theatrical tendencies not only in Europe but also in the United States of America and % during the past decades
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Hodgson, Anthony. "Reperceiving the Future." World Futures Review 9, no. 4 (2017): 208–24. http://dx.doi.org/10.1177/1946756717729511.

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The future is an aspect of time and like clock time tends to be taken for granted unquestioned as an experience. There is a tendency for both futurists and management scientists inadvertently to adopt a first-order paradigm. In this article, I introduce a second-order approach in which the presence of the decision maker is acknowledged. In this approach, the phenomenology of time consciousness provides a basis for expanding time into a present moment with richer dimensionality, enlarging linear causality to a set of multiple influences on the present moment, some of which originate in aspects
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Pavićević, Jovana. "ODBRANA POEZIJE: RUSKI FORMALIZAM I NOVA KRITIKA." Lipar XXI, no. 73 (2020): 89–100. http://dx.doi.org/10.46793/lipar73.089p.

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The paper aims to present the key concepts that two formalist schools of thought developed in order to defend poetry as a miracle of communication. Russian Formalism takes Shklovsky’s defamiliarization (остранение) as its key concept and the trans-sense language (zaum) of Russian Futurist poets as a basis for analysing what constitutes differentia specifica of poetry. The ideas of the Russian formalist school, through Roman Jakobson, spread first to Eastern Europe, and then to the United States of America, where they influenced a group of critics, who were already inspired by T. S. Eliot’s and
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Milin, Melita. "Sounds of lament, melancholy and wilderness: The Zenithist revolt and music." Muzikologija, no. 5 (2005): 131–44. http://dx.doi.org/10.2298/muz0505131m.

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The aim of writing this article is to analyze how the articles published by Zenith magazine (1921-1926) reflected the role of modern music within the framework of Zenithism - a movement relating to Dadaism and Futurism. The founder of the movement Ljubomir Micic and the Croatian composer Josip Slavenski both settled in Serbia and shared similar views concerning the Zenithist role of art. They sought to create a novel artistic expression free from Western influence, rooted in primitive and intrinsic creative forces of Eastern, and more specifically, Balkan peoples. Nevertheless, the intellectua
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Kapinos, E. V. "The Russian China in the Last D. A. Prigov’s Novel." Studies in Theory of Literary Plot and Narratology 15, no. 1 (2020): 146–65. http://dx.doi.org/10.25205/2410-7883-2020-1-146-165.

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The article relates to the last novel by D. A. Prigov “Katya the Chinese” (published in 2007), based on the memories of the writer’s wife, N. G. Burova from Harbin, who was born and grew up in the Russian China and left it in 1950s. The main task of the article is to show what stylistic techniques, plots, motives, subtexts allow to recreate the atmosphere of the Russian China and the generalized image of the East. The narration synthesizes the memories of the people of Harbin and recognizable storylines of D. A. Prigov’s work (such, for example, as a fantastic bestiary). In the subtext of the
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A S, Vasudevan. "The Future of Work is a ‘Work in Progress’." NHRD Network Journal 13, no. 4 (2020): 454–63. http://dx.doi.org/10.1177/2631454120968950.

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This article is a phenomenological interpretation of the myriad processes that influence the transient nature of ‘work’ and measures to retrieve the dignity it deserves. Vasu is an emerging organisational futurist whose passion is to develop management educational approaches that ensure a positive outlook of the uncertain future ahead. The differences between Eastern and Western history, especially Indian history is ingrained with a unique resilience to catastrophic events, invasions and embedded diversity. Leaning more in defence of human dignity at work according to Pablo Gilbert, Victor Fra
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Zubenko, Svitlana. "1910–1920's poetry of P. Antokolsky in the context of O. Block’s creative work." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 12, no. 21 (2019): 37–42. http://dx.doi.org/10.34079/2226-3055-2019-12-21-37-42.

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Pavel Antokolsky’s took his first steps in poetry when literary life in Petersburg and Moscow was raging: new poetic circles were formed and new bright personalities appeared. The poems composed by Alexander Block, an older generation poet, were the object of general admiration. But young talents, almost of the same age as Antokolsky, such as Akhmatova, Pasternak, Mandelstam, Tsvetaeva, Mayakovsky, Yesenin, etc. represented themselves as strong, bright personalities, confident poets and competed on equal terms with the previous literary generation. However, despite his bright talent, the young
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Cruz, Shermon O. "Alternative futures of global governance: scenarios and perspectives from the Global South." Foresight 17, no. 2 (2015): 125–42. http://dx.doi.org/10.1108/fs-05-2014-0030.

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Purpose – The purpose of this paper is to provide a critical and informative exploration of the emerging roles and rising influence of the Global South in shaping the future of global governance. Specifically, it inquires into the following questions: How is the Global South impacting the way we govern globally? What are the pushers, pulls and weights to the futures of global governance? Using Jim Dator’s alternative futures archetype, what is the future of global governance? What are the emerging issues and trends? Design/methodology/approach – It uses Sohail Inayatullah’s futures triangle to
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Lipich, Liudmyla Mikhailovna. "Family and family values in the conditions of transformation of tradishional social institutes." Religious Freedom, no. 21 (December 21, 2018): 19–42. http://dx.doi.org/10.32420/rs.2018.21.1248.

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The article is devoted to the transformation of the institute of family and family values in the conditions of globalization of the neoliberal type. The purpose of the article is to describe the process of reinstitualisation of a traditional family into a nontraditional one and the relevant changes of family values.
 Specifies that understanding the social necessity of the family as a social group in order to meet the needs of society in the physical and spiritual reproduction of the population is not a sociological, but a demographic characteristic. The necessity to distinguish the socia
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