Zeitschriftenartikel zum Thema „Futurisme – Influence“
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Williams, Gavin. "A Voice of the Crowd: Futurism and the Politics of Noise." 19th-Century Music 37, no. 2 (2013): 113–29. http://dx.doi.org/10.1525/ncm.2013.37.2.113.
Der volle Inhalt der QuelleWood, Jamie. "‘On or about December 1910’: F. T. Marinetti's Onslaught on London and Recursive Structures in Modernism." Modernist Cultures 10, no. 2 (2015): 135–58. http://dx.doi.org/10.3366/mod.2015.0106.
Der volle Inhalt der QuelleAvdeev, Vasilii Aleksandrovich, and Svetlana Vital'evna Lavrova. "The image of a machine in Italian futurism: manifests, music, painting." PHILHARMONICA. International Music Journal, no. 3 (March 2021): 47–68. http://dx.doi.org/10.7256/2453-613x.2021.3.35341.
Der volle Inhalt der QuelleGIULIODORI, Lucio, Valentina ULIUMDZHIEVA, Elena NOTINA, and Irina BYKOVA. "Thinking beyond, living beyond: Futurism." WISDOM 15, no. 2 (2020): 176–87. http://dx.doi.org/10.24234/wisdom.v15i2.346.
Der volle Inhalt der QuelleGewirtz, Julian. "The Futurists of Beijing: Alvin Toffler, Zhao Ziyang, and China's “New Technological Revolution,” 1979–1991." Journal of Asian Studies 78, no. 1 (2019): 115–40. http://dx.doi.org/10.1017/s0021911818002619.
Der volle Inhalt der QuelleAptekman, Marina. "The problem of language and reality in Russian modernism: The conception of mirotvorchestvo in A. Remizov’s Rossiya v pis’menah." Sign Systems Studies 31, no. 2 (2003): 465–82. http://dx.doi.org/10.12697/sss.2003.31.2.08.
Der volle Inhalt der QuellePark, Sun Hee. "The Influence of 1960's Futurism on Modern Make-up." International Journal of Costume and Fashion 8, no. 2 (2008): 11–19. http://dx.doi.org/10.7233/ijcf.2008.8.2.011.
Der volle Inhalt der QuelleGorrillot, Bénédicte. "Illisibilité ou dis-lisibilité de l’écriture poétique française contemporaine : le cas de Christian Prigent / Il-Legibility or Dis-Legibility in French Contemporary Poetry: Christian Prigent." Aletria: Revista de Estudos de Literatura 26, no. 3 (2017): 253–72. http://dx.doi.org/10.17851/2317-2096.26.3.253-272.
Der volle Inhalt der QuelleMerwin, Ted. "I. Loïe Fuller's influence on F. T. Marinetti's futurist dance." Dance Chronicle 21, no. 1 (1998): 73–92. http://dx.doi.org/10.1080/01472529808569297.
Der volle Inhalt der QuelleBylieva, Daria, and Victoria Lobatyuk. "The image of the sun in the art of the beginning of the 20th century." OOO "Zhurnal "Voprosy Istorii" 2021 (March 1, 2021): 200–205. http://dx.doi.org/10.31166/voprosyistorii202103statyi10.
Der volle Inhalt der QuelleWu, Shi-Yen, Felicia Wagiri, Yen-Fen Huang, and Shen-Guan Shih. "Digital Biomimetic Architecture between Art and Dynamic Structure: Case Study—Wings in Flight." Complexity 2020 (June 22, 2020): 1–15. http://dx.doi.org/10.1155/2020/2757929.
Der volle Inhalt der QuelleCho, Youngah, and Keysook Geum. "A Study on the Formativeness of Tuta, an Artistic Clothing Influenced by Futurism." Journal of the Korean Society of Costume 65, no. 7 (2015): 19–31. http://dx.doi.org/10.7233/jksc.2015.65.7.019.
Der volle Inhalt der QuelleGary, Jay. "Graham Molitor: A Futurist for the Third Millennium." World Futures Review 10, no. 1 (2017): 38–42. http://dx.doi.org/10.1177/1946756717746978.
Der volle Inhalt der QuelleVanagaitė, Gitana. "Lithuanian Literature in 1918–1940: The Dynamics of Influences and Originality." Interlitteraria 23, no. 2 (2019): 340–53. http://dx.doi.org/10.12697/il.2018.23.2.10.
Der volle Inhalt der QuelleVacche, Angela Dalle. "Lyda Borelli’s Satanic Rhapsody: The Cinema and the Occult." Cinémas 16, no. 1 (2006): 91–115. http://dx.doi.org/10.7202/013052ar.
Der volle Inhalt der QuelleDuffy, Kevin P., Laura N. Rickard, and Paul Grosswiler. "Routine Influences on Aquaculture News Selection: A Q Method Study With New England Journalists." Science Communication 41, no. 5 (2019): 602–32. http://dx.doi.org/10.1177/1075547019862554.
Der volle Inhalt der QuelleDaly, Selena. "Arrigo Boito’s Legacy to Futurism:Re Orsoand its influence on Filippo Tommaso Marinetti’sLe Roi Bombance." Romance Studies 34, no. 2 (2016): 101–13. http://dx.doi.org/10.1080/02639904.2016.1151259.
Der volle Inhalt der QuelleKling, Oleg A. "REALIZATION OF THEORETIC AND LITERARY VIEWS OF ANDREI BELY IN "PETERSBURG": INFLUENCE ON THE FORMALISM AND FUTURISM." RSUH/RGGU Bulletin. Series History. Philology. Cultural Studies. Oriental Studies, no. 2 (2018): 194–205. http://dx.doi.org/10.28995/2073-6355-2018-2-194-205.
Der volle Inhalt der QuelleDematagoda, Udith. "‘Machinic Desire’: Wyndham Lewis, Masculinity and the Sublime Horror of Technological War." Modernist Cultures 15, no. 4 (2020): 488–514. http://dx.doi.org/10.3366/mod.2020.0310.
Der volle Inhalt der QuelleKuznetsova, Ekaterina V. "Reception of Henri de Regnier’s Poetry by Maximilian Voloshin and Igor Severyanin." Studia Litterarum 6, no. 1 (2021): 66–87. http://dx.doi.org/10.22455/2500-4247-2021-6-1-66-87.
Der volle Inhalt der QuelleIlnytskyi, Mykola. "If really “without school and inheritors”?" Слово і Час, no. 6 (November 26, 2020): 47–56. http://dx.doi.org/10.33608/0236-1477.2020.06.47-56.
Der volle Inhalt der QuelleBátiz-Lazo, Bernardo, Thomas Haigh, and David L. Stearns. "How the Future Shaped the Past: The Case of the Cashless Society." Enterprise & Society 15, no. 1 (2014): 103–31. http://dx.doi.org/10.1093/es/kht024.
Der volle Inhalt der QuelleARFARA, KATIA. "Denaturalizing Time: On Kris Verdonck's Performative Installation End." Theatre Research International 39, no. 1 (2014): 47–56. http://dx.doi.org/10.1017/s0307883313000540.
Der volle Inhalt der QuelleKaźmierczyk, Zbigniew. "Rosja Aleksandra Wata – Czesławowi Miłoszowi ukazana." Acta Polono-Ruthenica 4, no. XXII (2018): 33–46. http://dx.doi.org/10.31648/apr.1236.
Der volle Inhalt der QuelleMCNEELY, IAN F. "PETER DRUCKER'S PROTESTANT ETHIC: BETWEEN EUROPEAN HUMANISM AND AMERICAN MANAGEMENT." Modern Intellectual History 17, no. 4 (2018): 1069–97. http://dx.doi.org/10.1017/s1479244318000525.
Der volle Inhalt der QuelleMayo, Peter. "Gramsci: Power, culture & education." ACTIO NOVA: Revista de Teoría de la Literatura y Literatura Comparada, no. 4 (December 18, 2020): 23–45. http://dx.doi.org/10.15366/actionova2020.4.002.
Der volle Inhalt der QuelleGamsa, Mark. "Sergei Tret'iakov's Roar, China! between Moscow and China." Itinerario 36, no. 2 (2012): 91–108. http://dx.doi.org/10.1017/s0165115312000587.
Der volle Inhalt der QuelleOpran, Elena Rodica, Dan Valeriu Voinea, and Mirela Teodorescu. "Art and Being in Neutrosophic Communication." International Letters of Social and Humanistic Sciences 47 (February 2015): 16–27. http://dx.doi.org/10.18052/www.scipress.com/ilshs.47.16.
Der volle Inhalt der QuelleMacalam, Trecella May, and Rozzano Locsin. "Humanoid Nurse Robots and Compassion: Dialogical Conversation with Rozzano Locsin." Journal of Health and Caring Sciences 2, no. 1 (2020): 71–77. http://dx.doi.org/10.37719/jhcs.2020.v2i1.rna001.
Der volle Inhalt der QuelleSarnitz, August E. "Proportion and Beauty-The Lovell Beach House by Rudolph Michael Schindler, Newport Beach, 1922-1926." Journal of the Society of Architectural Historians 45, no. 4 (1986): 374–88. http://dx.doi.org/10.2307/990208.
Der volle Inhalt der QuelleBulgakowa, Oksana. "From stage to brain: Montage as a new principle of scientific narrative." Sign Systems Studies 41, no. 2/3 (2013): 200–218. http://dx.doi.org/10.12697/sss.2013.41.2-3.04.
Der volle Inhalt der QuelleDouble, Oliver. "Punk Rock as Popular Theatre." New Theatre Quarterly 23, no. 1 (2007): 35–48. http://dx.doi.org/10.1017/s0266464x06000613.
Der volle Inhalt der QuelleInna, Gumennyk. "THE ROLE OF FREDERICK KIZLER'S CREATIVE ACHIEVEMENT IN THE DEVELOPMENT OF NATIONAL ARCHITECTURE OF LANDSCAPE THEATERS." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 3, no. 1 (2021): 53–59. http://dx.doi.org/10.23939/sa2021.01.053.
Der volle Inhalt der QuelleRajula, Hema Sekhar Reddy, Giuseppe Verlato, Mirko Manchia, Nadia Antonucci, and Vassilios Fanos. "Comparison of Conventional Statistical Methods with Machine Learning in Medicine: Diagnosis, Drug Development, and Treatment." Medicina 56, no. 9 (2020): 455. http://dx.doi.org/10.3390/medicina56090455.
Der volle Inhalt der QuelleChristodoulou, Chris. "Haunted Science: The BBC Radiophonic Workshop and the lost futures of hauntological music." Scene 6, no. 2 (2018): 107–20. http://dx.doi.org/10.1386/scene_00012_1.
Der volle Inhalt der QuelleGambini, M., G. L. Guizzi, and M. Vellini. "H 2 ∕ O 2 Cycles: Thermodynamic Potentialities and Limits." Journal of Engineering for Gas Turbines and Power 127, no. 3 (2004): 553–63. http://dx.doi.org/10.1115/1.1924401.
Der volle Inhalt der QuelleCox, Geoffrey. "‘There Must Be a Poetry of Sound That None of Us Knows…’: Early British documentary film and the prefiguring of musique concrète." Organised Sound 22, no. 2 (2017): 172–86. http://dx.doi.org/10.1017/s1355771817000085.
Der volle Inhalt der QuelleAl-Oshaibat, Suleiman Daood, and Sufian Radwan Al-Manaseer. "The Effect of Accounting and Market Indicators on Predicting the Stock Prices for Jordanian Banks: An Econometric Study for the Period (2010-2015)." International Journal of Economics and Finance 10, no. 4 (2018): 146. http://dx.doi.org/10.5539/ijef.v10n4p146.
Der volle Inhalt der QuelleDevyatyarova, I. G. "Georgy Maslov and Leonid Martynov: Meetings in the White Capital (Omsk, 1919)." Studies in Theory of Literary Plot and Narratology 15, no. 2 (2020): 236–53. http://dx.doi.org/10.25205/2410-7883-2020-2-236-253.
Der volle Inhalt der QuelleEkaterina A., Denisova. "Poetics of the Story Dere ‒ Water Wedding (1932) in the Context of V. Mart’s Far Eastern Prose of the 1920–1930s." Humanitarian Vector 15, no. 5 (2020): 36–43. http://dx.doi.org/10.21209/1996-7853-2020-15-5-36-43.
Der volle Inhalt der QuelleKlapuri, Tintti. "Venäläisen modernistisen runouden suomalainen käännöshistoria, 1918–1930." AVAIN - Kirjallisuudentutkimuksen aikakauslehti, no. 3 (October 2, 2016): 40–55. http://dx.doi.org/10.30665/av.66163.
Der volle Inhalt der QuelleJurak, Mirko. "William Shakespeare and Slovene dramatists (III): (1930-2010)." Acta Neophilologica 44, no. 1-2 (2011): 3–34. http://dx.doi.org/10.4312/an.44.1-2.3-34.
Der volle Inhalt der QuelleHodgson, Anthony. "Reperceiving the Future." World Futures Review 9, no. 4 (2017): 208–24. http://dx.doi.org/10.1177/1946756717729511.
Der volle Inhalt der QuellePavićević, Jovana. "ODBRANA POEZIJE: RUSKI FORMALIZAM I NOVA KRITIKA." Lipar XXI, no. 73 (2020): 89–100. http://dx.doi.org/10.46793/lipar73.089p.
Der volle Inhalt der QuelleMilin, Melita. "Sounds of lament, melancholy and wilderness: The Zenithist revolt and music." Muzikologija, no. 5 (2005): 131–44. http://dx.doi.org/10.2298/muz0505131m.
Der volle Inhalt der QuelleKapinos, E. V. "The Russian China in the Last D. A. Prigov’s Novel." Studies in Theory of Literary Plot and Narratology 15, no. 1 (2020): 146–65. http://dx.doi.org/10.25205/2410-7883-2020-1-146-165.
Der volle Inhalt der QuelleA S, Vasudevan. "The Future of Work is a ‘Work in Progress’." NHRD Network Journal 13, no. 4 (2020): 454–63. http://dx.doi.org/10.1177/2631454120968950.
Der volle Inhalt der QuelleZubenko, Svitlana. "1910–1920's poetry of P. Antokolsky in the context of O. Block’s creative work." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 12, no. 21 (2019): 37–42. http://dx.doi.org/10.34079/2226-3055-2019-12-21-37-42.
Der volle Inhalt der QuelleCruz, Shermon O. "Alternative futures of global governance: scenarios and perspectives from the Global South." Foresight 17, no. 2 (2015): 125–42. http://dx.doi.org/10.1108/fs-05-2014-0030.
Der volle Inhalt der QuelleLipich, Liudmyla Mikhailovna. "Family and family values in the conditions of transformation of tradishional social institutes." Religious Freedom, no. 21 (December 21, 2018): 19–42. http://dx.doi.org/10.32420/rs.2018.21.1248.
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