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Thematische Bibliographien / Gardens in music / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Gardens in music“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 28. Juli 2025

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1

Hughes, Edward Dudley, Bent Sorensen, Rebecca Hirsch, et al. "Gardens of Delight." Musical Times 137, no. 1844 (1996): 35. http://dx.doi.org/10.2307/1003875.

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2

Wong Jun Xiang. "Garden Plus +." Trends in Undergraduate Research 6, no. 1 (2023): j11–14. http://dx.doi.org/10.33736/tur.5790.2023.

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Given how close the school is to the site, it gives one the idea of designing a playful space for the youth. With children as the target user, the modular structure needs to have multiple functions while bringing liveliness to the garden. Mini gardens promote gardening skills while the rock garden is enhanced. Music promotes interest and interactive plays. Picnics promote gatherings. The passage promotes views and perhaps photographic activities.

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Vela Castillo, José. "Un jardín rocoso. Cinco estampas de Ryōan-ji." VLC arquitectura. Research Journal 7, no. 1 (2020): 33. http://dx.doi.org/10.4995/vlc.2020.10901.

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<p>Five (woodblock) prints of Ryōan-ji presents five approaches to the famous dry garden located in the homonymous temple in Kyoto. The aim has been to explore through them different peculiarities of this garden, and by extension, of Japanese dry gardens of Zen inspiration. The fields explored include narrative (Kawabata), music (Cage and Takemitsu), cinema (Ozu, Iimura) and architecture (Isozaki and Mies, in passing). The main intention has not been to give a unitary vison of Ryōan-ji. Instead, like the dazzle at the end of a haiku, I tried to build a mechanism of partial enlightenments

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Brazgovskaya, Elena. "Man in the “Points of Intensity”: Garden as a Space of Self- Identification." Respectus Philologicus 26, no. 31 (2014): 57–67. http://dx.doi.org/10.15388/respectus.2014.26.31.4.

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The article deals with the issue of semiotic and cognitive potential of a garden as a compositional form (“Ogrody” by Jarosław Iwaszkiewicz). Silva rerum, florilegia, hortus act as its genre presupposition in European artistic tradition. We define the semiotic potential of a “garden” through the system of symbolic meanings: garden as a collection, locus amoenus, sphere of potentiality or ordering, garden as a memory space, intellectual space, etc. The garden via a compositional form of this text and the space of thought functions as an iconic sign of memory. Each object of the past, being repl

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Dudkiewicz, Margot, Patryk Krupiński, Magdalena Stefanek, and Marcin Iwanek. "Sensory garden in the school area." Teka Komisji Architektury, Urbanistyki i Studiów Krajobrazowych 16, no. 1 (2020): 87–93. http://dx.doi.org/10.35784/teka.713.

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School gardens play a huge role in learning about nature by children and young people. Lessons conducted in the open air surrounded by greenery develop the natural interests of students who can observe individual stages of plant development and change of seasons. In school gardens, classes in biological and chemical subjects, art, music, Polish and English can be conducted. The study presents a study of a selected case – a concept of land development at the Primary School in Stasin (Lubelskie Voivodeship) changing the current school environment into a sensory garden. The new project will meet

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Carlson, Allen, and Stephanie Ross. "What Gardens Mean." Journal of Aesthetics and Art Criticism 57, no. 3 (1999): 376. http://dx.doi.org/10.2307/432208.

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7

Whitmire, Heather, and Mary Haque. "INCORPORATING CREATIVE LEARNING INTO HORTICULTURE CLASSES." HortScience 40, no. 3 (2005): 883d—883. http://dx.doi.org/10.21273/hortsci.40.3.883d.

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The Clemson University Communication Across The Curriculum program is coordinating a creative response for learning (CRL) project to provide students with creative learning and critical thinking opportunities relevant to course content while creating a learning community. Faculty representing numerous disciplines asked their students to respond with creative projects (e.g., drawings, poems, posters, multimedia, sculpture, music, etc.) to the subject matter of the course. Students in Horticulture courses responded by writing poems in a Landscape Appreciation class, designing creative solutions

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Miller, Malcolm, and Martin Anderson. "FIVE LONDON REPORTS." Tempo 59, no. 233 (2005): 57–61. http://dx.doi.org/10.1017/s0040298205280233.

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Purcell Room: Charles HartManoukian Cultural Centre, St Yegiche's Armenian Church, Cranley Gardens: Mikhail PletnevPurcell Room: Roxanna PanufnikLeighton House and The Warehouse: Jonathan Powell, ‘Finland Piano Suomi’Leighton House: Richard Dubugnon's ‘Mikroncerto III’

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Cheng, Ji, and Alison Hardie. "The Craft of Gardens." Journal of Aesthetics and Art Criticism 47, no. 3 (1989): 299. http://dx.doi.org/10.2307/431017.

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10

FERRARI, G. R. F. "The Meaninglessness of Gardens." Journal of Aesthetics and Art Criticism 68, no. 1 (2010): 33–45. http://dx.doi.org/10.1111/j.1540-6245.2009.01390.x.

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11

Smyth, Gerry. "‘Gardens All Wet With Rain’: Pastoralism in the Music of Van Morrison." Irish University Review 49, no. 1 (2019): 171–87. http://dx.doi.org/10.3366/iur.2019.0387.

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‘Ecomusicology’ is a developing field that looks to explore the interface between modern eco-theory and a range of historical and contemporary musical phenomena. Generated as it is by a country in which ideas of space/place and ideas of music feature particularly strongly, it is likely that Irish cultural history will resonate powerfully in relation to an ecomusicological perspective. The early work of Van Morrison is rooted in the hippie counter-culture of the 1960s, one principal strand of which concerned environmental despoliation and the need for some form of re-enchantment with nature. By

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Summers, Elaine, and Kristine Marx. "Gardens of Light and Movement." PAJ: A Journal of Performance and Art 30, no. 3 (2008): 25–40. http://dx.doi.org/10.1162/pajj.2008.30.3.25.

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13

Dubois, Pierre. "Porous Places: Music in the (Late) Pleasure Gardens and Social Ambiguity." XVII-XVIII, no. 72 (December 1, 2015): 115–28. http://dx.doi.org/10.4000/1718.361.

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14

CARLSON, ALLEN. "Stephanie Ross, What Gardens Mean." Journal of Aesthetics and Art Criticism 57, no. 3 (1999): 376. http://dx.doi.org/10.1111/1540_6245.jaac57.3.0376.

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15

Crumley, Elizabeth, Charles W. Moore, William J. Mitchell, and William Turnbull. "The Poetics of Gardens." Leonardo 23, no. 1 (1990): 150. http://dx.doi.org/10.2307/1578497.

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16

McMullen, Shannon C., and Fabian Winkler. "Soybots: Mobile Micro-Gardens." Leonardo 50, no. 5 (2017): 507–8. http://dx.doi.org/10.1162/leon_a_01232.

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Gardens express ideas and social relations; some are sites where art and technology produce material realities, construct social narratives and visualize politics. Soybots: Mobile Micro-Gardens unite code, robotics and soybean plants (robotanics) to create a speculative responsive installation that suggests questions about climate, place and agriculture implicated in contemporary practices and values. Soybots utilize light sensors to track sunlight intensity or to locate LED grow lights. As self-pollinating organisms in combination with a light-seeking mobile robotic platform, soybean plants m

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McMullen, Shannon, Fabian Winkler, and Steven Zuiker. "Gardens, Machines and Education." Leonardo 51, no. 3 (2018): 296–97. http://dx.doi.org/10.1162/leon_a_01531.

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The authors discuss their contributions to the 2015 Balance-Unbalance conference goals, bringing together McMullen_Winkler’s Soybots artwork and Zuiker’s Connected Gardening partnership with a local Phoenix elementary school. This collaborative effort balanced art, plants and technology for alternative learning experiences about future natures.

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Holmes, N. M. McQ, Annette Carruthers, Robin Turner, Leendert P. Louwe Kooijmans, and Evelyn Stell. "Lecture Summaries 2001 - 2002." Proceedings of the Society of Antiquaries of Scotland 132 (November 30, 2003): 555–60. http://dx.doi.org/10.9750/psas.132.555.560.

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Five lecture summaries:The evidence of finds for the circulation and use of coins in medieval ScotlandArchitecture, Nature and Magic: some house restoration projects in Scotland by Arts and Crafts designersThe archaeology of gardens and designed landscapes in the National Trust for ScotlandHardinxveld, 5500–4450 cal BC. Recent excavation of two hunting-fishing sites in the wetlands of the Rhine Delta, The NetherlandsScottish instrumental music 1603-1707

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JONCUS, BERTA. "‘HIS SPIRIT IS IN ACTION SEEN’: MILTON, MRS CLIVE AND THE SIMULACRA OF THE PASTORAL IN COMUS." Eighteenth Century Music 2, no. 1 (2005): 7–40. http://dx.doi.org/10.1017/s1478570605000230.

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This article explores the relationship between Drury Lane’s most popular eighteenth-century masque, Comus (1738), and the contemporary fashions in politics, literature and recreation that informed it. On one level, the masque was a revival honouring Milton, the author of its libretto, in a manner consistent with his eighteenth-century reception: as a genius whose merit was just being recognized, and as a patriot hero whose incorruptibility mirrored the aspirations of those pledging allegiance to ‘British’ values.On another level, however, the pastoral entertainment seems to have been mainly co

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Nickel, Luke. "SCORES IN BLOOM: SOME RECENT ORALLY TRANSMITTED EXPERIMENTAL MUSIC." Tempo 74, no. 293 (2020): 54–69. http://dx.doi.org/10.1017/s0040298220000261.

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AbstractA small group of composers and performers are collaborating orally/aurally on the creation of experimental music that eschews written scores (‘living scores’). By charting the overlaps between working methods and relationships – both social and musical – this article endeavours to shed light on how these practices rub against standard modes of documentation, transmission, scholarship and performance. The article begins by mapping out of the orally transmitted collaborative practices of four composers – Cassandra Miller, Pascale Criton, Éliane Radigue and me – as documented through inte

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Joncus, Berta. "‘To Propagate Sound for Sense’: Music for Diversion and Seduction at Ranelagh Gardens." London Journal 38, no. 1 (2013): 34–66. http://dx.doi.org/10.1179/0305803412z.00000000020.

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CHRISSOCHOIDIS, ILIAS. "HANDEL RECOVERING: FRESH LIGHT ON HIS AFFAIRS IN 1737." Eighteenth Century Music 5, no. 2 (2008): 237–44. http://dx.doi.org/10.1017/s1478570608001504.

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The summer and autumn of 1737 remain a foggy patch in Handel biography owing to poor documentation and Handel’s absence from London. We do not know whether his illness led to a rapprochement with the ‘Nobility’ opera, how his visit to Aix-la-Chapel complicated the new opera season or, especially, whether these developments relate to Farinelli’s defection to Spain. This shaky factual ground also restricts our understanding of later events such as Handel’s lucrative benefit in March 1738 and the celebrated Roubiliac statue in Vauxhall Gardens. Thanks to surviving issues of the Daily Advertiser,

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WEBER, WILLIAM. "VAUXHALL REVISITED: PLEASURE GARDENS AND THEIR PUBLICS, 1660–1880 TATE BRITAIN, LONDON 14–16 JULY 2008." Eighteenth Century Music 6, no. 1 (2009): 151–53. http://dx.doi.org/10.1017/s1478570609001912.

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CHRISSOCHOIDIS, ILIAS. "‘HEE-HAW … LLELUJAH’: HANDEL AMONG THE VAUXHALL ASSES (1732)." Eighteenth Century Music 7, no. 2 (2010): 221–62. http://dx.doi.org/10.1017/s1478570610000059.

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ABSTRACTThe discovery of a satirical list from 1732 helps us revisit Handel's affairs during the early 1730s. Placing the composer among elite guests at the opening night of Vauxhall Gardens in 1732, the new document predates his known links with the venue by six years, offers a rare description of him as subservient to John James Heidegger and possibly alludes to his medical condition prior to 1737. It also invites an exploration of hidden affinities between English oratorio and John Henley's much-abused Oratory, including a hypothesis about the strictures applied to Esther by the Bishop of L

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Wood, Emma. ""In her prophetic fury sewed the work": Remembering Sybil's Handkerchief and Magical Artistries in Djanet Sears' Harlem Duet." tba: Journal of Art, Media, and Visual Culture 3, no. 1 (2021): 174–83. http://dx.doi.org/10.5206/tba.v3i1.13917.

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This paper examines the history of black women artistries, postcolonial magic, and music within Canadian playwright Djanet Sears’ 1997 Toronto production Harlem Duet. In a modern re-adaptation of Shakespeare’s Othello, Sears’ Harlem Duet resituates literary historical symbols, like the infamous handkerchief, and Shakespearean hidden characters within a diasporic and empowered space of agency, intergenerational trauma, and reclamation. With the maternal theoretical foundation of Alice Walker’s work “In Search of Our Mothers’ Gardens,” this paper matrilineally connects Harlem Duet’s protagonist

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Armstrong, Keith. "Re-Imagining Utopias: The Bat/Human Project." Leonardo 47, no. 3 (2014): 282–85. http://dx.doi.org/10.1162/leon_a_00782.

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The making of the modern world has long been fuelled by utopian images that are blind to ecological reality. Botanical gardens are but one example - who typically portray themselves as miniature, isolated ‘edens on earth’, whereas they are now in many cases self-evidently also the vital ‘lungs’ of crowded cities, as well as critical habitats for threatened biodiversity. In 2010 the ‘Remnant Emergency Art lab’ set out to question utopian thinking through a creative provocation called the ‘Botanical Gardens ‘X-Tension’ - an imagined city-wide, distributed, network of ‘ecological gardens’ suited

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MILLER, MARA. "A Philosophy of Gardens by cooper, david e." Journal of Aesthetics and Art Criticism 65, no. 4 (2007): 430–32. http://dx.doi.org/10.1111/j.1540-594x.2007.00277_7.x.

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McGuirk, Niall, and Michael Mary Murphy. "Rebellion Festival, Winter Gardens, Blackpool, UK, 3-6 August 2023." Punk & Post-Punk 12, no. 3 (2023): 451–56. http://dx.doi.org/10.1386/punk_00227_5.

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CHUNG, JULIANNE. "Moral Cultivation: Japanese Gardens, Personal Ideals, and Ecological Citizenship." Journal of Aesthetics and Art Criticism 76, no. 4 (2018): 507–18. http://dx.doi.org/10.1111/jaac.12597.

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Wood, Grant, and JP Rousseaux. "Addiction Recovery, Gardening, and Faith: The Garden of Allan." Engaged Scholar Journal: Community-Engaged Research, Teaching, and Learning 3, no. 1 (2017): 101–9. http://dx.doi.org/10.15402/esj.v1i1.227.

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The Garden of Allan is far from the Garden of Eden, but God, the first and ultimate gardener is there. Teen Challenge (TC), a faith-based, residential drug and alcohol rehabilitation program on 10 acres of land in rural Saskatchewan near the town of Allan. What began with a simple church bulletin, with a notice saying that Teen Challenge needed donations of fruits and vegetables lead to the development of an active gardening and food project at the centre. What could have been a simple donation developed into a project that has dramatically changed the life of the volunteer coordinator, and th

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Conklin, Janine R., and Patricia R. Drackett. "A Survey Method to Gauge Public Interest in Programs, Activities, and Events at Arboreta and Botanic Gardens." Journal of Environmental Horticulture 29, no. 1 (2011): 1–8. http://dx.doi.org/10.24266/0738-2898-29.1.1.

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Abstract To provide arboreta and botanic gardens with a guide to determine public interests in programs at their institution, a case study was completed of the Crosby Arboretum, Mississippi State University. ‘Community’ was defined as participants that resided within 105 km (65 mi) of the arboretum (97% of community respondents) and attended the Picayune Street Fair. ‘Visitors’ were defined as respondents that attended the Piney Woods Heritage Festival at the arboretum. At each event, an intercept survey was conducted in Picayune, MS, during November 2009 where self-selected respondents (n = 2

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Owens, Evan, Johann Christian Bach, Thomas Augustine Arne, and William Boyce. "Favourite Songs Sung at Vauxhall Gardens; Originally Published in London, 1766-1779." Notes 43, no. 3 (1987): 666. http://dx.doi.org/10.2307/898213.

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Widyastuti, Thera, and Banggas Limbong. "PESONA JAWA DALAM PUISI RUSIA." Paradigma, Jurnal Kajian Budaya 6, no. 1 (2016): 123. http://dx.doi.org/10.17510/paradigma.v6i1.85.

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This research will analyze Russian poems by using the approach of sociology of literature. Poetry is a popular form in Russian literature. The presence of the poets with their works make people in the world know Russian literature. The poets’s journey to all over the world provide experiences that inspire their works. Nusantara as a region famous for its natural resources has attracted Europeans, and has inspired the Russian poets Esperovich Esper Ukhtomsky, Konstantin Dmitriyevich Balmont, Valery Yakovlevich Bryusov and Vladimir Yurievich Elsner. They wrote poems the beauty of the natural and

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Laurence, Becca. "Sonic Postcards." Leonardo Music Journal 16 (December 2006): 75. http://dx.doi.org/10.1162/lmj.2006.16.75a.

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Sonic Postcard 1: From Chelsea Children's Hospital School, London, created by the pupils from the Collingham Gardens site, facilitated by Jo Lucas. Sonic Postcard 2: From Ashcott Primary School, Somerset, created by Sophie Hunt-Davison and Victoria Langford, facilitated by Tony Whitehead. Sonic Postcard 3: From Market Place Primary School, Aberdeenshire, created by class P6, facilitated by Pippa Murphy.

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Watt, Paul. "A ‘Gigantic and Popular Place of Entertainment’: Granville Bantock and Music-Making at the New Brighton Tower in the Late 1890s." Royal Musical Association Research Chronicle 42 (2009): 109–64. http://dx.doi.org/10.1080/14723808.2009.10541027.

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In 1897, the New Brighton Tower and its Gardens opened for business. This vast leisure precinct attracted millions of visitors each year and provided a host of leisure activities including ballroom dancing, acrobatics, exhibitions of foreign and exotic cultures and orchestral concerts. This article focuses on the first four years of the orchestra's life when it was conducted by Granville Bantock, the only period of the orchestra's history for which many programmes have survived and from which a detailed reconstruction of the orchestra's repertory and programming can be made. The article discus

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Ross, Stephanie, and John Dixon Hunt. "Gardens and the Picturesque: Studies in the History of Landscape Architecture." Journal of Aesthetics and Art Criticism 52, no. 2 (1994): 250. http://dx.doi.org/10.2307/431178.

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Pinkel, Sheila. "Thermonuclear Gardens: Information Artworks about the U.S. Military-Industrial Complex." Leonardo 34, no. 4 (2001): 319–26. http://dx.doi.org/10.1162/00240940152549258.

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The author traces the evolution of her installations about the military-industrial complex during the 1980s and early 1990s and artworks that emerged as a result of her research. In addition to national and international data, maps, graphs and statistics about the industry, the author over time progressively added regional, site-specific information in order to empower viewers. The process of creating these works revealed the place of the nuclear industry in the author's own family, which ultimately facilitated the design of later installations.

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Макаловская, Ирина Геннадьевна. "Public Concert in England as a Socio-Cultural Ritual and its Historic Forms." Научный вестник Московской консерватории, no. 3(46) (October 25, 2021): 142–57. http://dx.doi.org/10.26176/mosconsv.2021.46.3.006.

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Публичный музыкальный концерт по сути своей - социокультурный ритуал, в рамках которого взаимодействуют публика и музыканты. Часто формат концерта является и одним из маркеров деления музыки на «популярную» и «академическую», но это не всегда верно. Уже со времен появления первых публичных концертов в Англии организаторы привлекали слушателей, разнообразя формы исполнения, включая в программу совершенно разные произведения, как развлекательные, так и «серьезные», как известные, так и новые для публики, стремясь угодить различным вкусам, а также меняли формат концертов, ориентируясь на предпочт

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ROSS, STEPHANIE. "John Dixon Hunt, Gardens and The Picturesque: Studies in The History of Landscape Architecture." Journal of Aesthetics and Art Criticism 52, no. 2 (1994): 250–51. http://dx.doi.org/10.1111/1540_6245.jaac52.2.0250.

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40

Wallen, Lawrence. "On the Reconstruction of Landscape." Leonardo 53, no. 1 (2020): 92–93. http://dx.doi.org/10.1162/leon_a_01830.

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This statement provides the theoretical and artistic context for the author’s installation on the reconstruction of landscape, shown at the Palace of Arts within the framework of Cairotronica 2016. It does so by examining four of the author’s previous works that are related to the Cairo work in that they employ historic or past gardens that are argued here to be heterotopias.

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Ballengee, Christopher L. "Manuel de Falla: When the Fire Burns & Nights in the Gardens of Spain dir. by Larry Weinstein." Notes 72, no. 3 (2016): 601–2. http://dx.doi.org/10.1353/not.2016.0002.

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Arnheim, Rudolf, and David A. Slawson. "Secret Teachings in the Art of Japanese Gardens: Design Principles, Artistic Values." Leonardo 22, no. 1 (1989): 126. http://dx.doi.org/10.2307/1575156.

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Peterson, Christian Philip, and Charles F. Howlett. "Guest Editors' Introduction to Multidimensional Perspectives Addressing the Struggle for Peace and Justice." Peace & Change 49, no. 4 (2024): 333–39. http://dx.doi.org/10.1111/pech.12706.

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AbstractThis special issue undertakes an examination of the multidimensional perspectives authors have written to address the ongoing struggle in the quest for peace and justice. While there is an abundance of lengthy and detailed scholarly analyses available about the issues of violence, war, and peace and justice, these short, concise essays take a rather unique approach. They look at the topic from a variety of perspectives, which includes activists not in the academy, an academic playwright, a museum curator, an international relations scholar, and historians writing about parks and garden

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Weng, Yuxi, Yujie Zhu, Songying Ma, et al. "Quantitative Analysis of Physiological and Psychological Impacts of Visual and Auditory Elements in Wuyishan National Park Using Eye-Tracking." Forests 15, no. 7 (2024): 1210. http://dx.doi.org/10.3390/f15071210.

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Amidst rapid societal changes and increasing urbanization, human connectivity with nature has declined, exacerbating public health concerns. This study assesses the efficacy of Shinrin-yoku, or ‘forest bathing’, in Wuyishan National Park as a simple and effective method to counteract the adverse health effects of contemporary lifestyles. Employing repeated-measures analysis of variance, forty-one participants were observed over three days across eight distinct forest settings. Techniques included eye-tracking for visual attention and soundscape perception assessments via questionnaires. Physio

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PAINE, GARTH. "Reeds: a responsive environmental sound installation." Organised Sound 8, no. 2 (2003): 139–49. http://dx.doi.org/10.1017/s1355771803000037.

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This article discusses the responsive sound installation Reeds. The Reeds project was commissioned by the Melbourne International Festival of the Arts in 2000, and first exhibited in November and December of that year on the Ornamental Lake at the Royal Botanic Gardens, Melbourne. It consists of twenty-one large floating sculptures, modelled to represent clusters of river reeds in immaculate man-made plantings. Each reed pod contains a collection of electronics for either the gathering of weather information or the reception and dispersion of sound. The sound installation gathered data from tw

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Graubard, Allan. "The History of Jungle Gardens edited by Lisa B. Osborn, Shane K. Bernard and Scott Carroll. Jungle Gardens, Inc. Avery Island, LA, U.S.A., 2010. 120 pp. Trade. ISBN: 978-0-615-3211-7." Leonardo 45, no. 2 (2012): 172–73. http://dx.doi.org/10.1162/leon_r_00289.

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Gorbolis, Larysa M., and Anna Ye Chernysh. "ARTISTIC TRINITY: LITERATURE – CINEMA – MUSIC (THE FILM “EARTH” BY O. DOVZHENKO)." Alfred Nobel University Journal of Philology 2, no. 26/2 (2023): 238–52. http://dx.doi.org/10.32342/2523-4463-2023-2-26/2-15.

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The purpose of the article is to reveal the ideological, thematic, descriptive, intonation-rhythmic consonance of the musical accompaniment of the band “DakhaBrakha” with the film and film story by O. Dovzhenko. The article highlights the role of musical accompaniment in the restored 2012 version of the film “Earth” by the famous Ukrainian director of the twentieth century O. Dovzhenko. This is the first study in which, through the comprehension of the trinity of the samples of music, cinema, and literature, new meanings are revealed in musical compositions and the film, the relevance of the r

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Gessert, George. "The Rainforests of Domestication: Ornamental Gardens as Sites of Maximum Genetic Diversity among Domesticated Plants." Leonardo 30, no. 2 (1997): 129. http://dx.doi.org/10.2307/1576423.

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Arroyo-Anlló, Eva M., Jorge Chamorro Sánchez, and Roger Gil. "Could Self-Consciousness Be Enhanced in Alzheimer’s Disease? An Approach from Emotional Sensorial Stimulation." Journal of Alzheimer's Disease 77, no. 2 (2020): 505–21. http://dx.doi.org/10.3233/jad-200408.

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Alzheimer’s disease (AD) provides a valuable field of research into impairment of self-consciousness (SC), because AD patients have a reduced capacity to understand their mental world, to experience and relive previous personal events, as well as to interpret thoughts, feelings, and beliefs about themselves. Several studies observed that AD patients had an altered SC, but not a complete abolition of it. Emotions are an integral part of the construction of personal identity, therefore of Self. In general, most studies on emotion in AD patients have observed that emotion is not completely abolis

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Kuletin-Ćulafić, Irena. "From the Big Mac and Ikea society to the environmental aesthetics, smart cities and storytelling architecture." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 441–62. http://dx.doi.org/10.5937/saj1903441k.

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Our global society is encountering different challenges of the twentyfirst century. Our cities are in the process of constant transformation influenced by urbanisation, globalisation, advanced technologies, environmental and ecological changes, social, political and economic crises. While corporative capitalism has flourished, world population is growing and our cities are sprawling, architecture is reaching almost utopian visions and the boundaries of aesthetics are becoming more and more loose and permeable. Today our contemporary society lives and acts aesthetically. From art, architecture,

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