Thematische Bibliographien / Genesis (Musical group) – History

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Auswahl der wissenschaftlichen Literatur zum Thema „Genesis (Musical group) – History“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "Genesis (Musical group) – History"

Counsell, Damian. "Meeting Review: 2002 O'Reilly Bioinformatics Technology Conference." Comparative and Functional Genomics 3, no. 3 (2002): 264–69. http://dx.doi.org/10.1002/cfg.170.

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At the end of January I travelled to the States to speak at and attend the first O’Reilly Bioinformatics Technology Conference [14]. It was a large, well-organized and diverse meeting with an interesting history. Although the meeting was not a typical academic conference, its style will, I am sure, become more typical of meetings in both biological and computational sciences.Speakers at the event included prominent bioinformatics researchers such as Ewan Birney, Terry Gaasterland and Lincoln Stein; authors and leaders in the open source programming community like Damian Conway and Nat Torkingt

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Tavakkol, Ekhsan. "Extra-musical content and ways of its embodiment in the Concerto for Persian Ney and Orchestra “Toward That Endless Plain” by Reza Vali." Aspects of Historical Musicology 18, no. 18 (2019): 264–80. http://dx.doi.org/10.34064/khnum2-18.15.

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Background. This article discusses the features of the program, the origins and symbolism of extra-musical images of the Concerto for Persian Ney and Orchestra “Toward That Endless Plain” by the Iranian-American composer of the XX–XXI centuries Reza Vali. There are also some features of the Concerto’s musical material analyzed: the form, instrumentation, and thematic, as well as the influence of Iranian musical traditions. There are no published scientific musicological materials devoted to the consideration of this Concerto from the point of view the comprehensive analysis. In periodical non-

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Aytakov, Temur. "HISTORICAL GENESIS OF CIRCLE AND PERCUSSION INSTRUMENTS." MODERN SCIENCE AND RESEARCH 3, no. 3 (2024): 926–31. https://doi.org/10.5281/zenodo.10890403.

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Zvyagina, Anastasia. "Musical Minimalism and Russian Musicology: History of Research, Genesis and Evolution." Ideas and Ideals 15, no. 2-2 (2023): 438–58. http://dx.doi.org/10.17212/2075-0862-2023-15.2.2-438-458.

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The article presents an analysis of the main versions of the emergence and evolution of minimalism, proposed by both domestic and foreign art history. In the domestic literature of the 80-90s, there was an opinion that the origin of musical minimalism was a reaction to the European avant-garde that preceded it. However, today this statement looks somewhat speculative and not entirely reliable, due to objective historical reasons. The lack of information about Western art in all its diversity that existed at that time made it necessary to fill in the informational gaps with theoretical construc

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Zagredniuk, Alexandra E. "From Eric Satie to Brain Eno: genesis of mass music culture." Vestnik of Saint Petersburg State University of Culture, no. 3 (56) (2023): 43–49. http://dx.doi.org/10.30725/2619-0303-2023-3-43-49.

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Mass musical culture is a complex phenomenon undergoing constant changes under the influence of civilizational changes. The history of mass musical culture today is more than a century old, it is covered in a number of authoritative scientific works, however, a number of its aspects still provoke discussions and need deeper theoretical understanding. The purpose of the article is to analyze the “furnishing” music of E. Satie and “Music for Airports” by B. Eno as vivid manifestations of background music, which is one of the directions in the development of mass musical culture in the 20th centu

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Zhang, Liangbao. "“Three expectations”: a psychosocial analysis of the creation and reception of Franz Haydn’s oratorio “Genesis”." OOO "Zhurnal "Voprosy Istorii" 2023, no. 4-2 (2023): 232–37. http://dx.doi.org/10.31166/voprosyistorii202304statyi51.

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The article examines the phenomenon of expectation in musical creativity from the point of view of social psychology on the example of the oratorio “Genesis” of the Austrian composer Franz Joseph Haydn.

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Torchon, Jeffrey. "Cuban Cha-Cha-Chá: Applications for Music Education in the United States." Music Educators Journal 104, no. 4 (2018): 25–31. http://dx.doi.org/10.1177/0027432118766407.

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One of the most distinctive musical genres that originated in Cuba over the past century is cha-cha-chá, which is attributed to Enrique Jorrín during the 1950s. The popularity of this music has grown considerably since its genesis, as evidenced by the vast array of repertoire, the multitude of bands performing it, and its prevalence in popular culture. This article explores the history of cha-cha-chá, its musical elements, Enrique Jorrín’s influence on the creation and performance of the genre, and the importance of cha-cha-chá in music education in the United States. Due to its musical signif

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Zaatov, Ismet A. "Semantic parallels of archaic Crimean Tatar musical terminology with the musical vocabulary of “Divan Lugat at-Turk” by Mahmud al-Kashgari in the context of the Turkic musical culture of the early Middle Ages." Crimean Historical Review, no. 2 (2020): 97–123. http://dx.doi.org/10.22378/kio.2020.2.97-123.

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The process of the formation of the Crimean Tatar musical culture can be divided into post-Byzantine-Golden Horde, Tatar-Seljuk and Nogai Kypchak (Nogai) – Ottoman periods of the cultural genesis of the Crimean Tatar people. The fact that the ancestors of the steppe Crimean Tatars are the Turkic tribes of the Kypchaks and the ancestors of the southern coastal Crimean Tatars are the Turkic tribes of the Oghuz, from the earliest centuries of their history were ethnic groups with a developed musical culture, written evidence from ancient Turkic authors and, in particular, the dictionary “Divan Lu

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Жерздев, А. В. "«ОБРАЗ» ГИТАРЫ В СИСТЕМЕ СТРУННО-ЩИПКОВОГО ИНСТРУМЕНТАЛИЗМА: ИСТОРИЯ, ОРГАНОЛОГИЯ, АКТУАЛЬНАЯ ПРАКТИКА". Традиції та новації у вищій архітектурно-художній освіті, № 4 (1 грудня 2018): 99–109. https://doi.org/10.5281/zenodo.1803446.

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The article is devoted to discussing the concept of guitar “image” in the context of history, organology and the actual practice of plucked string music making. The basic ideas about the six-string (classical) guitar have been identified and systematized, which, however, has acquired such status on the basis of a number of historical-and-style modifications, distinguished according to the criteria of the visual-and-acoustic appearance (the body shape, the tuning, the number of strings). The article outlines the peculiarities of HIP – Historically Informed Performance practice

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Rachina, Bela S. "Evolution of Views on Music as a Universal Language of Mankind and Its Representation in the System of General Music Education." Musical Art and Education 7, no. 2 (2019): 144–54. http://dx.doi.org/10.31862/2309-1428-2019-7-2-144-154.

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The article is devoted to the consideration of the essence of the phenomenon “music”, its fundamental laws and mechanisms of influence on a person. The author explores the evolution of the views of major philosophers and art historians on the content of musical art in a historical perspective. Modern art has expanded research horizons, allowed scientists to trace the genesis of musical art. The consequence of this process is the possibility of a deeper understanding of the content of the concepts “music” and “musical art” during the comparison. Reflections on the development of musical art and

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Dissertationen zum Thema "Genesis (Musical group) – History"

LeBlanc, Sylvie. ""Le monde qu'on connaǐt" : the music of 1755 and the construction of Acadian identity." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98548.

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This thesis explores the role of popular music in articulating socio-cultural identities by examining the contribution of the Acadian group, 1755. As the rapid modernization of Acadians' way of life led to a sense of cultural alienation, cultural products played a prominent role in asserting their cultural specificity. Accordingly, the 1970s were not only rich in artistic production, but also saw the development of a distinctive Acadian popular music practice. Responding to fears of acculturation and folklorization, Acadian popular music embodied Acadians' desire to embrace a modern identity a

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Dymock, Laura. "No compromise with their society : the politics of anarchy in anarcho-punk, 1977-1985." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=101878.

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In order to analyze the relationship of punk to anarchy, this thesis will investigate the discursive function of "anarchy" both in contemporaneous accounts of punk and in subsequent histories. Beginning with the genesis of British punk and the first references to anarchy in different media during the late 1970s, subsequent chapters focus on the seminally influential anarcho-punk band Crass in order to discern their impact on the evolution of the anarcho-punk genre and its relationship to anarchism up through the mid-1980s. Several other anarcho-punk bands will also be considered for their cont

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Simonot, Colette Patricia. "Performing identities who is 'Hart-Rouge'? /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq22876.pdf.

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Souza, Gisele da Silva. "“Somos quem podemos ser”: Engenheiros do Hawaii - jovens, rock, sensibilidades e experiências urbanas (1985-2003)." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21533.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-11-05T13:01:48Z No. of bitstreams: 1 Gisele da Silva Souza.pdf: 1669038 bytes, checksum: bedf2a7d0febbdf58b1255335d75ed4a (MD5)<br>Made available in DSpace on 2018-11-05T13:01:48Z (GMT). No. of bitstreams: 1 Gisele da Silva Souza.pdf: 1669038 bytes, checksum: bedf2a7d0febbdf58b1255335d75ed4a (MD5) Previous issue date: 2018-09-14<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This dissertation investigates the work of Engenheiros do Hawaii and the emergence of the generation of young people in the 1980s,

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Maslowiec, Anna. "Sonorism and the Polish Avant-Garde 1958-1966." Phd thesis, Sydney Conservatorium of Music, 2008. http://hdl.handle.net/2123/8205.

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Bringardner, Charles Albert. "Popular entertainment and constructions of Southern identity: how burlesques, medicine shows, and musical theatre made meaning and money in the South, 1854-1980." Thesis, 2007. http://hdl.handle.net/2152/3001.

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Bringardner, Charles Albert 1978. "Popular entertainment and constructions of Southern identity : how burlesques, medicine shows, and musical theatre made meaning and money in the South, 1854-1980." 2007. http://hdl.handle.net/2152/13176.

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Dlamini, Sazi Stephen. "The South African Blue Notes : bebop, mbaqanga, apartheid and the exiling of a musical imagination." Thesis, 2010. http://hdl.handle.net/10413/480.

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During the middle decades of the twentieth century, the exiling from South Africa of jazz musicians, including The Blue Notes, brought the discourses of local jazz, its performance culture and repertoires, to international attention. This process points to jazz’s global reach and raises questions about its adoption by differently constituted cultural subjects. Arjun Appadurai’s arguments about global homogenisation and heterogenisation come into play here, and have special significance today, when the study of jazz performance and history is increasingly part of the music education of young So

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Yudkoff, Ambigay. ""When voices meet" : Sharon Katz as musical activist during the apartheid era and beyond." Thesis, 2018. http://hdl.handle.net/10500/25340.

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This study investigates the work of the performer, composer, educator, music therapist and activist Sharon Katz. Beginning in 1992, Katz made history in apartheid South Africa when she formed a 500-member choir that showcased both multi-cultural and multi- lingual songs in their staged the production, When Voices Meet, which incorporated music, songs and dance, intended to assist in promoting a peaceful transition to democracy in South Africa. The success of the concerts of When Voices Meet led to Katz securing sponsorships to hire a train, “The Peace Train”, which transported 130 performer

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Masoga, Mogomme Alpheus. "Maila-go-fenywa, Rangwato Magoro and Mmino wa Kosa: some perspectives on theory and practice." Diss., 2006. http://hdl.handle.net/10500/1096.

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Looking at current African music studies, one notices an interesting shift from the `norm' to a fresh engagement and analysis. Fresh perspectives are increasingly being presented to position African music dialogue in the arena of the so-called `established music fields'. While these developments are noticeable, the unmentioned, unsung and uncelebrated indigenous African music practitioners, composers, performers, poets, praise singers and so forth must not be forgotten. This work does not claim novelty in terms of the latter gap, but takes the debate further to highlight, though in a small way

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Bücher zum Thema "Genesis (Musical group) – History"

Hewitt, Alan. Opening the musical box: A Genesis chronicle. Firefly, 2000.

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1968-, Schatz Thorsten, ed. Genesis: 40 Jahre Rockgeschichte. Heel, 2007.

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Carruthers, Bob. Genesis: The Gabriel era. Angry Penguin, 2007.

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Carruthers, Bob. Genesis: The Gabriel era. Angry Penguin, 2007.

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1950-, Banks Tony, and Dodd Philip, eds. Genesis: Chapter & verse. Weidenfeld & Nicolson, 2007.

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Gallo, Armando. Genesis: I know what I like : the early years. Omnibus, 1987.

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Picart, Hervé. Peter Gabriel: La part du je. Editions Elikia, 1997.

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Walsh, D. F. American popular culture and the genesis of the musical. Goldsmiths College, University of London, 1996.

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Denise, Sullivan, ed. R.E.M.: Talk about the passion : an oral history. Da Capo Press, 1998.

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Seoane, Antón. De Voces Ceibes a Milladoiro: Una memoria do movimento popular da canción galega, 1973-1978. Editorial Galaxia, 2013.

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Buchteile zum Thema "Genesis (Musical group) – History"

Kursell, Julia. "Carl Stumpf and Control Groups." In Archimedes. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-52954-2_5.

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AbstractIn the secondary literature, the notion of control group has so far been traced to two important moments in history of the life sciences: thinking in populations and applying statistics to these. This chapter proposes an additional lineage in the reduction of variation among the members of two paired groups in philosopher Carl Stumpf’s experimental psychology. His method of comparing the conditions of judgment in these groups is traced to three stages, the earliest being his research with individuals that do or do not have musical ability, followed by the stage of being confronted with

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Heaney, Maeve Louise. "11. Spiritual Subjects." In Music and Spirituality. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0403.11.

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This chapter focusses on and explores the connection between the two core themes at the heart of the book’s research agenda: spirituality and music. Building on broad and intellectually informed definitions of musicking and spirituality, the chapter names three theological categories from the world of Christian theology – Grace, Trinity, and the Ascended Body of Christ – that help ground some commonly-perceived connections between the two, as well as various disciplinary fields from world of music study – musical semiotics, hermeneutics, and history – necessary to explore these connections fur

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"Musical Group." In The John G. Johnson Collection: A History and Selected Works. Philadelphia Museum of Art, 2018. http://dx.doi.org/10.29075/9780876332764/101984/1.

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Klein, Christina. "Cosmopolitan Kojedo: Swing Kids (2018) and Historical Memories of the Korean War." In Remapping the Cold War in Asian Cinemas. Amsterdam University Press, 2024. http://dx.doi.org/10.5117/9789463727273_ch13.

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Kang Hyeong-cheol’s Swing Kids (Sŭwingk’ijŭ, 2018) is a work of historical memory that emphasizes the Korean War’s multinational nature. Set within the Kojedo POW camp and merging the generic conventions of the musical with those of the Korean War film, it constructs an alternate history in which relations between a group of South Korean, North Korean, Chinese, and American characters play out in unexpected ways via dance. Swing Kids imagines liberation from the Cold War division system through the creation of a cosmopolitan community that transcends the boundaries of race, nation, ideology, a

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"The History of Group Therapy, Part I: Genesis, 1895–1943." In Introduction to Group Therapy. Routledge, 2014. http://dx.doi.org/10.4324/9781315808918-1.

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Stoll Knecht, Anna. "Compositional History." In Mahler's Seventh Symphony. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190491116.003.0004.

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Chapter 3 presents biographical and musical evidence used to reconstruct the genesis of the Seventh Symphony. We have access to primary sources, Mahler’s compositional materials and his correspondence—and to secondary sources, biographical accounts from others. In attempting to reconstruct the compositional history of the Seventh, these sources are considered side by side and their similarities and contradictions are explored. This chapter presents these different kinds of evidence, beginning with autobiographical and biographical accounts, then turning to the musical evidence (compositional a

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Weber, William. "The History of Musical Canon." In Rethinking Music. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198790037.003.0016.

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Abstract One of the most fundamental transformations in Western musical culture has been the rise of a canon of great works from the past. At the end of the sixteenth century, it was unusual for music to remain in circulation for more than a generation; those works that did persist remained isolated from each other, or formed part of pedagogical traditions known by a small group of learned musicians. By the end of the nineteenth century, old music had moved from the musician’s study to the concert-hall: it had become established in repertories throughout concert life, dominating many programme

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MacDonald, Raymond, Tia DeNora, Robert Burke, Maria Sappho, and Ross Birrell. "Opening Up Opportunities." In New Directions in Musical Collaborative Creativity. Oxford University PressNew York, 2025. https://doi.org/10.1093/oso/9780197752838.003.0003.

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Abstract New digital creative practices adopted by GIO when it moved online are examined through the prism of how individual works began—their openings and starting points. The chapter examines the ways that specific sessions opened, and it includes the challenges and opportunities posed by online working for the beginnings of improvisations. The negotiation involved in sessions’ unfolding highlights the ways that players tapped and developed cross-media forms (art, music, language, dance, domestic science, home furnishing, and conversation). The chapter also considers openings in a second sen

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Bottero, Anouk. "Re-defining the musical: adapting Cabaret for the screen." In American Musicals: Stage and screen / L'écran et la scène. Sorbonne Université Presses, 2019. https://doi.org/10.70551/lvgp3644.

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Cabaret’s iconic position in the Pantheon of musical theatre tends to obliterate its tumultuous genesis. Amidst a crisis of the genre, which drove audiences outside of theatres and cinemas, the original 1966 stage production of Cabaret directed by Harold Prince redefined musical theatre as a whole. This article aims at showing that the film adaptation of a musical as uncanny and striking as Cabaret is central to the history and evolution of the genre itself. Bob Fosse’s 1972 film adaptation was a reinvention which asserted the director’s important role and redefined many structuring principles

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Voloshchuk, Yurii, and Petro Krul. "GENESIS AND DEVELOPMENT OF AEROPHONES AND CHORDOPHONES GROUPS IN THE MUSICAL CULTURE OF UKRAINE." In Traditions and new scientific strategies in the context of global transformation of society. Publishing House “Baltija Publishing”, 2024. http://dx.doi.org/10.30525/978-9934-26-406-1-16.

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Wind and string instruments belong to the oldest types of musical instruments. They emerged as a result of a complex development process of aerophones and chordophones. This became possible due to the general development of musical culture, changes in social conditions, and the increasing complexity of tasks faced by composers and musicians. The subject of our research is the genesis and development of groups of aerophones and chordophones in Ukrainian musical culture. The aim of the scientific inquiry is to study the evolutionary processes in the formation of wind and string instruments in th

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Konferenzberichte zum Thema "Genesis (Musical group) – History"

Moshugi, Kgomotso. "A Musical History Through Vocal Expressions at the Abbey Cindi Cosmology Concert." In Arts Research Africa 2022 Conference Proceedings. Arts Research Africa, 2022. http://dx.doi.org/10.54223/10539/35900.

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This paper reports on a research project that culminated in a concert honoring South African musician and activist Bra Abbey Cindi. The project involved reissuing Cindi’s album, forming a band of young musicians to perform his music, and creating a vocal group called No Limits to reinterpret Cindi’s earlier South African choral works. The paper proposes the use of music to explore the past, present, and future, linking generations and addressing social issues. It discusses specific compositions, their lyrical and musical merits, and the process of arranging them for vocal performance. The pape

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van der Smissen, Andrea. "Musikalische Innovation im Umfeld der Moderne und historischen Avantgarde in Ungarn." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.75.

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In recent decades the interpretation of music history of the interwar period was determined by factors which allowed only national or folkloristic approaches to modern music in Hungary. However, the composers of the group ‘Modern Hungarian Musicians’, connected to the forums of the New Music like the ISCM or Cowell‘s NMS, were committed to a transcultural view of musical innovation. Through intermedial connections between literary and fine art, they received non-musical impulses by modern and avantgarde movements. This paper makes an approach on their heterogeneous conception of music with the

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Bhat, Raj Nath. "Language, Culture and History: Towards Building a Khmer Narrative." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.3-2.

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Genetic and geological studies reveal that following the melting of snows 22,000 years ago, the post Ice-age Sundaland peoples’ migrations as well as other peoples’ migrations spread the ancestors of the two distinct ethnic groups Austronesian and Austroasiatic to various East and South–East Asian countries. Some of the Austroasiatic groups must have migrated to Northeast India at a later date, and whose descendants are today’s Munda-speaking people of Northeast, East and Southcentral India. Language is the store-house of one’s ancestral knowledge, the community’s history, its skills, customs,

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Drouet, L., B. Baudin, F. Ch Baumann, and J. P. Caen. "SERIC ANGIOTENSIN CONVERTING ENZYME : AN ENDOTHELIAL CELL MARKER (application to thrombo-embolic pathology)." In XIth International Congress on Thrombosis and Haemostasis. Schattauer GmbH, 1987. http://dx.doi.org/10.1055/s-0038-1644205.

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As a blood marker of endothelium, we investigated the seric activity of Angiotensin Converting Enzyme (ACE) at rest and after stimulation either by local venostasis or dDAVP infusion. dDAVP did not induce any significant change in ACE contrarily to venostasis. Searching for an endothelial abnormality implicated in the genesis of Deep Vein Thrombosis (DVT) we applied the local venostasis test to patients affected by recurrent DVT. Patients, divided in 3 groups (group I : documented history of recurrent DVT, group II : only one DVT or recurrent superficial venous thrombosis, group III : history

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Thurley, Callum, Mark Cowgill, Donald Stewart, Sarah Kay, and Edward Cox. "Unravelling the Tectonic History of the Oman Mountains Using Structural Restoration in the Emirate of Sharjah, UAE." In GOTECH. SPE, 2024. http://dx.doi.org/10.2118/219152-ms.

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Abstract The world-class outcrops of the MusandamPeninsula and Northern Oman Mountains have given valuable insight into the geological setting, history and genesis of the fold and thrust belt in the northern United Arab Emirates. This paper provides new insight into the tectonic evolution of the Northern Oman Mountains in the Emirate of Sharjah using state-of-the-art 3D seismic and reprocessed legacy 2D seismic via structural restoration. Seismic interpretation has revealed that two thrust systems exist in the subsurface separated by a detachment which lies in Upper Cretaceous strata. A deep t

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KARIM SHARIF, BAQI. "Genocide And strategies to confront it from an Islamic perspective." In Peacebuilding and Genocide Prevention. University of Human Development, 2021. http://dx.doi.org/10.21928/uhdicpgp/46.

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"Genocide And strategies to confront it from an Islamic perspective Genocide is the nightmare and black point in human history, which unfortunately is committed by human beings as individuals or groups, or even governments and countries against the brotherhood of human being. The mass extermination was the extermination of a family and a group, or a nationality and a sect, in a place because of the justification for their national, sectarian and religious affiliations. Or was their extermination because of their race and color, or because of the location of the geography rich in economic mater

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