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Thematische Bibliographien / Genesis (Musical group) – History / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Genesis (Musical group) – History“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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1

Counsell, Damian. "Meeting Review: 2002 O'Reilly Bioinformatics Technology Conference." Comparative and Functional Genomics 3, no. 3 (2002): 264–69. http://dx.doi.org/10.1002/cfg.170.

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At the end of January I travelled to the States to speak at and attend the first O’Reilly Bioinformatics Technology Conference [14]. It was a large, well-organized and diverse meeting with an interesting history. Although the meeting was not a typical academic conference, its style will, I am sure, become more typical of meetings in both biological and computational sciences.Speakers at the event included prominent bioinformatics researchers such as Ewan Birney, Terry Gaasterland and Lincoln Stein; authors and leaders in the open source programming community like Damian Conway and Nat Torkingt

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Tavakkol, Ekhsan. "Extra-musical content and ways of its embodiment in the Concerto for Persian Ney and Orchestra “Toward That Endless Plain” by Reza Vali." Aspects of Historical Musicology 18, no. 18 (2019): 264–80. http://dx.doi.org/10.34064/khnum2-18.15.

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Background. This article discusses the features of the program, the origins and symbolism of extra-musical images of the Concerto for Persian Ney and Orchestra “Toward That Endless Plain” by the Iranian-American composer of the XX–XXI centuries Reza Vali. There are also some features of the Concerto’s musical material analyzed: the form, instrumentation, and thematic, as well as the influence of Iranian musical traditions. There are no published scientific musicological materials devoted to the consideration of this Concerto from the point of view the comprehensive analysis. In periodical non-

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Aytakov, Temur. "HISTORICAL GENESIS OF CIRCLE AND PERCUSSION INSTRUMENTS." MODERN SCIENCE AND RESEARCH 3, no. 3 (2024): 926–31. https://doi.org/10.5281/zenodo.10890403.

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Zvyagina, Anastasia. "Musical Minimalism and Russian Musicology: History of Research, Genesis and Evolution." Ideas and Ideals 15, no. 2-2 (2023): 438–58. http://dx.doi.org/10.17212/2075-0862-2023-15.2.2-438-458.

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The article presents an analysis of the main versions of the emergence and evolution of minimalism, proposed by both domestic and foreign art history. In the domestic literature of the 80-90s, there was an opinion that the origin of musical minimalism was a reaction to the European avant-garde that preceded it. However, today this statement looks somewhat speculative and not entirely reliable, due to objective historical reasons. The lack of information about Western art in all its diversity that existed at that time made it necessary to fill in the informational gaps with theoretical construc

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Zagredniuk, Alexandra E. "From Eric Satie to Brain Eno: genesis of mass music culture." Vestnik of Saint Petersburg State University of Culture, no. 3 (56) (2023): 43–49. http://dx.doi.org/10.30725/2619-0303-2023-3-43-49.

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Mass musical culture is a complex phenomenon undergoing constant changes under the influence of civilizational changes. The history of mass musical culture today is more than a century old, it is covered in a number of authoritative scientific works, however, a number of its aspects still provoke discussions and need deeper theoretical understanding. The purpose of the article is to analyze the “furnishing” music of E. Satie and “Music for Airports” by B. Eno as vivid manifestations of background music, which is one of the directions in the development of mass musical culture in the 20th centu

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Zhang, Liangbao. "“Three expectations”: a psychosocial analysis of the creation and reception of Franz Haydn’s oratorio “Genesis”." OOO "Zhurnal "Voprosy Istorii" 2023, no. 4-2 (2023): 232–37. http://dx.doi.org/10.31166/voprosyistorii202304statyi51.

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The article examines the phenomenon of expectation in musical creativity from the point of view of social psychology on the example of the oratorio “Genesis” of the Austrian composer Franz Joseph Haydn.

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Torchon, Jeffrey. "Cuban Cha-Cha-Chá: Applications for Music Education in the United States." Music Educators Journal 104, no. 4 (2018): 25–31. http://dx.doi.org/10.1177/0027432118766407.

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One of the most distinctive musical genres that originated in Cuba over the past century is cha-cha-chá, which is attributed to Enrique Jorrín during the 1950s. The popularity of this music has grown considerably since its genesis, as evidenced by the vast array of repertoire, the multitude of bands performing it, and its prevalence in popular culture. This article explores the history of cha-cha-chá, its musical elements, Enrique Jorrín’s influence on the creation and performance of the genre, and the importance of cha-cha-chá in music education in the United States. Due to its musical signif

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Zaatov, Ismet A. "Semantic parallels of archaic Crimean Tatar musical terminology with the musical vocabulary of “Divan Lugat at-Turk” by Mahmud al-Kashgari in the context of the Turkic musical culture of the early Middle Ages." Crimean Historical Review, no. 2 (2020): 97–123. http://dx.doi.org/10.22378/kio.2020.2.97-123.

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The process of the formation of the Crimean Tatar musical culture can be divided into post-Byzantine-Golden Horde, Tatar-Seljuk and Nogai Kypchak (Nogai) – Ottoman periods of the cultural genesis of the Crimean Tatar people. The fact that the ancestors of the steppe Crimean Tatars are the Turkic tribes of the Kypchaks and the ancestors of the southern coastal Crimean Tatars are the Turkic tribes of the Oghuz, from the earliest centuries of their history were ethnic groups with a developed musical culture, written evidence from ancient Turkic authors and, in particular, the dictionary “Divan Lu

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Жерздев, А. В. "«ОБРАЗ» ГИТАРЫ В СИСТЕМЕ СТРУННО-ЩИПКОВОГО ИНСТРУМЕНТАЛИЗМА: ИСТОРИЯ, ОРГАНОЛОГИЯ, АКТУАЛЬНАЯ ПРАКТИКА". Традиції та новації у вищій архітектурно-художній освіті, № 4 (1 грудня 2018): 99–109. https://doi.org/10.5281/zenodo.1803446.

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The article is devoted to discussing the concept of guitar “image” in the context of history, organology and the actual practice of plucked string music making. The basic ideas about the six-string (classical) guitar have been identified and systematized, which, however, has acquired such status on the basis of a number of historical-and-style modifications, distinguished according to the criteria of the visual-and-acoustic appearance (the body shape, the tuning, the number of strings). The article outlines the peculiarities of HIP – Historically Informed Performance practice

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Rachina, Bela S. "Evolution of Views on Music as a Universal Language of Mankind and Its Representation in the System of General Music Education." Musical Art and Education 7, no. 2 (2019): 144–54. http://dx.doi.org/10.31862/2309-1428-2019-7-2-144-154.

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The article is devoted to the consideration of the essence of the phenomenon “music”, its fundamental laws and mechanisms of influence on a person. The author explores the evolution of the views of major philosophers and art historians on the content of musical art in a historical perspective. Modern art has expanded research horizons, allowed scientists to trace the genesis of musical art. The consequence of this process is the possibility of a deeper understanding of the content of the concepts “music” and “musical art” during the comparison. Reflections on the development of musical art and

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Kotelevskaya, Vera V. "The “musicality” of modern prose: Towards the genesis and typology of forms (part 1)." Vestnik of Saint Petersburg University. Language and Literature 20, no. 3 (2023): 516–31. http://dx.doi.org/10.21638/spbu09.2023.307.

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This article deals with the intermedial dialogue, a literary-musical transfer that has changed the idea of the novel and “prose” per se, the ideal of which in Western literature in the 18th and 19th centuries was referential transparency. Using the methods of intermedial and comparative studies, narratology and stylistics, the logic of the development of this dialogue is traced. Whereas the Bildungsroman, the career novel, and the novel of naturalism developed under the sign of “the individual’s rebellion against idealism” (Lukacs), the modernist novel seeks to return the individual to the int

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Кривцова, А. С. "Musical Essay in the Samuel Barber’s Output: Genesis and Specificity of the Genre." OPERA MUSICOLOGICA, no. 2 (May 1, 2021): 31–45. http://dx.doi.org/10.26156/om.2021.13.2.002.

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Первая половина ХХ века в истории эссе примечательна тем, что этот изначально литературный жанр, преодолевая рамки слова, переносится в новый, невербальный формат: в кинематограф, фотографию, изобразительное, а также музыкальное искусство. Первенство в создании музыкального эссе принадлежит американскому композитору постромантического направления Сэмюэлу Барберу (1910–1981). Его творческое наследие включает, по меньшей мере, три очевидных случая использования новой жанровой модели: это Эссе для оркестра № 1–3 (1937, 1942, 1978 соответственно). В статье предпринимается попытка установить причин

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Middleton, Richard. "Articulating musical meaning/re-constructing musical history/locating the ‘popular’." Popular Music 5 (January 1985): 5–43. http://dx.doi.org/10.1017/s0261143000001914.

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In thinking about how to locate popular music within music history, I start from two propositions. Firstly, that attempts to isolate and define musical types, functions and effects by purely empirical means are likely to be unhelpful. Understanding ‘popular music’ – for example – in terms of a quantitively measured ‘popularity’ (sales figures) is not only methodologically difficult to do coherently but, more important, it hypostatises what is in reality a result of living, historically changing relationships. Secondly: if, then, musical categories should be grasped as part of social processes,

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Хасанов, Халим Равшанович Яхяева Шахноза Шароповна. "THE METHOD OF ORGANIZING "GROUP SINGING" IN TEACHING "MUSICAL CULTURE" IN SECONDARY SCHOOLS." "Science and innovation" international scientific journal. ISSN: 2181-3337 1, no. 2 (2022): 208–11. https://doi.org/10.5281/zenodo.6606849.

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<em>Musical culture is a complex and multifaceted system that combines knowledge about music (musical genres, forms, means of musical expression, about composers, performers, the history of creating musical compositions), musical skills (the ability to perceive music of various genres. Singing is a vocal art From the point of view of its origin, the phenomenon of singing arose in the Neolithic period as a special sound explication of the emotional structure, combining laughter and crying into one holistic vocal range of feelings, and only in the “pre-axial time” did instrumental me

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Nazarenko, Lilia A. "The History of Music Fashion and Its Impact on Young People." Общество: философия, история, культура, no. 6 (June 18, 2025): 255–59. https://doi.org/10.24158/fik.2025.6.32.

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This article examines the historical development of musical fashion as a significant cultural phenomenon in-fluencing the formation of both personal and group identity among youth. The paper analyzes the key stages in the evolution of musical styles – from antiquity to the present day – including the periods of the Renaissance, Modernism, and Postmodernism. Particular attention is devoted to the impact of globalization processes, digital technologies, and social media on the transformation of musical preferences among the younger generation. The role of musical fashion in the processes of soci

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Mammadova, R. "THE ROLE OF INTER-DISCIPLINARY RESEARCHES IN THE STUDY OF INTERCOMMUNICATIONS OF ARTS." Znanstvena misel journal, no. 67 (June 24, 2022): 6–8. https://doi.org/10.5281/zenodo.6720284.

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This article is devoted to the consideration of intercommunications of musical art in Azerbaijan humanitarian science. There is accentuated that such approaches as ethnological, culturological determine important parameters of reconstruction of communications of cultures. Humanitarian context of comparative research stimulates multifunctioning of the study of Azerbaijan art.

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LIU, Chang, and Yuliya Yu. TSYKINA. "Chinese musical instruments of the huqin family: history and current status." Service plus 18, no. 2 (2024): 59–67. https://doi.org/10.5281/zenodo.12177195.

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This article deals with the history, peculiarities of making and performing on musical instruments of the Huqin family, including erhu, jinghu, shihu, gaohu and banhu. The origin, formation and development process, as well as the current state of the instruments of this group are analysed. According to the relevant documents, the huqin emerged around the 9th century AD. Since the Song Dynasty (960-1279), it was often combined with other kinds of musical instruments and used in various forms of songs, dances, musical accompaniment and ensembles. By the Yuan Dynasty (1271-1368), the huqin had al

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Tsareva, Yevgenia S. "Problems of the Genesis of the Academic Musical Culture of Krasnoyarsk (on the Methodology of Local History Studies)." Journal of Siberian Federal University. Humanities & Social Sciences 10, no. 8 (2017): 1269–78. http://dx.doi.org/10.17516/1997-1370-0134.

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Marsh, Dana T. "SACRED POLYPHONY ‘NOT UNDERSTANDID’: MEDIEVAL EXEGESIS, RITUAL TRADITION AND HENRY VIII'S REFORMATION." Early Music History 29 (July 21, 2010): 33–77. http://dx.doi.org/10.1017/s0261127910000069.

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This study focuses on the ritual ‘conservatism’ of Henry VIII's Reformation through a new look at biblical exegeses of the period dealing with sacred music. Accordingly, it reconsiders the one extant passage of rhetoric to come from the Henrician regime in support of traditional church polyphony, as found in A Book of Ceremonies to be Used in the Church of England, c.1540. Examining the document's genesis, editorial history and ultimate suppression by Archbishop Thomas Cranmer, it is shown that Bishop Richard Sampson, Dean of the Chapel Royal (1522–40), was responsible for the original draftin

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Gorbunova, Irina B., and Mikhail S. Zalivadny. "Music, Mathematics and Computer Science: History of Interaction." ICONI, no. 3 (2020): 137–50. http://dx.doi.org/10.33779/2658-4824.2020.3.137-150.

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The lecture “Music, Mathematics and Computer Science” characterizes by concrete examples various aspects of interaction of these studies with each other by incorporating the apparatus of corresponding scholarly disciplines (set theory, probability theory, information science, group theory, etc.). The role and meaning of these aspects in the formation of an integral perception about music and in the realization of practical creative musical goals are educed. Examination of these questions is what the lecture studies are devoted to as part of the educational courses “Mathematical Methods of Rese

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Giger, Andreas. "“Svesti la giubba,” or, Uncloaking the Genesis of Pagliacci." 19th-Century Music 41, no. 3 (2018): 225–51. http://dx.doi.org/10.1525/ncm.2018.41.3.225.

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In 1943 Allied bombs destroyed the archives of Leoncavallo's publisher, Sonzogno, and of the Teatro Dal Verme, where Pagliacci was first performed. As a result, many sources pertaining to the opera's compositional history were lost, and scholarship has relied almost exclusively on Leoncavallo's unpublished autobiographical manuscript, “Appunti.” Contextual sources such as notifications in the press, eyewitness accounts, and a large body of mostly unpublished correspondence now suggest that Leoncavallo cloaked the opera's genesis to protect its legacy. Leoncavallo was twice charged with having

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Kasianova, Olena. "Evolutionary modifications of dance scenes in the context of the genesis of the ukrainian opera." Ukrainian musicology 46 (October 27, 2020): 58–74. http://dx.doi.org/10.31318/0130-5298.2020.46.234595.

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The relevance of the research lies in the search for a solution to the problem of the plasticchoreographic image of the work, the peculiarities of the interpretation of dance in the process of the formation of the Ukrainian national opera school, taking into account the author's intention, its rethinking in the realities of our time. Scientific novelty lies in the definition of conceptual approaches to the genre-style interpretation of dance scenes in Ukrainian opera in accordance with the theatrical aesthetics of a particular time. The purpose of the publication is to determine the evolutiona

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Giga, Stepan, and Larysa Oparyk. "Methodical Aspects of Stylistic Attribution Arrangement of Pop-Vocal Composition." ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 12 (December 13, 2023): 81–92. http://dx.doi.org/10.30819/aemr.12-7.

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The purpose of the research is to theoretically develop methods of characterisation and attribution of the style of arranging a pop-vocal composition. Based on the task of identifying active means of music expression, the most suitable methods for determining the characteristic features of style were used; the specific features of form, textural, temporithmic, timbre, melodic-thematic, and ladoharmonic organisation of the musical material of arrangement were analysed. As a result, the algorithm of analytical actions in the process of hearing expertise on the specific features of the musical la

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KEISTER, JAY, and JEREMY L. SMITH. "Musical ambition, cultural accreditation and the nasty side of progressive rock." Popular Music 27, no. 3 (2008): 433–55. http://dx.doi.org/10.1017/s0261143008102227.

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AbstractProgressive rock of the early 1970s has been demonised as a nadir in the history of rock primarily because of the ambitions of progressive rock musicians. Critics have interpreted these ambitions as attempts to elevate rock music to the level of high art in order to gain cultural accreditation from an unspecified cultural elite. This interpretation is further compounded by the common notion that progressive rock’s subject matter is dominated more by individualistic quests for spirituality than by socio-political critique, resulting in a stereotype of progressive rock as apolitical, pre

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Джани-заде, Тамила Махмудовна. "Azerbaijani in the focus of Islam Civilization." Музыкальное искусство Евразии. Традиции и современность, no. 2(7) (July 3, 2022): 12–30. http://dx.doi.org/10.26176/maetam.2022.7.2.001.

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В статье обсуждаются: проблемы изучения музыкальной истории мусульманского Востока, истории музыкальных традиций Азербайджана и представления об азербайджанском мугаме . Выдвигается тезис о различении понятий макам и мугам. Мугам выражает современную идею о характерных тюрко-огузских признаках исламской музыкальной классики Азербайджана.В контексте Исламской цивилизации раскрывается генезис и развитие музыкальной категории макам, которая выражала с XIV века рефлексии о ладах и модальных формах и раскрывала не древнегреческий, но исламский антропоцентрический концепт музыки. Феномен Исламской ц

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Zvereva, Svetlana, and George Lapshynov. "Valaam as an Oasis of Spirituality and Church Music of Russia Abroad." Journal of the International Society for Orthodox Music 6, no. 1 (2022): 124–48. http://dx.doi.org/10.57050/jisocm.113231.

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Тhe topic of the transmission of tradition is understudied in musicology. This article contributes to the field by concentrating on the formation of the singing tradition of the parish of St Sergius in Paris. It studies the genesis of its musical tradition at the hands of Vladyka Benjamin (Fedchenkov) and M. M. Osorgin. Both loved Valaam greatly and found inspiration in Valaam and the Holy Trinity St Sergius Lavra to create a monastic liturgical style in the Parisian church. After comparing several chants, it looks at the musical books used by the choir of St Sergius, the Valaam Obikhod and th

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Bělohoubková, Dana. "Musical Performers of an Ancient Egyptian Harem?" Archiv orientální 90, no. 1 (2022): 1–23. http://dx.doi.org/10.47979/aror.j.90.1.1-23.

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The institution pr-hnr was translated as a harem in traditional Egyptological literature. From the 1980s, the interpretation as a Group of Performers is used, especially for the period of Old and Middle Kingdoms. The objective of this paper is to show continuity in the functioning of the studied institution and to demonstrate how the original translation was incorporated into the Egyptological studies.

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Naim, Hakeem. "The Genesis of the Afghan Mashrūṭah Movement". Afghanistan 6, № 1 (2023): 73–101. http://dx.doi.org/10.3366/afg.2023.0104.

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This article studies the global and transnational history of the Afghan constitutionalist (mashrūṭah) movement in the early twentieth century. It aims to contribute to the intellectual history of Afghanistan and examine it within the history of modernity, Islam, and reforms in the region, particularly in the late Ottoman Empire. It rejects the notion that the Afghan mashrūṭah movement was an indistinct group of people with a unitary ideology and argues that the Afghan mashrūṭah was an intellectually, socially, ethnically, politically diverse and complex movement, the product of intellectual, p

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Kolomiiets, Е. V. "Colposcopic and cytological parallels in pregnant women with a history of infertility of various genesis." UKRAINIAN JOURNAL OF PERINATOLOGY AND PEDIATRICS, no. 3(87) (September 29, 2021): 5–11. http://dx.doi.org/10.15574/pp.2021.87.5.

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The state of the cervix was studied in pregnant women with a history of infertility of various genesis by colposcopic and cytological research methods. The data obtained indicate an increased level of precancerous pathology of the cervix in pregnant women with a history of tubo-peritoneal and concomitant infertility, compared with pregnant women who had endocrine infertility. Purpose — to determine the relationship between the nature and severity of colpocoscopic and cytological changes in the cervix in pregnant women who had a history of infertility. Materials and methods. 101 women were exam

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Pushkin, S. N. "The problem of ethnogeny and cultural genesis interrelationship in Leo N. Gumilev’s creative genius." Vestnik of Minin University 7, no. 4 (2019): 15. http://dx.doi.org/10.26795/2307-1281-2019-7-4-15.

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Introduction. The purpose of this study is to reveal the specificity of the relationship between ethnogenesis and cultural Genesis in the philosophical works of L. N. ENU, which requires solving a number of interrelated tasks: to define the concept of "ethnogenesis and cultural Genesis", to establish their correlation, dependence and interdependence; to analyze the phenomenon of passionarity and its role in cultural Genesis; to characterize the specificity of ethnogeny two superethnoi (Kievan Rus and Muscovy) in the process of ethnic history.Materials and methods. The material of the research

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Pandit, Upendra, Dibya Shree Malla, and Paban Kumar Sharma. "Age as risk factors associated in the genesis of uterovaginal prolapse (UVP)." Nepal Journal of Obstetrics and Gynaecology 3, no. 2 (2014): 48–50. http://dx.doi.org/10.3126/njog.v3i2.10832.

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Aim: To find out the relationship between utero-vaginal prolapse (UVP) and first vaginal birth at younger age <22 years and to identify single most frequently occurred risk factor in study group. Method: A hospital based descriptive comparative study was carried out in 200 women of age 40- 60 years in two hospitals. One hundred women with UVP were enrolled as case (Group I) and 100 women with similar parity and age group but admitted for other reasons than prolapse were enrolled as comparative group (Group II). Relationship was observed between two groups in their age at first vaginal birth

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Dilnozaxon, Obidjanovna Abduraxmonova. "HISTORY OF DEVELOPMENT OF MUSIC ENSEMBLES AND STAGES OF ITS DEVELOPMENT." Journal of Academic Research and Trends in Educational Sciences 1, no. 8 (2022): 1–6. https://doi.org/10.5281/zenodo.6803442.

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This article discusses the introduction of the ensemble concept to the Uzbek national music art and its activities in different periods. Eastern thinkers, musicologists and famous musicians have a wide coverage of views and musical heritage of instrumental performance and group singing.

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Fagioli, Simone. "Mantegazza pop. Dall'Heracleum Mantegazzianum di Sommier & Levier a The return of the Giant Hogweed dei Genesis e oltre." Archivio per l'Antropologia e la Etnologia 154 (November 19, 2024): 83–97. http://dx.doi.org/10.36253/aae-3089.

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Tuscan botanists and explorers Stéphen Sommier and Emile Levier during their trip to the Caucasus (1890) discovered a new plant species. In 1895 they named the species Heracleum mantegazzianum in dedication to their friend and anthropologist Paolo Mantegazza. This botanical species is a large, highly invasive, and poisonous herbaceous plant. The seeds brought by the naturalists quickly spread throughout Europe. It became common in Great Britain as an ornament of communal and botanical gardens. Thedense free trade between enthusiasts and sale in horticultural catalogs, all helped it spread thro

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Antoshko, Maryna. "Genesis of Music Education in Ukraine and the East (the Example of China and Japan)." Bulletin of KNUKiM. Series in Arts, no. 41 (December 30, 2019): 95–101. https://doi.org/10.31866/2410-1176.41.2019.188647.

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The purpose of the article is to demonstrate the processes of origin and development of music education in Ukraine and the East Asian countries, in particular in China and Japan, to define their common and distinctive features. The research  methodology. The author has applied analytical and historical methods to trace the origin and development      of music education in Ukraine and the countries of East Asia; the structural method has been used for arranging into groups and presenting of the facts; biographical method has given the possibility to focus on the ac

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Dolgushina, M. "Students' local musical studies: project method and its implementation." Pedagogy and Psychology 46, no. 1 (2021): 147–51. http://dx.doi.org/10.51889/2021-1.2077-6861.20.

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This article is dedicated to the use of the project method in musical and regional studies of the university students. The research was based on years of experience of teachers and students of the Federal State Budgetary Educational Institution of Higher Education "Vologda State University". Specifically, two types of student projects carried out in the course of studying the discipline "Musical culture of the Vologda region" were analysed: firstly, group projects related to the search for materials about musical life in periodicals of previous years, and secondly, individual projects based on

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[黄羽], Huang Yu. "A Study of Musical Instrument Pictographs on Zuojiang Huashan Rock Arts." ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 6 (December 4, 2020): 1–16. http://dx.doi.org/10.30819/aemr.6-1.

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The Huashan Rock Arts represent the rock pictographs in the Zuojiang River Basin. They record the unique sacrificial scenes by Luoyue people from the 5th century BC to the 2nd century AD. Historical materials, unearthed cultural relics and existing folk customs all prove that the distinguishable musical instrument pictographs on the rock arts include bronze drums, sheep-horn knob bells, ling (small bells with a clapper), etc. All of these also explains why these musical instruments appear on those pictographs, further emphasizing the importance attributed to them on dividing the history of the

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Seroussi, Edwin. "Diasporas and Global Musical Networks: Jewish Perspectives." ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 9 (June 27, 2022): 1–8. http://dx.doi.org/10.30819/aemr.9-1.

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The COVID-19 pandemic, still present in our lives as I carve these lines, dictates not only daily routines but also scholarly concerns. Thus, global musical networks, the subject of this essay, should be a pertinent concern for musicologists today more than ever before. If we needed a tangible proof of human interdependence at a global level, then this boundless health crisis showed the full extent to which human civilization is hyper-connected. However, one should not turn the idea of connectivity into an exclusively modern phenomenon. Humans interacted with each other from the dawn of evolut

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Kaszubska, Natalia. "Kategorie czasu i formy muzycznej w II Koncercie na wiolonczelę i orkiestrę symfoniczną Pawła Mykietyna." Kwartalnik Młodych Muzykologów UJ, no. 54 (3) (December 7, 2022): 19–41. http://dx.doi.org/10.4467/23537094kmmuj.22.012.16812.

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The Categories of Time and Musical Form in Paweł Mykietyn’s Concerto No. 2 for Cello and Symphony Orchestra The paper supplements the research on the latest Paweł Mykietyn's work. It broadens the spectrum of problems related to the technique of deconstruction in his works and allows for a better understanding of the structure of the Concerto No. 2 for cello and symphony orchestra. The main research method is descriptive analysis, bringing Paweł Mykietyn's musical language closer to the harmonic material, textural systems, agogic-metric structures, and the concept of form. The analysis is based

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Fotina, E. V., R. R. Zakirova, M. V. Alekseenkova, and O. B. Panina. "Connective tissue dysplasia in the genesis of cervical incompetence." Obstetrics, Gynecology and Reproduction 15, no. 1 (2021): 41–50. http://dx.doi.org/10.17749/2313-7347/ob.gyn.rep.2021.131.

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Aim: to study a role of undifferentiated connective tissue dysplasia (uCTD) in etiology of cervical incompetence and its effect on pregnancy and childbirth course.Material and Methods. There were enrolled 60 patients with cervical incompetence. Patients were divided into 3 groups according to the modified CTD scale: group 1 - patients without uCTD (n = 21); group 2 - patients with mild uCTD (n = 25); group 3 - patients with moderate-to-severe uCTD (n = 14). Intensity of CTD clinical signs was assessed based on health status, gynecological and obstetric history, the course of pregnancy, labor a

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Nusseck, Manfred, Mark Zander, and Claudia Spahn. "Music Performance Anxiety in Young Musicians: Comparison of Playing Classical or Popular Music." Medical Problems of Performing Artists 30, no. 1 (2015): 30–37. http://dx.doi.org/10.21091/mppa.2015.1005.

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Objectives: Music performance anxiety (MPA) is an issue frequently experienced by musicians. It occurs not only in experienced musicians but also in children and adolescents. Furthermore, most research on MPA has been done with musicians who specialized in classical music. This study investigated the development of MPA across the ages in young musicians focusing on the classical and popular genres. Methods: In a cross-sectional survey, 239 students at German music schools, aged between 7 and 20 yrs, were asked about their perceived MPA and musical background. The data were analyzed according t

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KULIYEVA, ANTONINA, OLHA MURAVSKA, LIN YUHENG, and FU JIA. "GENRE-STYLE AND SPIRITUAL-ETHICAL METAMORPHOSIS OF FRENCH MUSICAL THEATER OF THE 17TH-20TH CENTURIES." AD ALTA: Journal of Interdisciplinary Research 14, no. 2 (2024): 95–98. http://dx.doi.org/10.33543/j.140243.9598.

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The purpose of the work is to identify the genre-stylistic and spiritual-meaning specifics of the French musical theater of the New Age and its evolutionary paths in the European culture of the 17th-20th centuries. The historical paths of the development of French musical theater of the 17th–20th centuries reveal its genre and stylistic diversity, represented by the typologies of “lyrical tragedy”, “salvation opera”, Empire opera, “grand” French opera, lyric opera and numerous varieties of samples of experimental musical theater and synthetic genres formations of the 20th century. The timbre-i

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Basini, Laura. "Alfredo Casella and the rhetoric of colonialism." Cambridge Opera Journal 24, no. 2 (2012): 127–57. http://dx.doi.org/10.1017/s0954586712000171.

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AbstractWhile the political impact of Italy's 1936 Ethiopian invasion has long been recognized, its cultural history has only recently come under scrutiny. This paper investigates one musical legacy of Mussolini's colonial project by means of a case study of Alfredo Casella's Il deserto tentato (The Attempted Desert, 1937). Performed on the first anniversary of the Empire's founding and dedicated to ‘Mussolini, fondatore dell'Impero’, the work depicts the arrival of a group of Italian airmen in Ethiopia and their welcome by the indigenous peoples. I set the text against contemporary propaganda

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Sołtysik, Michał S. "Topika w muzyce – definicje, historia, znaczenie." Kwartalnik Młodych Muzykologów UJ, no. 47 (4) (2020): 5–26. http://dx.doi.org/10.4467/23537094kmmuj.20.016.13202.

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Topics in music – definitions, history, meaning The aim of the article is to present the concept of topics in music, which was associated with the presentation of this term in the history of culture and literature. Due to the broader context, it will be possible to present this Greek term more fully in musicology and in relation to the interpretation of selected examples of musical works. The study consists of three complementary parts. The first introduces to the genesis of the concept, which originates from ancient rhetoric and has been described, among others by Aristotle, Cicero or Boethiu

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Park, Joohyang. "Revisiting Philip the Chancellor's Influence on the Birth of the Motet: Focusing on the Works of Philip the Chancellor Included in Major Music Manuscripts in the 13th Century." Korean Society of Culture and Convergence 45, no. 8 (2023): 659–73. http://dx.doi.org/10.33645/cnc.2023.08.45.08.659.

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Philip the Chancellor(c.1160-70 - 1236), who has been recorded in history as an important figure at Notre Dame Cathedral in Paris, has been known as a person who played an important role in the spread of the Latin lyric poetry repertoire in the 13th century. Many of his extant poems were often used as lyrics for the Notre Dame School, who was a famous composer at the time, and his ability to set poetry to music makes it clear why his work was favoured by composers of the time. However, despite his contribution, his work has not been published in complete works or actively studied. This study e

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Tzanaki, Persefoni. "The Positive Feedback Loop of Empathy and Interpersonal Synchronisation: Discussing a Theoretical Model and its Implications for Musical and Social Development." Music & Science 5 (January 2022): 205920432211427. http://dx.doi.org/10.1177/20592043221142715.

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The positive prosocial outcomes deriving from interpersonal synchronisation, as well as the contribution of social skills in attaining synchronisation with others in musical group interactions, are commonly explored independently, overlooking the possibility of a simultaneous bidirectional relationship between musical and social behaviour. This article focuses on the relationship between empathy and interpersonal synchronisation, critically reviewing each directionality of this intriguing link, namely, how empathy contributes to the socio-cognitive skills required to achieve synchronisation wi

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Sokolova, Alla Nikolaevna. "Visualization of music, musicians, and musical instruments in the works of Adyghe artists." Философия и культура, no. 3 (March 2021): 1–21. http://dx.doi.org/10.7256/2454-0757.2021.3.35413.

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This article reviews painting and graphics of Adyghe artists, which plotlines and images resemble musical instruments, musicians, and in a certain way, music itself. The author assumes that the entire heritage in this area can be divided into three groups. The first group contains the artworks that are perceived as historical documents testifying to the presence or absence of certain types of musical instruments, ways of playing those, dances, dance positions, moves, etc.; this also includes paintings with ethnographically precise reproduction of the past or present reality, which depicts musi

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Pedro, Matheus Kahakura Franco, Francisco Manoel Branco Germiniani, and Hélio A. G. Teive. "Neurosyphilis and classical music: the great composers and “The Great Imitator”." Arquivos de Neuro-Psiquiatria 76, no. 11 (2018): 791–94. http://dx.doi.org/10.1590/0004-282x20180122.

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ABSTRACT Throughout history, neurosyphilis has victimized many people, including classical composers, with a wide range of clinical presentations. Methods: Six articles with descriptions of composers with possible neurosyphilis were reviewed. Results: Neurosyphilis is a possible diagnosis for composers like Beethoven, whose progressive hearing loss influenced his career, culminating in complete deafness. In his autopsy, cochlear nerve atrophy and cochlear inflammation were described. Donizetti developed behavioral changes, as well as headaches, general paresis and seizures. Both Schumann and W

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ALSUDANI, Mustafa Abbas Ali. "DIVERSITY OF MUSICAL INSTRUMENTS IN THE IRAQI SONG." RIMAK International Journal of Humanities and Social Sciences 04, no. 04 (2022): 689–703. http://dx.doi.org/10.47832/2717-8293.18.44.

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Musical instruments have an important role in the performance of melodies associated with the lyrical text or purely musical compositions. Thousands of years ago, musical instruments went through stages of development that included their manufacture or the way they were played, in order to reach new tone-colors that mimic the reality and ambition of artists and the public on their various orientations in times and successive civilizations. Arabic and Iraqi music has an active role in the development of musical instruments since the civilization of Mesopotamia. The Iraqi song accompanied the va

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Durán, Lucy. "Ngaraya: Women and musical mastery in Mali." Bulletin of the School of Oriental and African Studies 70, no. 3 (2007): 569–602. http://dx.doi.org/10.1017/s0041977x07000845.

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AbstractThis article aims to contribute to an understanding of the evaluation of musical artistry in Africa, through Mali as a case study. The discussion focuses on the informal discourses of the occupational group of Mande artisan-musicians known as jeli (pl. jeliw, jalilu), concerning the ideal of musical greatness, signified by the polysemic term ngaraya; while there is consensus about the ideal, there is much debate about who qualifies. Drawing on extensive interviews and fieldwork with leading jeliw over the past twenty years, it pays special attention to the views of and about Malian wom

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Fedora, Burlac. "NATIONAL CHAMBER CHOIR OF REPUBLIC OF MOLDOVA: HISTORY FILES." DIALOGICA. Cultural Studies and Literature Scientific Journal Vol. 11, no. 2/2022 (2022): 70–77. https://doi.org/10.5281/zenodo.7033822.

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. The National Chamber Choir (artistic director and main conductor Ilona Stepan) takes an important place in the contemporary musical heritage of the Republic of Moldova. The present article is dedicated to the history and evolution of the National Chamber Choir during the first stage of its development. This unique artistic group appeared in 2002 as the first private musical group in the Republic of Moldova thanks to the initiative and sponsorship of the Union Fenosa Cultural Foundation. Some important aspects of the National Chamber Choir’s evolution are studied. Among them: crystalliz

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