Thematische Bibliographien / George Dickie

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Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 11. Februar 2022

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Zeitschriftenartikel zum Thema "George Dickie"

Straukaitė, Ieva. „G. DICKIE’O EKSTENSIONALISTINIO-INSTITUCINIO MENO APIBRĖŽIMO NEAPIBRĖŽTUMAS“. Problemos 83 (01.01.2013): 173–84. http://dx.doi.org/10.15388/problemos.2013.0.824.

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Šiuolaikinėje analitinėje meno filosofijoje viena pagrindinių problemų – ar įmanoma ir kaip įmanoma apibrėžti meną? Straipsnyje analizuojamas George’o Dickie’o institucinis meno apibrėžimas. Parodoma, kaip jis atsako į antiesencialistų argumentus, neigiančius meno apibrėžimo galimybę. Teigiama, kad meno apibrėžimą Dickie’s įrodinėja pasitelkdamas ekstensionalistinę metodologiją, kuria remdamasis meno ir ne-meno atskyrimo kriterijus aiškina kaip semantinius eksternalistinius, episteminius eksternalistiniusir normatyviai neutralius. Tvirtinama, kad Dickie’o suformuluotas institucinis meno apibrėžimas negali būti laikomas meno apibrėžimu, nes jis remiasi ydingo loginio rato principu. Iš to daroma išvada, kad Dickie’s nepagrindžia meno apibrėžimo galimybės, bet pasiūlo ekstensionalistinę institucinę meno sampratą.Indefiniteness of George Dickie’s Extensional-Institutional Definition of ArtIeva Straukaitė SummaryA major problem in contemporary analytic philosophy of art is whether and how it is possible to define art. The paper analyzes George Dickie’s institutional definition of art. His response to anti-essentialists’ arguments which deny the possibility to define art is presented. It is argued that Dickie attempts to substantiate his definition of art by invoking extensional methodology on the basis of which he construes the criteria for distinguishing between art and non-art as externalistic semantic, externalistic epistemic, and value-neutral. It is asserted that the institutional definition of art formulated by Dickie cannot be considered a definition of art as it is sustained by a logically vicious circle. Hence the conclusion that Dickie does not substantiate the possibility of a definition of art but introduces an extensional-institutional conception of art.

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LORD, CATHERINE. „Dickie, George. Evaluating Art“. Journal of Aesthetics and Art Criticism 48, Nr. 1 (01.12.1990): 83–84. http://dx.doi.org/10.1111/1540_6245.jaac48.1.0083.

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WIEAND, JEFFREY. „George Dickie, The Art Circle“. Journal of Aesthetics and Art Criticism 44, Nr. 1 (01.09.1985): 80–81. http://dx.doi.org/10.1111/1540_6245.jaac44.1.0080.

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Ferreira, Guilherme Ronan de Souza E. „Arte e estética: o debate contemporâneo a partir de George Dickie“. Griot : Revista de Filosofia 3, Nr. 1 (14.06.2011): 22–35. http://dx.doi.org/10.31977/grirfi.v3i1.489.

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No artigo O mito da atitude estética, dentre outros trabalhos, o filósofo George Dickie se opõe a teses que circunscrevem a apreciação das obras de arte a determinados estados psicológicos centrados na noção de desinteresse prático e que fundamentariam o único espaço onde elas teriam significado enquanto tais. Nosso propósito aqui, num primeiro momento, será explicitar um dos aspectos pontuais desta crítica, qual seja, a análise e objeção ao conceito de “atitude estética” defendido por Jerome Stolnitz. Num segundo momento, questionaremos se, de modo geral, a objeção àquele conceito pode ser estendida ao valor da estética (não apenas vinculada à certa “atitude”), considerada irrelevante para a teoria institucional da arte, o centro da filosofia de Dickie. Nesta direção, retomaremos a antiga discussão sobre a demarcação de fronteiras entre estética e filosofia da arte, mas o faremos a partir da perspectiva de Dickie e, longe de esgotá-la, apenas indicaremos possíveis caminhos para a relação entre estas duas instâncias.

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GRACYK, THEODORE. „George Dickie, Introduction To Aesthetics: An Analytic Approach“. Journal of Aesthetics and Art Criticism 57, Nr. 1 (01.12.1999): 82–85. http://dx.doi.org/10.1111/1540_6245.jaac57.1.0082.

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Bellany, Alastair. „A Poem on the Archbishop's Hearse: Puritanism, Libel, and Sedition after the Hampton Court Conference“. Journal of British Studies 34, Nr. 2 (April 1995): 137–64. http://dx.doi.org/10.1086/386072.

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Late in March 1604, as his biographer John Strype records, Archbishop John Whitgift's “Corps was carried to Croydon … and there honourably interred in the Parish-Church … with a decent Solemnity.” Sir George Paule concurred, noting that the “Funerall was very honourably (as befitted his place) solemnized.” The funeral's honor, decency, and solemnity were somewhat marred, however, for among those laudatory elegies and epitaphs traditionally placed upon hearses, some audacious soul had contrived to pin a far from complimentary piece of doggerel. Entitled “The Lamentation of Dickie for the Death of his Brother Jockie”—Jockie being Whitgift and Dickie his successor as archbishop, Richard Bancroft—the poem was a vicious tirade against the late archbishop and his policies. The fullest extant copy survives in a collection of political papers once owned by the Kentishman Sir Peter Manwood:The prelats pope, the canonists hope,The Cortyers oracle, virginities spectacle,Reformers hinderer, trew pastors slanderer,The papists broker, the Atheists ClokerThe ceremonyes procter, the latyn docterThe dumb doggs patron, non resid[e]ns championA well a daye is dead & gone,and Jockey hath left dumb dickye alone.Prelats relent, Cortyers lamentPapiste bee sadd, Athiests runn maddGrone formalists, mone pluralistsfrowne ye docters, mourne yee ProctersBegge Registers, starve paratorsscowle ye summoners, howle yee songstersYour great Patron is dead & gone,& Jockey hath left dumb dickye alone.Popishe Ambition[,] vaine superstition,coulured conformity[,] canckared envye,Cunninge hipocrisie[,] faigned simplicity,masked ympiety, servile flatterye,Goe all daunce about his hearse,& for his dirge chant this verseOur great patron is dead and gone,& Jhockey hath left dumb dickey alone.Yf store of mourners yet there lackelett Croyden coull[i]ers bee more blackeAnd for a Cophin take a sackebearing the corpes upon their backedickye more blacke then any oneas chief mourner may marche aloneSinginge this requiem Jhocky is gone,& dickye hopes to play Jhocky aloneholla dickye bee not so bould,to woulve yt in Cheif Jhesis fouldas yf to hell thy Soule weare sould,lest as Jhocky was oft foretouldIf thou a persecutor stand,God likewise strike thee wth his hand:A-rankinge thee in the bloudy bandof ravening cleargie woolves in the land.

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Hyman, Lawrence W. „A DEFENCE OF AESTHETIC EXPERIENCE: IN REPLY TO GEORGE DICKIE“. British Journal of Aesthetics 26, Nr. 1 (1986): 62–63. http://dx.doi.org/10.1093/bjaesthetics/26.1.62.

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Silveira, Cristiane. „O mundo e os mundos da arte de Arthur C. Danto: uma teoria filosófica em dois tempos.“ ARS (São Paulo) 12, Nr. 23 (30.06.2014): 51. http://dx.doi.org/10.11606/issn.2178-0447.ars.2014.82833.

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<p>O artigo apresenta duas versões temporalmente afastadas da noção de "mundo da arte" formulados pelo filosófo Arthur C. Danto (1924-2013). A primeira apresentada no clássico artigo de 1964 "The artworld", em resposta a seu círculo filosófico mais próximo, e diante da aparente radicalidade dos exemplares exibidos como obras de arte naquele período; e a segunda, apresentada no ensaio "The art world revisited: comedies of similarities", de 1992, como uma tentativa cabal de afastar sua teoria da sombra da Teoria Institucional de George Dickie e da noção de mundo da arte ali implicada.</p>

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Skidelsky, Edward. „But is it Art? A new look at the institutional theory of art“. Philosophy 82, Nr. 2 (April 2007): 259–73. http://dx.doi.org/10.1017/s0031819107320032.

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In 1973, the philosopher George Dickie proposed an ingenious new answer to the old question: what is art? Arthood, he suggested, is not an intrinsic property of objects, but a status conferred upon them by the institutions of the art world. He accordingly attached an exemplary significance to works like Duchamp's urinal, whose very lack of intrinsic distinction focuses our attention upon their institutional context. But his theory was about art in general, and not just readymades. ‘I am not claiming that Duchamp and his friends invented the conferring of the status of art; they simply used an existing institutional device in an unusual way.’

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Moreno García, María Inés. „El dilema de la valoración del arte contemporáneo“. Boletín de Estética, Nr. 54 (07.06.2021): 79–104. http://dx.doi.org/10.36446/be.2021.54.221.

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Este artículo reflexiona sobre la paradójica situación que se genera en las diferentes formas de evaluación del arte contemporáneo ante la ausencia de una teoría que fundamente los criterios orientadores. Junto con ello, se propone la hipótesis de que tanto el purismo estético como la defensa de la autonomía de la experiencia estética han conducido al agotamiento de los lenguajes artísticos en la segunda mitad del siglo xx. Finalmente, se presenta a la teoría emblemática que acompaña el arte contemporáneo –la teoría institucional de George Dickie– como un intento de explicación del arte que –sintomáticamente– carece de criterios para el reconocimiento de la apreciación del arte.

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Dissertationen zum Thema "George Dickie"

Araújo, Ana Augusta Carneiro de Andrade. „A natureza institucional da arte segundo George Dickie“. Programa de Pós-Graduação em Filosofia. Departamento de Filosofia, Instituto de Filosofia, Artes e Cultura, Universidade Federal de Ouro Preto, 2012. http://www.repositorio.ufop.br/handle/123456789/2512.

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Submitted by Maurílio Figueiredo (maurilioafigueiredo@yahoo.com.br) on 2013-02-26T20:55:07Z No. of bitstreams: 1 DISSERTAÇÃO_NaturezaInstitucionalArte.pdf: 545888 bytes, checksum: c26b3fc65deef0721dd9b94087cdfc96 (MD5)
Approved for entry into archive by Neide Nativa (neide@sisbin.ufop.br) on 2013-03-12T21:33:45Z (GMT) No. of bitstreams: 1 DISSERTAÇÃO_NaturezaInstitucionalArte.pdf: 545888 bytes, checksum: c26b3fc65deef0721dd9b94087cdfc96 (MD5)
Made available in DSpace on 2013-03-12T21:33:45Z (GMT). No. of bitstreams: 1 DISSERTAÇÃO_NaturezaInstitucionalArte.pdf: 545888 bytes, checksum: c26b3fc65deef0721dd9b94087cdfc96 (MD5) Previous issue date: 2012
ABSTRACT: This research aims at the question "what is art?" and its possible developments in the production of contemporary philosophical analytical profile. To elaborate on this theme, we chose to separate the text into five distinct and complementary moments. The first is to present the problem of defining the nature of art, locating it historically and contextually, and linking it to our current art scene to facilitate its boundaries. The second phase aims to point out ways of identifying the nature of things and in this sense, which one would be more fruitful to investigate something like the art - so controversial in nature and plural. The third argues that George Dickie's institutional theory suggests a fruitful way and proper identification of what art is. His central thesis is that art can only be understood if understood within their own practice, always linked to a socio-cultural context. At this point, choose to work every aspect of this perspective in detail, including their objections. The fourth period covers the same author and his position on the value of art. In this case, experiments in the art to produce a value within the culture, and how such experiences can be measured through the qualities and elements of art works. The fifth and final moment brings a conclusion where it defines the extent to which Dickie perspective is relevant and where their vision is weak. In other words, our critique your perspective.
A presente pesquisa tem por objeto a questão “o que é arte?” e seus possíveis desdobramentos dentro da produção filosófica contemporânea de perfil analítico. Para dissertar sobre este tema, optou-se por separar o texto em cinco momentos distintos e complementares. O primeiro visa apresentar o problema sobre a definição da natureza da arte, localizando-o histórica e contextualmente, e vinculando-o ao nosso atual cenário artístico para facilitar sua delimitação. O segundo momento visa apontar caminhos de identificação da natureza das coisas e neste sentido, qual deles seria o mais fecundo para se investigar algo como a arte – de natureza tão controversa e plural. O terceiro defende que a teoria institucional de George Dickie indica um caminho fecundo e adequado de identificação daquilo que a arte é. Sua tese central é que a arte só pode ser compreendida se entendida dentro de sua própria prática, sempre vinculada a um contexto sociocultural. Neste ponto, escolhemos trabalhar cada aspecto desta perspectiva detalhadamente, incluindo suas objeções. O quarto momento aborda o mesmo autor e sua posição sobre o valor da arte. No caso, em a arte produzir experiências de valor dentro da cultura, e como tais experiências podem ser medidas através das qualidades e elementos das obras de arte. O quinto e último momento traz uma conclusão onde se delimita até que ponto a perspectiva de Dickie é pertinente e onde sua visão deixa a desejar. Ou seja, nossa crítica a sua perspectiva. ____________________________________________________________________________

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Kilman, Espinosa Jazmín. „El estatus de obra de arte: la polémica entre Danto y Dickie“. Tesis, Universidad de Chile, 2016. http://repositorio.uchile.cl/handle/2250/143814.

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Mårtensson, Tilda. „Fenomenet Banksy : En studie av en gatukonstnärs verk och konstsyn“. Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-32591.

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Arbetets ena syfte är att identifiera gatukonstnären Banksys stil och se vilka faktorer som kan lyftas fram som "Banksyska". Det andra syftet är att undersöka hur Banksy förhåller sig till begreppet "konstvärld" som teoretikerna Arthur Danto, George Dickie och Howard Becker talar om. Efter att ha observerat och granskat ett stort kvantitativt urval av Banksys gatukonstverk valdes ett antal verk ut, som sedan analyserades genom en semiotisk analysmetod. Genom de semiotiska analyserna och uttalanden från Banksy gick det att konstatera ett tydligt mönster av färgstarka, schablonmåleriska, ironiska, paradoxala och främmandegjorda bilder utifrån den auktoritära kontext som karaktärerna i bilderna brukar ses i. Det gick även att konstatera att Banksys relation till konstvärlden är paradoxal utifrån uttalanden och de semiotiska analyserna, då han påstår sig vara ointresserad av konstvärlden samtidigt som han deltar i den.

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Burdine, Michelle Marie. „Value Perspective: A Necessary Condition for Photographic Art“. Wright State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=wright1367575871.

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Granefelt, Laurén Karl. „Att definiera konst : En kritik av George Dickies institutionella teori“. Thesis, Linköping University, Department of Religion and Culture, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-8533.

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This paper treats George Dickies institutional theory of how to define art. Some alternative theories and their originators are also introduced. According to Dickie something is art because it has been created against a background of an already existing artworld. Dickie has formulated his theory in two different versions, ”the earlier” and ”the later”, which differ somewhat in their design. Both versions is presented and discussed in this paper.

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Casati, Rafael. „Caracterização tafonômica das concentrações fossilíferas da Formação Cape Melville, Grupo Moby Dick (Mioceno Inferior), Ilha Rei George, Antártica“. Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/44/44139/tde-19122007-101537/.

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Trabalhos objetivando a tafonomia de concentrações fossilíferas geradas em ambiente glacial ou periglacial são raros. Neste contexto, a presente dissertação realizou a caracterização tafonômica das concentrações fossilíferas da Formação Cape Melville, Grupo Moby Dick (Mioceno Inferior), Ilha Rei George, Antártica, tendo em vista a elucidação da gênese destes depósitos. Para tanto, dados relativos a um total de 534 espécimes foram obtidos nas camadas ricamente fossilíferas das quatro seções, denominadas Pingüineira (PRS), Hard Ground (HGS), Chaminé (CS) e Lava Crag (LCS), levantadas no topo da Península Melville entre Janeiro e Fevereiro de 2003. Destas, apenas a Seção PRS apresenta duas camadas fossilíferas distintas (PRS-C1 e PRS-C2). A fauna estudada é composta predominantemente por restos de moluscos bivalves. Restos menos abundantes de corais, caranguejos, gastrópodes e braquiópodes, além de icnofósseis, também estão presentes. A análise da composição taxonômica, ecológica e tafonômica permitiu identificar semelhanças entre as Seções PRS e HGS e entre as Seções CS e LCS. As seções PRS e HGS são compostas dominantemente por bivalves depositívoros da infauna rasa (Ennucula frigida, Enncula musculosa e Yoldia peninsularis), preservados preferencialmente com as valvas articuladas fechadas, porém fora da posição de vida, indicando remobilização da fauna pré-soterramento; a ausência de sinais de fragmentação, abrasão e incrustação indica que os bioclastos não foram afetados por processos bioestratinômicos químicos, físicos ou biológicos intensos. A ocorrência de bioclastos piritizados na Seção HGS é interpretada como resultante da decomposição dos organismos soterrados, ainda vivos, em ambiente anóxico. As assembléias das seções CS e LCS são constituídas dominantemente por bivalves suspensívoros da infauna profunda (Neilo (N.) rongelii), preservados preferencialmente com as valvas desarticuladas, indicando que os processos bioestratinômicos físicos foram mais atuantes, sendo, no entanto, raros os sinais de fragmentação e de outras assinaturas tafonômicas como incrustação e bioerosão. As valvas desarticuladas estão preservadas preferencialmente com a convexidade voltada para baixo indicando que os bioclastos foram colocados em suspensão e redepositados fora da posição de maior estabilidade hidrodinâmica; a orientação em planta destes bioclastos exibe direção preferencial, indicando atuação de correntes fracas e um maior tempo de exposição na interface água/sedimento; a ocorrência de raros restos de bivalves suspensívoros escavadores da infauna profunda (Panopea (P.) cf. P. regularis) e de caranguejos (Antarctidromia inflata) preservados em posição de vida é indicativa de que esta comunidade foi soterrada in situ por sedimentos em suspensão que trouxeram a tanatocenose de valvas desarticuladas. Os resultados obtidos no presente estudo reiteram a importância dos estudos tafonômicos e paleoecológicos no entendimento da dinâmica deposicional do passado, contribuindo com um grande conjunto de dados úteis na caracterização de ambientes glaciais e periglaciais.
Works focusing on the taphonomy of fossil concentrations generated in glacial or periglacial environment are rare. In this context, the present dissertation carried out the taphonomic characterization of the fossil concentrations of the Cape Melville Formation, Moby Dick Group (Lower Miocene), King George Island, Antarctica, in order to elucidate the genesis of these deposits. To this end, data relative to a total of 534 specimens were obtained in the richly fossil layers of the four sections, called Pingüineira (PRS), Hard Ground (HGS), Chaminé (CS) and Lava Crag (LCS), investigated at the top of the Melville Peninsula between January and February of 2003. Of these, only the PRS Section presents two distinct fossil layers (PRS-C1 and PRS-C2). The studied fauna is mainly composed of remains of bivalve clams. Less abundant remains of corals, crabs, gastropods and brachiopods, as well as trace fossils, also are present. Taxonomic, ecological and taphonomic analyses allowed similarities to be identified between PRS and HGS and CS and LCS. PRS and HGS Sections are dominantly composed by shallow infaunal deposit-feeding bivalves (Ennucula frigida, Enncula musculosa Yoldia peninsularis), preserved preferentially with closed articulated valves, however out of life position, indicating remobilized fauna; the absence of signs of spalling, abrasion and incrustation indicates that the bioclasts were not affected by intense chemical, physical or biological bioestratinomic processes. The occurrence of pyritized bioclasts in HGS is interpreted as the result of decomposition of the entombed organisms, still alive, in an anoxic environment. The assemblages of CS and LCS Sections are dominantly constituted by deep infaunal suspension-feeding bivalves (Neilo (N.) rongelii), preserved preferentially with disarticulated valves, indicating that the physical biostratinomic processes were more operative; however there are few signs of spalling or other taphonomic signatures such as incrustation and bioerosion. Disarticulated valves are preferentially preserved convex down indicating that bioclasts were placed in suspension and redeposited in a position other than that of greatest hydrodynamic stability; the orientation of these bioclasts in plan view shows a preferential direction, indicating weak currents and a longer time of exposition at the water/sediment interface; the occurrence of rare remains of deep infaunal suspension-feeding bivalves (Panopea (P.) cf. P. regularis) and crabs (Antarctidromia inflata) preserved in life position is indicative that this community was entombed in situ by sediments in suspension that brought the thanatocenosis of disarticulated valves. The results obtained in the present study reiterate the importance of taphonomic and paleoecological studies for the understanding of the depositional dynamics of the past and contribute a great number of data useful in the characterization of glacial and periglacial environments.

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Reeves, Chris M. „United Front and Action vs. Beautiful Coffee Cups: Fluxus Through the Publications of George Maciunas and Dick Higgins“. University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337715265.

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Tsiampalis, Nikolaos [Verfasser], Burkhard [Gutachter] Dick und Karl-Georg [Gutachter] Schmidt. „Femtosekundenlaser-assistierte Kapsulotomie : Pupillen- versus Kapselsackzentrierung / Nikolaos Tsiampalis ; Gutachter: Burkhard Dick, Karl-Georg Schmidt ; Medizinische Fakultät“. Bochum : Ruhr-Universität Bochum, 2018. http://d-nb.info/1163451770/34.

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Holtmann, Eva Maria [Verfasser], Burkhard [Gutachter] Dick und Karl-Georg [Gutachter] Schmidt. „Evaluation des Berger-Raums im Rahmen der Kataraktchirurgie beim liegenden Patienten / Eva Maria Holtmann ; Gutachter: Burkhard Dick, Karl-Georg Schmidt ; Medizinische Fakultät“. Bochum : Ruhr-Universität Bochum, 2020. http://d-nb.info/1204258449/34.

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Meier, Matthew R. „Laughing at American Democracy: Citizenship and the Rhetoric of Stand-Up Satire“. Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1404219407.

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Bücher zum Thema "George Dickie"

Dickey, James. Deliverance: A screenplay by James Dickey from his novel. Ipswich: Screenpress Publishing on behalf of Turner Classic Movies, 2003.

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Tom, Badgett, Hrsg. Official Sega Genesis and Game Gear strategies, 2ND Edition. Toronto: Bantam Books, 1991.

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Sandler, Corey. Official Sega Genesis and Game Gear strategies, 3RD Edition. New York: Bantam Books, 1992.

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J, Yanal Robert, Hrsg. Institutions of art: Reconsiderations of George Dickie's philosophy. University Park, Pa: Pennsylvania State University Press, 1994.

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Yanal, Robert J. Institutions of Art: Reconsiderations of George Dickie's Philosophy. Pennsylvania State University Press, 1994.

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Institutions of Art: Reconsiderations of George Dickie's Philosophy. Pennsylvania State University Press, 1994.

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Yanal, Robert J. Institutions Of Art. Pennsylvania State University Press, 2004.

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Dickie, Trevor. An assessement of the sustainabilty of current land use at the University of Toronto St. George Campus / by Trevor Dickie, Anne Lange, Amy Longden, Joanna Vince and Xing Wu. 2007, 2007.

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Sayle, Timothy, Jeffrey A. Engel, Hal Brands und William Inboden, Hrsg. The Last Card. Cornell University Press, 2019. http://dx.doi.org/10.7591/cornell/9781501715181.001.0001.

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This book is the real story of how George W. Bush came to double-down on Iraq in the highest stakes gamble of his entire presidency. It offers an unprecedented look into the process by which Bush overruled much of the military leadership and many of his trusted advisors to authorize the deployment of roughly 30,000 additional troops to the warzone in a bid to save Iraq from collapse in 2007. The adoption of a new counterinsurgency strategy and surge of new troops into Iraq altered the American posture in the Middle East for a decade to come. The book provides access to the deliberations among the decision-makers on Bush's national security team as they embarked on that course. In their own words, George W. Bush, Dick Cheney, Stephen Hadley, Condoleezza Rice, Joshua Bolten, Robert Gates, and others, recount the debates and disputes that informed the process as Bush weighed the historical lessons of Vietnam against the perceived strategic imperatives in the Middle East. For a president who had earlier vowed never to dictate military strategy to generals, the deliberations in the Oval Office and Situation Room in 2006 constituted a trying and fateful moment. Bush risked losing public esteem and courted political ruin by refusing to disengage from the costly war in Iraq. The book is a portrait of leadership in the Bush White House. The personal perspectives are complemented by critical assessments. Taken together, they are a first draft of the history of the surge and new chapter in the history of the American presidency.

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Williams, Sonja D. Rural Wanderings. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039874.003.0002.

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This chapter recounts Richard Durham's early years and education. Alternatively known as Isadore, Izzy, Vern, Dick, the young Durham explored as much of the land around his family's house, located on eighty acres of rural farmland just outside the town of Raymond in Hinds County, Mississippi. His father, Curtis George Durham, cultivated the farm's cotton crops and cornfields but also worked several odd jobs to supplement the family's income. Aside from helping her husband cultivate their farmland, Durham's mother, Chanie Tillman Durham, worked as a teacher in Hinds County's Negro schoolhouse and engaged in the hairstyling business. This chapter discusses the importance of education for the Durham children, the death of Isadore's younger sister Maudeline, the family's constant struggle to survive in their home state, and the Durhams' decision to relocate to Chicago during spring 1923, joining the great exodus of African Americans who left the bubbling heat and stifling racism of the Jim Crow South for the promise of opportunity and freedom in the North.

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Buchteile zum Thema "George Dickie"

Uhnde, Klaus. „Britting, Georg: Lebenslauf eines dicken Mannes, der Hamlet hieß“. In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6101-1.

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Loquai, Franz. „Die Allmähliche Abtötung Der Vitalität Beim Leben. Georg Britting: Lebenslauf eines Dicken Mannes, der Hamlet Hiess“. In Hamlet und Deutschland, 48–71. Stuttgart: J.B. Metzler, 1993. http://dx.doi.org/10.1007/978-3-476-03463-2_6.

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Clunn, George. „71 George Clunn Dickies Cove, 15 March 1694/5“. In The Local Correspondence of the Royal African Company of England, 1681–1699, Vol. 3: The English in West Africa, 1691–1699, herausgegeben von Robin Law, 48. British Academy, 2006. http://dx.doi.org/10.1093/oseo/instance.00104970.

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Cogburn, Jon. „Neither Analytic Nor Dialectic I: Horizon“. In Garcian Meditations. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474415910.003.0002.

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The second chapter contains an exposition and critique of Garcia’s definitions of analysis and dialectics, again tying his discussion to canonical discussion in analytic and continental philosophy. ‘Analysis’ is explicated via a discussion of G.E. Moore’s canonical arguments as well as more recent work on Ramsey sentences, Ramsifying the George Dickie’s Institutional Theory of Art in the Process. Recent criticisms of Ramsey Sentence Functionalism support Garcia’s contention about analysis. For dialectics Garcia’s tragic aporetic dialectics is contrasted with traditional explications of Hegel.

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Ahmad, Muhammad Idrees. „Conclusions“. In The Road to Iraq, 167–75. Edinburgh University Press, 2014. http://dx.doi.org/10.3366/edinburgh/9780748693023.003.0007.

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This chapter explains why the book calls Iraq a “neoconservative war” even though its primary executors were George Bush, Dick Cheney and Donald Rumsfeld. It shows that while the primary responsibility for the war lies with these people, the war would not have happened without neoconservative encouragement and practical support.

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Neely, Michelle C. „The Problem with Preservation: Aesthetics and Sanctuary in Catlin, Parkman, Erdrich, Melville, and Byatt“. In Against Sustainability, 85–115. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823288229.003.0004.

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Chapter three traces preservation’s antebellum theorization and long-lasting repercussions. The first parts of this chapter delineate the flawed aesthetic logic of preservation, beginning with the earliest proposal for a “Nation’s Park” in painter and writer George Catlin’s Letters and Notes (1844). Preservation emerges as an environmental ethic because indigenous, “wild” natural spectacles are imagined to benefit an expanding, increasingly “civilized” white U.S. population. While Catlin calls for preservation of the beauty he sees in the Plains peoples, bison, and their threatened landscape, Francis Parkman Jr.’s The Oregon Trail (1849) writes of an ugliness in need of violent eradication. Louise Erdrich’s Shadow Tag (2010) illustrates the pernicious persistence of such aesthetic violence. The final portion of the chapter illuminates preservation’s flawed spatial logic. Herman Melville’s Moby-Dick (1851) rejects the possibility of whale extinction by insisting that whales have ocean sanctuaries to which they can retreat. A. S. Byatt’s plastic pollution tale, “Sea Story” (2013), plays out the destructive twenty-first-century consequences of Moby-Dick’s romantic ideas about nature. Altogether, the chapter suggests that preservation is an environmental ethic imbricated in settler colonialism, incapable of fostering meaningful human or interspecies community, and whose meagre benefits only continue to diminish as anthropogenic climate crisis intensifies.

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„Chapter 11 The George W. Bush–Dick Cheney Years“. In The U.S. Government & Renewable Energy, 101–10. Taylor & Francis Group, 6000 Broken Sound Parkway NW, Suite 300, Boca Raton, FL 33487-2742: CRC Press, 2016. http://dx.doi.org/10.1201/9781315186290-13.

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Cox, Karen L. „Murder at Glenburnie“. In Goat Castle. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469635033.003.0005.

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This chapter brings all of the principals together and introduces law enforcement. It explains how George Pearls met Dick Dana and Octavia Dockery and the plan to rob Jennie Merrill. It details how Emily Burns came to be at Glenburnie the night of the robbery. The botched robbery ended in Jennie Merrill being shot and killed and then tossed in a thicket 100 yards from the house. Dana, Dockery, Pearls, Burns, and perhaps Poe were involved. All disbursed after Merrill was killed as word spread throughout Natchez that Jennie Merrill might have been murdered, although her body was missing. Sheriff Clarence Roberts puts out a call for deputies and head to Glenburnie to begin their investigation.

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Freedman, Eric M. „The Habeas Corpus Strand of Restraints on Government“. In Making Habeas Work, 40–44. NYU Press, 2018. http://dx.doi.org/10.18574/nyu/9781479870974.003.0006.

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Utilizing primarily cases from the War of 1812, this Chapter illustrates the power and limitations of the writ in restraining government. Positive examples include state habeas challenges to military enlistments in the period prior to Tarble’s Case and Ableman v. Booth, including one decided in the Massachusetts Supreme Court against General Thomas H. Cushing, and New York Chief Justice James Kent’s order that General Morgan Lewis release alleged spy Samuel Stacy. Negative ones include the defiance of the writ by General Andrew Jackson in the period surrounding the Battle of New Orleans. Events began with the expulsion of French counsel Louis de Tousard. When Louisiana legislator Louis Louailler protested, Jackson had him arrested. Lawyer Pierre L. Morel sought habeas corpus from Louisiana Supreme Court Justice Francois-Xavier Martin (denied) and prohibition and habeas corpus from federal Judge Dominick A. Hall (latter granted). Jackson arrested Hall. When United States Attorney John Dick obtained a state habeas writ Jackson arrested Dick and ordered the judge’s arrest. Jackson was fined by Hall for contempt but ultimately reimbursed by Congress. George Washington respected the writ but it was ever vulnerable to defiance, evasion or legislative suspension. Although valuable, it could not be relied on exclusively.

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Young, John W., und John Kent. „24. The Iraq War and the Middle East“. In International Relations Since 1945. Oxford University Press, 2013. http://dx.doi.org/10.1093/hepl/9780199693061.003.0031.

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This chapter focuses on the Iraq war of 2003–2011 and the troubles in the Middle East. George W. Bush’s advisers, led by Dick Cheney and Don Rumsfeld, had been considering an attack on Iraq well before 9/11. At the same time, many experts within the government pointed to the lack of any evidence for Iraqi-sponsored terrorism directed against the United States. The threats to US national security were outlined to Bush in a briefing just prior to his inauguration; these threats came primarily from al-Qaeda’s terrorism and the proliferation of nuclear arms and other weapons of mass destruction (WMDs). The chapter first considers the US decision to invade Iraq before discussing the war, taking into account the US’s Operation Iraqi Freedom and the war’s costs to the US and to Iraq. It also examines the Israeli–Palestinian conflict and concludes with an assessment of the ‘Arab Spring’.

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