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Thematische Bibliographien / Grotesque World / Bücher

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Bücher zum Thema „Grotesque World“

Autor: Grafiati

Veröffentlicht am 7. Juni 2025

Zuletzt aktualisiert am 2. August 2025

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1

Chinery, Mary C. Carnival in the novels of Willa Cather: When the world becomes grotesque. Edwin Mellen Press, 2011.

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2

(Russia), Gosudarstvennyĭ Ėrmitazh. Volshebnyĭ mir groteska: Groteski v prikladnom iskusstve Zapadnoĭ Evropy XVI-XVII vekov iz sobranii︠a︡ Ėrmitazha : katalog vystavki = The magic world of the grotesque : 16th- and 17th-century grotesques in the applied art of Western Europe from the Hermitage collection : catalogue. Slavii︠a︡, 2000.

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3

Chera, Nicholas, Jenelle Dhing, Allison Van Houte, Hankyul Sharon Lee, and Jacqueline Fisher. Chasing the Peacock: Millennials Explore the Grotesque World of Flannery OConnor. Unknown Publisher, 2018.

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4

Otto Dix and the First World War: Grotesque Humor, Camaraderie and Remembrance. Lang AG International Academic Publishers, Peter, 2019.

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5

Mackenzie, Michael. Otto Dix and the First World War: Grotesque Humor, Camaraderie and Remembrance. Lang AG International Academic Publishers, Peter, 2019.

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6

Mackenzie, Michael. Otto Dix and the First World War: Grotesque Humor, Camaraderie and Remembrance. Lang AG International Academic Publishers, Peter, 2019.

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7

Mackenzie, Michael. Otto Dix and the First World War: Grotesque Humor, Camaraderie and Remembrance. Lang AG International Academic Publishers, Peter, 2019.

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8

(Editor), Rebecca Harris-Warrick, and Bruce Alan Brown (Editor), eds. The Grotesque Dancer on the Eighteenth-Century Stage: Gennaro Magri and His World. University of Wisconsin Press, 2005.

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9

Spitzer, Mark. Monster Fishing the World and Back: Toward an Ethics of Angling for the Grotesque. Torrey House Press, LLC, 2023.

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10

Spitzer, Mark. Monster Fishing the World and Back: Toward an Ethics of Angling for the Grotesque. Torrey House Press, LLC, 2023.

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11

Harries, Rebecca virginia. The monstrous world and its shadow: The grotesque aesthetic and the apocalyptic in German Expressionist drama and film. 2000.

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12

Hunt, Leon. The League of Gentlemen. Bloomsbury Publishing Plc, 2008. http://dx.doi.org/10.5040/9781839028403.

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Part sitcom, part sketch show, part “Kitchen Sink,” part “Northern Gothic,” The League of Gentlemen is one of British television’s most innovative and enduring comedy series. Set in the northern town of Royston Vasey, the series introduced viewers to homicidal Local Shop keepers Tubbs and Edward, vindictive training officer Pauline, demonic butcher Hilary Briss, and the nightmarish circus owner Papa Lazarou. Such was the series’ effect that the word “local” would never seem the same again. The majority of these grotesque characters were played by Mark Gatiss, Steve Pemberton and Reece Shearsmi

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13

Gibbons, William. Love in Thousand Monstrous Forms. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190265250.003.0008.

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Borrowing Mikhail Bakhtin’s notion of the grotesque, this chapter explores how the use of remixed classical works contributes to the game Catherine’s pervasive focus on opposing dualities. The chapter describes in detail how, for example, music comments on the real world and horrific dreamworld experienced within the game by the main character, Vincent, who is in the midst of a major life crisis. It explores how the careful selection of musical works in Catherine, along with the irreconcilable combination of high and low arts, mirrors dualistic structures found throughout the game, from the mi

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14

Cole, Jean Lee. How the Other Half Laughs. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496826527.001.0001.

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In the popular press of the early twentieth century, immigrant masses and the tenement districts were frequently portrayed as occasions for laughter rather than as objects of pity or problems to be solved. This distinctly comic sensibility, most visible in the form of the comic strip, merged the grotesque with the urbane and the whimsical with the cynical, representing the world of what Jacob Riis called the “Other Half” with a jaundiced, yet sympathetic, eye. Various forms of the comic sensibility emerged from a competitive, collaborative environment fostered at newspapers and magazines publi

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15

McDaniel, Justin Thomas. Ecumenical Parks and Cosmological Gardens. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824865986.003.0003.

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Lek and Braphai Wiriyaphan were married Sino-Thai entrepreneurs that became some of the greatest builders of Buddhist theme parks and ecumenical memorials in Asia. They designed parks and museums including the largest wooden temple and the largest metal animal statue in the world. This chapter compares their sites to others the Haw Par Villa in Singapore, the Wat Muang “Hell Park” in Thailand, the Centro Ecuménico Khun Iam in Macau, Chan-soo Park’s Moga-A Sculpture Garden in South Korea, the Sala Keaoku sculpture garden in Laos, as well as modern Buddhist temples and art galleries designed by

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16

Masih, Shalini. Psychoanalytic Conversations with States of Spirit Possession. The Rowman & Littlefield Publishing Group, 2023. https://doi.org/10.5040/9781978723955.

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Shalini Masih grew up in a stimulating environment of priests and healers, witnessing firsthand states of spirit possession and exorcism. In adulthood, she revisited these experiences, motivating her to extend psychoanalysis outside the clinic's realms into spaces of traditional healing. The outcome of her detailed exploration acknowledges the hugely productive interface between cultural manifestations and concerns of psychoanalysis without reducing the phenomenon of spirit possession to something formulaic. Instead, Psychoanalytic Conversations with States of Spirit Possession: Beauty in Brok

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17

Pavelle, Sophie. To Have or To Hold. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781399412148.

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A thrilling exploration of nature’s symbiotic relationships, some comforting and familiar, others wildly alien, by the award-winning author of Forget Me Not. What can nature teach us about living together? Investigating eight symbiotic relationships trying to survive the climate and biodiversity crises, Sophie Pavelle explains why it has never been more vital for us to understand symbiosis. Symbiotic relationships regulate ecosystems, strengthen resilience and bind pivotal connections. Species living together in symbiosis is no accident – these dynamics evolved. Species form and sever alliance

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18

Berns, Fernando Gabriel Pagnoni, Subashish Bhattacharjee, and Ananya Saha, eds. Japanese Horror Culture. Lexington Books, 2021. https://doi.org/10.5040/9781666994605.

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Contemporary Japanese horror is deeply rooted in the folklore of its culture, with fairy tales-like ghost stories embedded deeply into the social, cultural, and religious fabric. Ever since the emergence of the J-horror phenomenon in the late 1990s with the opening and critical success of films such as Hideo Nakata’s The Ring (Ringu, 1998) or Takashi Miike’s Audition (Ôdishon, 1999), Japanese horror has been a staple of both film studies and Western culture. Scholars and fans alike throughout the world have been keen to observe and analyze the popularity and roots of the phenomenon that took t

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19

Segye yŏnʾgŭk sok ŭi Hanʾguk hŭigok ŭi wisang kwa hyangbang: Hŭigok e issŏsŏ ŭi sasilsŏng, sŏsasŏng, pujorisŏng, kigoesŏng, kŭrigo pokchap mimyosŏng ŭi pigyo yŏnʾgu = The present situation and future prospect of Korean playsin [i.e. plays in] world drama : a comparative study on reality, epic, absurdity, grotesque, and sophistication in drama. Kogŭl, 1999.

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20

Segye yŏnʼgŭk sok ŭi Hanʼguk hŭigok ŭi wisang kwa hyangbang: Hŭigok e issŏsŏ ŭi sasilsŏng, sŏsasŏng, pujorisŏng, kigoesŏng, kŭrigo pokchap mimyosŏng ŭi pigyo yŏnʼgu = The present situation and future prospect of Korean playsin [i.e. plays in] world drama : a comparative study on reality, epic, absurdity, grotesque, and sophistication in drama. Kogŭl, 1999.

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21

Segye yŏnʼgŭk sok ŭi Hanʼguk hŭigok ŭi wisang kwa hyangbang: Hŭigok e issŏsŏ ŭi sasilsŏng, sŏsasŏng, pujorisŏng, kigoesŏng, kŭrigo pokchap mimyosŏng ŭi pigyo yŏnʼgu = The present situation and future prospect of Korean playsin [i.e. plays in] world drama : a comparative study on reality, epic, absurdity, grotesque, and sophistication in drama. Kogŭl, 1999.

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22

Glendining & Co and Glendining's (London England). English and world coins, [including] early Anglo-Saxon sceattas, such as the dragon type, and the extremely rare "grotesque bearded face" type; 21 lots of Edward I-III pennies from the Stanwix (Cumbria) Hoard, 1986-7, the balance of which was sold at Sotheby's, 6 October, 1989; [also] Irish farthings and factory tokens, commemorative medals, numismatic literature and auction catalogues ... 1993.

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23

White, Wrath James. If You Died Tomorrow I Would Eat Your Corpse: Poems of the erotic, the romantic, the violent, and the grotesque. CLASH Books, 2018.

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24

Grayson, George W. The Cartels. ABC-CLIO, LLC, 2013. http://dx.doi.org/10.5040/9798400623585.

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An up-to-date examination of Mexico's version of the "War on Drugs" that exposes the evolution of major cartels and their corruption of politicians, law-enforcement agencies, and the Army. What can President Enrique PeÃ±a Nieto do to curb the narcotics-induced mayhem in Mexico, and what would be the consequences to the United States if he fails? This book analyzes Mexico's transition from a relatively peaceful kleptocracy controlled by the Tammany-Hall style Institutional Revolutionary Party/PRI (1929â2000) to a country plagued by rural and urban enclaves of grotesque violence. The author ex

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25

Curtis, Cathy. Black Mountain, Provincetown, and the Woman Paintings. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190498474.003.0003.

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In 1948, Willem de Kooning taught at the Black Mountain College summer session in Asheville, North Carolina. Elaine thrived in this experimental ambience. She worked on Buckminster Fuller’s first geodesic dome, studied with Josef Albers, and played the ingénue in The Ruse of Medusa, choreographed by Merce Cunningham, with music by Erik Satie played by John Cage. While Bill labored over his breakthrough painting Asheville, Elaine produced rhythmic abstractions on wrapping paper. That fall, he painted Woman, the first of his grotesque female figures. It is impossible to fully parse the real-life

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26

Hart, Adam Charles. Monstrous Forms. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190916237.001.0001.

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It makes us jump. It makes us scream. It haunts our nightmares. So why do we watch horror? Why do we play it? What could possibly be appealing about a genre that tries to terrify us? Why would we subject ourselves to shriek-inducing shocks, or spend dozens of hours watching a television show about grotesque flesh-eating monsters? Horror offers us a connection to fears that are otherwise unspeakable, even inconceivable, so why do we seek it out? Monstrous Forms offers a theory of horror that works through the genre across a broad range of contemporary moving-image media: film, television, video

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27

Lagaay, Alice, and Detlef Thiel, eds. Critical Introduction to Salomo Friedlaender/Mynona. Rowman & Littlefield, 2024. https://doi.org/10.5040/9798881870027.

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Salomo Friedlaender/Mynona (1871–1946) was a prominent, eccentric and influential figure in late Imperial Germany, Expressionism, Dadaism, and the Weimar Republic. He wrote and published works of philosophy, novels, parodies and satirical so-called grotesque tales, which he wrote under the pseudonym “Mynona”—the German word for anonymous, anonym, spelled backwards. Currently being rediscovered in his native language, F/M and his work are still generally unknown, and none of his philosophical texts have been translated. The Critical Introduction to Salomo Friedlaender/Mynona: Twentieth-Century

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