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Zeitschriftenartikel zum Thema „Guidebooks, 1911“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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1

Espinaco-Virseda, Angeles. "One of Every Type: Collection, Description and the Production of the Generic Animal at the Hamburg Zoological Garden, 1863-1911." Brock Review 12, no. 1 (2011): 1–20. http://dx.doi.org/10.26522/br.v12i1.328.

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Between 1863 and 1911, the guidebooks and several other publications of the Hamburg Zoological Garden characterized animals as standardized, biologically determined “Types.” These typologies were reinforced by physical and anthropomorphic descriptions and representations of animals as commodities or fragmented objects of scientific scrutiny. In this way, attempts to classify and collect animals reduced them to unsophisticated, interchangeable objects that confounded the zoo’s mandate to deepen public and scientific knowledge about wild animals. Instead, captive wild animals were rendered as si

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broomfield, andrea. "Soldier of the Fork: How Nathaniel Newnham-Davis Democratized Dining." Gastronomica 12, no. 4 (2012): 46–54. http://dx.doi.org/10.1525/gfc.2012.12.4.46.

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From Solider of the Infantry to Soldier of the Fork: that's how Lieutenant-Colonel Nathaniel Newnham-Davis described himself to Britons who liked a good dinner, but who nonetheless struggled in “the spider web of a carte de jour.” His 1899 restaurant guide, Dinners and Diners: Where and How to Dine in London, was so successful that he updated it in 1901. By 1914, when Davis published Gourmet's Guide to London, he had launched a restaurant revolution. Unlike gastronomes before him, Davis systematically demystified the protocol of restaurant dining for hundreds of middle-class people who had bee

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Koenker, Diane P. "The Russian Revolution As a Tourist Attraction." Slavic Review 76, no. 3 (2017): 753–62. http://dx.doi.org/10.1017/slr.2017.183.

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Looking at Soviet guidebooks from the 1920s to the 1960s, this essay argues that 1905 and 1917 revolutionary places as “tourist attractions” were mostly tangential to the tourist experience, although one could argue that the entire USSR was a monument to the “revolution.” The revolution remained one destination of many possible tourist excursions, its memory one building block of many that made up the basis of Soviet citizenship. The revolution as tourist attraction did not celebrate 1917 as arupture, but rather a point of entry, the moment from which the many and not the few could share in a

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Khisamutdinov, Amir. "How Russian emigrants traveled to China: the first guidebooks." Ojkumena. Regional Researches, no. 4 (January 8, 2025): 88–92. https://doi.org/10.29039/1998-6785/2024-4/88-94.

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The article is devoted to the first tourist guides prepared in China by Russian emigrants in the first half of the XX century: "Guide to Shanghai" by G.G. Sunnerberg (1919), "Trade, Industrial and Business Directory and Index of Tianjin" by P.G. Tideman (1922), "Russian Guide to Beijing and Its Environs" by I.I. Serebrennikov (1923), "Guide to the Far East" by K.A. Polyukhov-Morozenko (1925), reference book "Port of Qingdao" (1935), reference book and guide to the resort "Pearl of Mongolia: Khalkhin-Khalun-Arshan" – I. Charov (1928), "Guide to the city of Harbin – Bureau for Russian Emigrants"

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Paškauskas, Juozapas. "Discovering the Empire: Julija Pranaitytė’s Guidebook to Europe and Asia." Lithuanian Historical Studies 23, no. 1 (2019): 1–24. http://dx.doi.org/10.30965/25386565-02301001.

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The significance of Iš kelionės po Europą ir Aziją (1914), the guidebook by Julija Pranaitytė, a Lithuanian intellectual from the turn of the 19th and 20th centuries, depended not just on the fact that the author was the first Lithuanian female traveller to comprehensively document the experiences of a modern tourist in the early 20th century, but that the book itself was the first guidebook to the Russian Empire to be published in Lithuanian. The guidebook is an attempt by member of the intelligentsia with strong Catholic views to provide practical information about a modernizing and increasi

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Pai, Hyung Il. "GATEWAY TO KOREA: COLONIALISM, NATIONALISM, AND RECONSTRUCTING RUINS AS TOURIST LANDMARKS." Journal of Indo-Pacific Archaeology 35 (January 2, 2015): 15. http://dx.doi.org/10.7152/jipa.v35i0.14729.

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<p><span>This paper traces the evolution of the South Gate (Sungnye-mun) as a must-see destination representing the antiquity, beauty and patrimony of Seoul, the former capital of the 600 year-old Chosŏn dynasty of Korea (1392-1910). Using the case study of the Republic of Korea's premier national treasure, this paper traces the preservation methods, educational, and commercial agendas of the producers, managers, and promoters of heritage remains. The earliest photographic records date back to the late nineteenth century when travel photo- graphs taken by stereo-view companies, ph

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Nannini, Sofia. "From Reception to Invention: The Arrival of Concrete to Iceland and the Rhetoric of Guðmundur Hannesson." Arts 7, no. 4 (2018): 68. http://dx.doi.org/10.3390/arts7040068.

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The quick modernisation of Iceland, which took place rapidly from the first decades of the 20th century onwards, brought not only fishing trawlers and cars into the country. Among all the techniques of modernity, steinsteypa [concrete] was to become the key material that changed the built landscape of the island and was soon adopted by the first Icelandic architects, such as Rögnvaldur Ólafsson (1874–1914) and Guðjón Samúelsson (1887–1950). Interestingly, the main supporter of this material was Guðmundur Hannesson (1866–1946), a medical doctor and town planning enthusiast who wrote several art

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Spring, Ulrike. "Tourism, Im/mobility and the University Collections in Norway, 1870–1914." Nordisk Museologi 36, no. 1 (2024): 44–63. http://dx.doi.org/10.5617/nm.11592.

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This article explores the cultural collections at Det Kongelige Frederiks Universitet in Christiania (now Oslo) from the perspective of German-language tourists between the 1870s and 1914. It takes for its starting point the early history of tourism and museum collections as a story of the entanglement of the mobile and the immobile, of movement and stoppage. It argues that examining this entanglement provides insight into the complex processes of nation-building, which are formed in an interplay between tourist ascriptions and national self-images. Moreover, the museum objects’ spatial relati

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Qualls, Karl D. "Who Makes Local Memories?: The Case of Sevastopol after World War II." Soviet and Post-Soviet Review 38, no. 2 (2011): 130–48. http://dx.doi.org/10.1163/187633211x589105.

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AbstractSevastopol, since becoming a part of independent Ukraine in 1991 (and part of the Ukrainian SSR for decades before) has consistently and overwhelmingly voted for pro-Russian candidates in each national election. While many political commentators have noted the demographics of predominately Russian speakers and the presence of the Russian fleet in the ports to explain recent voting patterns, we must also take note of postwar myth creation. Although since 1917 Sevastopol has been juridically Soviet or Ukrainian, residents and outsiders alike usually view Sevastopol as a Russian city. The

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Hyrych, Ihor. "Actualization of the National Narrative in Guidebooks of the 19th and 20th Centuries: Volodymyrska Street in Kyiv." Kyiv Historical Studies 19, no. 2 (2024): 129–36. https://doi.org/10.28925/2524-0757.2024.215.

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The article addresses the issue of shaping the historical memory of the general public in Kyiv, including both residents and visitors, namely Ukrainians, during the Soviet era and the early years of Ukraine’s independence. The author analyzed the content of guidebooks on Kyiv’s city center, specifically focusing on Volodymyrska Street. The conclusion was drawn that Kyiv’s cultural and local history narratives were dominated by colonial and postcolonial Russian discourse, emphasizing figures and events that reinforced Russian-Communist authority in Ukraine’s capital. This dominance has not yet

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Nichols, John G. "Ezra Pound's Poetic Anthologies and the Architecture of Reading." PMLA/Publications of the Modern Language Association of America 121, no. 1 (2006): 170–85. http://dx.doi.org/10.1632/003081206x96177.

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Between 1914 and 1933, Ezra Pound edited four anthologies of poetry: Des Imagistes, Catholic Anthology, Profile, and Active Anthology. These compilations arose out of crucial stages of Pound's career in the teens, when he reacted against Victorian poetry, and in the 1930s, when he acted as a spokesperson for the modernist movement. Using the anthology as a vehicle for the presentation of innovative poetry as well as a guidebook on how to read it, Pound experimented with anthology formats to propel readers into the project of modernism through devices such as elliptical prefaces and fragmentary

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Weeks, Theodore R. "Reading Vilna in the First World War." Colloquia 48 (December 30, 2021): 138–51. http://dx.doi.org/10.51554/coll.21.48.09.

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The outbreak of war in August 1914 marked a new era in the history of Vilna for all of the city’s inhabitants, but perhaps for the Jews most of all. The world war accelerated the processes of political and economic modernisation, to the detriment of local Jews. These processes were not, however, immediately evident to local residents, though the more far-seeing among them feared for the worst. After all, when had Jews gained from military action? In this short paper, I will give an overview of the impact of the First World War on Vilna, and highlight two specific, very different, sources: Paul

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Moore, P. Geoffrey. "Frederick William Flattely (1888–1937): naturalist and “Renaissance man”." Archives of Natural History 47, no. 2 (2020): 356–60. http://dx.doi.org/10.3366/anh.2020.0660.

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Attention is drawn to the contributions of Frederick William Flattely (1888–1937), noting the wide range of his natural history publications. He is best known for his ground-breaking guidebook on shore ecology, The Biology of the Sea-shore, first published with Charles Walton in 1922. Both started their careers at University College of Wales, Aberystwyth. Flattely was greatly influenced there by Professor Herbert J. Fleure; hence his interest in environmental matters, agriculture and parasitology. After removing via the University of Aberdeen to the University of Durham and concentrating on ma

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Leslie, Fiona. "Inside Outside: Changing Attitudes Towards Architectural Models in the Museums at South Kensington." Architectural History 47 (2004): 159–200. http://dx.doi.org/10.1017/s0066622x0000174x.

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The union of these collections and the addition of the models of St. Paul’s and various classical buildings, betoken what an Architectural Museum may become, if the individuals and the State will act together. Every foreigner who has seen this commencement sees in it the germ of the finest Architectural Museum in Europe, if the public support the attempt.From the first years of its establishment in June 1857, to the end of the nineteenth century, the South Kensington Museum had amongst its collections over a hundred architectural models. First they were acquired through a policy of encouraged

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SATOI, Shinichi, Fuyuka HANYU, Akira SOSHIRODA, and Takashi TSUTSUMI. "A Study of the Characteristics of Tourist Guidebooks about Japan in English for Foreigners in the Meiji Era (1868-1912)." Journal of The Japanese Institute of Landscape Architecture 66, no. 5 (2003): 389–92. http://dx.doi.org/10.5632/jila.66.389.

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Little, J. I. "“Like a fragment of the old world”: The Historical Regression of Quebec City in Travel Narratives and Tourist Guidebooks, 1776–1913." Urban History Review 40, no. 2 (2012): 15–27. http://dx.doi.org/10.7202/1009194ar.

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Halak, Mateusz. "Pominięte przez czas. Materialne dziedzictwo Żydów w Kaliszu na przykładzie szyldów sklepowych, mezuz i kuczek." Polonia Maior Orientalis I (2014): 39–52. http://dx.doi.org/10.4467/27204006pmo.14.003.17049.

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Niniejszy artykuł jest kolejną odsłoną w badaniach międzywojennego Kalisza, jako miasta wielokulturowego. Praca zasadniczo dotyka dwóch odmiennych rodzajów dziedzictwa kultury żydow-skiej, inaczej też poddając je analizie. Historia Sklepów Kolonialnych, to wynik kwerendy w archi-wach, prasie i przewodnikach, wydanych pomiędzy 1914 a 1939 rokiem. Przy tym zagadnieniu uważałem za istotne wskazanie reliktów po handlu towarami kolonialnym w dzisiejszym krajobrazie Kalisza. Jest to więc świadectwo zdolności kupieckich lokalnej społeczności. Świadectwem wiary natomiast, jest druga część pracy, poświ

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Shevchuk, T. "Circumstances of the Opening of the Polytechnic Institute in Guides to Kyiv (1900 – Early 20th Century)." Problems of World History, no. 19 (October 27, 2022): 189–97. http://dx.doi.org/10.46869/10.46869/2707-6776-2022-19-11.

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In the 19th and at the beginning of the 20th century. in Kyiv, a city that attracted many visitors, nationwide trends in the development of the coal, metallurgical, machine-building, light, food industry, and agriculture industries were marked, and at the same time, there was a lack of engineers, agronomists, and technicians. Against this background, there was an urgent need to establish a higher institution of technical education in Kyiv, which became the Kyiv Polytechnic Institute, opened in 1898. At the same time, it was during this period that tourism, which before was rather a supplement

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Landgraf, Ildikó. "At the Eleventh Hour. The Principles of Folklore Collection in the Scholarly Oeuvre of Lajos Katona and in Hungarian Folklore Studies at the Turn of the 20th Century." Acta Ethnographica Hungarica 66, no. 1 (2022): 119–34. http://dx.doi.org/10.1556/022.2021.00023.

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Abstract In Hungary, the academic study of folklore started at the turn of the 20th century. In the period between 1889 and 1920, institutions for the study of folklore and ethnography were established. The author points out that ethnographic collections in this era were motivated by concern about the loss of folk culture phenomena owing to changes brought by modernisation. Major arguments for the establishment of the Hungarian Ethnographic Society as well as the Museum of Ethnography referred to the need to salvage endangered items of folk culture from vanishing. Folklore collections were int

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Bondar, Vitaly V. "Pre-revolutionary Sochi: The evolution of the spatial-planning structure." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 53 (2024): 218–35. http://dx.doi.org/10.17223/22220836/53/18.

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The article reflects the results of a retrospective reconstruction of the process of spatial planning development of Sochi in the pre-revolutionary period. The theoretical basis of the research was the works that comprehend the forms and patterns of the development of urban planning systems, the source base is statistical, reference, cartographic material, travel notes, guidebooks, memories; a special source is the modern cultural landscape of the city. Along with the diachronic and comparative methods of research, the methods of urban planning analysis are applied. The settlement that arose i

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Dechesne, Marieke, Jim Cole, and Christopher Martin. "Field guide to Laramide basin evolution and drilling activity in North Park and Middle Park, Colorado." Mountain Geologist 53, no. 4 (2016): 283–329. http://dx.doi.org/10.31582/rmag.mg.53.4.283.

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This two-day field trip provides an overview of the geologic history of the North Park–Middle Park area and its past and recent drilling activity. Stops highlight basin formation and the consequences of geologic configuration on oil and gas plays and development. The trip focuses on work from ongoing U.S. Geological Survey research in this area (currently part of the Cenozoic Landscape Evolution of the Southern Rocky Mountains Project funded by the National Cooperative Geologic Mapping Program). Surface mapping is integrated with perspective from petroleum exploration within the basin. The sta

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Христина, Бойко, та Бойко Марта. "Презентування, поширення та популяризація єврейської історико-культурної спадщини у просторі сучасного музею (на прикладі польського досвіду)". ВІСНИК Львівської національної академії мистецтв, № 35 (16 липня 2018): 257–372. https://doi.org/10.5281/zenodo.1313224.

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In the article, the authors discussed the activities of Jewish museums in Ukraine and in the world. In each country, museums are created based on local traits and characteristics. The first Jewish museums in Europe are opened at the turn of the 19th and 20th centuries – in Vienna in 1893, in Prague in 1906, in Budapest and in Warsaw in 1910. In Ukraine, Judaic collections appear in the middle of the XIX century. In 1934, a Jewish Community Museum opened in Lviv, and one of the largest collections of Maximilian Goldstein's Jewish art in Poland was also accessible to visitors. After th

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Dattilo, Martina, and Fabio Padovano. "Evaluating the quality of UNESCO World Heritage List: a comparison with the Baedeker’s guidebooks." Journal of Cultural Economics, December 9, 2023. http://dx.doi.org/10.1007/s10824-023-09493-8.

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AbstractThis study verifies whether the number of criteria of Outstanding Universal Value (OUV) satisfied by a site in the UNESCO World Heritage List (WHL) can be considered as an ordinal measure of its quality against the alternative hypotheses that: a) quality can be measured just dichotomously, by inclusion in the WHL); b) the multiplicity of existing OUV is just meant to capture alternative aesthetic criteria expressed by different cultures. This issue is important for both scientific and policy reasons. To avoid problems of endogeneity and reverse causality, we examine the correlation bet

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"1871-1918." Militaergeschichtliche Zeitschrift 68, no. 1 (2009): 184–211. http://dx.doi.org/10.1524/mgzs.2009.0007.

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Zusammenfassung Peter Walkenhorst, Nation – Volk – Rasse. Radikaler Nationalismus im Deutschen Kaiserreich 1890-1914 (Bruno Thoß ) André Tiebel, Die Entstehung der Schutztruppengesetze für die deutschen Schutzgebiete Deutsch-Ostafrika, Deutsch-Südwestafrika und Kamerun (1884-1898) (Christian Senne) Eberhardt Kettlitz, Afrikanische Soldaten aus deutscher Sicht seit 1871 (Ulrich van der Heyden) Thomas Morlang, Askari und Fitafita. »Farbige« Söldner in den deutschen Kolonien (Winfried Speitkamp) Matthew S. Seligmann, Spies in Uniform. British Military and Naval Intelligence on the Eve of the Firs

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Kania, Agnieszka. "Tourism and Guidebooks in the Activities of Academic Staff at the Faculty of Fine Art at Stefan Batory University in Vilnius." Respectus Philologicus, no. 39 (44) (April 23, 2021). http://dx.doi.org/10.15388/respectus.2020.39.44.81.

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Stefan Batory University in Vilnius was established in 1919 as a regional entity to carry out scientific research and develop Polish academic education. One of its faculties – the Faculty of Fine Arts (1930–1939) – gathered charismatic and popular artists, historians and architects. Among them, two professors – Juliusz Kłos (1888–1933) and Marian Morelowski – published the guidebooks for Vilnius and Wileńszczyzna region (Wilno. Przewodnik krajoznawczy, 1937; Zarys sztuki wileńskiej z przewodnikiem po zabytkiem między Niemnem a Dźwiną, 1939). The book written by Kłos gained popularity and was o

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Kandil, Aly. "The Image of Cairo Between Two World Wars, 1914-1945 – Visions Through Contemporary Egyptian Novels and Travellers’ Guidebooks." Journal of Urban Research, January 16, 2024, 0. http://dx.doi.org/10.21608/jur.2024.223416.1140.

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Favi, Sonia. "Negotiating the nation: public diplomacy and the publication of English-language tourist guidebooks of Japan in the Meiji period (1868–1912)." Japan Forum, February 11, 2022, 1–23. http://dx.doi.org/10.1080/09555803.2022.2033301.

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Quinn Fentriss, Martha. "Storyville: A Study of Artifacts." SLIS Connecting 11, no. 2 (2022). http://dx.doi.org/10.18785/slis.1102.08.

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Operating from 1897 to 1917, sixteen blocks from the French Quarter district of New Orleans, Louisiana, several buildings were created to establish a legal red light district known as “Storyville.” The area was named after its creator, Alderman Sidney Story, who enacted the applicable ordinances and helped to establish the district. The creation of Storyville was meant to bring regulation to the sex trade and organized crime. The creation of the sixteen blocks of the district was influenced by a diverse range of experiences, ranging from cheap "cribs," vibrant music halls, saloons, and lavish

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Tantivejakul, Napawan. "The State Railway of Siam and the origin of tourism public relations in Thailand (1917–1941)." Corporate Communications: An International Journal, August 25, 2023. http://dx.doi.org/10.1108/ccij-12-2022-0168.

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PurposeThis research aims to explore the origin of tourism public relations (PR) in Thailand as practiced by the State Railway of Siam (SRS) prior to the Second World War when rail travel was still a new form of transportation in the country.Design/methodology/approachThe study approach is documentary research involving an in-depth examination of both published and unpublished documents of a special collection of the SRS archives conducted in a fact-based and descriptive manner.FindingsIn the first half of the 20th century, a period of global economic uncertainty, the SRS performed the role of

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Okan, Orçun Can. "Guiding differently for travelling like them: the Egyptian-Ottoman publicist Safa and his 1913 Arabic guidebook to the late Ottoman capital." Journal of Tourism History, March 17, 2025, 1–22. https://doi.org/10.1080/1755182x.2025.2474508.

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Mudie, Ella. "Disaster and Renewal: The Praxis of Shock in the Surrealist City Novel." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.587.

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Introduction In the wake of the disaster of World War I, the Surrealists formulated a hostile critique of the novel that identified its limitations in expressing the depth of the mind's faculties and the fragmentation of the psyche after catastrophic events. From this position of crisis, the Surrealists undertook a series of experimental innovations in form, structure, and style in an attempt to renew the genre. This article examines how the praxis of shock is deployed in a number of Surrealist city novels as a conduit for revolt against a society that grew increasingly mechanised in the clima

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Antonio, Amy Brooke. "Writing Women: The Virtual Cookbook and Pinterest." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.644.

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This article aims to throw new light on the representation of women who cook as necessarily perpetuating a domestic ideology in which women are confined to the home. Traditionally, cookbooks written by women have disseminated both cooking information and rules and practices for running an effective household, which have contributed to the ideologies that underpin female domestic practice. However, the evolution of social media platforms, such as Pinterest, which enable the user to actively select and visually display culinary masterpieces on a digital pinboard, have provided a forum for women’

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