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Thematische Bibliographien / Imagologie / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Imagologie“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 21. Februar 2023

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1

Maoping, Wei. „Ein neuer Versuch zur Image-Forschung – Am Beispiel der Chinesen-Bilder bei Grimmelshausen, Stifter und Fontane“. Jahrbuch für Internationale Germanistik 50, Nr. 1 (01.01.2018): 161–71. http://dx.doi.org/10.3726/ja501_161.

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Abstract Das Wort ,,Bild“, das in der Literaturwissenschaft auf englisch und französisch ,,image“ heißt, ist ein wesentliches Kennzeichen der poetischen Sprache. Ulrich Weisstein betitelt das sechste Kapitel seines Buchs Vergleichede Literaturwissenschaft1 aus dem Jahre 1981 mit ,,Imagologie“ und mag somit die Image-Forschung zum Zweig der Vergleichenden Literaturwissenschaft in Deutschland miterhoben haben. Als Geburtshelfer der Imagologie stellt er in diesem Kapitel Horst Rüdiger vor mit folgenden Sätzen, die zugleich die programmatische Forderung der Imagologie unterstreichen:

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2

Neumann, Birgit. „Grundzüge einer kulturhistorischen Imagologie“. KulturPoetik 10, Nr. 1 (April 2010): 1–24. http://dx.doi.org/10.13109/kult.2010.10.1.1.

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Dos Santos, Barbara. „L’image de la femme dans A cabeça de Salomé d’Ana Paula Tavares“. Letras de Hoje 54, Nr. 4 (31.12.2019): 483. http://dx.doi.org/10.15448/1984-7726.2019.4.33315.

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A travers une analyse qui s’appuie sur l’imagologie, nous nous interrogerons sur les différentes représentations de la femme dans l’oeuvre d’Ana Paula Tavares, sur leur rapport à la société angolaise et sur la façon dont l’oeuvre s’insère dans le paradigme postcolonial.Mots-clés: Imagologie. Femme. Angola. Postcolonial.***A imagem da mulher em A cabeça de Salomé de Ana Paula Tavares***Através de uma análise baseada na imagologia, examinaremos as diferentes representações das mulheres na obra de Ana Paula Tavares, sua relação com a sociedade angolana e a forma como a obra se insere no paradigma pós-colonial.

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Gago, Dora Maria Nunes. „Pelas veredas da Literatura Comparada: olhares de Ferreira de Castro sobre o Brasil, à luz da imagologia“. Aletria: Revista de Estudos de Literatura 20, Nr. 1 (30.04.2010): 35–48. http://dx.doi.org/10.17851/2317-2096.20.1.35-48.

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Resumo: Este artigo visa analisar, seguindo os procedimentos metodológicos da imagologia, a imagem do Brasil desenhada por Ferreira de Castro nas obras: Emigrantes, A selva e O instinto supremo. Deste modo, tentaremos compreender de que maneira a experiência de emigração vivida pelo autor é ficcionalizada, desenhando uma imagem do Brasil que se afasta do estereótipo e se enraiza numa “mitologia pessoal”.Palavras-chave: Literatura Comparada; imagologia; Brasil; Ferreira de Castro.Resumé: Ce texte prétend analyser, en suivant les principes de l’imagologie, l’image du Brésil esquissée par Ferreira de Castro dans les oeuvres Emigrants, Forêt vierge et l’Instinct suprême. Nous essayerons, ainsi, de comprendre comment l’expérience de l’émigration vécue par l’écrivain a été fictionnalisée, em dessinant une image du Brésil que s’éloigne du stéréotype et s’enracine dans une mythologie personnelle.Mots-clés: Littérature Comparée; imagologie; Brésil; Ferreira de Castro.

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Yves Chevrel. „Réception, imagologie, mythocritique: problématiques croisées“. L'Esprit Créateur 49, Nr. 1 (2009): 9–22. http://dx.doi.org/10.1353/esp.0.0046.

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Bylaardt, Cid Ottoni. „As imagens do outro em O esplendor de Portugal, de António Lobo Antunes“. Aletria: Revista de Estudos de Literatura 16, Nr. 2 (31.12.2007): 168–75. http://dx.doi.org/10.17851/2317-2096.16.2.168-175.

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Resumo: Este trabalho pretende empreender um estudo das imagens do estrangeiro, focalizado como “o outro”, nas relações entre as vozes e os corpos do romance O esplendor de Portugal, de António Lobo Antunes. Essa análise comparatista propõe conceber uma imagem literária sobre o estrangeiro como elemento cultural que remete à sociedade, uma imagologie que lida com a literarização e a socialização da imagística.Palavras-chave: imagens; o outro; estrangeiro; Imagologie.Abstract: This paper intends to study the images of the foreigner, focused as “the other”, in the relations between the voices and the bodies in the novel O esplendor de Portugal, by António Lobo Antunes. This comparative analysis proposes to conceive a literary image about the foreigner as a cultural element related to society, an imagologie that deals with literarization and socialization of imagistics.Keywords: images; the other; foreigner; Imagologie.

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Bylaardt, Cid Ottoni. „As imagens do outro em O esplendor de Portugal, de António Lobo Antunes“. Aletria: Revista de Estudos de Literatura 16 (31.12.2007): 168. http://dx.doi.org/10.17851/2317-2096.16.0.168-175.

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Este trabalho pretende empreender um estudo das imagens do estrangeiro, focalizado como “o outro”, nas relações entre as vozes e os corpos do romance O esplendor de Portugal, de António Lobo Antunes. Essa análise comparatista propõe conceber uma imagem literária sobre o estrangeiro como elemento cultural que remete à sociedade, uma imagologie que lida com a literarização e a socialização da imagística.

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ELNAGGAR, Diaa. „Der Orient in der emblematischen Literatur des Barock. Ein Beitrag zur Imagologie“. Kairoer Germanistische Studien 18, Nr. 1 (01.09.2009): 93–110. http://dx.doi.org/10.21608/kgs.2009.144292.

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9

Wiśniewska, Lidia. „KANTOWSKIE WYBORY A DWUMITYCZNOŚĆ, CZYLI O PUNKCIE WYJŚCIA IMAGOLOGA“. Porównania 22, Nr. 1 (12.03.2019): 9–25. http://dx.doi.org/10.14746/p.2018.22.18162.

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Artykuł składa się z czterech części. Pierwsza, Imagologia i Kant, przypomina o koncepcjach wiążącego imagologię z filozofią Immanuela Kanta Manfreda Bellera i Joepa Leerssena, który przypisuje imagologowi antyesencjalizm opozycyjny do esencjalizmu samych images. Druga część, Images a hermeneutyka, czyli Ricoeurowskie dodawanie/rozszerzanie zmierzające do Pełni przedstawia ten sposób poznawczego postępowania, który dodaje do siebie przeciwstawne koncepcje filozoficzne (Nietzscheańsko-Freudowską i Kantowską), opierając się na odwołaniach do dwu mitów – Boga i Natury (reprezentujących arché i telos). Trzecia część, Images a konstrukcje. Kantowskie odejmowanie/zawężanie, czyli przejście w stronę Formy pokazuje, w jaki sposób Kant odrzuca wpisujące się w mit Natury, jego zdaniem patologiczne, aspekty rzeczywistości (dialektyka, przypadek, empiria itd.) lub człowieka (sen, emocje, spontaniczność), by uzasadnić i uznać za powszechnie obowiązujące te, które opierają się na micie Boga (i które istnienia tego mitu się też domagają). Czwarta część jest zbiorem pytań i odpowiedzi, dotyczących tego, dlaczego dwa wspomniane mity oraz ich relacje można uznać za podstawę kultury i porównywania jej dziedzin, jednocześnie zaś otwarte pozostawia pytanie o to, w jakich relacjach pozostają one na polu imagologii.

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Aboul Fotouh Hussein Salama, Dina. „Die literarische Imagologie dunkelhäutiger Frauen in Strickers Königin von Mohrenland (zw. 1210-1230)“. Zeitschrift für interkulturelle Germanistik 6, Nr. 1 (01.07.2015): 9–30. http://dx.doi.org/10.14361/zig-2015-0103.

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Abstract The aim of this study is to analyze the image of dark women in the bîspel Die Königin von Mohrenland written by Der Stricker, one of the most popular medieval poets. The paper explores and detects the means by which the Moorish queen and her folk are represented and instrumentalized in the short epic entitled bîspel. The depiction of the Moor as the ›dark other‹, ›dark evil‹ etc. or an ›alter ego‹ illustrates premodern approaches to the construction of a stereotype of dark people based on racist, ethnic and religious differences. Such stereotypical depiction contributes to the establishment of the dark other as an enemy. The research questions are discussed from an intercultural perspective which encompasses a discussion of gender, identity and colour (white / dark) and at the same time taking into consideration the historical background of confrontations between the orient and the occident in medieval history.

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Kruger, E. „Imagologie en die bestudering van literêre stereotipes in die onderrig van Afrikaans as addisionele taal“. Literator 23, Nr. 3 (06.08.2002): 197–220. http://dx.doi.org/10.4102/lit.v23i3.350.

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Imagology and the study of literary stereotypes in die teaching of Afrikaans as additional language Imagology is the study of national and ethnic stereotypes as represented in literature. These stereotypes are represented in literary images of identity and alterity when intercultural contact is portrayed in texts. The main concepts of Imagology are discussed to provide educators with a scientific framework in the teaching of Afrikaans as additional language, with specific reference to literature teaching. Learners from various cultural backgrounds bring with them their own stereotypes. Studying literary youth texts that portray images of national stereotypes can facilitate the process of intercultural understanding and reconciliation. Learners can be exposed to the representation of Self and Other in prescribed Afrikaans literary texts without their self-image being threatened, yet discovering the relativity of values, and learning respect for their own culture as well as for that of the target language. The background, scientific approach and principles of Imagology are described, as well as important concepts. By using Imagology as a literary tool in studying Afrikaans texts in the additional language classroom, literature teaching will include looking at the narrative and functions of youth literature to discern psychological and ideological focalisation, together with its influence on negative and positive representations of Self and Other.

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Geldof, Koenraad. „Canonisation, imagologie, non-lecture. À propos de la réception de Paul Nizan (1905-1940)“. Studi Francesi, Nr. 154 (LII | I) (01.06.2008): 63–79. http://dx.doi.org/10.4000/studifrancesi.9091.

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Hailiyati, Nia. „PERBANDINGAN IDEOLOGI PADA NOVEL ‘AZRA’ JAKARTA DENGAN IMAGOLOGIE SEJARAH G30S-PKI VERSI PERPUSTAKAAN NASIONAL“. Tsaqofah dan Tarikh: Jurnal Kebudayaan dan Sejarah Islam 4, Nr. 1 (26.08.2019): 78. http://dx.doi.org/10.29300/ttjksi.v4i1.1102.

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Tulisan ini bertujuan untuk menganalisis perbandingan ideologi pada novel Azra’ Jakarta dengan sejarah G30 S/ PKI versi perpustakaan nasional, data penenlitian adalah novel azra’ Jakarta yang di tulis oleh Najib Kaelani dan sejarah G30 S/ PKI versi perpustakaan nasional, data dianalisis dengan metode deskriptif dengan pendekatan perbandingan, sedangkan teknik pengumpulan data melalui studi pustaka dengan cara menjaring data tertulis melalui novel azra’ Jakarta dan buku sejarah G30 S/PKI. Berdasarkan hasil analisis, ditemukan ideologi yang dibangun oleh Najib Kaelani dalam novel adalah dari segi keagamaan, yakni (anti tuhan bagi pemimpin, nilai-nilai keislaman, yakni sebagai penyeimbangan antara ketertindasan kaum muslimin terhadap politik, penindasan terhadap kaum muslim), adapun dari segi politik menculik para pembesar negara, ideologi yang terdapat dalam sejarah G30 S/PKI versi Nasional aspek ketuhanan, yakni perubahan terhadap pancasila, aspek agama yakni pancasila adalah semangat toleransi yang bersumber pada kekuasaan Allah, aspek siasat PKI yakni mempengaruhi petani miskin, peberontakan PKI, penyusupan PKI kedalam jajaran aparatur negara, keterkaitan antara novel Azra’ Jakarta karangan Najib Kaelani dengan sejarah G30 S /PKI versi perpustakaan nasional adalah kedua-duanya terdapat nilai keIslaman yang berdasar kemanusiaan dan keadilan sosial, adanya kesamaan peristiwa yang terjadi ditempat si pengarang dengan sejarah Indonesia, diasumsikan Najib mempelajari kesejarahan Indonesi, segi keagamaan, negara asal pengarang mayorita Islam, begitu juga Indonesia, adnya kedekatan politik dengan pemimpin terhadap dua negara (Mesir dan Indonesia)

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Kochanowska-Nieborak, Anna. „Das Bild der polnischen Staatlichkeit in Meyers Konversationslexika des 19. Jahrhunderts. Ein Beitrag zur angewandten Imagologie“. Studia Germanica Posnaniensia 30 (30.10.2018): 35–55. http://dx.doi.org/10.14746/sgp.2006.30.02.

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Stockhorst, Stefanie. „Was leistet eincultural turnin der komparatistischen Imagologie? Henry Crabb Robinson als Vermittler deutscher Dichter- und Gelehrtenkultur nach England“. arcadia - International Journal for Literary Studies 40, Nr. 2 (Januar 2006): 354–74. http://dx.doi.org/10.1515/arca.2006.40.2.354.

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Classen, Albrecht. „Der Teufel und seine poietische Macht in literarischen Texten vom Mittelalter zur Moderne. Hrsg. von Jutta Eming und Daniela Fuhrmann. Berlin und Boston: Walter de Gruyter, 2021, VIII, 213 S., 7 farbige Abb.“ Mediaevistik 34, Nr. 1 (01.01.2021): 364–65. http://dx.doi.org/10.3726/med.2021.01.61.

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‘[Zum] Teufel noch mal’ war bis vor kurzem noch ein ziemlich gängiger Ausdruck für persönlichen Ärger, und dieser ‘böse’ Geist schwirrt weiterhin in der modernen Sprache herum, so als ob er sich niemals ganz hat bannen lassen wollen, hat er ja stets ‘seine Finger im Spiel’. Seit dem frühen Mittelalter tritt der Teufel in verschiedensten literarischen, religiösen und künstlerischen Kontexten auf und hat eigentlich niemals seinen Einfluss auf die menschliche Fantasie verloren. Er ist die Nemesis von Christus, somit eigentlich gar nicht wegzudenken, was die gesamte christliche Religion betrifft. Allerdings manifestiert sich der Teufel im Laufe der Zeit doch immer wieder in anderer Gestalt, sei es, dass er bedrohlich und gefährlich wirkt, sei es, dass er wie eine lächerliche Figur erscheint. Auf jeden Fall lohnt es sich, wie die Forschung immer wieder bestätigt hat, sich mit dem Teufel auseinanderzusetzen, denn seine Erscheinungsweise spiegelt zutiefst mentale Strukturen und prägt die jeweils dominante Imagologie.

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Polkowski, Marcin. „Het beeld van Polen en de Poolse maatschappij aan de vo- oravond van de Januariopstand (1863/64) in Albrecht Rodenbachs Studenten van Warschau. Poolsche Tafereelen (1879)“. Roczniki Humanistyczne 70, Nr. 5sp (14.11.2022): 97–112. http://dx.doi.org/10.18290/rh22705sp-6.

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Dit artikel onderzoekt het beeld van Polen en de Poolse samenleving onder de Russische deling vóór de Januariopstand tegen de Russen (1863/64) in Albrecht Rodenbachs toneelstuk Studenten van Warschau. Poolsche tafereelen (1879). Een overzicht van Rodenbachs belangstelling voor Polen wordt gevolgd door een analyse van de traditionele wegen die literatuurwetenschappers bewandelen bij de interpretatie van dit drama. Rodenbachs literair beeld van Polen onder de Russische deling en de Poolse samenleving aan de vooravond van de opstand wordt onderzocht vanuit een aantal invalshoeken (geografie, topografie, taal, cultuur, de maatschappij en haar instellingen, politieke en militaire aspecten) door middel van de methode van de literaire en culturele imagologie. Dit onderzoek toont aan dat een nieuwe lezing van Rodenbachs toneelstuk, met meer aandacht voor Poolse motieven, een reeks inzichten oplevert over verschillende tot nu toe onopgehelderde aspecten van de tekst. Het bevestigt het beeld van Rodenbachs genuanceerde inzicht in de Poolse cultuur en samenleving van het midden van de 19e eeuw, en versterkt dat in verschillende belangrijke opzichten.

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Németh Vítová, Lenka. „IMAGOLOGIA A PRZEKŁAD – NA PRZYKŁADZIE POLSKICH PRZEKŁADÓW LITERATURY CZESKIEJ“. Porównania 22, Nr. 1 (12.03.2019): 55–65. http://dx.doi.org/10.14746/p.2018.22.18166.

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Autorka, stawiajac pytanie o związki, jakie zachodzą pomiędzy imagologią a przekładem, poszukuje odpowiedzi na przykładzie polskich przekładów dzieł literatury czeskiej (Hašek, Hrabal, Havel). Związki te widzieć należy tak w procesie przekładu (wybór konkretnego dzieła i tłumacza, działania wydawnictwa i promocja, inne czynniki warunkujące itd.), jak i w dziele przetłumaczonym (aspekty tekstowe, edytorskie i ikonograficzne), a również w procesie odbioru i recepcji tłumaczenia (recenzje i opracowania, adaptacje, „kanonizowanie się” i związana z tym rola w procesie edukacyjnym itp.). Bliskie związki przekładu i imagologii, wynikające w znacznym stopniu z przyjętej w naszych kulturach „niewidzialności tłumacza” (Venuti 1995), powinny więc stanowić jeden z obszarów badań posthumanistyki.

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Minderaa, J. T. „J. Wekking, Untersuchungen zur Rezeption der nationalsozialistischen Weltanschauung in den konfessionellen Periodika der Niederlande 1933-1940. Ein Beitrag zur komparatistischen Imagologie“. BMGN - Low Countries Historical Review 107, Nr. 3 (01.01.1992): 547. http://dx.doi.org/10.18352/bmgn-lchr.3587.

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Lah, Meta. „Vlastiti identitet u tuđim očima“. Journal for Foreign Languages 13, Nr. 1 (27.12.2021): 599–600. http://dx.doi.org/10.4312/vestnik.13.599-600.

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Znanstvena monografija Vlastiti identitet u tuđim očima Dubravke Dubravec Labaš predstavlja nadaljevanje avtoričine doktorske disertacije in je plod več kot dvajsetletnega raziskovanja italijanskega jezika in kulture. Obširno, skoraj 500 strani obsegajoče delo, je členjeno v tri širša poglavja: Tujec kot drugi v učenju tujega jezika (Stranac kao drugi u učenju stranog jezika), Imagologija in Glotodidaktika in imagologija. Trem obširnejšim delom sledijo še krajša poglavja o lastni identiteti v tujih očeh (Vlastiti identitet u tuđim očima), predstavah o drugem in sebi (Predodžba o drugome in predodžba o sebi), možnostih uporabe rezultatov izvedenih raziskav pri poučevanju italijanščine kot tujega jezika in imagologiji in zelo obširna bibliografija. Monografijo sklenejo priloge: primeri besedil iz učbenikov, anketni vprašalniki, uporabljeni v raziskavah in tabele z rezultati.

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Joby, Christopher. „De rol van bronnen in de imagologie: een case study van Vlaamse vreemdelingen, Engelse inwoners, ambtenaren en machthebbers van de stad Norwich in de zestiende eeuw“. Neerlandica Wratislaviensia 29 (15.04.2020): 111–24. http://dx.doi.org/10.19195/0860-0716.29.7.

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In the middle of the 16th century many people left the Low Countries for England as a result of religious persecution and economic hardship. Several thousand of these people, mainly from the Southern Netherlands, went to Norwich, the second largest city in England. Some of them wrote letters to friends and family members whom they left behind in the Low Countries, which indicate that they valued the religious freedom and economic opportunities in Norwich. This suggests that they had a positive image of the local English people. However, if one looks at official English documents, the picture is more mixed. While some English valued the economic contribution that the migrants made, others were concerned about the effect on the local workforce, and measures were taken to restrict their economic activities. Furthermore, some people in Norwich had Catholic sympathies and this was an important motivating factor in a plot to eject the migrants from the city, which ultimately failed. In short, this article uses the situation in Norwich in the late 16th century as a case study for exploring how different sources can create contrasting images of how one group of people views another.

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Cergol, Jadranka. „IMAGOLOGIA DI FRONTIERA: IL CASO DI TRIESTE“. Folia linguistica et litteraria XI, Nr. 30 (2020): 93–107. http://dx.doi.org/10.31902/fll.30.2020.6.

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L’articolo si propone di delineare lo stato degli studi imagologici di frontiera analizzando due sistemi letterari che nascono e si sviluppano nello stesso luogo, ma in due lingue diverse: la letteratura italiana e quella slovena in una città che è l’emblema dell’incontro tra le due etnie, cioè Trieste. Dopo un’introduttiva riflessione metodologica sulle letterature comparate e sul metodo imagologico, verranno presi in considerazione soprattutto quegli autori triestini lungo tutto l’arco del 20° secolo che riflettono nelle loro opere letterarie l’incontro con il vicino, concittadino nella stessa città, ma di lingua e cultura diversa. Saranno messe in risalto alcune considerazioni di tipo storico-letterario che rispecchiano l’ambiente multiculturale di Trieste e il dialogo tra le sue due identità.

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Fakhruroji, Moch, Ridwan Rustandi und Busro Busro. „Bahasa Agama di Media Sosial: Analisis Framing pada Media Sosial “Islam Populer”“. Jurnal Bimas Islam 13, Nr. 2 (03.12.2020): 203–34. http://dx.doi.org/10.37302/jbi.v13i2.294.

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Abstrak Penelitian ini bertujuan untuk menganalisis bahasa agama di media sosial yang dikontstruksi oleh akun Islam Populer. Penelitian menggunakan pendekatan kualitatif dengan analisis teks media. Analisis media package dilakukan dengan metode analisis framing model William A. Gamson dan Modigliani. Unit analisis dilakukan terhadap core frame dan condensing symbol pada akun “Islam Populer” baik di kanal Youtube, Fanpage Facebook maupun Instagram. Hasil penelitian menyimpulkan bahwa pengemasan bahasa agama pada akun “Islam Populer” dilakukan dengan merujuk pada sumber normativitas Islam, yakni alqurân dan alhadîts. Konstruksi bahasa agama di media sosial di bangun sebagai sebuah praktik keagamaan yang dikemas melalui serangkaian simbol baik bersifat verbal maupun non verbal. Dalam konteks budaya siber, konstruksi gagasan ini dilakukan dengan membentuk ulang realitas secara subjektif. Realitas subjektif terbangun melalui rekayasa teks dan image. Pada titik inilah, bahasa agama di media sosial menjadi sebuah imagologi keagamaan yang berada pada wilayah ambiguitas, yakni antara wilayah sakral dan profan. Kata Kunci: Bahasa agama; Media Sosial; Islam Populer; Imagologi agama. Abstract This study aims to analyze the religious language on social media of "Islam Populer." This study uses a qualitative approach by analysing media texts. The media package analysis is performed using the William A. Gamson and Modigliani framing analysis method. The unit of analysis is carried out on the core frame and condensing symbols on "Islam Populer" social media accounts; Youtube channel, Facebook Fanpage and Instagram as well. The results of this study conclude that the packaging of religious language in "Islam Populer" accounts was carried out by referring to the sources of Islamic normativity, namely alqurân and alhadîts. The construction of religious language on social media was built as a religious practice that is packaged through a series of symbols both verbal and non-verbal. In the context of cyberculture, the construction of this idea is conducted by subjectively reshaping reality. Subjective reality is built through text and image construction. At this point, the language of religion in social media becomes a kind of religious imagology that is in the area of ambiguity, namely between the sacred and the profane.. Keywords: Religious languages, social media, Islam Populer, imagology of religion

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Nugroho, Fibry Jati. „Imagologi Spiritual“. Diegesis : Jurnal Teologi 4, Nr. 2 (04.09.2019): 26–37. http://dx.doi.org/10.46933/dgs.vol4i226-37.

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Pendeta Petrus Agung Purnomo merupakan salah seorang tokoh yang fenomenal sewaktu hidup, maupun pada saat meninggalnya. Kepemimpinan kharismatis menjadikan salah satu faktor dari keberhasilan pelayanannya. Berkenaan dengan kepemimpinan tersebut, bagaimana imagologi yang ditampilkan dari sosok kharismatis tersebut? Dengan menggunakan pendekatan kualitatif didapatkan bahwa “anak didik” dari Sang Pemimpin kharismatik, melakukan imagologi dengan mengimitasi tindakan “atraktif” sewaktu melayani. Imitasi tersebut meliputi gaya bahasa, olah tubuh dan gaya berpakaian. Ketiga hal tersebut akhirnya menjadikan standar untuk mengukur tingkat kerohanian di kalangannya. Imagologi tanpa identifikasi dan interaksi yang tidak mendalam akan menimbulkan stigmatisasi spiritual dengan pemahaman yang sangat dangkal. Oleh sebab itu diperlukan interaksi dan edukasi, supaya imagologi spiritual dapat terkikis, dan mengembalikan makna dasar tentang kehidupan spiritual di dalam gereja.

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Kiklewicz, Aleksander. „Imagologia a konstruktywizm“. Przegląd Wschodnioeuropejski 11, Nr. 2 (30.12.2020): 305–27. http://dx.doi.org/10.31648/pw.6512.

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The author considers the problem of creating images, namely its psychological and ontological aspects. Based on the assumption that mental representation is not a mimetic reproduction of objective reality, but a reference to mutually imputed collective knowledge, the author discusses various factors of this situation. The concept proposed by the author is based on presumption that the measure of the compatibility of the image and its designate is the content dispersion occurring in society, i.e. the number of different points of view. In the constructivist model, imaging is based on communication as a modus of the social system, in this case there is a diversification of viewpoints, and the compatibility of the image with its designate is close to 0.

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Kledzik, Emilia. „DWIE KONCEPCJE ROMSKIEJ IMAGOLOGII“. Porównania 21, Nr. 2 (28.08.2018): 314–24. http://dx.doi.org/10.14746/p.2017.21.14012.

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Ahmetagić, Jasmina. „Theoretical and methodological postulates of imagology and its transformation“. Bastina, Nr. 44 (2018): 13–24. http://dx.doi.org/10.5937/bastina1844013a.

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Dąbrowski, Mieczysław. „MIĘDZY OBRAZEM PUBLICZNYM A INTYMNYM. PROJEKT POSZERZENIA IMAGOLOGII NA PRZYKŁADZIE TWÓRCZOŚCI KATARZYNY KOZYRY I EWY KURYLUK“. Porównania 20, Nr. 1 (30.07.2018): 25–38. http://dx.doi.org/10.14746/p.2017.20.11119.

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Artykuł wskazuje na możliwość i konieczność poszerzenia znaczenia tradycyjnego pojęcia imagologii. Autor uważa, że od imagologii Obcego/Innego powinniśmy przejść do obrazu Ja cielesnego i mentalnego. Projekt takiej analizy przeprowadza na materiale twórczości Ewy Kuryluk i Katarzyny Kozyry.

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Leal, Maria Luísa. „Escritas literárias de uma deslocação histórica: o “retorno” / Literary Writings of a Historical Displacement: The “Return”“. Revista do Centro de Estudos Portugueses 39, Nr. 61 (26.08.2019): 87. http://dx.doi.org/10.17851/2359-0076.39.61.87-99.

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Resumo: Como é que três escritoras oriundas de Angola e Moçambique representam, em três romances escritos em 2009 e 2011, o movimento de retorno forçado a Portugal em 1975? Como se articulam memórias individuais e história? Quais as implicações da focalização narrativa? Estas e outras questões decorrem do quadro histórico e teórico representado nos romances: o do Portugal colonial e pós-colonial. O conceito de “retorno” permite aprofundar a questão da identidade individual e nacional e avançar algumas reflexões sobre um tema que ganha se cruzarmos diferentes ferramentas teóricas: estudos pós-coloniais, imagologia, estudos de género e narratologia.Palavras-chave: retornados; identidade; subjetividade; colonialismo; pós-colonialismo.Abstract: How do three women writers from Angola and Mozambique represent, in novels written in 2009 and 2011, the historic movement of forced return to Portugal in 1975? How are individual memoirs and history articulated, and what are the implications of narrative focus? These and other questions are the result of the historical and theoretical framework represented in the novels: that of colonial and post-colonial Portugal. The concept of “return” allows us to deal with individual and national identity issues, and suggest some reflections on a theme that gains ground if we cross different theoretical tools: Post-Colonial Studies, Imagology, Gender Studies and Narratology. Keywords: returnees; identity; subjectivity; colonialism; post-colonialism.

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Potts, John. „Review & Booknote: Imagologies: Media Philosophy“. Media International Australia 82, Nr. 1 (November 1996): 140. http://dx.doi.org/10.1177/1329878x9608200136.

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Stephens, John. „Identity – Discourse – Imagology“. International Research in Children's Literature 4, Nr. 1 (Juli 2011): v—ix. http://dx.doi.org/10.3366/ircl.2011.0002.

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Wojtyna, Miłosz. „Narratology and Imagology“. Tekstualia 1, Nr. 4 (01.01.2018): 125–44. http://dx.doi.org/10.5604/01.3001.0013.5156.

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Summarising recent developments in postclassical narratology and imagology, the article traces affinities between the two disciplines in order to observe the challenges that await the researchers of image and narrative in what Baudrillard called the simulation culture. Two case studies presented in the article (one devoted to Instagram visual narratives, the other – to a YouTube advertising campaign) illustrate challenges for the study of eventfulness, narrativity, and fictionality, and suggest - in line with the postulates of Mark C. Taylor and Esa Saarinen – that a radical change of educational and communicative practices is needed in contemporary Western societies. A change of this sort, it is postulated, might be instigated by the collaboration of researchers in visual studies and narrative theory.

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Cidzikaitė, Dalia. „Imagology in Practice“. Colloquia 43 (20.12.2019): 190–98. http://dx.doi.org/10.51554/col.2019.28647.

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Mihailović, Miloš D. „GORAN SKROBONjA I DEN SIMONS: ČAS IMAGOLOGIJE“. Lipar XXII, Nr. 76 (2021): 217–28. http://dx.doi.org/10.46793/lipar76.217m.

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The aim of this paper is to examine the relationship between Goran Skrobonja and Dаn Simmons’ works, as well as the way Anglo-American speculative fiction influenced Skrobonja. In order to do that, I compared two fiction works by these authors: Simmons’ novella Flashback from his colection Lovedeath (translated to Serbian by Skrobonja) and Skrobonja’s Tihi gradovi / Quiet Cities, one of the most renowned works of contemporary speculative fiction in Serbian literature. Suvin’s theory of science fiction and his term novum were used in order to draw parallels between these stories. In my analysis I have concluded that not only Skrobonja and Simmons use the same novum, but their stories also share a number of similari- ties, which suggest an intertextual relationship. Then, I conducted an imagological comparative analysis. First of all, I analysed the right-wing discourse which heavily influenced Simmon’s novella and foreshadowed author’s subsequent engagement in politics, thus ending his amiable correspondence with Skrobonja. Bearing that in mind, Tihi gradovi can be read as a negation of Flashback and Simmons’ poetics, as well as his right-wing world view. As a results, Tihi gradovi differ from the rest of Skrobonja’s work, primarily by defying the poetics of Anglo-American specula- tive fiction, which have heavily influenced Skrobonja for the most of his career. In this story, he has showed that his relationship towards his literary forefathers is not epigonal, but much more nuanced and sceptical. Thus, the wide recognition Tihi gradovi attained in contemporary literary criticism is recognized as justified, as this story is truly one of Skrobonja’s finest achievements.

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Grzelak, Eliza. „IMAGOLOGIA – NARZĘDZIE KREACJI INNEGO W PRZEKAZIE ELEKTRONICZNYM“. Porównania 20, Nr. 1 (30.07.2018): 9–24. http://dx.doi.org/10.14746/p.2017.20.11089.

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Autorka zwraca uwagę na dwie podstawowe reguły komunikologiczne, organizujące relacje między nadawcą a odbiorcą – wzajemności i zwrotności. Zauważa, że zgodnie z nimi odpowiedzialność za poprawne relacje między grupą dominującą a grupami mniejszościowymi spoczywa na wszystkich uczestnikach komunikacji. Do zadań mniejszości należy fortunna autokreacja, która powinna zachęcać do poznawania, pogłębiania wiedzy, neutralizowania negatywnych stereotypów, powinna także wyposażać odbiorcę w narzędzia promujące daną grupę w obu światach – realnym i wirtualnym. Rozważania mają charakter teoretyczny, choć poparte są spostrzeżeniami, dotyczącymi praktycznej realizacji przedstawionych założeń. Autorka weryfikuje teorię, głoszącą, że dobrze realizowane założenia imagologii mogą pomóc w zbudowaniu fortunnego wizerunku polskich mniejszości.

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O'Sullivan, Emer. „Imagology Meets Children's Literature“. International Research in Children's Literature 4, Nr. 1 (Juli 2011): 1–14. http://dx.doi.org/10.3366/ircl.2011.0003.

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Since the 1970s, children's literature research has developed a number of approaches, from simple ideological criticism to more sophisticated applications of postcolonial theory, to analyse how, and to what end, members of other national, cultural, racial and ethnic groups are represented in texts for children. However, a field of study within comparative literature, imagology, which specifically addresses the cultural construction and literary representation of national characters in literature, has not yet made much impact. This review article will present its origins and methods of investigation as well as sketch areas in children's literature of imagological interest, which have been or are still waiting to be productively addressed, to show what the domain can gain from this approach.

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Uriadova, Anna. „The historical imagology: subject and object of perception“. Przegląd Wschodnioeuropejski 11, Nr. 2 (30.12.2020): 167–74. http://dx.doi.org/10.31648/pw.6499.

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The article discusses historical imagology one of the areas of imagology in general. It analyzes the sources, which are essential and most often used in such studies. The historiography of the issue is briefly considered. This article for the first time in the research literature on historical imagology and imagology in general pays special attention to the object and subject of historical imagological works. Several approaches to determining the object of research have been identified. The subject of imagological research is examined in detail. The issue of factors affecting perception is raised. Attention is paid to the problem of image variability and stereotepization.

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Xinlei, ZHANG. „The Chinese Image Under the Perspective of Imagology A Case Study Based on President Xis Speech at the National Conference to Review the Fight Against Poverty and Commend Individuals and Groups Involved“. Asia-Pacific Journal of Humanities and Social Sciences 2, Nr. 2 (30.06.2022): 145–52. http://dx.doi.org/10.53789/j.1653-0465.2022.0202.018.

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Imagology has offered a new perspective to international publicity translation and global communication. Based on imagology, this paper highlights the role of international publicity translation in shaping China’s national image. The paper further combines with the theory of imagology to analyze and summarize the translation strategies based on the translation of Chinese poverty elimination to better present China’s national image in global communication.

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Kamalova, S. D. „Linguistic imagology: origin and application“. Professional Discourse & Communication 2, Nr. 3 (30.09.2020): 10–22. http://dx.doi.org/10.24833/2687-0126-2020-2-3-10-22.

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The article dwells on the origin and development of linguistic imagology, a new field of research which studies the linguistic aspect of foreign image representation in fiction literature, mass media and other types of discourse, as well as the linguistic means of reflecting the relations between the auto-image (image of “the self”) and the hetero-image (image of “the other”). The specific approach offered in the paper is based on the analysis of nine multicultural novels about the Israeli-Palestinian conflict written in English. It consists in singling out two degrees of estrangement between the auto- and the hetero-image, with alienation and the image of an alius making an accent on differences and misunderstanding, and alterity together with the image of an alter, on similarities and propinquity. Lexico-semantic and stylistic analysis of the novels, carried out in the article, reveals linguistic tools which are employed to represent the hetero-image as either an alius or an alter.

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van Doorslaer, Luc. „Embedding imagology in Translation Studies“. Slovo.ru: Baltic accent 10, Nr. 3 (2019): 56–68. http://dx.doi.org/10.5922/2225-5346-2019-3-4.

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Imagology, the study of national and cultural images as represented in textual discourse, is a fruitful approach for disciplines dealing with textual change, such as translation studies. Both imagology and translation studies have gradually extended their area of research, which has revealed growing commonalities. Journalistic texts have for instance been included in research that was previously almost exclusively dealing with literary discourse. Moreover interest in imagological research, sometimes related to the distribution of a promoted national or cultural self-image, has now also grown in countries outside of Europe. Future perspectives for findings on image spread through translation are offered through collaboration with existing research in sociology and psychology.

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Srbinovskа, Slavica. „Imagology and politics of representation“. HORIZONS.A 21 (15.12.2017): 171–79. http://dx.doi.org/10.20544/horizons.a.21.2.17.p14.

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Rolls, Alistair. „Interconnecting Translation Studies and Imagology“. Translation Studies 10, Nr. 3 (10.03.2017): 364–67. http://dx.doi.org/10.1080/14781700.2017.1295882.

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Sharov, Konstantin S. „At the Origins of Historical Imagology: Isaac Newton’s Nature-Philosophical Mythography. Translation and Commentaries“. Imagologiya i komparativistika, Nr. 17 (2022): 143–69. http://dx.doi.org/10.17223/24099554/17/8.

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The paper explores Isaac Newton’s understanding of the origins of historical imagology. In his study of imagology as practice, Newton proved to be not only a historian and natural philosopher, but also as a mythographer. He attempted a comprehensive taxonomic and chronological analysis of the pagan (gentile) deities of the ancient Mediterranean peoples. From Newton’s point of view, pagan religions, myths and poetry associated with them, were the foundations of historical imagology as a practice of interpreting the images of “foreign peoples” in the ancient world. The paper contains commented fragments of the author’s translation from Latin into Russian of a number of Newton’s archival works on mythography and the origins of imagology. The translation from Latin into Russian is made for the first time. The author declares no conflicts of interests.

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Hotineanu, Eleonora. „Migration imagologique : le couple franco-roumain“. Revue de littérature comparée 330, Nr. 2 (2009): 197. http://dx.doi.org/10.3917/rlc.330.0197.

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Trykov, Valerii P. „The foundations and prerequisites of imagology“. Philological Sciences. Scientific Essays of Higher Education, Nr. 1 (Januar 2021): 65–74. http://dx.doi.org/10.20339/phs.1-21.065.

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The article examines the conceptual foundations and scientific, sociocultural and philosophical prerequisites of imagology, the field of interdisciplinary research in humanitaristics, the subject of which is the image of the “Other” (foreign country, people, culture, etc.). It is shown that the imagology appeared as a response to the crisis of comparatives of the mid-20th century, with a special role in the formation of its methodology played by the German comparatist scientist H. Dyserinck and his Aachen School. The article analyzes the influence on the formation of the imagology of post-structuralist and constructivist ideological-thematic complex (auto-reference of language, discursive history, construction of social reality, etc.), linguistic and cultural turn in the West in the 1960s. Shown is that, extrapolated to national issues, this set of ideas and approaches has led to a transition from the essentialist concept of the nation to the concept of a nation as an “imaginary community” or an intellectual construct. A fundamental difference in approaches to the study of an image of the “Other” in traditional comparativism and imagology, which arises from a different understanding of the nation, has been distinguished. It is concluded that the imagology studies the image of the “Other” primarily in its manipulative, socio-ideological function, i.e., as an important tool for the formation and transformation of national and cultural identity. The article identifies ideological, socio-political factors that prepared the birth of the imagology and ensured its development in western Humanities (fear of possible recurrences of extreme nationalism and fascism in post-war Europe, the EU project, which set the task of forming a pan-European identity). It is concluded that the imagology, on the one hand, has actualized an important field of scientific research — the study of the image of the “Other”, but, on the other hand, in the broader cultural and historical perspective, marked a departure not only from the traditions of comparativism and historical poetics, but also from the humanist tradition of the European culture, becoming part of a manipulative dominant strategy in the West. To the culture of “incorporation” into a “foreign word” in order to understand it, preserve it and to ensure a genuine dialogue of cultures, the imagology has contrasted the social engineering and the technology of active “designing” a new identity.

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Song, Dandan. „PHILOLOGICAL IMAGOLOGY IN CHINA: RESEARCH SURVEY“. Philological Sciences. Issues of Theory and Practice, Nr. 3 (März 2019): 319–26. http://dx.doi.org/10.30853/filnauki.2019.3.68.

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Shamparova, S. I. „IMAGOLOGY AND THE IMAGE OF RUSSIA“. Concept: philosophy, religion, culture, Nr. 4 (10.01.2020): 112–17. http://dx.doi.org/10.24833/2541-8831-2019-4-12-112-117.

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Lyudmila, Ivanova. „RELATIONSHIPBETWEEN LINGVISTIC IMAGOLOGY AND INTERCULTURAL COMMUNICATION“. Scientific Bulletin of Kherson State University. Series Linguistics, Nr. 1 (25.09.2019): 185–88. http://dx.doi.org/10.32999/ksu2413-3337/2019-36-39.

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Kapustyanskaya, Kseniya Viktorovna, Nikolay Alekseyevich Kubanyov und Larisa Nikolaevna Nabilkina. „Imagology and the Dialogue of Cultures“. Observatory of Culture 1, Nr. 1 (01.01.2016): 31–35. http://dx.doi.org/10.25281/2072-3156-2016-1-1-31-35.

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Neumann, Birgit. „Towards a Cultural and Historical Imagology“. European Journal of English Studies 13, Nr. 3 (Dezember 2009): 275–91. http://dx.doi.org/10.1080/13825570903223491.

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