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Thematische Bibliographien / Indexicality / Dissertationen

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Dissertationen zum Thema „Indexicality“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 25. Juli 2025

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1

Kim, Hyuna B. "Pragmatic repair driven by indexicality." University of Arizona Linguistics Circle, 2013. http://hdl.handle.net/10150/271016.

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This paper aims to account for Double Accessibility effects found in Korean. Clearing out confusions in the previous discussion on the phenomenon, it claims that Korean does not have a Double Access reading in a semantic sense, unlike English, but Double Accessibility effects arise as a result of pragmatic repair which is employed in order to interpret a focused indexical element causing a conflict in the interpretation process. The advantages of the pragmatic analysis defended in this paper over the movement analyses proposed in the literature will be shown in details.

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Morris, Jeremy. "The Epistemic Significance of Pure Indexicality." Scholarly Repository, 2008. http://scholarlyrepository.miami.edu/oa_dissertations/97.

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This is a dissertation on how certain cognitive limitations inform a theory of knowledge. Explanations in terms of the pure indexical "I" indicate a class of cognitive limitations. "I" cannot be completely eliminated from any successful explanation of how the world is intelligible to me and only I can refer to myself with the indexical "I." This raises the possibility that there are thoughts that I can think that cannot be thought by anyone else. Given what an epistemological theory must say about the definition, structure, and instances of knowledge and epistemic merit in general, such l

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Stealey, Patrick Thomas. "Against the Reduction of Qualia to Indexicality." Ohio University Honors Tutorial College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1366720014.

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Stokke, Andreas. "Indexicality and presupposition : explorations beyond truth-conditional information." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/1704.

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This thesis consists of four essays and an introduction dedicated to two main topics: indexicality and presupposition. The first essay is concerned with an alleged problem for the standard treatment of indexicals on which their linguistic meanings are functions from context to content (so-called characters). Since most indexicals have their content settled, on an occasion of use, by the speaker’s intentions, some authors have argued that this standard picture is inadequate. By demonstrating that intentions can be seen as a parameter of the kind of context that characters operate on, these argu

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Schlenker, Philippe (Philippe D. ). 1971. "Propositional attitudes and indexicality : a cross categorial approach." Thesis, Massachusetts Institute of Technology, 1999. http://hdl.handle.net/1721.1/9353.

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Thesis (Ph.D.)--Massachusetts Institute of Technology, Dept. of Linguistics and Philosophy, 1999.<br>Includes bibliographical references (p. 173-177).<br>Universal Grammar uses the same distinctions (features) and the same interpretive procedures for reference to individuals, times, and possible worlds. We give a partial argument for this hypothesis: person, tense and (maybe) mood can be treated on a par when they occur in reported speech. We consider several generalizations that hold across sortal domains, and develop a theory of propositional attitudes and indexicality that captures these fa

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Paz, Anita. "Against indexicality : photography as a formation of thought." Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:2a69c52b-0827-48ae-aa99-cd9143b31f64.

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Guided by the question of what does photography bring into being, 'Against Indexicality' is a proposition to rethink the foundation of the philosophy of photography - to rethink the supposed relation of truth between the photograph and the world. Taking Indexicality as a messy and convoluted conceptual field comprised of the notions of pointing, stillness, and fragmentation, this study works to untangle the three from each other, separately challenging each individual notion. In analysing each of the three through their conceptualisation by prominent thinkers, including Charles S. Peirce, Susa

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Villot, Janine Marie. "Refiguring Indexicality: Remediation, Film, & Memory in Contemporary Japanese Visual Media." Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4603.

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Through an analog between film and memory, I argue contemporary Japanese visual media constantly remediates this relationship in order to develop a more inclusive, plastic indexicality that allows media without direct material contiguity access to an indexicality not typically attributed to it. Amidst the early twenty-first century shift from old, mechanical media to new, electronic media, each Japanese text engages the West through intercultural discourses and intracultural responses, just as Japan has continually encountered the West since its forced opening by Commodore Perry in 1853. The

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Spikbacka, Eva. "Who's there? : monologues on painting, indexicality and perception. A thinking process." Thesis, Konstfack, Institutionen för Konst (K), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7745.

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What we encounter in painting is not so much the authentically revealed self of the painter, but rather signs that insinuate that this absent self is somewhat present in it. /Isabelle Graw/ So, then what is a painting? Perhaps it is all about time, a certain amount of time in the constant murmuring stream of consciousness and the unconscious. A shape cut out of the amorphous. A recording of time spent in uncertainty, not knowing what is going to present itself. To bear the contradiction of in one hand allowing the permission of having an aim versus the absolute requirement of at some point let

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Kozlowska, Agnieszka. "Taking photographs beyond the visual : paper as a material signifier in photographic indexicality." Thesis, Northumbria University, 2014. http://nrl.northumbria.ac.uk/16882/.

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Despite the fact that photographs come into being as material objects imprinted with light reflected off the subject in front of the camera, and therefore possess a decidedly physical connection to their referent, the materiality of photographs tends to be overlooked in favour of apprehending them as primarily visual signs independent of their physical support. This practice-led research project under the title Taking Photographs Beyond the Visual: Paper as a Material Signifier in Photographic Indexicality explores the status of photographs as physical traces. In an attempt to find ways in whi

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Aydiner, Pola. "Les pronoms personnels et démonstratifs dans le turc parlé et écrit de Turquie." Paris 3, 1999. http://www.theses.fr/1999PA030028.

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J'ai essaye de degager d'une part la specificite de la structure des pronoms personnels et demonstratifs en turc par rapport au francais, et d'autre part la specifite de l'oral par rapport a l'ecrit en turc contemporain. La recherche est fondee sur un corpus ecrit et un corpus oral. Elle s'appuie sur les theories actuelles a la fois dans le domaine de la syntaxe et celui de l'enonciation. La these est composee de deux parties. La premiere partie est consacree a la syntaxe la deuxieme partie est consacree a l'intonation en vue d'une grammaire intonative telle que la proposent mary-annick morel

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Greene, Nikki A. "The rhythm of glue, grease, and grime indexicality in the works of Romare Bearden, David Hammons, and Renee Stout /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 225 p, 2010. http://proquest.umi.com/pqdweb?did=1992441021&sid=2&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Cook, Clare Elizabeth. "The syntax and semantics of clause-typing in Plains Cree." Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/951.

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This thesis proposes that there are two kinds of clauses: indexical clauses, which are evaluated with respect to the speech situation; and anaphoric clauses, which are evaluated with respect to a contextually-given (anaphoric) situation. Empirical motivation for this claim comes from the clause-typing system of Plains Cree, an Algonquian language spoken on the Canadian plains, which morpho-syntactically distinguishes between two types of clauses traditionally called INDEPENDENT and CONJUNCT orders. In the current analysis, the INDEPENDENT order instantiates indexical clauses, and the CONJUNC

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Ehrlich, Nea E. "Animated realities : from animated documentaries to documentary animation." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/25699.

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My thesis on contemporary animated documentaries links new media aesthetics with the documentary turn in contemporary visual culture. Drawing from the fields of Contemporary Art, Animation, Film Studies and Gaming Theory, my aim has been to explore the development of animated documentaries in the context of animation's intersection with other visual fields in a very specific technological moment of the past two decades in order to broaden the scope within which animation is analysed and understood. The starting point of my research was the widely accepted divide assumed to exist between animat

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Jones, Nathan T. "IDENTITY PHAUXNETICS." CSUSB ScholarWorks, 2015. https://scholarworks.lib.csusb.edu/etd/266.

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This thesis investigates the construction of identity and authenticity through sociophonetic variation, focusing on British Hip Hop artist Amy Winehouse. Prior work on British vocal artists’ phonetic variation has relied upon regional categorical frameworks (Trudgill, 1983; Carlsson, 2001) and found variation to be evidence of production errors and speakers’ misidentification of targeted speech patterns, resulting in summative interpretations of conflict between speakers’ discreet identities and speech pattern categories. More recent work has attended to linguistic processes within cultural mo

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Wu, Tianqi. "Gender Indexicality and Perception of Intimacy in the Chinese Media: A Critical Discourse Analysis from Contemporary Urban-Themed Television Drama Serials." Thesis, The University of Sydney, 2021. https://hdl.handle.net/2123/26365.

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Chinese television drama has grown exponentially since 2000 to become one of the most dominant cultural forms of televisual entertainment. Its influence on everyday life is considerable. Among the range of drama genres, those featuring urban life and emotion have projected prominent social issues onto household screens. Originating as “pink dramas”, urban-themed television dramas have facilitated the creation of a contemporary public sphere where subjects pertaining to gender identities, intimacy, and changing power dynamics in romantic relationships can be openly discussed, evaluated, and fur

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Lee, Kelvin Kien-Hoanh. "Language and Character Identity: A Study of First-Person Pronouns in a Corpus of Science Fiction Anime Dialogue." Thesis, The University of Sydney, 2021. https://hdl.handle.net/2123/28687.

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Like a number of other Asian languages, Japanese is a language with a large number of pronouns. These do not vary according to the grammatical role of the referent/s (e.g. subject, object, etc.) but rather index social meanings. This thesis investigates how the indexical meanings commonly associated with Japanese first-person pronouns (1PPs) are recontextualised in the dialogue of anime television series to construct characters and convey aspects of their identity. This is a mixed-methods study which combines statistical analysis and quantitative frequency-based analyses of word lists and co

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Vasquez, Jaclyn M. "TO PEER OR NOT TO PEER?: LOCALLY CO-CONSTRUCTING EXPERTISE, NOVICENESS, AND PEERNESS IN WRITING CENTER CONFERENCES." CSUSB ScholarWorks, 2014. https://scholarworks.lib.csusb.edu/etd/20.

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This study presents empirical research to contribute to the ongoing debate between Writing Center (WC) scholars concerning theoretical conceptions and perceptions of tutor and tutee roles and identities as peers, novices, and/or experts. The study explores how symmetrical (peer) and asymmetrical (expertnovice) identities are locally co-constructed and reconstructed in turn-by-turn utterances between WC tutors and tutees. Audio-recorded data of 30-minute WC conferences were collected and micro-analyzed within the parameters of Conversation Analysis. The data reveal that, contrary to the label o

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Arnold, Aron. "La voix genrée, entre idéologies et pratiques – Une étude sociophonétique." Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCA148/document.

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Ce travail de thèse interroge le lien qui existe entre voix et genre. Le triple dispositif analytique sociophonétique, consistant à articuler données phonétiques, expérimentales et ethnographiques, a permis d’étudier comment une voix est perçue comme genrée et comment des locutrices/eurs utilisent des pratiques vocales pour indexer des identités de genre. Deux expériences dans lesquelles étaient utilisés comme stimuli des voix de synthèse et des voix resynthétisées ont permis d’observer que la fréquence fondamentale et les fréquences de résonance jouent des rôles différents dans la perception

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Orlando, Nicholas. "Failing to Move Forward: Journalism, Media, and Affect in David Fincher's." Scholar Commons, 2018. http://scholarcommons.usf.edu/etd/7208.

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Zodiac (David Fincher, 2007) offers a critique of the mass media’s efforts to restore American valiance with heroic narratives of ordinary people in the aftermath of 9/11. Amending prior scholarly readings of Zodiac as a serial killer narrative, I reconfigure my analysis by taking Fincher at his word and treating it as a journalism film. Borrowing a term from political theorist Elisabeth Anker, I argue that, unlike other contemporary journalism films, Zodiac is constructed as a “melodrama of failure” that, rather than seeking mastery, unveils the instability of evidence and the obsessive uncer

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Lawson, Gillian Mary. "Changing relations in landscape planning discourse." Thesis, Queensland University of Technology, 2007. https://eprints.qut.edu.au/16526/1/Gill_Lawson_Thesis.pdf.

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With the increasing development of relations of consumption between discipline knowledge and students, educators face many pressures. One of these pressures is the emotional response of students to their learning experiences and the weight given to their evaluation of teaching by universities. This study emerged from the polarised nature of student responses to one particular area of study in landscape architecture, the integrative discourse of Landscape Planning. While some students found this subject highly rewarding, others found it highly confronting. Thus the main aims of this study are t

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Lawson, Gillian Mary. "Changing relations in landscape planning discourse." Queensland University of Technology, 2007. http://eprints.qut.edu.au/16526/.

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With the increasing development of relations of consumption between discipline knowledge and students, educators face many pressures. One of these pressures is the emotional response of students to their learning experiences and the weight given to their evaluation of teaching by universities. This study emerged from the polarised nature of student responses to one particular area of study in landscape architecture, the integrative discourse of Landscape Planning. While some students found this subject highly rewarding, others found it highly confronting. Thus the main aims of this study are t

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Jennings, Matthew. "Nevertheless, She Persisted: A Linguistic Analysis of the Speech of Elizabeth Warren, 2007-2017." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/honors/457.

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A breakout star among American progressives in the recent past, Elizabeth Warren has quickly gone from a law professor to a leading figure in Democratic politics. This paper analyzes Warren’s speech from before her time as a political figure to the present using the quantitative textual methodology established by Jones (2016) in order to see if Warren’s speech supports Jones’s assertion that masculine speech is the language of power. Ratios of feminine to masculine markers ultimately indicate that despite her increasing political sway, Warren’s speech becomes increasingly feminine instead. How

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Boyd, Zac. "Cross-linguistic variation of /s/ as an index of non-normative sexual orientation and masculinity in French and German men." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/33201.

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This thesis examines phonetic variation of /s/ in bilingual French and German gay and straight men. Previous studies have shown sibilant variation, specifically the voiceless sibilant /s/, to correlate with constructions of gay identity and 'gay sounding voices' in both production and perception. While most of this work concerns English, researchers have also explored /s/ variation and sexual orientation or non-normative masculinity in Afrikaans, Danish, Hungarian, and Spanish. Importantly, with the exception of only a small number of studies, this body of work has largely left the realm of /s

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COGGIOLA, GIACOMO. "LA SCENA DELL'AUTORITRATTO. MEDIALITA', INDESSICALITA', SPETTRALITA'." Doctoral thesis, Università Cattolica del Sacro Cuore, 2013. http://hdl.handle.net/10280/1991.

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Nell’ambito delle odierne teorie del cinema e dell’audiovisivo il problema dell’autoritrattistica e dei suoi rapporti con i nuovi mezzi è oramai di acclarato rilievo. Se la teoria contemporanea pare infatti polarizzarsi da un lato intorno alla questione mediologica e dall’altro a quella dell’immagine, l’autoritratto, inteso nel senso più ampio, si colloca, per la sua peculiare e costitutiva metadiscorsività, all’intersezione di questi due ordini di problemi, interrogandone la correlazione. Ne emerge una comune strutturazione del discorso intorno alla questione fondamentale dell’opposizione e r

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COGGIOLA, GIACOMO. "LA SCENA DELL'AUTORITRATTO. MEDIALITA', INDESSICALITA', SPETTRALITA'." Doctoral thesis, Università Cattolica del Sacro Cuore, 2013. http://hdl.handle.net/10280/1991.

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Nell’ambito delle odierne teorie del cinema e dell’audiovisivo il problema dell’autoritrattistica e dei suoi rapporti con i nuovi mezzi è oramai di acclarato rilievo. Se la teoria contemporanea pare infatti polarizzarsi da un lato intorno alla questione mediologica e dall’altro a quella dell’immagine, l’autoritratto, inteso nel senso più ampio, si colloca, per la sua peculiare e costitutiva metadiscorsività, all’intersezione di questi due ordini di problemi, interrogandone la correlazione. Ne emerge una comune strutturazione del discorso intorno alla questione fondamentale dell’opposizione e r

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Donard, Mélanie. "Le zoom ou l'image d'une image." Thesis, Paris 3, 2012. http://www.theses.fr/2012PA030124.

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Utiliser un zoom pour donner l’apparence du travelling est une illusion d’ordre perceptif, c’est pourquoi je voudrai penser le zoom comme le passage d’une image à l’agrandissement (ou rétrécissement) de cette même image. Il est fondamentalement une image d’image qui s’évaluera à l’aune de nouveaux concepts que sont le centrement, la mobilité du surcadre virtuel, la durée descriptive et l’aplanissement. Dans une problématique de la duplication, le rapport entre l’image et son référent sera à questionner : l’image du zoom sera semblante ou ressemblante car elle tire sa qualité de l’écart qui se

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Cornelius, Crista Lynn. "Language Socialization through Performance Watch in a Chinese Study Abroad Context." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1437580040.

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Lebas, Franck. "L'indexicalité du sens et l'opposition "en intension"/"en extension"." Paris 8, 1999. http://www.theses.fr/1999PA081523.

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L'objectif de ce travail est de fonder une theorie semantique - 1' "indexicalite du sens" - a partir du postulat selon lequel le sens et le referent sont de la meme nature, definissable par une notion de "rapport" - ou de "propriete extrinseque". Il est alors possible de definir la notion d' "objet" - qui generalise celle de referent - comme le point focal, vide de toute << substance >>, d'une infinite potentielle de rapports. Ainsi, l'objet est percu et concu en tant que tel sans la mediation de proprietes descriptives et/ou objectives, mais par "homologation directe" des rapports

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Scheuermann, Melina. "Animated Memories : A case study of the animated documentary 'Saydnaya – Inside a Syrian Torture Prison' (2016) and its potential within social memory." Thesis, Stockholms universitet, Filmvetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-185061.

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Through its ability to create images of non-representable incidents animation expands the range and depth of what documentary can represent and how. This master thesis investigates the potential of animated documentary within social memory exemplified by the interactive animated documentary Saydnaya – Inside a Syrian Torture Prison (Forensic Architecture, 2016). By applying a feminist spatial approach, I aim to contribute to the understanding of the role of animated documentary images within social memory.Embodied and haptic spectatorship as well as haptic materiality are crucial in this case

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Sanchez, Joseph. "Dénomination et indexicalité du sens nominal." Paris 8, 2003. http://www.theses.fr/2003PA082349.

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Ce travail esquisse un cadre d'analyse en sémantique lexicale qui inclut la notion de dénomination sans imposer une version référentialiste du sens. Nous analysons la dénomination selon une double composante : une valeur dénominative, d'inspiration phénoménologique et gestaltiste, fournit une amorce au processus perceptuel renvoyant à la chose désignée ; une modalité sémantique, selon la caractérisation grammaticale du nom, attribue une modalité de stabilisation au processus perceptuel. Entre les deux composantes s'établit une régulation constitutive du sens et de la référence. Sont ainsi anal

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El, Jed Mehdi. "Interactions sociales en univers virtuel : Modèles pour une interaction située." Phd thesis, Université Paul Sabatier - Toulouse III, 2006. http://tel.archives-ouvertes.fr/tel-00144856.

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La recherche proposée s'intéresse au développement d'un modèle d'interaction sociale capable de prendre en compte, en univers virtuel collaboratif, une partie de la dimension émotionnelle et sociale des interactions humaines.<br />Dans notre approche, chaque utilisateur contrôle son propre avatar (représentation de l'utilisateur dans l'environnement virtuel) et peut prendre des décisions selon ses propres perceptions, son expertise et historique. La problématique de recherche devient donc d'offrir une solution pour maintenir un contexte d'interaction 'riche' lors de la collaboration.<br />Nous

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Okala, Françoise. "La factivité du monument de la Shoah : étude sémiotique d'un dispositif de la mémoire culturelle." Thesis, Bordeaux 3, 2017. http://www.theses.fr/2017BOR30011.

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Cette recherche s’attache à rendre compte de la factitivité du monument de la Shoah, à savoir sa capacité à « faire-faire », en l’occurrence, stimuler la mémoire de l’observateur. Les applications du concept de factitivité relèvent en premier ressort du cadre des relations humaines – intersubjectivité – pour s’étendre à la relation sujet/objet avec la « sémiotique des objets ». Ce champ de recherche de la sémiotique s’est réapproprié le concept de factitivité en vue de démontrer qu’en dépit de leur dimension inanimée les objets du quotidien sont dotés d’une intentionnalité consistant à manipul

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Frisvold, Hanssen Eirik. "Early Discourses on Colour and Cinema : Origins, Functions, Meanings." Doctoral thesis, Stockholms universitet, Filmvetenskapliga institutionen, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-1261.

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This dissertation is a historical and theoretical study of a number of discourses examining colour and cinema during the period 1909 to 1935 (trade press, film reviews, publications on film technology, manuals, catalogues and theoretical texts from the era). In this study, colour in cinema is considered as producing a number of aesthetic and representational questions which are contextualised historically; problems and qualities specifically associated with colour film are examined in terms of an interrelationship between historical, technical, industrial, and stylistic factors, as well as spe

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Parks, Megim A. ""Purple People": "Sexed" Linguistics, Pleasure, and the "Feminine" Body in the Lyrics of Tori Amos." CSUSB ScholarWorks, 2014. https://scholarworks.lib.csusb.edu/etd/5.

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The notion of a “feminine” style has been staunchly resisted by third-wave feminists who argue that to posit a “feminine” style is essentialist. Yet, linguists such as Norma Mendoza-Denton and Elinor Ochs discuss indexicality and shifting through salient variables, a process called entextualization. Further, French feminists such as Hélène Cixous and Julia Kristeva use the linguistic concept of intertextuality to explain certain poetic uses of language that might cause what Luce Irigaray calls “irruption of the semiotic chora”—moments within language where boundaries in the semiotic chain of s

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Johansson, Christer. "Mimetiskt syskonskap : En representationsteoretisk undersökning av relationen fiktionsprosa-fiktionsfilm." Doctoral thesis, Stockholms universitet, Institutionen för litteraturvetenskap och idéhistoria, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-7447.

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The dissertation deals with two different subjects: on the one hand the interrelations of narrative prose fiction and narrative fiction film, on the other hand fictional narration and intermediality as such. The first part discusses the concepts of medium and intermediality, and presents some general theoretical models. Of special importance is the three level structure of fictional representations: sign vehicle, meaning and fictional content. The second part focuses on the qualities of the sign vehicle, and on different kinds of meaning and fictional content. The sign vehicle of language and

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Cabral, Clarice Regina de Souza. "A desconstrução do machismo pela linguagem: ordens de indexicalidade e outscalings motivados pelo movimento feminista no Facebook." Universidade Federal de Pelotas, 2018. http://guaiaca.ufpel.edu.br:8080/handle/prefix/4067.

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Stonestreet, Tracy. "Toward Liveness: The Polytemporality of Performance Objects." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/6084.

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In this dissertation, I examine the temporal and material connections between component parts of hybrid artworks, specifically between live events / acts of performance and the long-lasting sculptural elements that those events / performances produce. I propose a re-orientation of the temporal gaze of performance art history, from one oriented to the past to one focused on the continually unfolding present. Such a re-orientation requires a nonlinear approach to art making that complicates set boundaries of past and present, liveness and record, and presence and absence, and disrupts in potenti

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Pan, Junquan Pan. "Constructing a Gay Persona: A Sociophonetic Case Study of an LGBT Talk Show in Taiwan." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1532014383060877.

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Ohlsson, Maria. "Språkbruk, skämt och kön : Teoretiska modeller och sociolingvistiska tillämpningar." Doctoral thesis, Uppsala universitet, Institutionen för nordiska språk, 2003. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-3486.

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This thesis deals with jokes and gender as social meaning. Here gender identity is regarded as one kind of social meaning. The gender identity of the individual is produced in interaction with other persons and is also conditioned by cultural codes. Of particular interest is how social identity is constituted by linguistic means. This is discussed using a model of indexicality, i.e. how linguistic features index one or more dimensions of the social context. Especially the indirect and constitutive relations between language and gender are discussed in terms of stances, acts and activities. In

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Weigelt, Karl. "The Signified World : The Problem of Occasionality in Husserl's Phenomenology of Meaning." Doctoral thesis, Stockholm : Visby : Acta Universitatis Stockholmiensis ; eddy.se [distributör]:, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-7366.

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Bekker, Ian. "The vowels of South African English / Ian Bekker." Thesis, North-West University, 2008. http://hdl.handle.net/10394/2003.

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This thesis provides a comparative analysis of vowel quality in South African English (SAE) using the following data: firstly, the existing impressionistic literature on SAE and other relevant accents of English, the former of which is subject to a critical review; secondly, acoustic data from a similar range of accents, including new SAE data, collected and instrumentally analyzed specifically for the purposes of this research. These various data are used to position, on both a descriptive and theoretical level, the SAE vowel system. In addition, and in the service of providing a careful reco

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Homma, Yukiyo. "L' identité des prépositions dans leur variation. Approche énonciative de en, dans, pour et par." Paris 10, 2009. http://www.theses.fr/2009PA100134.

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Il s'agit d'une thèse portant sur les prépositions en, dans, pour et par. Notre recherche conduite dans la perspective de la Théorie des opérations prédicatives et énonciatives (TOPE) d'A. Culioli, consiste à démontrer l'existence d'une identité pour chacune de ces prépositions, et comment cette identité se manifeste effectivement dans ses divers emplois. Une préposition étant considérée comme un relateur entre deux éléments X (le repéré) et y (le repère)-que nous articulons par la formule X prép. Y-, nous entendons par identité d'une préposition les principes déterminant la spécificité du rôl

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Falgas, Julien. "Raconter à l'ère numérique : auteurs et lecteurs héritiers de la bande dessinée face aux nouveaux dispositifs de publication." Thesis, Université de Lorraine, 2014. http://www.theses.fr/2014LORR0112/document.

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Considérant l’environnement numérique qui se caractérise par la convergencedes modes et des formes discursifs, à quels cadres les auteurs et les lecteurs héritiers de la bande dessinée se référent-ils et de quelle manière s’y réfèrent-ils ? Il s'agit de comprendre comment des auteurs confrontés à de nouveaux dispositifs de publication produisent le sens commun nécessaire à la création de récits numériques dont les lecteurs parviennent à partager les standards de transcription, tirent des routines d’usage pour leur interprétation, et jugent attrayante la sélection et la mise en forme des évènem

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Bwire, David. "Meaning Across Difference: Exploring Intercultural Communication Strategies in an Alaska-Kenya Collaboration." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1469088653.

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Falgas, Julien. "Raconter à l'ère numérique : auteurs et lecteurs héritiers de la bande dessinée face aux nouveaux dispositifs de publication." Electronic Thesis or Diss., Université de Lorraine, 2014. http://www.theses.fr/2014LORR0112.

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Considérant l’environnement numérique qui se caractérise par la convergencedes modes et des formes discursifs, à quels cadres les auteurs et les lecteurs héritiers de la bande dessinée se référent-ils et de quelle manière s’y réfèrent-ils ? Il s'agit de comprendre comment des auteurs confrontés à de nouveaux dispositifs de publication produisent le sens commun nécessaire à la création de récits numériques dont les lecteurs parviennent à partager les standards de transcription, tirent des routines d’usage pour leur interprétation, et jugent attrayante la sélection et la mise en forme des évènem

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Kindermann, Dirk. "Perspective in context : relative truth, knowledge, and the first person." Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3164.

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This dissertation is about the nature of perspectival thoughts and the context-sensitivity of the language used to express them. It focuses on two kinds of perspectival thoughts: ‘subjective' evaluative thoughts about matters of personal taste, such as 'Beetroot is delicious' or 'Skydiving is fun', and first-personal or de se thoughts about oneself, such as 'I am hungry' or 'I have been fooled.' The dissertation defends of a novel form of relativism about truth - the idea that the truth of some (but not all) perspectival thought and talk is relative to the perspective of an evaluating subject

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Karlander, David. "Authentic Language : Övdalsk, metapragmatic exchange and the margins of Sweden’s linguistic market." Doctoral thesis, Stockholms universitet, Institutionen för svenska och flerspråkighet, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-145642.

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This compilation thesis engages with practices that in some way place stakes in the social existence of Övdalsk (also älvdalska, Elfdalian, Övdalian), a marginal form of Scandinavian used mainly in Sweden’s Älvdalen municipality. The practices at hand range from early 20th century descriptive dialectology and contemporary lay-linguistics to language advocacy and language political debate. The four studies focus on the logic by which such practices operate, on the historically produced visions that they bring into play, as well as on the symbolic effects that they have produced. Study I provide

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Christiansen, Martha Sidury Juarez Lopez. "Facebook as Transnational Space: Language and Identity among 1.5 and Second Generation Mexicans in Chicago." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1366196872.

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Hufschmitt, Benoît. "Les fonctions philosophiques de la définition dans la pensée antique et classique : de la nécessité des définitions réelles, d'après une relecture de quelques grands auteurs." Aix-Marseille 1, 1995. http://www.theses.fr/1996AIX10069.

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Les problemes de la definition sont, dit-on souvent, resolus (ou dissous) depuis l'avenement de la logique contemporaine et le triomphe connexe du nominalisme : il n'y a de definitions que de mots ; les definitions de choses sont, au mieux, des propositions sans specificite, au pire, des petitions de principe, voire un moyen privilegie pour la construction de pseudoconcepts, l'instrument de la confusion de pensee. Or, une consideration un peu attentive montre que les logiciens et philosophes contemporains sont generalement plus nuances ; se degagent de leur etude la reconnaissance d'une grande

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Guillot, Marie. "Déixis et subjectivité : essai sur l'indexicalité dans le langage et la pensée." Paris, EHESS, 2010. http://www.theses.fr/2010EHES0027.

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Ce travail est un examen critique de la «conception indexicale de la subjectivité», thèse selon laquelle le mode déictique de la référence, tout particulièrement à soi, serait constitutif du phénomène mental de la subjectivité. Trois questions cumulatives sont traitées. Existe-t-il une forme d'indexicalité mentale, comme il existe une indexicalité linguistique? Si oui, comment-transposer au mieux, sur le plan mental, notre connaissance du fonctionnement des déictiques dans le discours? Enfin, le caractère déictique putatif de certains états psychologiques suffirait-il à rendre compte du phénom

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