Thematische Bibliographien / Instrumental music – turkey – history and criticism

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Auswahl der wissenschaftlichen Literatur zum Thema „Instrumental music – turkey – history and criticism“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "Instrumental music – turkey – history and criticism"

Furani, Khaled. "Said and the Religious Other." Comparative Studies in Society and History 52, no. 3 (2010): 604–25. http://dx.doi.org/10.1017/s0010417510000320.

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Whether observed in French laïcité, Kemalist Turkey, Kantian political theory, Western Christian theology, or North Indian classical music, the presence of modern secularity has been demonstrably complex (Asad 2003; Bakhle 2008; Blumenberg 1985; Connolly 1999; Navaro-Yashin 2002). My purpose in this essay is to further examine the intricacies of the modern secular, specifically its relation with what it deems “religious.” My focus will be Edward Said, whose paradigmatic engagement in secular, critical, and comparative inquiry makes his work an ideal place to investigate the modern apparition o

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Vojvodić Nikolić, Dina D. "PREDLOG ODREĐENjA POJMA MUZIČKA KRITIKA I TIPOLOGIJE KRITIČKIH TEKSTOVA MEĐURATNOG DOBA U SRBIJI." Nasledje Kragujevac XX, no. 55 (2023): 299–312. http://dx.doi.org/10.46793/naskg2355.299vn.

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The paper presents a proposal for defining the concept of music criticism and types of critical texts. The historical development of music criticism, its problems, methods, goals and main representatives are presented. The history of music criticism is ideologically connected with music, and primarily appeared in occasional publications. Criticism of musicians began continuously in the middle of the 18th century, when the first open discussions on various issues of music appeared. Jean-Jacques Rousseau, Johann Mattheson and Charles Burney stand out among the first music critics. The last years

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Markoff, Irene. "Introduction to Sufi Music and Ritual in Turkey." Middle East Studies Association Bulletin 29, no. 2 (1995): 157–60. http://dx.doi.org/10.1017/s0026318400031552.

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It is difficult to appreciate and understand Sufism fully without an informed exposure to the expressive cultural forms that help define and enhance it. It is this dimension of Islamic mysticism that transports the seeker on the path of spiritual attainment into higher states of consciousness that promise spiritual intoxication (Wajd) and a unique and intimate union, even annihilation (fanā), in the supreme being. This emotional expression of faith is intensified and externalized in elaborate forms of meditation and esoteric techniques that are part of ritual ceremonies.Through ritual, many Su

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Taş, Fırat. "Challenges and Solutions in Developing Right Hand Techniques in Amateur Violin Education." Shanlax International Journal of Education 11, S1-Oct (2023): 39–46. http://dx.doi.org/10.34293/education.v11is1-oct.6518.

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Amateur music education, which individuals pursue with a hobbyist spirit based on their own desires and interests, can be defined as music education received for personal enjoyment. In Turkey, it is observed that individuals engaged in amateur music education mostly focus on instrumental training, with the violin being one of the most preferred instruments. In the process of violin education, which holds significant importance in both professional and amateur instrumental training, the identification and resolution of issues related to the right hand is crucial for a healthy progression of the

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Naumov, Aleksandr V. "From Criticism to Practice: Music in the Early Literary Heritage of V.I. Nemirovich-Danchenko." Observatory of Culture 19, no. 2 (2022): 182–92. http://dx.doi.org/10.25281/2072-3156-2022-19-2-182-192.

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The article examines the relationship between the literary work of V.I. Nemirovich-Danchenko that preceded the opening of the Moscow Art Theater, and his directorial activity. For him, journalism, fiction and drama formed a unity that had a serious impact on his pedagogical and staging practice. The main issues related to the topic of the work have been repeatedly raised by researchers of theater and literature, but have not yet come to the attention of musicologists, which determines the main parameter of the study’s novelty. In this context, the article aims at pinpointing the actual musical

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FEDUN, Iryna. "ON THE QUESTION OF GENRES RESEARCH IN UKRAINIAN ETHNOORGANOLOGY." Bulletin of the Lviv University. Series of Arts Studies 280, no. 20 (2019): 147–57. http://dx.doi.org/10.30970/vas.20.2019.10619.

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The term “genre”, as well as the name of the scientific discipline “genrology” or “genology” is rather novel, but were promptly incorporated into scientific use in various fields of cultural research. The study of arts’ genera has nevertheless a long history and is comprehensively elaborated in literary criticism. Instead, Ukrainian ethnomusicologists have very few special works devoted to the study of traditional music’s genres. Therefore, some information about its generic-gender relations can be derived from the principles of collections’ systematization or performers’ repertoire characteri

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Gmys, Marcin. "Archeologia partytury. O przywracaniu autorskiej wersji Legendy Bałtyku Feliksa Nowowiejskiego." Copernicus. De Musica 1, no. 1 (2022): 27–37. http://dx.doi.org/10.15804/cdm.2022.1.03.

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The article presents a complex history of the opera The Legend of the Baltic to a libretto of Waleria Szalay-Groele which enjoyed great popularity already during Feliks Nowowiejski’s lifetime. The author argues that subsequent versions of the opera, made by the composer since its successful world premiere in Poznań in 1924, were, at least partially, a result of unfavorable criticism, not devoid of nationalistic traits, expressed or inspired by a respected ethnomusicologist Łucjan Kamieński, his adversary from the time of Berlin studies under Max Bruch. On the other hand, the new edition of the

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C., Alex Rajakumar Paul, and K. Premkumar Dr. "SONGS AND MUSIC - AS EXPRESSIVE THERAPY IN SHAKESPEARE'S PLAY "THE WINTER'S TALE"." International Journal of Computational Research and Development 1, no. 1 (2017): 188–91. https://doi.org/10.5281/zenodo.230716.

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The Winter’s Tale is a great tragic comedy. It is a comedy hovering on the brinks of tragedy. It includes conflicts within friends, family and generations. It is a romantic play with unique dramatic structure. It is expressed in a brilliant two part structure. While commenting in the structure of the play, the Director Martin Maraden points out: To create the two different worlds of Sicilia and Bohemia and yet to have them seem necessary to each other is one of the challenges of The Winter’s Tale. I think the contrast in the play makes perfect sense, we begin in Sicilia, we s

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Niemtsova, Liliya. "History of the specific musical movements in Ukraine in the XX century." National Academy of Managerial Staff of Culture and Arts Herald, no. 4 (December 30, 2021). http://dx.doi.org/10.32461/2226-3209.4.2021.250285.

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The purpose of the article is to provide systematization and synthesis of data concerning the history of the separate directions of musical art in Ukraine in the XX century. Methodology. General scientific methods of research, analytical, typological, semantic, and comparative analysis - are applied to the terminological definition of a conceptual framework of the history of musical art and justification of its theoretical art criticism application. The scientific novelty consists in consideration of musical art in Ukraine in the XX century as a certain welfare community. Conclusions. The arti

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ÖNER, Onur. "Geç Dönem Osmanli İstanbulu’nda Sufiler ve Fotoğraf: “Popüler” Mevlevi Fotoğraflarina Dair Yeni Bakış Açıları." Marmara Türkiyat Araştırmaları Dergisi, March 23, 2023. http://dx.doi.org/10.16985/mtad.1223928.

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Despite the growing literature on Ottoman photography, the depictions of the Mevlevis, in particular, are still considered a vestige of Orientalist thinking. Beyond those art historical approaches, a close reading of rather ‘popular’ dervish images reveals that the Mevlevis were actively engaged in representing themselves. From this perspective, this article argues that their intimate involvement in photography, as a modern medium, was profoundly related to certain characteristics of the Mevlevi order.  This article also scrutinizes the possible contributions of the visual sources to the

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Dissertationen zum Thema "Instrumental music – turkey – history and criticism"

Smith, David John. "The instrumental music of Peter Philips : its sources, dissemination and style." Thesis, University of Oxford, 1994. http://ora.ox.ac.uk/objects/uuid:d1af3140-2553-4f58-8437-a1eee66d7f13.

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There are fifty-one instrumental pieces by Philips, many of which occur in versions for ensemble, keyboard and lute. The sources have a wide geographical and chronological span. This research is based upon an extensive first-hand examination of the sources of Philips's instrumental music, and a detailed comparative study of the textual variants of each piece. The thesis divides into three parts. In the first, a biographical chapter relates Philips's instrumental music to the changing nature of his employment. Then the main sources of his instrumental music, the manuscripts copied by Francis Tr

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Jang, Laurie. "Music's debt : a study of poetic influence in mid-eighteenth century German instrumental music." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28075.

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The aim of this study is to examine the correspondences of style, technique and aesthetic in poetry and music as it pertains to the musical thought and works of composers centered in Berlin 1740-1760. With the trend toward rational enquiry, the re-affirmation of the Aristotelian theory of imitation, and a return to the ideal of a union of the arts, 18th-century theorists and composers were once again preoccupied with the consanguinity of the "sister" arts of poetry and music. In particular, analogies were made between their materials of expression and the methods by which they achieved their u

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Yang, Shu-mei. "Piano Music of Native Chinese Composers, with Particular Focus on the Piano Works Since 1950: a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, L.v. Beethoven, S. Prokofiev, F. Chopin, R. Schumann, J. Brahms, M. Ravel, and A. Skryabin." Thesis, North Texas State University, 1988. https://digital.library.unt.edu/ark:/67531/metadc331819/.

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This documents aims at the identification of the sources of influence upon the styles of selected 20th century Chinese composers. Personal influences are reflected as well as those general influences specific to the different stylistic periods discussed. Most important, however, is the description of the methods by which these composers employ contemporary compositional devices to project musical gestures that are uniquely Chinese: elements of culture which are fundamentally programmatic and intimately related to the lives of the Chinese people. The introduction of Western music and musical in

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Admiral, Roger James. "Four piano recitals and an essay, timbre and instrumental specificity as structural elements in modernist musical composition." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0033/NQ29136.pdf.

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Santos, Juliano Buosi dos 1976. "Consort de violinos : música instrumental germânica para mais de quatro vozes na segunda metade do século XVII." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285234.

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Orientador: Esdras Rodrigues Silva Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes Made available in DSpace on 2018-08-26T00:34:41Z (GMT). No. of bitstreams: 1 Santos_JulianoBuosidos_M.pdf: 5944297 bytes, checksum: 6493cd8b9254b752c233881a86712f71 (MD5) Previous issue date: 2014 Resumo: Esta pesquisa tem o propósito de divulgar um repertório pouco conhecido e interpretado atualmente: a música germânica escrita para consort de violinos para mais de quatro vozes, na segunda metade do século XVII. Um estudo histórico e estilístico nos possibilita aproxima

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Spencer, David W. "Performing the Trumpet works of Donald Erb; A Guide to Preparation, Interpretation and Practices: A Lecture Recital, Together with Three Recitals of Selected Works by Purcell, Hindemith, Holmes, Friedman, Koetsier and Others." Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3207/.

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This study is a guide to the performer on practices associated with the trumpet music of Donald Erb. It examines the following solo and duo compositions for trumpet: the as yet unpublished Sonatina for Trumpet and Piano (1954); Four Duets for Trumpets (1960); Diversion for Two for trumpet & percussion (1966); Concerto for Trumpet and Orchestra (1980); Remembrances for two trumpets (1994); and Dance, You Monster, To My Soft Song for solo trumpet (1998). A history of each composition and information concerning the performers who premiered them are documented. An examination of particular harmon

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O'Connor, Jennifer. "Black snow by Michael Smetanin : an analysis : and original compositions." University of Western Australia. School of Music, 2004. http://theses.library.uwa.edu.au/adt-WU2004.0054.

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Black Snow, an orchestral work composed by Michael Smetanin in 1987, was named after the book Black Snow by Mikhael Bulgakov. Newspaper articles, reviews and the literature researched, all comment on Smetanin’s style and on the influences that shaped that style. The aggressive and confrontational style of much of Smetanin’s music can be attributed partly to his love of rock music and jazz and partly to his mentor in the Netherlands, Louis Andriessen. The same sources quote other composers who also influenced Smetanin’s style. Three works in particular are named, that is, Trans by Stockhausen,

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Joo, Hwajoon. "Yoon-Seong Cho's Jazz Korea a cross-cultural musical excursion /." Thesis, connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-6089.

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Ballman, Christine. "Les oeuvres de Lassus mises en tablature pour le luth: catalogue - transcriptions - analyse." Doctoral thesis, Universite Libre de Bruxelles, 2001. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211492.

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"上海南匯絲竹樂清音的傳承與變遷研究". Thesis, 2005. http://library.cuhk.edu.hk/record=b6074012.

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China in the twentieth century witnessed a series of revolutions that brought about political and economic changes. Traditional cultures also underwent various changes to survive the drastic impacts of these political revolutionary ideologies. This study takes the case of the Qingyin (locally referred to as the Sizhu), a silk and bamboo instrumental ensemble form that has survived these political impacts in China's recent history and is still thriving in the rural community of Nanhui, a district geographically neighbour to the cosmopolitan city Shanghai, with the aim to locate the reasons and

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Bücher zum Thema "Instrumental music – turkey – history and criticism"

Selfridge-Field, Eleanor. Venetian instrumental music from Gabrieli to Vivaldi. 3rd ed. Dover, 1994.

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Marín, Miguel Ángel, and Màrius Bernadó. Instrumental music in late eighteenth-century Spain. Edition Reichenberger, 2014.

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Schwarz, Boris. French instrumental music between the revolutions (1789-1830). Da Capo Press, 1987.

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Nadkarni, Mohan. Music to thy ears: Great masters of Hindustani instrumental music. Somaiya Publications, 2002.

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Kolman, Barry Araújo. American wind music: Its origin and the instrumental tutors. Cambridge Scholars Publishing, 2018.

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John, Irving. The instrumental music of Thomas Tomkins, 1572-1656. Garland Pub., 1989.

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Howard, Keith. Korean kayagǔm sanjo: A traditional instrumental genre. Ashgate, 2008.

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Howard, Keith. Korean kayagǔm sanjo: A traditional instrumental genre. Ashgate, 2008.

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Barnett, Gregory Richard. Bologna and late seventeenth-century Italian instrumental music. Ashgate, 2007.

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Christine, Pagnoulle, Bertrand Jean-Pierre 1960-, and Delville Michel 1969-, eds. Le Rossignol instrumental: Poésie, musique, modernité. Peeters, 2004.

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Buchteile zum Thema "Instrumental music – turkey – history and criticism"

Victoroff, Tatiana V. "‛Spiritualization of Matter’: Ivan Bunin in French Literary Criticism and in Translations by Boris Schloezer." In I.A. Bunin and his time: Context of Life — History of Work. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/ab-978-5-9208-0675-8-693-741.

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Boris de Schloezer, leading literary critic in Russian émigré and French journals (“Sovremennye Zapiski” (“Contemporary Notes”), “La Revue Musicale”, “La Nouvelle Revue Française”) wrote several reviews of the work of Ivan Bunin and in в 1929 translated a collection of his early short stories as well as those written in the emigration (“La Nuit”, éd. Émile-Paul Frères). A mediator between Bunin and the French intellectual world, instrumental for his acquaintance with André Gide, his being invited to the conferences of European writers in Pontigny (Les Décades de Pontigny), his contacts with th

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