Auswahl der wissenschaftlichen Literatur zum Thema „Interpersonal conflict – Fiction“

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Zeitschriftenartikel zum Thema "Interpersonal conflict – Fiction"

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Chernenko, О. "SEMIOSIS OF INTERPERSONAL CONFLICTS IN ENGLISH ARTISTIC DISCOURSE." MESSENGER of Kyiv National Linguistic University. Series Philology 25, no. 1 (2022): 134–41. http://dx.doi.org/10.32589/2311-0821.1.2022.263129.

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The current paper presents an overview of interpersonal conflicts in discourse area of character in modern English fiction discourse from the standpoint of multimodality theory, pragmalinguistics, and semiotics. In this respect semiosis is defined as the action of a sign, a dynamic process of meaning-making and meaning-interpretation realized through multimodal semiotic modes which collectively construct the meaning, communicated in these situations. This constructing is proceeded with the help of conflictives as emergent discursive constructs, the result of interactive constructing by means o
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Liliana, DANCIU. "REALITY AND FICTION – COORDINATES OF THE PROSE OF MARIO VARGAS LLOSA." Incursions Into The Imaginary 15, no. 2 (2024): 106–48. https://doi.org/10.29302/inimag.2024.15.2.4.

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The human condition within the context of social reality and history, and individual destiny in relation to moral and religious norms imposed at the collective level, are major themes that in Mario Vargas Llosa’s work become sources of intense narrative and interpersonal conflict. According to the Peruvian writer, an individual's happiness is perpetually constrained by the normative aspects of society, whose purpose is to prevent them from fully realizing their inner potential. This limitation leads to discontent, rebellion, and inevitable revolt aimed at overturning power structures. Literatu
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Юрьева, Жанетта Альбертовна. "ДИАЛОГ В ХУДОЖЕСТВЕННОМ ТЕКСТЕ". Русская филология. Вестник Харьковского национального педагогического университета имени Г.С. Сковороды 2, № 55 (2015): 7–10. https://doi.org/10.5281/zenodo.33562.

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<em>Types of dialogue are considered and using of dialogue in a literary text is analyzed. According to the types of communication systems the following types of dialogue are: dialogueconversation, dialogue-talk, dialogue-debate. By the nature of the interaction of participants in the dialogue three types of dialogical speech are: dialogue-equality, dialogue-relationship, dialoguecooperation. According to the intentions of the speaker, subtypes of dialogue-conversation are distinguished: informative dialogue-conversation; prescriptive dialogue-conversation (belief in anything, requests); talks
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Lantowa, Jafar, Sudibyo Sudibyo, and Novi Siti Kussuji Indrastuti. "Mimetic desire and child violence in Rasa’s novel by Tere Liye." BAHASTRA 45, no. 1 (2025): 114–29. https://doi.org/10.26555/bs.v45i1.1280.

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Child violence in educational settings is often rooted in mimetic desire, which provokes rivalry and emotional tension among students. This study investigates the dynamics of mimetic desire, rivalry, violence, and reconciliation as portrayed in Rasa, a novel by Tere Liye. Employing a descriptive qualitative approach with thematic analysis, the research applies René Girard’s theory of mimetic desire, focusing on the interconnected concepts of desire, rivalry, and reconciliation. Textual elements such as dialogue, narrative perspective, and character development are systematically examined throu
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Chernenko, O. V. "Intrapersonal and interpersonal conflictives in modern English fictional discourse: communicative aspect." MESSENGER of Kyiv National Linguistic University. Series Philology 27, no. 2 (2025): 154–64. https://doi.org/10.32589/2311-0821.2.2024.324167.

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The article highlights the main features of interpersonal and intrapersonal conflictives as discursive constructs in modern English fictional discourse from the perspectives of pragmalinguistics, theory of communication, multimodal discourse theory and the communicative approach to the analysis of linguistic units. The article elucidates the results of a pragmalinguistic and communicative study of intra- and interpersonal conflictives in modern fictional discourse realized through the analysis of the corresponding models constructed for different types of conflictives. This construction proces
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Chernenko, O. V. "Multicomponent structure of conflictive in modern English fictional discourse." MESSENGER of Kyiv National Linguistic University. Series Philology 26, no. 2 (2024): 124–33. http://dx.doi.org/10.32589/2311-0821.2.2023.297689.

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The current paper presents an overview of the multicomponent structure of conflictives as discursive constructs in modern English fictional discourse from the standpoint of pragmalinguistics, semiotics, multimodal discourse theory and paradigmatic and syntagmatic approach to the analysis of linguisticunits. The article elucidates the results of a linguosemiotic study of interpersonal conflicts in modern fictional discourse realized through the analysis of different multimodal semiotic modes, which collectively construct the meaning, communicated in conflict situations. This constructing is pro
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Yatchenko, Volodymyr, and Oksana Oliinyk. "SOCIAL TRAUMA AS A CONFLICTOGENIC FACTOR IN UKRAINIAN STUDIES AND IN UKRAINIAN HISTORY." Almanac of Ukrainian Studies, no. 25 (2019): 133–40. http://dx.doi.org/10.17721/2520-2626/2019.25.21.

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The article deals with aspects of the interconnection of the phenomena of social trauma and social conflict, especially in the context of modern Ukrainian society, as well as in the context of the problems of Ukrainian studies discourse. The authors note the extreme importance of the phenomenon of social trauma in the state of health, in the vital program of the individual, in the collective self-identification of social groups, in particular of nations, and the problems and specifics of the manifestation of social trauma in philosophical and sociological sciences. Social trauma is capable to
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Angelo, Charles Terry. "Gene and Ilsa: A Case of Interpersonal Conflict in a Public Organization." Public Voices 2, no. 2 (2017): 57. http://dx.doi.org/10.22140/pv.409.

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In this fictional case study, the author presents a rich tapestry of interpersonal dynamics in complex public organizations. Contrasting styles of leadership, organizational behavior, and communication are highlighted in a brief drama meant to illustrate how difficult it is sometimes to move beyond such issues to the more fundamental tasks of defining and executing one's responsibilities to serve the greater public good.
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Chernenko, Olha V. "SEMIOTIC AND MULTIMODAL REPRESENTATION OF EXISTENTIAL CONFLICT IN FICTIONAL DISCOURSE." Alfred Nobel University Journal of Philology 2, no. 26/2 (2023): 225–37. http://dx.doi.org/10.32342/2523-4463-2023-2-26/2-14.

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The article represents an attempt to build and apply a linguosemiotic model of existential conflict research in modern English fictional discourse. The modern tendency of philological and socio-humanistic studies to involve the tools of semiotics, discourse theory, and multimodality in the process of complex analysis of a literary work as an artistic model of reality is highlighted. The research is based on practical blocks of illustrative material, selected discursive fragments from a literary work, which contain an existential conflict. Basically, the key point here is the analysis of intra-
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Güler, Ezgi. "A Divided Sisterhood: Support Networks of Trans Sex Workers in Urban Turkey." ANNALS of the American Academy of Political and Social Science 689, no. 1 (2020): 149–67. http://dx.doi.org/10.1177/0002716220919745.

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This article examines how transgender individuals operating in the underground sex economy in urban Turkey form supportive relationships and mobilize against various forms of violence, given structural conditions that encourage distrust and competition and undermine collective efforts among the sex workers. I found that, despite their conditions, workers heavily relied on each other for matters ranging from small-scale interpersonal exchanges of resources to community mobilization. However, the violent and unpredictable circumstances of their lives still generated repeated conflict, making the
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Dissertationen zum Thema "Interpersonal conflict – Fiction"

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Albamonte, Gene. "THE NATURAL ORDER OF THINGS: STORIES." Master's thesis, Orlando, Fla. : University of Central Florida, 2009. http://purl.fcla.edu/fcla/etd/CFE0002534.

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Salas, Leslie. "Mirrors and Vanities." Master's thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5697.

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Mirrors and Vanities is a multi-modal collection which showcases the diversity of working in long and short storytelling forms. Featured in this thesis are fiction, nonfiction, graphic narrative, and screenplay. Using unconventional approaches to storytelling in order to achieve emotional resonance with the audience while maintaining high standards for craft, these stories and essays explore the costs inherent to the subtle nuances of interpersonal relationships. The fiction focuses on the complications of characters keeping secrets. A husband discovers the truth behind his wife's misca
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Bücher zum Thema "Interpersonal conflict – Fiction"

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Institute, Arbinger, ed. The anatomy of peace: Resolving the heart of conflict. Berrett-Koehler Publishers, Inc., 2008.

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Marai, Sandor. Gloed. Wereldbibliotheek, 2000.

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Marai, Sandor. El último encuentro. Salamandra, 1999.

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Rockwell, Thomas. How to fight a girl. Dell, 1988.

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Rockwell, Thomas. How to fight a girl. Dell, 1988.

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Stinson, Christine. Getting even with Fran. Pan Macmillan, 2010.

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Crum, Thomas F. The magic of conflict: Turning a life of work into a work of art. Simon and Schuster, 1987.

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translator, Lin Kefeng, ed. Wen rou zhi ge: Chanson douce / Leila Slimani. Mu ma wen hua shi ye gu fen you xian gong si, 2017.

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Faghih, Parisa. The sign of green stars. PublishAmerica, 2008.

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Ferguson, Margaret. Looking at conflict: A novel approach. Legal Resource Centre, Faculty of Extension, University of Alberta, 1992.

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Buchteile zum Thema "Interpersonal conflict – Fiction"

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Hunt, Eileen M. "Mary Shelley and Post-Apocalyptic Literature and Philosophy." In The Oxford Handbook of American and British Women Philosophers in the Nineteenth Century. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780197558898.013.39.

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Abstract Mary Shelley mined the forms and themes of plague literature, the epic, the romance, and the gothic novel to develop a new subgenre of modern science fiction: post-apocalyptic literature. Her two great science fiction works (or what I call political science fictions)—Frankenstein (1818) and The Last Man (1826)—confront the social problems that arise from humanity’s artificial, technological, and cultural interventions in the wider environment. Comparing Frankenstein and The Last Man with their literary and philosophical sources—from Sophocles and Plutarch to Goethe and Godwin—reveals
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Villoria Hernani, Emmanuel. "Awareness, Groundedness, Embodiment: Intrapersonal Elements in Interpersonal Relationships." In Interpersonal Relationships [Working Title]. IntechOpen, 2021. http://dx.doi.org/10.5772/intechopen.95484.

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Human beings are inherently relational. To relate may mean to communicate, interact, transact, engage, involve and even just be with another person. It may imply fulfilling and satisfying the needs of one another. In a more altruistic tone, the relationship is giving and receiving. Others see a relationship as a social exchange. In contrast, others may see it as a social and ethical contract that ought to adhere. Others see a relationship as an instrument as a means to self-actualize or as a process of reaching the self-potential. There are many types of relationships. While others have a form
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