Thematische Bibliographien / Iraqo Mythology / Zeitschriftenartikel
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Zeitschriftenartikel zum Thema „Iraqo Mythology“

Autor: Grafiati
Veröffentlicht am 28. Juli 2024
Zuletzt aktualisiert am 31. Juli 2025

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Hashim Taher, Asst Prof Isra. "القمر في الثقافة العراقية القديمة: اعادة قراءة لرواية" الهلال" لديانا ابو جابر و"طشاري" لأنعام كججي". ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 58, № 2 (2019): 115–28. http://dx.doi.org/10.36473/ujhss.v58i2.879.

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Man used to attribute good and evil in his life to celestial bodies. Therefore, ancient civilizations paid much attention to astronomy which had a lasting impact on mythology and religion. In ancient Iraqi mythology, sad and happy events like war and peace, death and fertility, flood and famine, were attributed to the appearance and disappearance of the moon.Among the post-modern writers who wrote novels about Iraq are the Arab-American Diana Abu Jaber (1959 -) and the Paris-based Iraqi Inaam Kachachi (1952 -). Abu Jaber's Crescent (2003) tells a love story between an Iraqi professor and an Ir
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Yousif, Marwan Khaleel. "Sexual Assault as a Colonial Ideology to Annihilate the Iraqi National Identity in Rasha Fadhil's Ishtar in Baghdad." JOURNAL OF LANGUAGE STUDIES 8, no. 3 (2024): 326–34. http://dx.doi.org/10.25130/lang.8.3.18.

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Regardless of the outcome of events consequently, a person's identity throughout conflicts and wars has a lasting effect on the psyche of a nation, leaving a legacy of trauma, suffering, and sorrow. A nation's psychological and symbolic components, such as the identity of those impacted, their process of healing, and their sympathy for the deceased, are also affected by these wounds, in addition to its physical assets, such as its buildings, artefacts, and natural landscapes. Rasha Fadhil in her dramatic text Ishtar in Baghdad employed the Iraqi mythology to highlight the importance of Iraq's
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Collins, Barry. "The invasion of Iraq and the mythology of international law." International Journal of Contemporary Iraqi Studies 2, no. 3 (2009): 307–20. http://dx.doi.org/10.1386/ijcis.2.3.307_1.

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Borumand, Safura. "Cornucopia: Origins, diffusion and adoption in ancient Irano-Indian semiosphere." Studies in People's History 5, no. 2 (2018): 166–79. http://dx.doi.org/10.1177/2348448918795754.

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Cornucopia or the horn of plenty is one of the cultural and social symbols that signify abundance and blessing in Western culture. Cornucopia originated from Greek mythology, partly related to the legend of Zeus, and partly to the legends of Hercules, Hades, Demeter and Tyche. The sign of cornucopia is also depicted on ancient Iranian and Indian artworks, and the obvious inference is that this was due to Hellenistic influence in both countries.
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Nicolaus, Peter. "Noah and the Serpent." Iran and the Caucasus 22, no. 3 (2018): 257–73. http://dx.doi.org/10.1163/1573384x-20180304.

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The Prophet Noah is not a predominant figure within the Yezidi mythology, and so it should come as no particular surprise that he is often absent from the Yezidi sacred hymns. This peculiarity seems easily explained by the Yezidi cosmogonic myth, which places the emergence of Yezidis as a separate and wholly distinct occurrence from the genesis of the rest of humanity. Hence, a mythical catastrophe reducing mankind to merely one family would certainly contradict said cosmogony. And yet, the tale of “Noah and the Serpent” somehow finds itself recounted within every Yezidi community. The present
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Hafez, Mohammed M. "Martyrdom Mythology in Iraq: How Jihadists Frame Suicide Terrorism in Videos and Biographies." Terrorism and Political Violence 19, no. 1 (2007): 95–115. http://dx.doi.org/10.1080/09546550601054873.

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Aboelazm, Ingy. "Africanizing Greek Mythology: Femi Osofisan’s Retelling of Euripides’the Trojan Women." European Journal of Language and Literature 4, no. 1 (2016): 87. http://dx.doi.org/10.26417/ejls.v4i1.p87-103.

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Nigerian writer Femi Osofisan’s new version of Euripides' The Trojan Women, is an African retelling of the Greek tragedy. In Women of Owu (2004), Osofisan relocates the action of Euripides' classical drama outside the walls of the defeated Kingdom of Owu in nineteenth century Yorubaland, what is now known as Nigeria. In a “Note on the Play’s Genesis”, Osofisan refers to the correspondences between the stories of Owu and Troy. He explains that Women of Owu deals with the Owu War, which started when the allied forces of the southern Yoruba kingdoms Ijebu and Ife, together with recruited mercenar
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Mona Hassan Karim and Nasser Hashem Badan. "Ceremonial preoccupations in the performances of the Iraqi playwright." Basrah Arts Journal, no. 26 (August 30, 2023): 59–69. http://dx.doi.org/10.59767/2023.8/26.5.

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The research deals with (the ceremonial preoccupations in the performances of the Iraqi playwright) the Iraqi ceremonial theater with a specificity that emerges as an Arab theatrical style that relied on reviving the legacies and popular folklore drawn from mythology and tales, as what was called quasi-dramatic phenomena as the foundations of an authentic Arab theatrical style employed in harmony with dung overlap with the ritual manifestations of The ceremonial dimensions are seen as one of the most important formative elements of the Arab ceremonial theater and one of the foundations of root
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Hamza, Lect Dr Haider Addam. "Mythical Imagination as a Source for Contemporary Arab Design." European International Journal of Multidisciplinary Research and Management Studies 5, no. 2 (2024): 103–15. https://doi.org/10.55640/eijmrms-05-02-20.

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The first chapter of the research discusses the methodological framework of the study, the research problem, the research significance and necessity, the research objective, the research boundaries, the identification and definition of terms. The second chapter covers the theoretical framework and previous studies. The first section addresses fantasy, and in defining it, explores the theory of fantasy and its role in design, mythology, and the linguistic interpretation of myths, as well as its psychological aspects. The second topic is myth throughout history, the impact of myth and the psycho
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Aziz Mahmood, Karzan. "Evolution of Creation from Mythology to Reality: A Multidisciplinary Study into the Roots of Shelley’s Frankenstein and Ahmed Sa’adawi’s Frankenstein in Baghdad." Arab World English Journal For Translation and Literary Studies 5, no. 1 (2021): 187–200. http://dx.doi.org/10.24093/awejtls/vol5no1.13.

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Shelley’s Frankenstein has been considered a literary masterpiece since its publication. Saadawi’s Frankenstein in Baghdad is similarly a work of great significance that won the International Prize for Arabic Fiction in 2014. Since its release, the name ‘Frankenstein’ attached to Baghdad, as a novel title in the mid of the American occupation of Iraq (2005) and its connection to a universal Frankenstein, has been inspiring to the Iraqis and world fiction lovers. What remains essential about this fascination among the readers is in the questions of how and what is the connection between both wo
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Szakolczai, Arpad. "Book Review Essay: Roberto Calasso, La tavoletta dei destini." International Political Anthropology 14, no. 1 (2021): 61–78. https://doi.org/10.5281/zenodo.5018947.

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All the books of Roberto Calasso are enigmatic, but this deceptively short and inconspicuous book arguably is the most enigmatic of all – at least, so far. While most books in ‘his’ series run to about 500 pages and usually contain well over 100,000 words, this one is quite short, ending on p.139, even though the font size is significantly larger than usual. In terms of sheer size, the book is closest to the volume from which in other respects it differs most, L’innominabile attuale, as that book is much discussing the present, while this one touches quite remote times.
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Liaqat, Qurratulaen. "War Afflicted Beings: Myth-Ecological Discourse of the Play Bengal Tiger at the Baghdad Zoo by Rajiv Joseph // Seres afligidos por la guerra: Discurso mito-ecológico de la obra Bengal Tiger at the Baghdad Zoo de Rajiv Joseph." Ecozon@: European Journal of Literature, Culture and Environment 9, no. 2 (2018): 72–88. http://dx.doi.org/10.37536/ecozona.2018.9.2.2306.

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Every war has grave repercussions for both the human and non-human elements in the geographical location where it erupts. Dramatic productions like Rajiv Joseph’s Bengal Tiger at the Baghdad Zoo (2009) highlight the consequences of war on the ecosystem of the conflict-stricken vicinity of Baghdad city. In the play, the chaotic world portrayed is an ecocentric site where the ghost of a tiger talks and the destruction of the garden, of Baghdad city and of human values are lamented. To illustrate the hazards of human conflict, Joseph incorporates ancient myths with the tragedy of the Iraq war to
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Hasan Khalid Dabis, Haady Abdilnibi Altememy, Mohamed Hameed, et al. "THE REPATRIATION OF GILGAMESH DREAM TABLET: REBUILDING THE IRAQI RELIGIOUS LEGACY." European Journal for Philosophy of Religion 15, no. 2 (2023). http://dx.doi.org/10.24204/ejpr.2021.4054.

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The Epic of Gilgamesh, a 3600-year 12-tablet collection, was looted from an Iraqi museum during the 1991 Gulf War, and fraudulently imported into the United States. In September, 2021, UNESCO facilitated its repatriation to Iraq, which is seen as an occasion to consolidate Iraq’s efforts to rebuild its legacy, since the Epic of Gilgamesh is of immense cultural, historical and religious value for Iraq The current study examines the Epic of Gilgamesh in the light of the ancient Sumerian and Akkadian traditions. This collection of tablets carries a great legacy of the contemporary Babylonian and
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"The Social Background of prophet Abraham Peace be upon him in light of the Quran, Bible, and Modern Archaeological Finding." Fahm-i-Islam 5, no. 2 (2022): 148–73. http://dx.doi.org/10.37605/fahmiislam.v5i2.358.

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Prophet Abraham is the father of the three Abrahamic faiths: Judaism, Christianity, and Islam. His unshakable devotion and obedience to God have earned him respect from all three religions. The life of Prophet Abraham is richly documented in sacred texts. However, due to a lack of archaeological evidence, many contemporary philosophers view the figure of Abraham (a.s) as mythology. However, there are no in-depth descriptions of Abraham's life in ancient sources. Still, Modern archaeology has many findings which confirm the historicity of this Semitic figure and its society, even his name. Exca
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Howley, Kevin. "Always Famous." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2452.

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Introduction A snapshot, not unlike countless photographs likely to be found in any number of family albums, shows two figures sitting on a park bench: an elderly and amiable looking man grins beneath the rim of a golf cap; a young boy of twelve smiles wide for the camera — a rather banal scene, captured on film. And yet, this seemingly innocent and unexceptional photograph was the site of a remarkable and wide ranging discourse — encompassing American conservatism, celebrity politics, and the end of the Cold War — as the image circulated around the globe during the weeklong state funeral of R
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