Thematische Bibliographien / Islamic literature, Urdu

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte

Auswahl der wissenschaftlichen Literatur zum Thema „Islamic literature, Urdu“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 29. Juli 2025

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Zeitschriftenartikel zum Thema "Islamic literature, Urdu"

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Shamsuddin, Salahuddin. "Islamic Urdu Literature: A Heretical Islamic Literature in Indian Subcontinent." Advances in Social Sciences Research Journal 10, no. 6 (2023): 378–89. http://dx.doi.org/10.14738/assrj.106.14920.

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The Intellectual heritage of India is an integral part of Islamic civilization in Indian subcontinent and the development of Islamic civilization in India represents a regional pattern or a local formation of this civilization that occurred as a reaction and in response to the developments that were the result of Islam's insistence on survival in India and its fear for itself of being lost. The link among Urdu, Persian, Arabic and Turkish literatures is that each of them is considered influenced in its dimensions by Islamic civilization that emerges from the religion, science and art, and it i
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Dr. Asma Aziz, Shama Naz, and Anam Sattar. "An Analysis of Unmarked Islamic Urdu Literature." Al-Qamar 5, no. 3 (2022): 101–24. https://doi.org/10.53762/zfsxvz92.

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The study of non-dotted literature highlights its demanding and interesting nature, as authors sacrifice their time and effort to complete complex tasks and provide the world with a deeper understanding of literature. This type of work requires a mastery of language and an extensive vocabulary, making it difficult for the general public to fully comprehend. The authors who write non-dotted literature are believed to possess special blessings from Allah. The research also reveals that non-dotted literature is a tradition that persists even in the present day, with many people actively engaged i
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Saleem, Dr Aneela. "Religious Literature in Urdu Written By Women (Selective Study)." Migration Letters 21, S14 (2024): 1030–39. https://doi.org/10.59670/ml.v21is14.11656.

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Women writers in Urdu religious literature actively participated in developing spiritual content which shaped both morality and Islamic academic theory concerning female perspectives. Throughout history, women of the subcontinent have used their literary skills to compose religious texts that highlighted their understanding of faith as well as moral standards and household religious rituals. The religious texts which focus on Quranic interpretation and Hadith study alongside Islamic spirituality deliver distinct understandings about how women function in spiritual life and social practices. Ma
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Hussain, Khalid, and Gulshan Tariq. "Urdu-17 The role of Sufis of Sahiwal in publishing Islam and promoting Urdu language and literature." Al-Aijaz Research Journal of Islamic Studies & Humanities 5, no. 2 (2021): 223–30. http://dx.doi.org/10.53575/urdu17.v5.02(21).223-230.

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As the small fountains are the wellspring of a big river, likewise the indigenous literary histories provide a raw material for the delineation of Islamic and literary history. This thesis is for the contribution of Sahiwal in promulgation of Islam as well as Urdu language and literature, in which not only the historic and geographic background of Sahiwal is presented in an unabridged way but also the progression for Urdu literature in this territory from Mystics to the contemporary times. An elaborative analysis of famed literary artists is carried out
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Badra Khatoon та Dr. Sami Ullah. "کرنل محمد خان کے سفرنامے "بجنگ آمد" میں مذہبی علامات وعناصر کامطالعہA Study of Religious Symbols and Elements in Colonel Muhammad Khan’s travelogue "BajangĀmad"". Al-Qamar 3, № 2 (2020): 223–30. https://doi.org/10.53762/4dq28v54.

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Colonel Muhammad Khan (1910-1999) is one of the renowned writers in Urdu literature. His unique style of writing has earned him a distinct status. This paper studies the religious symbols and elements in his famous travelogue "BajangĀmad". The study finds that the writer has beautifully depicted the religious elements and symbols of Islamic civilization and culture. “BajangĀmad” is one of the few books that received commendation on a large scale. Renowned critics of Urdu literature have applauded this book as a great feat achieved by the writer.
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Shazia Andleeb та Dr.Sadaf Naqvi. "اردو ادب میں مذہبی رجحانات: بیسویں صدی کی منتخب خواتین افسانہ نگاروں کا مطالعہReligious Trends in Urdu Literature: A Study of Selected Women Fiction Writers of the Twentieth Century". Al-Qamar 4, № 2 (2021): 71–80. https://doi.org/10.53762/jmy47146.

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This article discusses the religious trends of selected twentieth century women Urdu fiction writers. Focusing on Akhtar Jamāl, Jilānī Bāno, Qurratulain Hayder, Hājra Masroor, Khadīja Mastoor, Bāno Qudsia, Khālida Hussain, Jamīla Hāshmī, Sāira Hāshmī, it explores that firm belief in Allah Almighty, respect for humanity, moral values ​​and deference for women are prominent subjects in these women’s fictions. They have deep spiritual experiences of realities of life and Universe. Not only spiritual and esoteric observations, but conditions associated with them are skillfully described in their f
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Dr. Tabassum Kashmiri. "Criticism of Muhammad Hassan Askari and Oriental Aesthetics." Dareecha-e-Tahqeeq 1, no. 2 (2022): 1–10. http://dx.doi.org/10.58760/dareechaetahqeeq.v1i2.8.

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Askari was a seminal figure in modern Urdu literature and arguably the most important literary critic of his day. From the arch modernist and avid Westophile who swore by Baudelaire, Rimbaud and Mallarme and imbibed the influence of Joyce, he went on to espouse the cause of Pakistani adab, reading into it great cultural possibilities, almost a new renaissance, and later on, as if losing hope, he single-handedly diagnosed a condition of “stagnation” (jamood) and subsequently, of “death of literature,” turning a full circle to become an avowed disciple of the Islamic rivayat. Bitterly attacked b
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Dadoo, Yousuf, and Mohammed Auwais Rafudeen. "Building the Islamic moral self: Sufi Abed’s Bustan Fatimah ma‘a Bustan ‘A’ishah." Tydskrif vir Letterkunde 54, no. 2 (2017): 42–60. http://dx.doi.org/10.17159/2309-9070/tvl.v.54i2.1723.

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Sufi Abed Mian Usmani (1898-1945) of Ladysmith, KwaZulu-Natal, authored some ten religious books in Urdu and Gujerati, which appeared to have a considerable impact on the local community there, as well as more broadly for South African Muslims of Indian descent, and even for some Muslims of India. However, apart from two academic contributions, his work and legacy remain largely unexplored. This essay aims to build upon those contributions by analysing another of his hitherto unexamined Urdu works, namely, Bustan Fatimah ma' Bustan 'A'ishah (The garden of Fatimahwith the garden of 'A'ishah). I
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Dr. Zahira Nisar, Prof. Dr. Matloob Ahmad та Siddiqa Aslam Qureshi. "زمانۂ قبل از اسلام سے تیسری صدی ہجری تک کے عرب مغنّی اور مغنّیات کا احوال : ’ کتاب الاغانی‘ و ’طاؤس و ربابٗ کا مطالعہ". Al-Qamar 6, № 3 (2023): 1–10. https://doi.org/10.53762/4eq28s42.

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Author of "Kitāb-Al-Aghānī" (Book of Songs), Abu-Al-Faraj Al-Isfahānī was a famous Arab author and poet. He wrote other important books also but "Kitāb-Al-Aghānī" proved a mile stone in his life works. It consisted upon the long tale of pre-Islamic period till 3rd century hijra's musicians, composers, singers and poets. This book presents the true picture of that time's Arab Society and Culture. Prof. Noor-ul-Hassan Khan,s "Tāwos-o-Rubāb" is a single example of such type of books in Urdu literature. In this book most of the references are drawn from " Kitāb-Al-Aghānī ". We can find in Urdu lit
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Bhat, Abdul Manan. "Future’s Moving Terrains." English Language Notes 61, no. 2 (2023): 23–38. http://dx.doi.org/10.1215/00138282-10782054.

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Abstract This essay shows how the Islamic Persianate poetic tradition is a critical conceptual resource for imagining futures in which poetry is a technology of congregation through which futures are postulated, negotiated, and lived. The essay engages the multilingual poetic milieu of Kashmir (Urdu, Persian, and Kashmiri) in the first half of the twentieth century, offering an inaugural analysis of the itinerant nature of Persian, Urdu, and Kashmiri poetry in relation to the form of ghazal and its consequences for future making. Kashmiri poets and critics, in poetry as well as prose, made pro
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Dissertationen zum Thema "Islamic literature, Urdu"

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Shagufta, Iqra. "Postmodernity and Pakistani Postmodern Literature." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707404/.

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Though scholars have discussed postmodernism in Islam and South Asia before, they tend to (i) assume Muslims as a monolithic group, bypassing the diversity of different cultures and the interaction of these cultures with indigenous practices of Islam; (ii) study postmodernity synchronically, thereby eliding histor(ies) and the possibility of multiple temporalities; and (iii) compare postmodernity in non-Western countries with Western standards, and when these countries fail this test, declare them not-yet-postmodern, or even modern. Negligible and scant discussions of postmodernity that do tak
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Bücher zum Thema "Islamic literature, Urdu"

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Shāhid, Dost Muḥammad. Islāmī liṭrecar men̲ k̲h̲aufnāk taḥrīf. 2nd ed. Aḥmad Ikaiḍamī, 2005.

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Ralph, Russell. How not to write the history of Urdu literature: And other essays on Urdu and Islam. Oxford University Press, 1999.

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Aḥmad, K̲h̲ān Muḥammad, ред. Kahānī kahānī men̲: Zauq o shauq : baccon̲ kī tarbiyat ke liyʼe ek ... Baitulʻilm, 2002.

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Ibrāhīm, Samīr ʻAbd al-Ḥamīd. al-Adab al-Urdī al-Islāmī. al-Mamlakah al-ʻArabīyah al-Saʻūdīyah, Wizārat al-Taʻlīm al-ʻĀlī, Jāmiʻat al-Imām Muḥammad ibn Saʻūd al-Islāmīyah, 1990.

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Miṣrī, Ḥusayn Mujīb. al- Andalus bayna Shawqī wa-Iqbāl: Dirāsah fī al-adab al-Islāmī al-muqāran. al-Dār al-Thaqāfīyah lil-Nashr, 1999.

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Okāṛvī, Muḥammad Amīn Safdar. K̲u̲t̤bāt-i Ṣafdar, yaʻnī, Majmūʻah-yi taqārīr : ek taḥqīq, ek tajziyah. Maktabah-yi Makkiyah, 2001.

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Zainulʻābidīn, Sayyid Muḥammad. ʻUlmāʼe Jāmiʻah ʻUlūm-i Islāmiyah ʻAllāmah Banorī Ṭāʼūn aur unkī taṣnīfī va tālīfī k̲h̲idmāt. al-Manāhil, 2019.

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Muḥammad, Lat̤īf Mirzā, ed. Akram Riz̤vī kī taqrīren̲. Cishtī Kutub K̲h̲ānah, 2006.

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Nawshāhī, Riz̤āʼ Allāh Shāh ʻĀrif. Bhārat men̲ mak̲h̲t̤ūt̤āt kī fihristen̲. Mag̲h̲ribī Pākistān Urdū Ikaidamī, 1988.

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Ludhiyānvī, Aḥmad. Ṣadāʼe Ludhiyānvī. Ahl-i Sunnat va al-Jammāʻat, 2007.

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Buchteile zum Thema "Islamic literature, Urdu"

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Mir, Farina. "Urdu Ethics Literature in Colonial India." In Islamic Ecumene. Cornell University Press, 2023. http://dx.doi.org/10.7591/cornell/9781501772382.003.0002.

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This chapter provides an overview of Urdu ethics literature in colonial India. It focuses in particular on akhlāq in the vernacular circulation in late-colonial India. Akhlaq literature, as a genre and as represented in philosopher Ibn Miskawayh's text, is a specific Islamic tradition of philosophical ethics that can help reconstruct a more popular history of Islam. The chapter explains that Muhammad Farooq's 1910 publication, Mehboob al-Akhlaq (Beloved ethics), reflects the popular print culture of the era and the capacious forms of Islamic knowledge in colonial India. It cites how Islamic an
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Mir, Farina. "1. Urdu Ethics Literature in Colonial India: Akhlāq in the Vernacular." In Islamic Ecumene. Cornell University Press, 2023. http://dx.doi.org/10.1515/9781501772412-003.

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Faruqi, Shamsur Rahman. "Urdu literature." In The New Cambridge History of Islam. Cambridge University Press, 2000. http://dx.doi.org/10.1017/chol9780521838245.018.

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"Early Encounters with Urdu Literature." In A Life in Urdu, edited by Marion Molteno. Oxford University PressDelhi, 2022. http://dx.doi.org/10.1093/oso/9789391050948.003.0002.

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Abstract Extracts from Russell’s autobiography, Part II (Losses, Gains): describes studying Urdu at the School of Oriental & African Literature in London. Being already fluent he was shocked to discover how difficult he found the literature, which used a vastly bigger vocabulary and drew on Persian literary genres unfamiliar to him. He describes the differing styles of teaching of his teachers: Harley, Bilgrami, and Judd, and his debt to each; the absence of appropriate learning tools like dictionaries and course books; his response to particular writers: Nazir Ahmad, Sarshar, Azad, Hali,
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Marek, Jan. "The Impact of Islamic Culture on Urdu Drama." In Der Islam im Spiegel zeitgenössischer Literatur der islamischen Welt. BRILL, 1985. http://dx.doi.org/10.1163/9789004661448_009.

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Asani, Ali S. "In Praise of Muḥammad: Indigenizing the Arabic Qasida in Urdu and Sindhi Literatures." In Qasida Poetry in Islamic Asia and Africa. BRILL, 1996. http://dx.doi.org/10.1163/9789004539402_020.

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Khan, Maryam Wasif. "Modern/Mecca: Populist Piety in the Contemporary Urdu Novel." In Who Is a Muslim? Fordham University Press, 2021. http://dx.doi.org/10.5422/fordham/9780823290123.003.0006.

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By the twenty-first century, seventy odd years into Pakistan’s existence, the cobbled ideals of nationhood and state implode into a radically reimagined Muslimness enabled and legitimized within a number of popular novels and television serials authored by bestselling writers, Umera Ahmad, Nimra Ahmad, and Farhat Ishtiaq. Among them, the “new” Muslim, predominantly signified by young women, is the contemporary reincarnation of a salafī, an early convert and companion of the Prophet Muhammad. In these religio-populist novels, the true Muslim protagonist actively rejects those outside the fold o
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Konferenzberichte zum Thema "Islamic literature, Urdu"

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Virji, Siddiqua Fatima. "Interliterary Influence: Goethe in Iqbal." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8935.

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Ikram Chughtai in his paper called “Goethe in Urdu Literature” (2015) mentions that Iqbal was the first to introduce Goethe to writers of the subcontinent through the many notable tributes he has paid to the philosopher in his works. One of the reasons Iqbal was so impressed by Goethe could have been his impartial intellectual inclination towards Islamic cultural history, and his creative approach towards Oriental Islamic traditions. Iqbal was of the opinion that “a real insight into human nature you can get from Goethe alone”, as he wrote in his Stray Reflections (1961, pg 108). Iqbal’s many
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Kamran, Muhammad. "MANIFESTATIONS OF PEACE, LOVE AND TOLERANCE IN PAKISTANI LITERATURE: IN THE CONTEXT OF CONTEMPORARY SITUATION." In EduCon Singapore – International Conference on Education, 11-12 November 2024. Global Research & Development Services Publishing, 2024. http://dx.doi.org/10.20319/ictel.2024.230231.

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If we review the history of Asian literature, the literature created in Pakistan's national language, Urdu, is generally a message of love, peace, tolerance and coexistence. Pakistan's national poet Allama Muhammad Iqbal has declared love as the conqueror of the world in his poetry. The main message of mysticism and knowledge poetry in the regional languages of Pakistan is love and tolerance. The revolutionary poetry of Pakistan's prominent poet Faiz Ahmed Faiz, which is the bearer of positive change in society, calls love and freedom of expression as fundamental human values. Ahmed Nadeem Qas
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