Thematische Bibliographien / Italian Elegaic poetry

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Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "Italian Elegaic poetry"

Pesaro, Nicoletta. "Il linguaggio del trauma, poesia e ripetizione. Tradurre Elegie del Quattro giugno di Liu Xiaobo." L'ospite ingrato 17, no. I (2025): 115–40. https://doi.org/10.36253/oi-18022.

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Translation is an act of repetition. Translating the poetry collection Niannian liusi 年年六四 (June Fourth Elegies) by Nobel Peace Prize laureate Liu Xiaobo 刘小波 – who passed away in 2017 under a surveillance regime after many years of imprisonment – is an act of repetition and preservation of trauma. The poems in the collection, written annually on the anniversaries of the Tian’an men Square massacre from 1990 to 2009, form a «lyrical synthesis of rare balance» between political denunciation and ritual song, offering a poetic sharing of human suffering. This paper examines the primary strategies

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Bardazzi, Adele. "“Maybe nothing is an elegy”." Journal of World Literature 8, no. 1 (2023): 26–46. http://dx.doi.org/10.1163/24056480-00801007.

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Abstract This article investigates two central aspects of contemporary elegy: (1) the plausible and tempting assumption of it being disentangled from formal constraints, something that might have generated a major historical shift from poetry as a poetic form to an elegiac mode of discourse (Bardazzi, Giusti, and Tandello 2022); (2) the formal glitch it creates and, at times, reconciles via the lyric and its generative tension between personal and collective, narrative and non-narrative dimensions, linear and non-linear temporalities. This study does so by focusing on two authors who have weav

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BIGNAMI, GIOVANNI F. "GALILEO'S HERITAGE: PLANETS, ARTS AND HISTORY." International Journal of Modern Physics A 20, no. 29 (2005): 6533–38. http://dx.doi.org/10.1142/s0217751x05029587.

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Everyone knows Galileo Galilei as an astronomer, physicist and writer of books that changed our perception of the world. Few people know that Galileo also wrote poetry in elegant XVI century Italian. In 1590, aged 26, Galileo was a lecturer of mathematics at the University of Pisa, the poorest paid of the faculty. He dutifully taught Euclid, but quickly ran into trouble: he despised and openly challenged Pisa's strict academic traditions. Especially the rule by which all professors had to wear their gown at all times, under penalty of a stiff fine. To chastise and mock such rule, he wrote his

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Zhatkin, Dmitry N., and Nikolay L. Vasilyev . "A forgotten poem by I.A. Bunin." Philological Sciences. Scientific Essays of Higher Education, no. 1 (January 2021): 133–37. http://dx.doi.org/10.20339/phs.1-21.133.

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The article introduces into scientific circulation a poem which was not included into the collected works of I.A. Bunin (1870–1953) and in the reference and bibliographic literature about the writer’s creative work: “Deaf Anxiety — how hard you hurt me!..”, published under his name on July 2, 1896 in the newspaper “Odessa news” — among two other well-known works of the poet: “The Tide (Dedicated to. A.M. Fedorov)”, “From Petrarch”. This poem was probably written in Odessa, where Bunin stayed for a few days at the dacha of his friend, the poet, translator, and journalist A.M. Fyodorov (1868– 19

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DAUD, Viorica, and Ignác Csaba FILIP. "STYLISTIC-INTERPRETATIVE ASPECTS IN THE MUSICAL REPERTOIRE SPECIFIC TO BAROQUE VOCAL SINGING." Studia Universitatis Babes-Bolyai Musica, July 15, 2025, 9–26. https://doi.org/10.24193/subbmusica.2025.spiss1.01.

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These arias, which played an important role in the history of music, leading to the flowering of the Italian bel canto school and vocal virtuosity, occupied a leading place in all the genres of vocal music that were beginning to develop: opera, cantata, oratorio. The characteristic feature of the vocal arias is that they express new, secular, humanistic content, reflecting faith in human strength, love of life, love of nature, etc. as opposed to religious music. The arias, which are analyzed in this work, represent a stage when the exaggerations of vocal virtuosity had not yet left their mark

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Falconí, Fernando. "Arte, investigación y prácticas colectivas: la creación de Nuestra Patrona de la Cantera." post(s) 1 (August 1, 2015). http://dx.doi.org/10.18272/posts.v1i1.245.

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El arte y la investigación se constituyen, desde sus lugares propios de enunciación y posicionamiento, como parte de la diferencia y la diversidad de maneras en que el mundo puede ser conocido, explorado, mediado, representando, desde tales campos de construcción de sentidos. Toda investigación es un proceso de interpretación y representación de los datos recogidos. Este proceso es muy similar para las artes, con variables comunes que se entrecruzan o que finalmente configuran un estado líquido de desbordes y transbordes de áreas, disciplinas y métodos; de flujos entre el arte, la investigació

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Verma, Rabindra Kumar. "Book Review." East European Journal of Psycholinguistics 7, no. 1 (2020). http://dx.doi.org/10.29038/eejpl.2020.7.1.kum.

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Susheel Kumar Sharma’s Unwinding Self: A Collection of Poems. Cuttack: Vishvanatha Kaviraj Institute, 2020, ISBN: 978-81-943450-3-9, Paperback, pp. viii + 152. Like his earlier collection, The Door is Half Open, Susheel Kumar Sharma’s Unwinding Self: A Collection of Poems has three sections consisting of forty-two poems of varied length and style, a detailed Glossary mainly on the proper nouns from Indian culture and tradition and seven Afterwords from the pens of the trained readers from different countries of four continents. The structure of the book is circular. The first poem “Snaps

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Franks, Rachel. "Cooking in the Books: Cookbooks and Cookery in Popular Fiction." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.614.

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Introduction Food has always been an essential component of daily life. Today, thinking about food is a much more complicated pursuit than planning the next meal, with food studies scholars devoting their efforts to researching “anything pertaining to food and eating, from how food is grown to when and how it is eaten, to who eats it and with whom, and the nutritional quality” (Duran and MacDonald 234). This is in addition to the work undertaken by an increasingly wide variety of popular culture researchers who explore all aspects of food (Risson and Brien 3): including food advertising, food

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Bücher zum Thema "Italian Elegaic poetry"

Bertazzoli, Raffaella. Pensieri sull'ignoto: Poesia sepolcrale e simbologia funebre tra Sette e Ottocento. Fiorini, 2002.

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Natale, Sara. L'elegia giudeo-italiana: Edizione critica e commentata. Pacini editore, 2018.

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Alessandra, Di Ricco, and Comboni Andrea, eds. L' elegia nella tradizione poetica italiana. Dipartimento di scienze filologiche e storiche, 2003.

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Fedeli, Paolo, editor, translator, writer of added commentary, Propertius Sextus, and Propertius Sextus, eds. Elegie. Fondazione Lorenzo Valla, 2021.

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Giancarlo, Giardina, ed. Elegie. F. Serra, 2010.

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Tibullus. Elegie. Biblioteca universale Rizzoli, 1989.

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Catullus, Gaius Valerius. Il carme 67 di Catullo. Stilgraf editrice, 2013.

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Catullus, Gaius Valerius. Catullus Veronensis in veronese. Cierre, 1995.

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Catullus, Gaius Valerius. Carmi. Tascabili Bompiani, 1989.

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Francesco, Della Corte, ed. Le elegie. 5th ed. Fondazione Lorenzo Valla, 2000.

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Buchteile zum Thema "Italian Elegaic poetry"

"‘E.D.’ [Elizabeth ?Coburne, née Douglas] (fl. I 587)." In Early Modern Women Poets (1520-1700), edited by Jane Stevenson Peter Davidson, Meg Bateman, Kate Chedgzoy, and Julie Saunders. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198184263.003.0040.

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Abstract A number of women poets flourished at The Scottish court of King James. These verses by E.D. were written to accompany ‘The Triumphs of The most famous Poet, Mr Frances Petrarke, translated out of italian into inglish [i.e. lowland Scots] by Mr Wm Foular, P. of Hallicke’, dedicated to Lady Jean Fleming and Lady Thirlstane, 12 Dec. 1587. She may have been The Elizabeth Douglas whom Fowler records as a patroness in a published, single-sheet funerary poem (unfortunately undated). AnoTher possible candidate is Elizabeth Douglas, Countess of Errol, to whom Fowler dedicated a sonnet, The yo

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McCallum, Sarah L. "Warriors in Love." In Elegiac Love and Death in Vergil's Aeneid. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192863003.003.0005.

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Abstract This chapter examines two striking aetiological myths that are embedded within the epic catalogues of the Italian Iliad. As Vergil enumerates the mustering Italian forces (A. 7.641–817) and the fleet of Aeneas’ Etruscan allies (A. 10.163–817), he shifts the focus from each spectacle of arma to a tale of metamorphosis: Hippolytus’ resurrection and transformation into Virbius (A. 7.765–77); and the avian transfiguration of Cycnus (A. 10.185–88). By interweaving each mythological tale with amatory and funerary elegiac material, Vergil creates exceptional aesthetic and thematic vignettes

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Buongiovanni, Claudio. "Literary Representations of Naples in Flavian Poetry." In Campania in the Flavian Poetic Imagination. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807742.003.0002.

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Claudio Buongiovanni explores Naples’ cultural diversity, suggesting that the influx of Italians forced on the region by Sulla in 82 BCE revitalized the reputation of ‘learned Parthenope’ among the Roman aristocracy and intellectual elite as a centre where learning flourished in an environment of elegance, luxury, and refinement. Statius’ pride especially in his native Campania with its bicultural tradition encourages him to play down the devastation caused by the eruption of Vesuvius in 79 CE and focus rather on restoration and regeneration in the region and on the euergetism of leading citiz

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McCallum, Sarah L. "From Caieta to Erato." In Elegiac Love and Death in Vergil's Aeneid. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192863003.003.0002.

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Abstract The first chapter explores the series of interconnected panels at the beginning of Aeneid 7 that reveal Vergil’s extraordinary vision for Aeneid 7–12. An examination of the entire sequence from the epitaphic commemoration of Aeneas’ nurse Caieta (A. 7.1–4) to the invocation of the Muse Erato (A. 7.37–45) reveals how intergeneric interplay with amatory and sepulchral elegy articulates the conceptual and aesthetic framework of Vergil’s ‘Italian Iliad’. Vergil’s poetic gestures to Caieta (mors) and Erato (amor) in the opening sequence have crucial programmatic implications. The clear str

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Faraone, Christopher A. "Composition." In The Stanzaic Architecture of Early Greek Elegy. Oxford University PressOxford, 2008. http://dx.doi.org/10.1093/oso/9780199236985.003.0003.

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Abstract In the previous chapter, we examined the inner structure of individual stanzas, turning our attention only in the last instance, the catalogues of Solon 13, to how these stanzas might be arranged with others in a longer sequence. In what follows I shift entirely to this second, more complex order of analysis and once again I Wnd it helpful to invoke the two diVerent derivations of the term ‘ stanza’ . Italian musicians and poets originally imagined stanzas as regular ‘ stopping points’ on a journey, at which the poet could pause and then change the content, tone, or mode of his discou

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Rascaroli, Laura. "Compounding the Lyric Essay Film : Towards a Theory of Poetic Counter-Narrative." In Beyond the Essay Film. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463728706_ch03.

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Both artists and critics refer more and more to a diverse range of contemporary films as lyric or poetic essays. Lyricism is indeed acquiring increasing relevance as one of the key modes adopted by an artistic practice that is spreading fast throughout the globe. Yet, the lyric essay is still substantially undertheorized. This chapter aims to refine the theoretical and analytical tools that are at our disposal to think about the lyric essay film, and to expand our understanding of how lyricism is used by film-makers to create audiovisual spaces for thought. In doing so, it draws on a specific

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Wendorf, Richard. "The Great Divide." In Printing History and Cultural Change. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192898135.003.0001.

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The presence—and subsequent disappearance—of pervasive capitalization, italics, and caps and small caps in eighteenth-century English texts has occasionally been noted but it has never been thoroughly documented or analyzed, let alone in the full context of the history of the book. This introductory chapter provides the terminology and historical framework in which to site this fundamental change in printing conventions and thus in the appearance of the English page. Taking the poetry of William Collins and Alexander Pope as starting points, this chapter reveals that the tipping point for the

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