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Thematische Bibliographien / Laxmi Prasad Devkota

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Auswahl der wissenschaftlichen Literatur zum Thema „Laxmi Prasad Devkota“

Autor: Grafiati

Veröffentlicht am 18. Mai 2024

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Zeitschriftenartikel zum Thema "Laxmi Prasad Devkota"

1

Pun, Min. "The Canons of Nepali Writing in English." Tribhuvan University Journal 31, no. 1-2 (2017): 63–74. http://dx.doi.org/10.3126/tuj.v31i1-2.25332.

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After Laxmi Prasad Devkota pioneered Nepali writing in English in the 1950s, Mani Dixit, Tek Bahadur Karki, Abhi Subedi, Padma Prasad Devkota, D.B. Gurung, Laxmi Devi Rajbhandari and a few others continued to write in English during the 1960s, 70s and 80s. But Nepali writing in English gained its momentum with the publication of Samrat Upadhyay's Arresting God in Kathmandu in 2000 and Manjushree Thapa's The Tutor of History in 2001. They were followed by a group of other aspiring Nepali writers who emerged with their works in English that took over the global readership. Therefore, this paper

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Adhikari, Tara Prasad. "Decoding Deconstruction: Unveiling the Layers in Mahakavi Devkota’s Poetic Works." Harvest 3, no. 1 (2024): 113–20. http://dx.doi.org/10.3126/harvest.v3i1.64190.

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“Decoding Deconstruction: Unveiling the Layers in Mahakavi Devkota’s Poetic Works” explores the intricate tapestry of Mahakavi Laxmi Prasad Devkota’s poetry, using a deconstructionist point of view. The paper reveals unimagined Deconstructionist features within Devkota’s works, akin to the ideas developed by Jacques Derrida during the 1960s. Devkota has questioned all the so-called hierarchies that were prevalent in Nepali society then. He has questioned human-centric discourses. Thus, his poems exemplify a deconstructive mindset. They invite readers to embrace ambiguity, explore new perspecti

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Adhikari, Tara Prasad. "Laxmi Prasad Devkota: A Myth-taker and a Myth-maker." Literary Studies 33 (March 31, 2020): 116–21. http://dx.doi.org/10.3126/litstud.v33i0.38067.

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Laxmi Prasad Devkota was a romantic poet, well acquainted with the Western and Eastern romantic tradition. It is a well-known fact that the western romantic writers brought about a kind of revival of the era of mythology through their writings. Mythical stories and scenes often became the sources for their works. These romantic poets sometimes took the existing myths for their literary creations and sometimes they also created their own myths. Love for mythology is visible not only in these western Romantic poets but also in our own poet, Mahakavi Devkota. Because of his intense knowledge of t

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Gurung, Dilu. "Human-Nature Interactions in the Poetry of Laxmi Prasad Devkota and Rabindranath Tagore." Outlook: Journal of English Studies 14 (July 17, 2023): 24–32. http://dx.doi.org/10.3126/ojes.v14i1.56654.

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This paper attempts to show what ecocriticism is and how it is applied to the poems of Laxmi Prasad Devkota, a great poet of Nepal, and Rabindranath Tagore, a great poet of Bengali in India. Although they belong to two different South Asian countries, they deal with love and concern of nature in their poems. In this study, I have explored some literary attributes and ecocritical aspects of the poems of these poets. Some of their similarities have been discussed in this paper. Even though both the poets are popular in other genres of literature, the focus of this paper is to analyze the poems f

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Paudel, Maheswor. "Reading Devkota’s Prometheus as a Transnational Text: Intersecting the East and the West." SCHOLARS: Journal of Arts & Humanities 5, no. 2 (2023): 41–49. http://dx.doi.org/10.3126/sjah.v5i2.57498.

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This paper reads Laxmi Prasad Devkota’s Prometheus in the backdrop of Percy Bysshe Shelley’s Prometheus Unbound, considering the allegiance of a Nepali writer to a Western canon. Devkota, who had access to the literary trends in the West, has attempted to appropriate the Western tradition of portraying Prometheus as a mythical hero in literary works like Shelly’s and has tried to localize the image of the hero to elevate the marginalized status of the oppressed in Nepali society. Prometheus was unbound like that of Shelly’s and thus unlike that of Aeschylus as bound, Devkota projects this myth

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Shahi, Sushil Kumar. "Stylistic Analysis of Laxmi Prasad Devkota's Poem 'The Lunatic'." Journal of Nepalese Management and Research 5, no. 1 (2023): 109–16. http://dx.doi.org/10.3126/jnmr.v5i1.61390.

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This study is based on a stylistic analysis of the poem 'The Lunatic' by a great modern poet of Nepal, Laxmi Prasad Devkota. This analysis focuses on the foregrounding, metaphors, graphological, phonological, morphological, and semantic levels to explore and analyze what the poet wants to convey by describing his own experiences, showing the complex relationship between the poet and people living in the society that is going through social transformation. Stylistic techniques and methods are tactfully used to unfold the hidden feelings and experiences of the poet's life. Keeping in view stylis

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घिमिरे Ghimire, अम्बिका Ambika. "लक्ष्मीप्रसाद देवकोटाका बालकाव्यको विधातात्विक अध्ययन {Etymological study of Laxmi Prasad Devkota's children's poetry}". Sotang, Yearly Peer Reviewed Journal 1, № 1 (2019): 1–6. http://dx.doi.org/10.3126/sotang.v1i1.45831.

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वि.सं. १९८७ देखि बाल कविताको रचना गर्न थालेका देवकोटाले नेपाली साहित्यमा अनगिन्ती बालकविताका साथै ‘राजकुमार प्रभाकर’ र ‘कटक’ बाल काव्यको पनि रचना गरे । उनले रचेको ‘राजकुमारप्रभाकर’ नेपाली साहित्यकै पहिलो बालकाव्य हो भन्ने कुराको सूचना यस लेखमा दिइएको छ । यस लेखमा‘राजकुमार प्रभाकर’ दन्त्यकथामा आधारित बालकाव्य हो भने ‘कटक’ नेपालको ऐतिहासिक विषयवस्तुमाआधारित बालकाव्य हो भन्ने पनि प्रस्ट पारिएको छ । यी दुबै बालकाव्यको विषयवस्तु बालग्राह्य छ भन्नेकुराको चर्चा गर्दै देवकोटाका यी दुई बाल काव्य स्वाभाविक भाषाशैली, गीतिचेतनायुक्त लयविधान,चामत्कारिक विम्बालङ्कार, स्वाभाविक पात्रविधान अनि नैतिकतामूलक र व

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Adhikari, Tara Prasad. "Mahakavi Devkota: a Myth-taker & a Myth-maker." Journal of English Language and Literature 13, no. 3 (2020): 1226–28. http://dx.doi.org/10.17722/jell.v13i3.430.

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Laxmi Prasad Devkota is simply hailed as the Mahakavi in Nepal that means he is the greatest poet of Nepal. He had a romantic inclination that a reader may easily notice while going through his writings. Of course, he had an immense knowledge of the romantic tradition of the West but at the same time he was a great scholar of English, Hindi, Sanskrit, and Nepali literature. Due to his vast range of knowledge, he has been able to draw numerous mythologies from various places and use them in his writings. But he is not just a taker of foreign myths because he even twisted them at many places. He

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Phuyal, Komal Prasad. "Beyond Protest and Poetry: Political Vision in Devkota’s Selected Poems." SCHOLARS: Journal of Arts & Humanities 2 (August 31, 2020): 27–36. http://dx.doi.org/10.3126/sjah.v2i0.35010.

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Great Poet Laxmi Prasad Devkota (1909-1959) transcends the quotidian sphere of social life to reach beyond the domain of the protest through his poetry in his perpetual quest for order. The core of social structures comprises of a body of rules derived from human imagination through which the underlying base in human society is regulated in the process of interaction of human agency and social mores. Since rational ways of society lead to justice and social welfare in general, the configuration of social structures depends on rational choices. However, certain lapses emerge as errors in the un

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Dhungel, Nabaraj. "Man-Nature Relationship in L P Devkota’s Poems: An Ecological Study." Literary Studies 33 (March 31, 2020): 61–70. http://dx.doi.org/10.3126/litstud.v33i0.38058.

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Man-nature relationship is one of the central themes of great poet Laxmi Prasad Devkota. This relationship is both analogous and Antithetical. Nature is source of life, knowledge and pleasure foe human beings. But at the same time it is cruel and angry giving pain and suffering to human beings. Similarly, man both loves and exploits the nature. On the one hand, they worship nature as god but on the other hand, they make it the source of earning deteriorating it. Instead of enjoying its beauty and positively using nature, human beings try to get maximum profit from nature irrationally utilizing

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