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Thematische Bibliographien / Light in art / Dissertationen

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Dissertationen zum Thema „Light in art“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 1. August 2024

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1

Csinos, David M. "Light Art, Street Art, and the Art of Preaching: Sound-and-Light Shows as Public Proclamation." Universität Leipzig, 2020. https://ul.qucosa.de/id/qucosa%3A72283.

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This article examines how the phenomenon of sound-and-light shows fulfills the purposes of preaching and, as such, can be perceived as a form of public proclamation. Originating in France but now offered all over the world, these shows use large-scale video projection to display images on the facades of historic buildings, many of which are religious in nature, set to sound effects and music. The author begins by addressing three purposes of preaching that arise within homiletical discourse: testimony of God’s story, empowering transformation, and engendering encounters with God. Drawing from

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Dracoulis, Wendy Fay, and wdracoulis@gmail com. "Coloured light." RMIT University. Art, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080102.093428.

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This project involves the examination of abstract, geometric paintings, kinetic sculptures, electronic art and installations that use opticality, perspectival space and colour relationships that destabilise compositional cohesion. Works made between 1964 and 1980, particularly those by Victor Vasarely and Bridget Riley are referenced in the determination of how geometric forms, colour transitions, interactions and juxtapositions have been used to suggest movement. This enquiry includes a review of the usage of planar space and the creation of optical effects. Artworks such as Bridget Riley's C

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Kotze, Willem Riaan. "Art Workshop : contextual architecture in light." Diss., Pretoria : [S.n.], 2008. http://upetd.up.ac.za/thesis/available/etd-11272008-000720.

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Dutro, Anna R. "An Art-Light Mosaic Light Distraction for the Pediatric Healthcare Environment." Diss., Virginia Tech, 2016. http://hdl.handle.net/10919/73543.

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In his classic book, Experiencing Architecture, Rasmussen (1959) noted that architects inspired by addressing problems in built environments created buildings with a special spirit: a distinctive stamp. Recent problems in healthcare facilities, specifically those related to reducing stress and anxiety, have inspired designers to create positive, uplifting distractions to redirect a patient's attention from a sterile environment and/or noxious event. In doing so, healthcare facilities have become special environments with a caring spirit. This study examined a specific aspect of creating a

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Edmonds, Anne, University of Western Sydney, of Arts Education and Social Sciences College, and School of Contemporary Arts. "Light as surface and intensity." THESIS_CAESS_CAR_Edmonds_A.xml, 2003. http://handle.uws.edu.au:8081/1959.7/561.

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Light Intensity and Surface is the title of this PhD art exhibition where I explore through paintings, the world of my own encounter with the radiant light of the Linear Accelerator used in treatment of women with breast cancer. This engagement with the world of light technology encompasses oncologists, physicists and women who extended their personal experience to inform my artwork and contribute to the theoretical connections made in this thesis. The contribution of this thesis lies in how the lecture The Origin of the Work of Art by philosopher Martin Heidegger can be applied to a reading o

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Lindholm, Kevin R. "Looking For Light." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1276670352.

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Nikolic, Bojana. "Light art in Contemporary Architectural Lighting Design." Thesis, KTH, Ljusdesign, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-208660.

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This research focuses on understanding the relationship betweenlight art and architectural lighting design and determining towhat extent can aspects of light art be used when designingfunctional lighting for architecture.The first part of this paper looks into the historical applicationof light as a material. Light has been an important element inart even prior to the introduction of artificial light sources, butthe exploration of light as an independent material throughinstallation art only developed in the last century. Similarly inarchitecture, the impact of light on creating and shaping sp

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Villalobos, Hitos Yéssica Montsserrat. "Shedding Light on Droughts: Light in Art Installations as an Awareness Tool." Thesis, KTH, Ljusdesign, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-280084.

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The master thesis studies the value of light art installations as a tool to raise awareness, communicate messages,inspire people and create social engagement to take action and deal with important issues. Additionally, it researchesthe lighting characteristics that have to be considered in order to create a high emotional response. Three case studieson light art installations tackling environmental issues were selected to understand the tools that makes themsuccessful. The final result of the thesis is the design proposal for a site specific light art installation to raise awarenesson droughts

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Manninen, Mateus. "The Roles of Light: Artificial Light as a Resource in Public Art." Thesis, KTH, Ljusdesign, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-289198.

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In this paper, I will explore the role of artificial light in public art through a case study project. With the word role, I mean the visual and conceptual hierarchy of materials and resources in artwork. Light is a significant resource in public art. The artwork needs highlighting, especially in Northern countries where the winter’s darkness is inevitable. Light is not only a highlighter, it also tells a story of its own.  First, I’m going to open up the concepts of public space, public art, light in public art and light art, to place the study in context. The literature review in the first p

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Merritt, Zachary. "Oscillations of the Unadorned Light Bulb." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1400072401.

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Mercado, Nicholas. "A framework for site informed light art installations." Kansas State University, 2015. http://hdl.handle.net/2097/19162.

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Master of Landscape Architecture<br>Landscape Architecture/Regional and Community Planning<br>Mary C. Kingery-Page<br>The purpose of this study is to investigate and design public light art installations. The investigation consisted of evaluating select examples of public light installations in order to develop a typology, and designing two site-specific light art installations: one in Wichita, Kansas, and the other, in Denver, Colorado. Though public light art is found in most cities, its potential is often lost or unrecognized. In certain cases, public light art can be ‘plop art,’ which is

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Betlem, Gloria. "Landscape and the light /." Online version of thesis, 1989. http://hdl.handle.net/1850/11519.

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Neale, Stacey J. "Light and landscape /." Online version of thesis, 1990. http://hdl.handle.net/1850/11315.

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Willms, Emily Nicole. "Darkness & light." Thesis, University of Iowa, 2019. https://ir.uiowa.edu/etd/6884.

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Darkness & Light is a narrative body of work that reflects upon recent changes in my life. The series begins dark and abstract and becomes lighter and more refined with each artwork, functioning as a visual timeline. The chosen color palettes of each artwork are symbolic of my emotional experiences. Darkness & Light is an up-close, very small facet of the much larger work that is taking place within my community. I am inspired by my life and by others who share my philosophy. Throughout the creation of this body of work, I collaborated with various individuals within my community to create a c

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Edmonds, Anne B. "Light as surface and intensity /." View thesis, 2003. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20050923.103216/index.html.

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Thesis (Ph.D.) -- University of Western Sydney, 2003.<br>"Doctor of Philosophy, Visual and Contemporary Arts, University of Western Sydney" Supervisor, Graham Marchant; co-supervisor, Phillip Kent. Bibliography : leaves 214-221.

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Koert, Bernadine Wisniewski. "Relationships of light and the spirit /." Online version of thesis, 1987. http://hdl.handle.net/1850/10308.

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McMillian, Christina A. "Light interaction." Thesis, Virginia Tech, 2014. http://hdl.handle.net/10919/52581.

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In the heart of a park, a path spirals up a hill. Follow it and the trees part to reveal a building halfway up. Its thick, rough walls are pulled apart at moments, allowing light and movement into the space. The path leads between the walls. The narrow passage continues in a counter-clockwise motion up a staircase, leading you towards the light; moving from opacity to transparency, darkness to light, thick to thin, and exploring the mo- ments between. The space marks the passage of time. You see sunrise, marked by three narrow slits oriented to capture the light on the Winter and Summer solsti

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Phillips, Jessica. "The art of perception." This title; PDF viewer required. Home page for entire collection, 2009. http://archives.udmercy.edu:8080/dspace/handle/10429/9.

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Markus, Dunworth Isobel Catherine. "An Archive of Light." Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/17560.

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This thesis explores the concept of light as both a tool and subject of contemporary art practice. Light and its relationship to photography is investigated from an historical, cultural and conceptual angle in order to position the work An Archive of Light within a contemporary paradigm. The methodology of this research is that of the photographic process as archive. Central to this investigation of light is a refining of the relationship between light and photography, with a proposal made that the central tenant of the photographic image is its reliance on light. Through examining historical

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Brown, Natalie. "Art and consciousness in light of Maharishi Vedic science." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2011. https://ro.ecu.edu.au/theses/378.

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This research examines the field of art and consciousness in light of Maharishi Vedic Science. Maharishi Vedic Science is a complete science of consciousness and its expressions, based on ancient Vedic knowledge, as elucidated by His Holiness Maharishi Mahesh Yogi, the foremost scholar in the field of consciousness. The research explores the practical application of Maharishi‘s technologies of consciousness― the Transcendental Meditation program and TM-Sidhi program, and simultaneously the theoretical understanding of consciousness through the study of Maharishi Vedic Science. The research exa

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Burt, Carol Anne. "Rural images : studies of color and light." Virtual Press, 1992. http://liblink.bsu.edu/uhtbin/catkey/864939.

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The purpose of this Creative Project was to examine several aspects of color and to apply the results to a series of watercolor and oil paintings of rural subject matter. The process involved several steps: literature research, a series of photographs, and pigment color analysis. To begin with, landscape painters from the seventeenth century to the present were researched for their use of color in portraying the illusion of light and form on a two dimensional surface. A series of photographs was taken over a one year period. These were used to record changes of color on objects due to seasonal

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Hart, Charles J. "Architecture of light and sound." Thesis, This resource online, 1997. http://scholar.lib.vt.edu/theses/available/etd-09092008-063818/.

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Smith, Bernadette. "Translucent Potentialities: From Art Activism to Pure Aesthetics." Thesis, The University of Sydney, 2019. https://hdl.handle.net/2123/21967.

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This project begins by researching how art can change individual and collective behaviour regarding life support systems, using water conservation as a lens through which to examine wider environmental concerns. Examining the role and nature of art as an effective communicative tool has involved a journey from art activism to pure aesthetics and back again to explore the performativity of images. My hybridised practice first investigates how photography and video through performative actions, installation and social media can be activated to engage onlookers during environmental protests and b

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Thompson, Andrew. "Light Sensitive." CSUSB ScholarWorks, 2015. https://scholarworks.lib.csusb.edu/etd/245.

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I am an excremental artist. I do not mean an artist who works with feces or is interested in manure but one whose artwork is expelled through the results of process. As a photographer, I am not as interested in indexing a location, a person or a moment as I am dissolving the structure of photography through the manipulation of photographic materials. I typically photograph landscapes that catch my attention for a myriad of reasons. The commonality between these images is anonymity of place. Hints of location are always present but never accentuated, instead their purpose is akin to a forging s

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Wylde, Clarissa Eileen Kenney, and Clarissa Eileen Kenney Wylde. "The Art of Optical Aberrations." Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/624090.

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Art and optics are inseparable. Though seemingly opposite disciplines, the combination of art and optics has significantly impacted both culture and science as they are now known. As history has run its course, in the sciences, arts, and their fruitful combinations, optical aberrations have proved to be a problematic hindrance to progress. In an effort to eradicate aberrations the simple beauty of these aberrational forms has been labeled as undesirable and discarded. Here, rather than approach aberrations as erroneous, these beautiful forms are elevated to be the photographic subject in a

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Diamant, Hirsh. "Burning in the light art in education and human development /." Full text available online (restricted access), 1998. http://images.lib.monash.edu.au/ts/theses/Diamant.pdf.

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Handran, Christopher. "Looking into the light : reinventing the apparatus in contemporary art." Thesis, Queensland University of Technology, 2013. https://eprints.qut.edu.au/63634/1/Christopher_Handran_Thesis.pdf.

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Technical images such as photography, film and video, are dependent on apparatuses for their production and dissemination, yet the apparatus itself is often hidden or obscured in the experience of the work and the discourse that surrounds it. This practice-led research identifies key practice strategies to foreground the apparatus both in the production of work and in its presentation. It therefore develops critical and generative strategies to explore and interrogate the workings of the 'apparatus-audience complex,' and the particular modes of spectatorship that this entails.

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Zhao, Mengzhong. "An Exploration of the Essence of Art at the Light of the Contemporary Situation of Art." Thesis, Lyon, 2019. http://www.theses.fr/2019LYSEN034.

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Cette thèse cherche à répondre à une question fondamentale de la philosophie de l'art: qu'est-ce que l'art? Après avoir examiné les réponses des plusieurs théories de l’art, il propose que la définition de l’art proposée par Arthur Danto soit celle qui se conforme le plus à la réalité de l’art, bien qu’elle souffre de certaines imperfections et insuffisances. Sur la base de cette conclusion critique ainsi que d'une analyse minutieuse de ce qui est considéré actuellement comme un art, il tente de modifier la définition de Danto et de la transformer en une nouvelle définition, capable de mieux s

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Elliott, Benjamin Wing. "An object under light : the metaphysical strength of light as revealed in Saint Augustine's Confessions." Thesis, Georgia Institute of Technology, 1991. http://hdl.handle.net/1853/23928.

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Lee, Fang-Ching Ching. "The smooth + the striated the home as a locale of cyberspace : This exegesis is submitted to Auckland University of Technology for the degree of Master of Arts (Art and Design), 2007." The smooth + the striated: the home as a locale of cyberspace, 2006. http://repositoryaut.lconz.ac.nz/theses/1382/.

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Exegesis (MA--Art and Design) -- AUT University, 2007.<br>Includes bibliographical references. Also held in print (61 p. : ill. ; 21 x 30 cm. + Archive (75 leaves : ill. ; 21 x 30 cm.)), together in 1 container (23 x 31 cm.). Held in City Campus Collection (T 701.8 LEE)

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Edwards, Deborah Lenore. "LUMINAL–KINETICS AUSTRALIAN MODERNISM: ARTIFICIAL LIGHT IN AUSTRALIAN ART an interpretive history." Thesis, University of Sydney, 2020. https://hdl.handle.net/2123/23537.

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The work of Australian artists who have incorporated artificial light into their works, (in ‘luminal-kinetics’), is the subject of this thesis. The term does not refer to the ‘technological spaces’ of light, as elaborated in photography or electronic screen devices, but to artists who have dealt with ‘embodied light’ by incorporating artificial light (and in one instance, natural light), into artworks, under the belief that illumination and motion are central themes of modern life. And in the twenty-first century, Indigenous artist Jonathan Jones has claimed the territories of (Western) mode

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Stiles, Mary. "The art of light : a reflection on a piece for orchestra." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq48230.pdf.

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Kent, Neil. "Light and nature in late 19th century nordic art and literature /." Uppsala : Universitätet, 1990. http://catalogue.bnf.fr/ark:/12148/cb35408280q.

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Kern, Ulrike Inge Sabine. "Light and shadow in Netherlandish art 1600-1725 : Theory and practice." Thesis, University of London, 2010. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.536777.

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Holaday, Troy A. "Transcending inaccessibility : reassessing the Action Painters in the light of rhetorical theory." Virtual Press, 2002. http://liblink.bsu.edu/uhtbin/catkey/1237767.

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This interdisciplinary thesis investigates the Action Painting movement using rhetorical theories and models with the intent of producing a higher level of understanding of the paintings and increasing their approachability. A brief history of nonobjective painting, the technique of automatism, and the Action Painting movement is given. Following this, the semiotic character of the visual elements within Action Paintings is discussed and their behavior catalogued through descriptive analysis, using Kenneth Pike's theory of tagmemics. The work culminates in a comparison of painted gestures to c

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Smith, William Walter 1946. "HESYCHASM AND THE ORIGINS OF RAYONISM." Thesis, The University of Arizona, 1985. http://hdl.handle.net/10150/275250.

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Massey, Ivor Nikolas. "Awakening The Muse: A Museum for the Fisher Family Art Collection." Thesis, Virginia Tech, 2008. http://hdl.handle.net/10919/36034.

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This thesis is a proposal for a large contemporary art museum on the Presidio Parade Grounds in San Francisco, California. The site is small and historic, thus my solution was to build primarily underground. Through my exploration of designing a subterranean art museum I addressed the challenges of natural lighting, circulation, and curation. The following images document the result of my studies.<br>Master of Architecture

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Delgado, Ramos Monica Fabiola. "Art in a new light design and assessment of illuminants to reduce photochemical degradation of works of art /." To access this resource online via ProQuest Dissertations and Theses @ UTEP, 2009. http://0-proquest.umi.com.lib.utep.edu/login?COPT=REJTPTU0YmImSU5UPTAmVkVSPTI=&clientId=2515.

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Upchurch, Diane M. (Diane Marie). "Nineteenth Century Light and Color Theory: Rainbow Science in the Art of Frederic Edwin Church." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc500448/.

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The purpose of this study was to investigate the depiction of rainbows in the art of Frederic Church in relation to mid-nineteenth century scientific developments in order to determine Church's reliance on contemporary concerns with light and color. An examination of four Church paintings with rainbows, three oil sketches, and nearly a dozen pencil drawings shows that Church's rainbow art represents a response to mid-century cultural values connecting science and art. Changes within Church's rainbow depictions occurred as the artist explored the visual representations of light, synthesizing th

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Foah, Robert L. "Luce e Ombre - Light and Shadows." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/art_design_theses/71.

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This thesis focuses on the oppositional and complimentary forces of light and shadows in the culture of Naples, Italy. Demonstrating, through photographs and the analysis of these photographs, how the light of Naples, a ‘northern’ light, and its resultant shadows echo (metaphorically and in reality) the light and shadows of the society, culture and history of Naples, Italy.

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Salmons, John Andrew. "Adopting an Orphaned Collection." Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/64789.

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"Architecture itself is linked not only to other arts but also to the broader context of life; it is only on that scale that we may understand its specific contribution to the formation of the communicative space of culture."* - Dailbor Vesely 2004 Architects have explored Art Galleries as a medium throughout the ages. In 2014, the Corcoran was sold, dismantled and divided between the National Gallery of Art and George Washington University signaling the end of an era of art display in the Nation's Capital. This transformation of a major DC art collection was the impetus for this thesis: to ma

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Stock, Ute Birgit Cosima. "The ethics of the poet : Marina Tsvetaeva's art in the light of conscience." Thesis, University of Cambridge, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.620023.

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Knoe, Victor M. "Art in the light of knowing a cognitive approach to the creative process." Honors in the Major Thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/451.

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Art can be an elusive concept. Neither an outsider nor a professional artist is immune to abstractions in the attempt to describe it. Every individual must necessarily come from their own, unique perspective. The obstacles that we experience in defining the essence of art can be better understood if we see them as a gauge for our historical period. Given the limits of our contemporary conditions, it seems impossible that we may ever overcome the vast chasms that imprison us. We are discouraged to build bridges, at almost every turn, by the suggestive hopelessness of the abysmal distances betwe

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Caldwell, Andrew E. "Daylighting and exhibition at the High Museum of Art." Thesis, Georgia Institute of Technology, 1985. http://hdl.handle.net/1853/23971.

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Burgio, Lucia. "Analysis of pigments on art objects by Raman microscopy and other techniques." Thesis, University College London (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369123.

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Ciciliani-Stiglmayer, Marko. "Dirty light : the application of musical principles to the organisation of light as an extension of musical expression into the non-figurative visual realm." Thesis, Brunel University, 2010. http://bura.brunel.ac.uk/handle/2438/5075.

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This thesis describes a number of compositions in which the objective was to investigate whether, and how far, the organisation of light can function as an extension of musical expression in the non-figurative visual realm. I explore the extent to which sound and light are compatible as media, in the sense of both being able to communicate a common set of ideas. The thesis begins by placing the discussion in a historical context, with an overview of the history of analogies between sound and light from Antiquity to the 19th century, as well as the history of Light Art. The second part of the t

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Pettersson, Elin, and Lina Svedestedt. "LJUSKONST : EN STUDIE OM LJUSKONSTENS VÄRDE FÖR LJUSDESIGN." Thesis, Tekniska Högskolan, Högskolan i Jönköping, JTH, Byggnadsteknik och belysningsvetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-30710.

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År 1947 förutspådde konstnären Thomas Wilfred att ljuskonst inom 20 år skulle bli en självklarhet inom konstvärlden. Nu, nästan 70 år senare är ljuskonst fortfarande inte en erkänd konstform eller ett definierat begrepp. Idag skapas ljuskonst av konstnärer runt om i världen med tilltagande entusiasm samtidigt som det råder en uppenbar kunskapslucka och förvirring kring ljuskonst vilket denna studie ämnar att stilla. Studien syftar till att belysa värdet och nyttan med ljuskonst som utvecklande faktor för ljusdesignsbranschen. Att konsumera konst är ett sätt att berika den inre repertoaren och

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Demers, Claude Marie Helene. "The sanctuary of art : images in the assessment and design of light in architecture." Thesis, University of Cambridge, 1997. https://www.repository.cam.ac.uk/handle/1810/252316.

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This research proposes a design method that enables quantitative and qualitative assessments of light in space. The simplicity of the approach facilitates its integration into the architectural design process by using available technologies. The methodology concentrates on the early design stage since it expresses the architect's intention of a particular atmosphere that will govern further developments of the project. It takes into account the increasing interest in the utilisation of photography as an important part of the design process, and adds a quantifiable aspect to light as it offers

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Shepherd, Neta-Grace Coleen. "Fluid Realities: A Light on Life's Journey." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3588.

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Images of nature and family comprise the gestural and abstracted interpretations of my life events. I use my photographs as inspiration for my work. I fuse layers of color, light, and line into glass and onto wood to suspend a personal memory. I want to capture those moments that flit by in life and envelop them in the media. In my fused glass work, I manipulate color, light, and line. In these pieces, I layer frits and sheets of glass onto an abstract sculpted relief of fiberglass and fuse them into one thick slab. The sculpted relief creates a textured deflection of light. In each layer of g

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Garcia, Julie. "Beginning to see the light| posters in social and political revolutions." Thesis, The George Washington University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1589769.

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