Thematische Bibliographien / Loges (Theaters)

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Auswahl der wissenschaftlichen Literatur zum Thema „Loges (Theaters)“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "Loges (Theaters)"

Николаевич Гордеев, Пётр. "Royal Loges and Reserved Seats: From the History of State Theaters in 1917." Journal of Modern Russian History and Historiography 5, no. 1 (2012): 94–120. http://dx.doi.org/10.1163/22102388-00500004.

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Февральская революция внесла значительные изменения в деятельность бывших императорских театров, ставших теперь государственными. Одним из них стала борьба за бывшие «царские» ложи, владельцы которых (члены императорской фамилии) уже не могли ими пользоваться. Наряду с этим, дебатировался вопрос о том, кто при новом режиме имеет право на получение бесплатного места в зрительном зале. Некоторые радикально настроенные артисты и театральные критики предлагали отменить любые привилегии при посещении театров. Но представители правительства (комиссар Временного Правительства над бывшим Министерством

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Meroth, Katja, and Sebastian Stauss. "Enkulturativer Bruch und Formen der Vermittlung. Empirische Befunde zum deutschen Musiktheater." Forum Modernes Theater 33, no. 1-2 (2022): 22–39. http://dx.doi.org/10.24053/fmth-2022-0003.

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Der Beitrag unternimmt den Versuch, das Theater von René Pollesch strukturell als Komödie zu begreifen. Um dies zu tun, rücken die auffallenden kleinen Dinge und körperlichen Gesten der Schauspieler*innen wie das Gestikulieren oder Zappeln in den Vordergrund der Betrachtung, um als Elemente einer Komödienstruktur begriffen zu werden. Die Komödie ist für Pollesch ein Vehikel, über verschiedene Formen des Theaters, seine Spielweisen und Darstellungskonventionen zu sprechen. Damit verbunden ist die Frage nach einer anderen, zeitgenössischen Form von Subjektivität, die den Aporien spätmoderner Sub

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Secchi, Simone, Veronica Amodeo, Fabio Capanni, Riccardo Renzi, and Lamberto Tronchin. "The restoration of the Theatre of Arts Academy in Tirana - Acoustic analysis and design of the new Orchestra pit." RIVISTA ITALIANA DI ACUSTICA, no. 1 (November 2023): 55–62. http://dx.doi.org/10.3280/ria1-2023oa14809.

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The origin of the Theatre of Arts Academy of Tirana dates back to the early 20th Century, based on the design of the Italian architect Gherardo Bosio. It was almost abandoned in the last 20 years and only recently a complete renovation has been undertaken, including the extension of the Orchestra pit.&nbsp;Measurements were carried out at different points in the platea, in the gallery and in the lodges, using both balloon bursting and sine sweep convolution technique. The results of the measurements achieved in each of the areas with the two different techniques were compared with each oth

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Bensen, Rebecca. "A CONCEPTION OF LOGOS IN PLATO’S THEATETUS." Southwest Philosophy Review 19, no. 2 (2003): 89–92. http://dx.doi.org/10.5840/swphilreview200319239.

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Czardybon, Marcin. "The Theater of Werner Schwab." Tekstualia 3, no. 42 (2019): 51–62. http://dx.doi.org/10.5604/01.3001.0013.4414.

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The article offers an analysis of Werner Schwab’s output as a playwright. Schwab is described as an artist whose idee fi xe was a complete rejection of the norms and demands of the „bourgeois” theater. Such a rejection further signifi es the playwright’s opposition to all the forms of order that go by the name of Logos.

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Mazzoleni, Elena. "Les fourberies de la Foire : une révolution sociopolitique et théâtrale." Romanica Wratislaviensia 67 (July 23, 2020): 159–69. http://dx.doi.org/10.19195/0557-2665.67.12.

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Between the 17th and 19th centuries, the competition between the official Parisian theatres and the popular trestles, such as the lodges of the fairs and the stages of the Boulevard, contributed to the development of an experimental dramaturgy characterised by theatrical crossing and the primacy of the actor’s gesture. To circumvent the prohibitions imposed by the Comédie-Française and the Opera, the impresarios of the Fair elaborate dramaturgical strategies full of invention, based on shows with simple units suitable for the combination of different genres. This theatre is thus able to develo

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Garrioch, David. "Playing with Fire: Love of Light and Nocturnal Shadows." Eighteenth-Century Life 48, no. 3 (2024): 82–100. http://dx.doi.org/10.1215/00982601-11309330.

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Work on the material culture of the eighteenth century has shown that light was more than a metaphor. The everyday social practise of the Enlightenment reposed on a contrast between light and dark. There was a growing emphasis on brightness in clothing and furnishings, and elite homes, social venues, fashionable shops, and even the main streets were more brightly lit. Fireworks displays became more frequent and more spectacular. Furthermore, in many Enlightenment practices, such as theater, Freemason lodges, salons, and coffeehouses, light was not simply a practical necessity, but was central

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Jannarone, Kimberly. "A Sucker Punch of Horror: The Oyoun Theatre's Gaza Mono-Logues." TDR/The Drama Review 56, no. 3 (2012): 178–82. http://dx.doi.org/10.1162/dram_a_00195.

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The Oyoun Theatre brought their performance of The Gaza Mono-logues from Gaza to Haifa for the RS/PS: Richard Schechner and Performance Studies conference, hosted by the University of Haifa. They were part of the larger Gaza Mono-Logues project, conceived by the Ashtar Theatre in Ramallah, which commissioned 33 first-person pieces written by children about their experiences during the three-week-long 2008 war in Gaza.

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Abel, Iris. "Szenografie forscht." Bühnentechnische Rundschau 116, no. 2 (2022): 82–86. http://dx.doi.org/10.5771/0007-3091-2022-2-082.

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In Kassel entstand zum Spielzeitauftakt 2021 mit der Raumbühne „Pandaemonium“ ein modernes Logen-Total-Theater. Auditorium, Klang- und Szenenfläche wurden in diesem Aufbau zu einem Ort des gemeinschaftlichen Theatererlebnisses gemischt. Ein Schritt auf der Suche nach einer zeitgemäßen Form des Musiktheaters. von Iris Abel

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Mills, Liz. "A Space for Sound." Recherches sémiotiques 36, no. 1-2 (2018): 311–25. http://dx.doi.org/10.7202/1051190ar.

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The focus of this article is Western theatre voice practice and discourse. With the voice conceived as the trace of language, the main intention is to reveal interstices for creative vocal or sonorous play by unsettling the relationship between voice and language.The project references the shift to the ‘natural voice’ in Western theatre voice practice and how, in spite of this shift to sound that is strongly located in the person of the performer, voice does not exploit the riches of either its originating practice in orality or its own essential nature as sonorous vocality. This article propo

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Dissertationen zum Thema "Loges (Theaters)"

Garrett, Thomas Butler. "The puppet, the cinematic and contemporary visual theatre : principles, practices, logos." Thesis, University of Brighton, 2009. https://research.brighton.ac.uk/en/studentTheses/6390bb62-a47d-4547-b6ee-af1375ec9473.

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This thesis finds inspiration in practitioner academics such as Craig and Meyerhold, and is conceived as a practice-informed research degree, consisting of a written element and a practical element that draw on and inspire each other. That there is value in both practising and analysing an art form is argued, and ‘case studies’ are made of practitioner/theorists at either end of the genealogy traced in the research: both those at the beginning of the 20th century and those at the beginning of the 21st. A case is made for judging the work of artists such as Robert Lepage, Robert Wilson, Complic

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Pinto, Elizabeth Medeiros. "Os reis vagabundos e as reminiscências no tear de Penélope." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2010. http://hdl.handle.net/10183/24947.

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Este trabalho é o resultado do mergulho no universo da montagem e das apresentações da peça Os Reis Vagabundos do grupo teatral Tear, de 1982, rememorado pelos participantes da criação bem como pelo seu público. Esta peça é considerada um marco do teatro gaúcho e onde sua encenadora, Maria Helena Lopes, lançou mão de seus principais conceitos de trabalho: jogo dramático, improvisação, técnicas de clown e análise de movimento.<br>This work is consequence of the plunge into the production and the shows universe of the Tear group‟s play The Stray Kings (Os Reis Vagabundos), from 1982, evocated by

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Kloth, Kenneth. "A study of the process and realization of the design for She Loves Me University Theatre, Madison /." 1990. http://catalog.hathitrust.org/api/volumes/oclc/23068369.html.

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Thesis (M.F.A.)--University of Wisconsin--Madison, 1990.<br>Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves:57-60).

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Guedes, António Miguel Sena Esteves de Magalhães. "Os Artistas Unidos e Tennessee Williams: uma experiência como assistente na mesa de encenação da peça «A Noite da Iguana»." Master's thesis, 2017. http://hdl.handle.net/10362/23108.

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Os Artistas Unidos e Tennessee Williams é um relatório do estágio desenvolvido na companhia de Teatro Artistas Unidos, que marca o fim do mestrado em Artes Cénicas na Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa. O estágio como assistente de mesa de encenação, nos Artistas Unidos decorreu no primeiro semestre do ano letivo de 2016/2017 e focou-se no trabalho realizado pelos Artistas Unidos, nomeadamente o encenador Jorge Silva Melo, na adaptação da peça “A Noite da Iguana”, de Tennessee Williams. O relatório tem como principais objetos de estudo o contexto e es

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Bücher zum Thema "Loges (Theaters)"

Renoir, Auguste. Renoir at the theatre: Looking at La loge. The Courtauld Gallery, 2008.

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Pascal, Francine. Elizabeth loves New York. Bantam Books, 1998.

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Pascal, Francine. Elizabeth [loves] New York. Bantam Books, 1998.

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Nodelman, Jeff. Skeeter loves Patti? Disney Press, 1999.

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van, Claerbergen Ernst Vegelin, Wright Barnaby, House John, Ireson Nancy, Ribeiro Aileen 1944-, and Courtauld Institute Galleries, eds. Renoir at the theatre: Looking at la loge. The Courtauld Gallery, 2008.

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Papalexiou, Helena. Societas Raffaello Sanzio, Romeo Castellucci: Hotan ho logos metatrepetai se hylē. Plethron, 2009.

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Mauceri, Alfredo. Pupi siciliani: Gesta e amori di cavalieri, dame e incantatori = Sicilian marionettes : deeds and loves of knights, dames and enchanters. SIME books, 2017.

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Plum, Thomas. Wahrheit und Wirksamkeit des Logos: Aristoteles über Sprache, Sprechen und das Schreiben überzeugender und wirkungsvoller Texte für den Gebrauch in der Schule, im Theater und auf dem Marktplatz. [s.n.], 1985.

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Loges in Belgian theatres: A portfolio. A & S Books, 2004.

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Pankoureles, Vaios. Logos Theamatos: Kritikes. Hellenika Grammata, 2001.

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Buchteile zum Thema "Loges (Theaters)"

Lehmann, Hans-Thies. "Mythos, Mimesis, Logos." In Theater und Mythos. J.B. Metzler, 1991. http://dx.doi.org/10.1007/978-3-476-03358-1_7.

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Oikión Solano, Verónica. "Gachita Amador (1891–1961), Between Two Loves: Communist Action and Guignol Theater." In The Palgrave Handbook of Communist Women Activists around the World. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-13127-1_24.

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Amado, Maria Teresa, and Ana Rita Rodrigues. "Opening the Eyes of Memory: War Painting in Adriano Sousa Lopes and Amadeo de Souza-Cardoso." In Personal Narratives, Peripheral Theatres: Essays on the Great War (1914–18). Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-66851-2_2.

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"1. The Revolution Loves the Theater." In Revolutionary Acts. Cornell University Press, 2017. http://dx.doi.org/10.7591/9781501706981-003.

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Ramanathan, Ramu. "Five Plays and This City." In Text Wars. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780199499076.003.0021.

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This chapter includes the text of a lecture by the playwright Ramu Ramathan in which it shows how Mumbai, the city that he both loves and hates, is woven into his plays. In this lecture, he considers the interaction of creative practitioners and performers, their audiences and their environment, and the authorities. He tells us why it is that playwrights write, why he loves the theatre, and why he loves the theatre in Mumbai (“Mumbai is a living museum of words”). He gives us kaleidoscopic insights into the history of the city, and especially into the story of theatre in Mumbai. The five plays

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Seibel, Michael, and Georgios P. Tsomis. "Ansätze einer Phänomenologie der Performativität von (Musik-)Theatertexten am Beispiel der Übertragung des Singspiels „Die Entführung aus dem Serail“ von W. A. Mozart ins Griechische." In zeta-textperformances. Zeta Books, 2021. http://dx.doi.org/10.5840/202117.

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Western theatre production processes are historically characterized by their logos-centered approach. Therefore, the text is the starting point of all creative work. In this context, the theatrical text, as a literary phenomenon, is at the forefront of the action, whereby the “performance” of the text within a performance itself is often only perceived as a “disturbing” accessory. If, however, one entertains phenomenological thoughts in relation to the aesthetic production processes in theatre, one does not refer explicitly and exclusively to a text as a mental, cognitive construction of sense

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Heide, Anne-Lise, and Marthe Sofie Pande-Rolfsen. "Å skape teater digitalt «sammen alene» i global pandemi: en studie av lærerstudenters digitale estetiske læreprosess under covid-19-pandemien." In På vei mot læreryrket: Studentaktiv læring via transformative prosesser. Cappelen Damm Akademisk/NOASP, 2024. http://dx.doi.org/10.23865/noasp.214.ch9.

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With the onset of the global COVID-19 pandemic in spring 2020, we had to make immediate changes when our teaching suddenly became fully digital. In a drama course in a Norwegian teacher education program, the students had to create a theater production digitally while isolated in different parts of the country. The circumstances inspired this study, in which we investigated the students’ experiences of the process of creating theatre digitally, particularly focusing on the aesthetic learning process. The study was designed as a qualitative case study with the following research question: What

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Khalidi, Omar. "Approaches to Mosque Design in North America." In Muslims on the Americanization Path? Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195135268.003.0014.

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Abstract In North America, unlike long-established Muslim societies, a majority of mosques are buildings originally constructed for other purposes—abandoned churches, Masonic lodges, fire stations, funeral homes, theaters, warehouses, and shops. A survey conducted in 1992–95 showed that of the nearly one thousand mosques and Islamic centers in the United States, fewer than one hundred were designed as mosques. Here, however, we will be concerned only with those structures specifically designed and erected as mosques and their relationship to the subject of identity.

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Rai, Shirin M. "One always fails to speak of the things one loves." In Theatre, activism, subjectivity. Manchester University Press, 2024. http://dx.doi.org/10.7765/9781526178558.00024.

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"Out of the Dripping Pan, into the Fire: Loves Mistris." In Thomas Heywood's Theatre, 1599–1639. Routledge, 2016. http://dx.doi.org/10.4324/9781315236148-15.

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Konferenzberichte zum Thema "Loges (Theaters)"

Fanahei, Rostyslav. "PLAYBACK THEATER AS THE PRACTICE OF COMMUNITY-BASED SOCIAL HEALING." In THEORETICAL AND PRACTICAL ASPECTS OF MODERN SCIENTIFIC RESEARCH. European Scientific Platform, 2023. http://dx.doi.org/10.36074/logos-24.11.2023.89.

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Shumakova, Svitlana. "THE THEATER OF MODERNITY: THE FUSIONS BETWEEN ART AND LIFE, EXPERIMENTS ON FORM AND CONTENT." In DÉBATS SCIENTIFIQUES ET ORIENTATIONS PROSPECTIVES DU DÉVELOPPEMENT SCIENTIFIQUE. European Scientific Platform, 2021. http://dx.doi.org/10.36074/logos-05.02.2021.v6.45.

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Yan, Iryna. "THE ROLE OF M. KROPYVNYTSKY'S THEATRE TROUPE IN PRESERVATION OF TRADITIONS OF THE UKRAINIAN NATION." In DÉBATS SCIENTIFIQUES ET ORIENTATIONS PROSPECTIVES DU DÉVELOPPEMENT SCIENTIFIQUE. European Scientific Platform, 2022. http://dx.doi.org/10.36074/logos-08.07.2022.124.

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