Thematische Bibliographien / Man Booker Prize Winner

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Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 30. Juli 2024

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Zeitschriftenartikel zum Thema "Man Booker Prize Winner"

AL-RAHBI, Ahmed M. N. „Novel from Oman - the winner of the man booker international prize-2019“. Asia and Africa today, Nr. 9 (2020): 75. http://dx.doi.org/10.31857/s032150750010865-3.

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Kitaeva, Nedelya. „Five Stories (Translated from the Arabic by Nedelya Kitaeva)“. Sledva : Journal for University Culture, Nr. 40 (07.04.2020): 42–50. http://dx.doi.org/10.33919/sledva.20.40.9.

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Five stories by the Oman writer and Man Booker International prize winner Jokha al-Harthi full of vigor and color, subdued emotions, subtle social and gender insights. SLEDVA is proud to host this first appearance of the author in Bulgarian. The stories are selected and translated from the Arabic by Dr. Nedelya Kitaeva, who is teaching Arabic language and Culture at the New Bulgarian University.

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Zeng, Yuanying. „Long Journey to Freedom: An Interpretation of Hullabaloo in the Guava Orchard from the Perspective of Existentialism“. International Journal of Linguistics, Literature and Translation 6, Nr. 8 (18.08.2023): 226–30. http://dx.doi.org/10.32996/ijllt.2023.6.8.22.

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Hullabaloo in the Guava Orchard is the debut work of the 2006 Man Booker Prize winner Kiran Desai. There are many discussions on the novel from the perspective of ecocriticism, but existentialism in the work has received less attention. This article intends to start with Sartre’s existentialism, expounding how the protagonist Sampath lives in an absurd world, gets rid of the control of others and seeks the freedom he desires in his heart. This paper believes that by shaping Sampath’s image of pursuing freedom, Kiran Desai embodies his exposure to the absurd society of India and her yearning for spiritual freedom.

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Steinfeld, Jemimah. „“No one owns language”: The 2016 Man Booker Prize winner Paul Beatty discusses “offensive” language and teaching styles“. Index on Censorship 46, Nr. 3 (September 2017): 64–65. http://dx.doi.org/10.1177/0306422017730961.

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Shishkin, Mikhail, und Ekaterina Maksimova. „“I have read your novel and understood nothing, but I was so impressed!”“. Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 6, Nr. 2 (01.06.2021): 7–16. http://dx.doi.org/10.18522/2415-8852-2021-2-7-16.

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Mikhail Shishkin is a writer, author of the novels “One Night Befalls Us All”, “The Taking of Izmail”, “Maidenhair”, “The Light and the Dark”, as well as novellas, short stories, essays, and the guide “Russian Switzerland”. Winner of the literary awards “Russian Booker Prize” (2000), “Russian National Bestseller” (2005) and “Big Book Prize” (2011). He writes in Russian and German. In this issue of P&I, Mikhail Shishkin recalls the “War and Peace” as a cure, chooses the main film about contemporary Russia and tells what every father should teach his son. Interview by Ekaterina Maksimova.

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K. Saravanan. „Cultural conflicts in select Diaspora Novels: Kiran Desai’s The Inheritance of Loss & Jumpha Lahiri’s The Namesake“. Creative Launcher 6, Nr. 2 (30.06.2021): 5–12. http://dx.doi.org/10.53032/tcl.2021.6.2.02.

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People are identified by their culture basically. When we know the new culture it will enrich our knowledge but adopting the same and living in an alien land will affect our freedom of thought and life. Folks move from one place to another for all kind of betterment. Change of whereabouts and language from one to other drag the people to a further complicated world. They drop all their hopes towards the newness and try to adjust or struggle for their life in the unexpected circumstances. Man Booker Prize winner, a famous Indian Diaspora writer, Kiran Desai’s The Inheritance of Loss discusses different kind of losses take place by man’s displacement. The characters Biju, Sai and Bela represent the pain and affliction of departers. They are longing for identity and want to create a comfort zone in the alien soil leads them frustrated. Jumpha Lahiri, the Pulitzer Prize winner, put across the same expatriate sensibility in her novel The Namesake. The protagonist Gogol and others Ashoke, Ashima migrate to another country still wants to follow their culture and traditional values there. These novels traced the concept of cultural identity with rootlessness and ancestral expectation. The present paper deals with identity predicament in the basis of cultural conflict through the characters’ strife of unfamiliar terrain.

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Khan, Salman Khan, und Pragayan Paramita Pattnaik. „MATRIX OF POWER POLITICS IN NOVELS OF ARAVIND ADIGA“. EXPRESSIO: BSSS Journal of English Language and Literature 01, Nr. 01 (30.06.2023): 143–56. http://dx.doi.org/10.51767/jen010110.

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Aravind Adiga, a Man Booker Prize winner, aims at depicting a realistic picture of Indian society along with its root cause of evil. He attempts to bring the dark side of India over the ‘shining India’. He criticised the moral decadence and lack of basic principles among Indians. In The White Tiger and Last Man in Tower he portrays the power game in metropolis like; Delhi and Mumbai. This paper studies the socio-political realities of Indian society through the lens of power politics. Adiga makes an effort to showcase the experiences which underprivileged Indian people go through their entire lives. This paper also describes how Adiga depicts socio-cultural encounters in India; especially in power-politics, the Caste system, and master-servant society. It demonstrates the colossal fight between the common man and the dominating political issues such as the caste system, democracy and justice. The research depicts the miscarriage of justice, corruption and other alarming issues of contemporary Indian society. Adiga spotlights modern India by comparing India of darkness and India of light. Adiga’s work of fiction unveils the dark web of politics behind the frame of globalisation and development.

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Chowdhury, Mohammad Shahidul Islam. „Family Bond and Traumatic Pathology in Alice Munros The Bear Came Over the Mountain“. Stamford Journal of English 6 (22.02.2013): 103–13. http://dx.doi.org/10.3329/sje.v6i0.13906.

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Alice Munro (1931), Canadian author and winner of the Man Booker International Prize in 2009, has written a number of short stories. The Bear Came Over the Mountain is a story of love, romantic affairs, family relationship, enigma of romance and psychological disorientation. The story reveals family bond through mental depression and physical inability, which, to a large extent, are traumatic. Munros presentation of human relationship and family bond gets a new dimension from psychopathological point of view. The story reveals a bizarre relationship between two unacquainted families, members of which suffer from two different types of trauma: psychic hysteria and physical immobility. Munro shows the effect of such frenzy on individuals as well as on societal connection. This paper attempts to illustrate, from psychoanalytic point of view, the nature of traumatic pathology and its testimony in the lives of individuals and how its outcome can be a major device in understanding human relationship. Stamford Journal of English; Volume 6; Page 103-113 DOI: http://dx.doi.org/10.3329/sje.v6i0.13906

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Jain, Adhip. „Sociolinguistics Study of Aravind Adiga’s White Tiger“. SMART MOVES JOURNAL IJELLH 9, Nr. 5 (28.05.2021): 147–53. http://dx.doi.org/10.24113/ijellh.v9i5.11054.

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This paper comprises the sociolinguistic concepts which are hidden in the Aravind Adiga’s novel White Tiger. And it will let us know how Aravind Adiga managed to reach his audience effortlessly. Aravind Adiga is a Man Booker Prize Winner of 2008, for his debut novel ‘White Tiger’. White Tiger is the story of a common man, who manages to attain tremendous success, later starts working as an Entrepreneur. The protagonist, Balram Halwai, narrates this novel, he sends letters to Premier of China, who will soon be visiting India. Moreover, this novel comprises of sociolinguistic elements such as the names are mostly of Indian origin, prestige feature. Aravind Adiga is being chosen as a writer to be tested on sociolinguistic grounds because there is an apt amount of sociolinguistic elements (code switching, high prestige, low prestige, etc.) in his novels. Aravind Adiga reaches the reader's heart, by using appropriate language in the manner his target audience can understand. This paper also verifies the sociolinguistic impact on Aravind Adiga, in the midst of this we realise the importance of sociolinguistic theories. Society and culture play a vital role in our language acquisition, and it shapes our respective roles in society. Ultimately, this can let us know how language variation occurs and impacts the users. Language is like a river, it changes its directions with time, place, communities, etc, and certain meanings avert or change slightly from the original meanings.

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Nistor, Cristina Mihaela. „Revisiting Norse Mythology: the Case of A.S. Byatt’s Ragnarök“. Studia Universitatis Babeș-Bolyai Philologia 68, Nr. 2 (25.06.2023): 121–34. http://dx.doi.org/10.24193/subbphilo.2023.2.07.

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"Revisiting Norse Mythology: The Case of A.S. Byatt’s Ragnarök. In 2011, British author and Booker-prize winner A. S. Byatt publishes Ragnarök, her rewriting of the Norse myth about the death of the gods. Seen through the eyes of a thin child who is forced to witness the terrors of World War II, the story and characters of the Norse myth are reinterpreted and retold in accordance with the child’s vision, imagination and feelings. The paper here focuses on the association of the Scandinavian imaginary with specific moments in A. S. Byatt’s personal history, and highlights the use of certain patterns and ideas that are present in both, trying to pinpoint the elements that make possible the transformation of the mythical into the actual. The aim of this study is to explore the evolution of the mythological events as they are rewritten in Byatt’s 21st century book, in close connection with the main character’s personal development. To that end, the paper will also dwell upon the comparison drawn by Byatt herself between the Norse and the Christian mythological imaginary – a vision filtered through the eyes and thoughts of the focalizer of the text, the thin child. Keywords: Ragnarök, A. S. Byatt, reinterpretation, Norse myths, death of the gods"

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Dissertationen zum Thema "Man Booker Prize Winner"

Powell, Caitlin E. „Man Pain in the Man Booker Prize: A Quantitative Approach to Contemporary Canon Formation“. Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/425.

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This project examines the corpus of novels that have been nominated for the Man Booker Prize and, using the prize as a creator of a contemporary literary canon, attempts to develop a model of a contemporary best text. Using the distant reading techniques proposed by digital humanities scholar Franco Moretti to track and graph a variety of formal and structural variables across the corpus of nominees, it becomes apparent that the kind of novel that typically wins the Booker Prize and thus the kind of novel that qualifies as a contemporary best text fits a distinct mold. These novels are solemn, serious texts written by British or Irish men, and the stories they tell concern young British or Irish men struggling, often alone, in pain, and under the threat of impending age, through a brutal, violent, and amoral world.

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Bengtsson, Johanna. „Identitetens pris : Kritik, priser och kapitalcirkulation på det litterära fältet“. Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-225547.

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The aim of this study is to study the construction of literary values. I have been looking at how literature awarded with sponsored literary prizes has been reviewed in four major English and American newspapers. I have been studying the reception of literature by Ian McEwan, Hilary Mantel, Colm Tóibín and Zadie Smith between 2000 and 2012. The prizes in focus are the Man Booker Prize, the Orange prize for fiction and the Costa Awards. There seems to be an increasing number of articles related to each author after they have been awarded a prize, however with little change in the content of the reviews. The non critical articles seems to move towards a more personal angle. I have also found that critics tend to position the authors’ works in comparision to canonised authorships rather than discussing the literature as awarded.

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Bücher zum Thema "Man Booker Prize Winner"

Kingsley, Amis, und Goff Martyn, Hrsg. The Best winners of the Booker Prize. San Francisco: Mercury House, 1991.

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Lysaght, Seán. The Clare Island survey. Loughcrew, Oldcastle, Co. Meath: Gallery Books, 1991.

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Newby, P. H. Something to answer for. London: Palm Books, 1993.

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Storey, David. Saville. London: Vintage, 1998.

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Kelman, James. How late it was, how late. New York: W.W. Norton & Co., 1995.

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Berger, John. G. London: Chatto & Windus, 1985.

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Berger, John. G. London: Hogarth Press, 1989.

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Berger, John. G.: A novel. New York: Vintage Books, 1991.

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Kelman, James. How late it was, how late. New York: Delta, 1996.

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Kelman, James. How late it was, how late. London: Vintage, 1998.

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Buchteile zum Thema "Man Booker Prize Winner"

Allington, Daniel. „Kiran Desai’s The Inheritance of Loss and the Troubled Symbolic Production of a Man Booker Prize Winner“. In Indian Writing in English and the Global Literary Market, 119–39. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137437716_8.

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Driscoll, Beth. „The Man Booker Prize: Money, Glory and Media Spectacle“. In The New Literary Middlebrow, 119–51. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137402929_5.

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Rasula, Jed. „Coda: “IS THIS A NOVEL?”“. In Genre and Extravagance in the Novel, 209–14. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192897763.003.0009.

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In the fall of 2018 the British press went into a tizzy over the revelation that the committee for the Man Booker Prize was considering a book of narrative poetry, The Long Take by Scottish writer Robin Robertson. “This year’s best novel might just be a poem, according to the Booker judges, who have shortlisted one for the first time,” reported Tristram Saunders in ...

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Blum, Bruce I. „Activity, Reflection, Context“. In Beyond Programming. Oxford University Press, 1996. http://dx.doi.org/10.1093/oso/9780195091601.003.0012.

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we are almost halfway through the book and this part on design ecology, and I have yet to talk about design, no less software engineering. Is this some kind of shaggy dog story? The kind in which the hero climbs mountains in search of the meaning of life only to have the wise man tell him it is, “The wet bird flies at night.” I hope not. Here is the basic thesis of the book. Computers offer unprecedented power in creating new tools (equipment), but to achieve their potential we must reconstruct how they are used (i.e., shift the paradigm). The first half of the book concerns the foundations upon which we may reconstruct a new software engineering. In the middle of this century, of course, there would be no question as to what that foundation should be: science. But, as I have been trying to show, science and our institutions are in a period of fundamental change. For example, consider what Prigogine, winner of the 1977 Nobel Prize for chemistry, has to say. . . . The classical ... view of science was to regard the world as an “object,” to try to describe the physical world as if it were being seen from the outside as an object of analysis to which we do not belong... The deterministic laws of physics, which were at one point the only acceptable laws, today seem like gross simplifications, nearly a caricature of evolution. . . . Even in physics, as in sociology, only various possible “scenarios” can be predicted. But it is for this very reason that we are participating in a fascinating adventure in which, in the words of Niels Bohr, we are “both spectators and actors.” (1980, pp. xv, xvii) . . . Thus, in only four decades we have moved from physicalism, which sought to impose a physics model on psychology, to a questioning of the very nature of physics itself. As Holland, a physicist, describes our present situation, “we are in a period of transition between two great world views—the universal machine of the classicists and the new holistic universe whose details we are only beginning to glimpse.

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Tidwell, John Edgar, und John S. Wright. „“Steady and Unaccusing”: An Interview with Sterling A. Brown“. In After Winter, 353–64. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195365795.003.0025.

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Abstract Since the early 1980s a series of symposia, public and academic awards, and other recognitions have testified to continuing popular and scholarly interest in Sterling A. Brown, poet, literary critic, teacher, anthologist, and raconteur. The Collected Poems of Sterling A. Brown, for example, received the Lenore Marshall Poetry Prize for 1980 from Saturday Review. The Modern Language Association, at its December 1981 meeting, paid tribute to Brown’s many years of distinguished service as a man of letters. A Black World special issue (September 1970) and Michael Harper and Robert Stepto’s Chant of Saints: A Gathering of Afro-American Literature, Art, and Scholarship (1979) became the first two of many anthologies, critical studies, and journal special issues dedicated to him, for his enduring poetic innovations and his pioneering cultural criticism. At Howard University, on Febru- ary 14, 1997, a symposium assessed the extent to which Brown’s thinking reflected and influenced African-American and American views on culture and literature. His sensitive creative work and astute analyses are captured in four published collections of poetry, six critical studies and anthologies, and over forty essays and speeches, together with the regular book review column he wrote in the early issues of Opportunity: A Journal of Negro Life. The following interview—conducted August 2, 1980, but unpublished until now—was one he hoped personally to extend and revise. Nevertheless it offers in retrospect, we think, more testimony that Sterling A.

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Mayer, Peta. „The Storyteller Returns: Hotel du Lac (1984)“. In Misreading Anita Brookner, 224–46. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620597.003.0007.

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The epilogue reads Hotel du Lac through the figure of the storyteller, which it links to the genius woman writer, and argues that Brookner’s Booker Prize winner proleptically anticipates her aestheticist emphasis on beauty, form and technique. Utilising Walter Benjamin’s essay on the storyteller, and iconic figures of Staël, Colette, Woolf and Proust, the storyteller is produced through narratives of exile and return and focuses on the craft of the writer and artist persona including misreading, reversal, orality, frame narrative, epistolary form, paraprosdokian and anagnorisis. Colette’s The Pure and the Impure helps contextualise Edith’s scopophilic fascination with the mother/daughter pairing of Iris and Jennifer Pusey, which symptomise as a homoerotic narrative excess in the unsent letters to her lover. Edith’s queer preoccupations further illuminate the satirical treatement of gender, love, marriage and the heterosexual romance narrative in Hotel du Lac and more broadly in Brookner’s oeuvre. Like most Brooknerines, Edith rejects conventional romance for the romance of art and women’s writing. In conclusion, this chapter reviews the cross-historical intertextual performance of creative male gender through the contemporary female subject which sanctions a host of queer possibilities between female characters and plotlines. It celebrates Brookner as consummate aesthete, artist and storyteller.

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Jayaramudu, Mr K. „COLLECTIVE CONSCIOUS IN THE NOVEL ‘THE GODOF SMALL THINGS’“. In Research Trends in Language, Literature & Linguistics Volume 3, Book 5, 132–36. Iterative International Publisher, Selfypage Developers Pvt Ltd, 2024. http://dx.doi.org/10.58532/v3bblt5p5ch3.

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The God of small things was a novel written in 1997 by booker prize winner Arundhati Roy. The novel primarily talks about the multiple issues which are happening around us and creating such chaotic situation have become human’s inheritance in post-colonial India. Though, India has become freed from colonizers still some roots prevalent in society’s mind, so these things are clearly shown in the novel. Here the writer is even though in Globalized Era how she portrayed the characters through some cultural constraints, of course these cultural constraints have become finger points in the novel to show what is happening around us. Roy particularly focused on contemporary issues which become primordial in individual’s life. As Rabindranath Tagore says in Gitanjali that the great world has been broken down into several narrow domestic walls such as caste, class, race, women subjugation, community, creed and other beliefs. These are all the most crucial and primary instruments that The God of Small Things uses to illustrate its points. Generally discrimination has the potential to occur on the basis of any difference. It is a natural consequence that happens in any society whether it is India or other countries. on the whole in this paper, we are going to make a different attitude on different perspective by using the Archetypal criticism in the writings Arundhati Roy. This paper technically tries to present that how archetypes become part of writer’s mind, When the author lives in society because of the totality of the cultural constraints happened in the novel. That we are going to look into them in the paper.

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Majewska-Wójcik, Anna. „„Zwykle traktuję siebie albo zbyt pochlebnie, albo mieszam z błotem” – strategie autoprezentacyjne stosowane przez Czesława Miłosza w listach do Jarosława Iwaszkiewicza“. In JĘZYK POLSKI – MIĘDZY TRADYCJĄ A WSPÓŁCZESNOŚCIĄ. Księga jubileuszowa z okazji stulecia Towarzystwa Miłośników Języka Polskiego, 515–26. Wydawnictwo Naukowe Uniwersytetu Pedagogicznego w Krakowie, 2021. http://dx.doi.org/10.24917/9788380846258.41.

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“I usually treat myself either too flatteringly or mix myself with the mud” – self-presentation strategies used by Czesław Miłosz in his letters to Jarosław Iwaszkiewicz Summary The article concerns the self-presentation strategies with which Czesław Miłosz built his image in his letters to Jarosław Iwaszkiewicz. The tools of communicative psychology, sociology and pragmalinguistics were used for the analyses. The epistolographic material shows that Miłosz willingly used ingratiation, thanks to which he gained the favour of Iwaszkiewicz and his patronage. He juxtaposed compliments to the master with auto-invectives, he intertwined acts of self-depreciation with the images of narcissistic self-love. As a result, the correspondence shows a contradictory image of the future Nobel Prize winner, a self-portrait that evolves with age and experience. Fascinated by Iwaszkiewicz, full of complexes and selflessness, a novice writer, a sensitive and emotionally immature young man with narcissistic inclinations on the pages of his letters turns into a writer and faithful friend who is aware of his talent.

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Śmiechowicz, Anna. „Sport w życiu rodziny Curie w świetle korespondencji prywatnej“. In Życie prywatne Polaków w XIX wieku. „Prywatne światy zamknięte w listach”. Tom 7. Wydawnictwo Uniwersytetu Łódzkiego; Instytut Historii i Stosunków Międzynarodowych UWM, 2018. http://dx.doi.org/10.18778/8142-182-9.14.

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The private life of Maria Skłodowska-Curie was and is of interest to the general public. During her lifetime she received numerous decorations, prizes, doctorates of honoris causa of many universities and honorary citizenship of various cities in recognition of her scientific work. After the death of the Nobel Prize winner, many books were devoted to her and written in various languages. In addition, paying homage to one of the most distinguished scientists of our time, different streets, squares, and universities were named after her. The experiences of personal life, the realities of everyday existence and the views of the scholar were included in private correspondence. It seems that in her whole adult life, when she could not afford a personal relationship with her loved ones, letters were a form of maintaining relationships with them, a therapy of a „longing soul” for a family home and a homeland. In the article, I analyzed the correspondence between a mother and her daughters: Irena and Ewa. In her letters, apart from reports from everyday experiences, issues related to physical culture take a significant place. We have over 50 references to physical activity on over 200 letters written by mother and daughters from 1905 to the death of Maria Skłodowska-Curie in 1934. From the letters between Maria and her daughters Irena and Ewa, it is clear that they had to deal with many sport disciplines: cycling, swimming, gymnastics, skiing, rowing, horse riding.

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Shah, Huma, und Kevin Warwick. „Emotion in the Turing Test“. In Handbook of Research on Synthetic Emotions and Sociable Robotics, 325–49. IGI Global, 2009. http://dx.doi.org/10.4018/978-1-60566-354-8.ch017.

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The Turing Test, originally configured as a game for a human to distinguish between an unseen and unheard man and woman, through a text-based conversational measure of gender, is the ultimate test for deception and hence, thinking. So conceived Alan Turing when he introduced a machine into the game. His idea, that once a machine deceives a human judge into believing that they are the human, then that machine should be attributed with intelligence. What Turing missed is the presence of emotion in human dialogue, without expression of which, an entity could appear non-human. Indeed, humans have been confused as machine-like, the confederate effect, during instantiations of the Turing Test staged in Loebner Prizes for Artificial Intelligence. We present results from recent Loebner Prizes and two parallel conversations from the 2006 contest in which two human judges, both native English speakers, each concomitantly interacted with a non-native English speaking hidden-human, and jabberwacky, the 2005 and 2006 Loebner Prize bronze prize winner for most human-like machine. We find that machines in those contests appear conversationally worse than non-native hidden-humans, and, as a consequence attract a downward trend in highest scores awarded to them by human judges in the 2004, 2005 and 2006 Loebner Prizes. Analysing Loebner 2006 conversations, we see that a parallel could be drawn with autistics: the machine was able to broadcast but it did not inform; it talked but it did not emote. The hidden-humans were easily identified through their emotional intelligence, ability to discern emotional state of others and contribute with their own ‘balloons of textual emotion’.

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