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1

Dorman, Rebecca. "Margaret Cavendish's 'Natures Pictures'." Thesis, University of Sheffield, 2018. http://etheses.whiterose.ac.uk/23063/.

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Margaret Cavendish's place in the field of early modern women's writing is indisputable, as scholarship since the 1990s, and perhaps even earlier, has shown. Presentation of Natures Pictures as a whole is an important next step in Cavendish scholarship. The collection of texts in this volume provides evidence of Cavendish's facility with genre, to include life writing, as well as her ability to navigate the complexities of a wide range of topics, from the interactions between the sexes to natural philosophy. While Cavendish is socially conservative, that is, she tends toward tradition in her v
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2

Moss, Kate. "Margaret Atwood’s Divided Self." ScholarWorks @ UVM, 2011. http://scholarworks.uvm.edu/graddis/157.

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―Margaret Atwood‘s Divided Self‖ explores four novels by celebrated Canadian author, Margaret Atwood: Lady Oracle, Surfacing, Alias Grace, and The Robber Bride. Although others have discussed the reoccurring themes of disunity and duality in Atwood‘s work, these explorations have not addressed some of her newest novels and have taken a very limited approach to reading and understanding Atwood‘s theme of the divided self. This study opens up a literary ―conversation‖ about Atwood‘s theme of the divided self by examining the protagonists of these select novels by using different branches of theo
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3

Critchell, Cecile. "Changing images of Margaret Thatcher." Thesis, University of Kent, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362184.

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4

Marx, Milisa. "Margaret Hilda Thatcher: a psychobiographical study." Thesis, Nelson Mandela Metropolitan University, 2015. http://hdl.handle.net/10948/4548.

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Psychobiographies typically explore and describe historically significant, extraordinary and enigmatic individuals' psychological development through the lens of psychological theory. The primary aim of this psychobiographical study was to explore and describe the developmental life stages of Margaret Hilda Thatcher (1925 - 2013) through the application of Erik Erikson's theory of Psychosocial Development. Erikson's theory takes a holistic, biopsychosocial approach to the lifelong development of the individual, emphasising ego development. A secondary objective was to clarify the propositions
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5

Montigny, Denise de. "Giving birth, Margaret Atwood traduction commentee." Thesis, University of Ottawa (Canada), 1988. http://hdl.handle.net/10393/5352.

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6

Wilde, Cornelia. "Phantastische Experimente das Schreiben Margaret Cavendishs." Berlin Trafo, 2002. http://www.trafoberlin.de/3-89626-552-0.htm.

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7

Begley, Justin. "Margaret Cavendish, the last natural philosopher." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:c936e475-28bc-41d3-92a6-5a3a2500fe2b.

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This thesis uses the entirety of Margaret Cavendish's archive to present the first full account of her thought within its historical context. Living in France, the Netherlands, and England, Cavendish's ideas were honed and in some cases prompted by her correspondences with figures who were central to the Republic of Letters, such as Constantijn Huygens, Samuel Sorbière, and Kenelm Digby. In their turn, a wide range of Cavendish's contemporaries rigorously engaged with her publications. Bringing atomism from France to England, she encouraged Walter Charleton's translation of Pierre Gassendi's
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8

Mouton, Frances Alexander. "Die politieke loopbaan van Margaret Ballinger." Thesis, University of Pretoria, 1990. http://hdl.handle.net/2263/79028.

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Afrikaans: Margaret Ballinger is op 11 Januarie 1894 as die jongste kind van Lilias en John Hodgson in Glasgow, Skotland, gebore. In 1904 het die gesin na Suid-Afrika geemigreer. Na 'n briljante skool­ loopbaan het sy 'n M.A. in Geskiedenis aan Oxford behaal, waarna sy 'n senior lektrise in Geskiedenis by die Universiteit van die Witwatersrand was. Haar akademiese loopbaan is in 1935 weens haar huwelik met die bekende vakbondleier, William Ballinger, b
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9

Tennant, Colette Giles. "Margaret Atwood's transformed and transforming gothic." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1248719470.

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10

Tennant, Colette. "Margaret Atwood's transformed and transforming Gothic /." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487757723997751.

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11

Evans, F. E. M. "Margaret Atwood : words and the wilderness." Thesis, University of Edinburgh, 1992. http://hdl.handle.net/1842/19728.

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This thesis is a study of several texts written by Margaret Atwood, and is motivated by a desire to demonstrate the polysemous irreducibility of literary meaning and to suggest ways in which critical theory and textual practice may meaningfully interact and correspond. The first chapter examines poems in <i>The Circle Game</i> in order to observe how Atwood's persistent scrutiny of the constitution of images creates a world almost entirely detached from a consciousness of time and history, and considers how this generates a radical split between textual self-sufficiency and the psychic wildern
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12

Needham, Donna Dorr. "Margaret Fuller's lost legacy literary criticism /." Connect to this title online, 2009. http://etd.lib.clemson.edu/documents/1263396777/.

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13

Vecchione, Nina. "The end of the world as we know it curing disability and recovering from victimization in Margaret Atwood's novels /." Click here for download, 2009. http://proquest.umi.com/pqdweb?did=1707435991&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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14

Comiskey, Barbara Anne. "Margaret Atwood : fiction and feminisms in dialogue." Thesis, Lancaster University, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.308988.

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15

Desjardins, Louise. "Traduction de Power Politics de Margaret Atwood." Mémoire, Université de Sherbrooke, 1992. http://hdl.handle.net/11143/10339.

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Traduire la poésie, traduire Power Politics de l'écrivaine canadienne-anglaise Margaret Atwood, voilà une entreprise doublement hasardeuse. Comment arriver à rendre dans une autre langue ces instants de grâce liés tout entiers à une fusion de mots et de sens, à une prise en charge d'un univers gui ne pouvait s'exprimer que par cette coïncidence parfaite de la forme et du corps, du geste et de la parole. Traduire la poésie revient à traduire l'indicible de l'univers, la fluidité du temps, l'éclat de l'image, l'inachevé dans l'achèvement d'un discours. Entreprise téméraire et folle régie par la
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Skalská, Martina. "Margaret Thatcherová a její boj s odbory." Master's thesis, Vysoká škola ekonomická v Praze, 2007. http://www.nusl.cz/ntk/nusl-2663.

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Tato práce je analýzou způsobu, jakým Margaret Thatcherová čelila problémům s odbory. Celý problém je zasazen do širšího kontextu dějin Velké Británie v době po druhé světové válce, protože právě tam musíme hledat příčiny těchto problémů. Poválečná Británie se stejně jako mnoho jiných zemí v této době ubírala směrem politiky keynesiánství a plné zaměstnanosti.Tento trend se pokusila zvrátit Margaret Thatcherová svými opatřeními v době, kdy byla premiérkou, tedy v letech 1979-1990. Místo ke keynesiánství se obrátila pro radu k monetarismu a za hlavní cíl si vytkla kontrolu inflace.Odbory pro ni
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Tolley, Rebecca. "Gloria Steinem, Josephine Baker, Margaret Bourke-White." Digital Commons @ East Tennessee State University, 2004. https://www.amzn.com/0313317844.

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Book Summary: Treating the cultural giants of the 20th century, this volume traces their reading habits and intellectual development, as well as their contributions to Western culture. Suggesting the literary influences on these figures, the book includes 355 entries on people from a broad range of fields, including scientists, politicians, business figures, writers, religious leaders, and figures from the performing arts and popular culture. The volume is a handy companion to Powell's earlier volume, Biographical Dictionary of Literary Influences: The Nineteenth Century, 1800-1914. Reflecting
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18

Tenan, Caterina <1992&gt. "Margaret Atwood’s Surfacing: trauma, nature and religion." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/9273.

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The initial part of this dissertation provides a study of the first chapter of the novel with the aim of demonstrating how a story world takes shape and how the order of textual elements contributes to create its meaning. Atwood’s literary choices, the first impressions readers may construct from the first encounter with the characters and the conclusions readers may draw from a first reading are discussed in details. Secondly, this dissertation attempts to analyse three of the major themes of the novel that the initial close reading has highlighted, namely trauma, nature and religion. The exp
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19

Ethier, Isabelle. "L'intertextualité dans La servante écarlate : la femme comme sujet en devenir /." Thèse, Trois-Rivières : Université du Québec à Trois-Rivières, 1997. http://www.uqtr.ca/biblio/notice/tablemat/03-2177901TM.htm.

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20

Evain, Christine Sellin Bernard. "Pluralité des voix et chant de soliste dans la poésie de Margaret Atwood." [S.l.] : [s.n.], 2007. http://castore.univ-nantes.fr/castore/GetOAIRef?idDoc=13596.

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21

Wang, Yiyan. "Literary responses to bewilderment in western society : a study of Margaret Atwood's novels /." Title page, contents and abstract only, 1993. http://web4.library.adelaide.edu.au/theses/09ARM/09armw246.pdf.

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22

Pakiam, Barbro. "Dining with Margaret Drabble's The Witch of Exmoor." Thesis, Linköpings universitet, Institutionen för språk och kultur, 1999. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-88789.

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This essay aims to demonstrate that Margaret Drabble, inspired by her literary knowledge of Shakespeare and Woolf, has constructed her novel The Witch of Exmoor on the two famous literary meals in Timon of Athens and To the Lighthouse. Parallels will be illuminated in the light of intertextuality, along with the symbolic significance of the meal, where this image is linked to Drabble's conception of social and individual order/disorder, but also used as an opening out to a higher realm. The first chapter will deal with the dinner scene in To the Lighthouse, and its relevance for the intertextu
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23

Rao, Eleonora. "Strategies for identity : the fiction of Margaret Atwood." Thesis, University of Warwick, 1991. http://wrap.warwick.ac.uk/108219/.

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This study is a critical reading of the fiction of contemporary Canadian novelist and poet Margaret Atwood. My analysis focuses on problems pertaining to the questions of genre, identity and female subjectivity. The thesis is thematically structured. Chapter One, 'The Question of Genre: Creative Re- Appropriations, explores the plurality of genres and narrative styles present in the novels. The second Chapter' A Proliferation of Identities: Doubling and Intertextuality' examines constructions of the self in the light of psychoanalytic theories of language and subjectivity which conceive of the
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24

KOM, NJUIDJE DOROTHEE. "Enonciation narrative dans l'oeuvre romanesque de margaret laurence." Université Marc Bloch (Strasbourg) (1971-2008), 1991. http://www.theses.fr/1991STR20010.

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L'analyse porte sur l'etude de l'espace et du temps et sur les structures d'enonciation. L'espace et le temps de l'histoire sont examines surtout en fonction des personnages. Mais il est aussi question de l'espace et du temps de la narration, de meme qu'on y traite de l'espace du lecteur. Les structures d'enonciation - focalisation, narration, narrataire - sont examinees dans la derniere partie. Les differences et les ressemblances qui caracterisent l'evolution de la technique narrative de laurence d'une oeuvre a l'autre sont soulignees dans le processus et constituent l'essentiel repris dans
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25

Zrasták, Marián. "Privatizace ve Velké Británii za vlády Margaret Thatcherové." Master's thesis, Vysoká škola ekonomická v Praze, 2009. http://www.nusl.cz/ntk/nusl-16868.

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The victory of the Conservatives in the 1979 General Election brought a government into office which is traditionally said to pursue a programme of economic liberalism. The new government was determined to end British economic decline and the crisis of state authority by making an ideological and political break with the policy of consensus. But it was only after September 1981, when "the dries" achieved dominance in Conservative Government and the new liberal policy finally prevailed. Their goals were to reduce the role of the government in economy, to start privatization of nationalised indu
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26

Ritchie, Amanda Ross. "Margaret Fuller and the politics of German sensibility." Diss., The University of Arizona, 2000. http://hdl.handle.net/10150/289215.

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This study seeks to accomplish two goals. First, it will reestablish Margaret Fuller (1810-1850) as America's first important interpreter of Johann Wolfgang Goethe (1749-1832), Germany's best-known lyric poet. The study includes full transcription and complete annotation of Fuller's Reading Journal O manuscript detailing the experimental series of Conversations on Goethe that Fuller conducted in the spring or summer of 1839. The manuscript suggests that Fuller was an expert on all of Goethe's works, not just on his literary oeuvre. The experimental series of Conversations on Goethe was a proto
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27

Golder, Yves. "Margaret Thatcher : construction d'une image politique, 1950-1990." Thesis, Strasbourg, 2019. http://www.theses.fr/2019STRAC005/document.

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Cette thèse s’attache à étudier l’image politique de Margaret Thatcher à travers des caractéristiques personnelles telles son parcours, ses idées, sa présentation physique, ses postures politiques ou encore les stratégies de communication dont elle fit usage. L’objectif est de mettre en lumière les différents éléments mis en avant par Margaret Thatcher et par les canaux de diffusion d’image, principalement constitués des médias et de son entourage politique. En ce qui concerne le bornage temporel, l’étude tient compte des quarante années qui s’écoulèrent entre la première ca
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GARAU, EVA. "Margaret Thatcher. Formazione e ascesa di un leader." Doctoral thesis, Università degli Studi di Cagliari, 2016. http://hdl.handle.net/11584/266726.

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The thesis sets out to examine the character of British politician Margaret Thatcher, following the path of her life and her career since her years at the University of Oxford, where she studied chemistry, to her election as the leader of the Conservative Party in 1975. The investigation has been conducted by examining a number of sources and documents: minutes of meetings, electoral speeches and manifestos, accounts of informal exchanges, transcripts of parliamentary debates, articles and editorials published in both local and national newspapers. The aim of the research, on the one hand, is
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Shoenut, Meredith L. McLaughlin Robert L. "Canadian postwar perspectives of her-story historiographic metafiction by Laurence, Kogawa, Shields, and Atwood /." Normal, Ill. : Illinois State University, 2005. http://proquest.umi.com/pqdweb?index=0&did=1225101671&SrchMode=1&sid=2&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1176732662&clientId=43838.

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Thesis (Ph. D.)--Illinois State University, 2005.<br>Title from title page screen, viewed on April 16, 2007. Dissertation Committee: Robert McLaughlin (chair), Lynn Worsham, Sally Parry. Includes bibliographical references (leaves 312-331) and abstract. Also available in print.
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Cheong, Weng Lam. "Beyond a feminist dystopia : Margaret Atwood's The Handmaid's Tale." Thesis, University of Macau, 2009. http://umaclib3.umac.mo/record=b2456330.

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31

Varga, Zsuzsanna. "Spinsters and authors : women's roles in Margaret Oliphant's writing." Thesis, University of Edinburgh, 2004. http://hdl.handle.net/1842/27573.

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Using recent critical developments in feminist social history and literary historiography, as well as the recently increasing interest in Victorian journalism, this thesis re-examines Margaret Oliphant’s position on women’s roles from a sociological and historical perspective. The question of Oliphant’s position on women’s roles has been raised before, yet literary historians, inspired by the presuppositions of second-wave feminism and second-wave literary history, have restricted the debate to the question whether she was a ‘bad’ feminist or a ‘good’ one, and have ignored Oliphant’s represent
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Riegel, Christian Erich. "The work of mourning and Margaret Laurence's Manawaka fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0010/NQ59554.pdf.

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Haring, Merten. "Verfassungswandel in Großbritannien : von Margaret Thatcher bis Tony Blair /." Osnabrück : Koentopp, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2879150&prov=M&dok_var=1&dok_ext=htm.

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34

Shead, Jackie. "Margaret Atwood’s transformative use of the crime fiction genre." Thesis, University of Bristol, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573748.

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This thesis examines Atwood's transformation of the crime genre, more particularly the whodunit and the spy thriller, in some of her longer fiction. Her protagonists are considered as detective figures needing to decipher experiences made mysterious to them by acceptance of hegemonic scripts. Discussion explores their discoveries that they are not only victims of the crime fabulae they unravel, but accessories, their complicity arising from an acculturation to ideologies of power, particularly those of patriarchy, class and colonialism. A gendered inflection of the crime narrative is also evid
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Waldman, Benjamin F. "Climbing the Mountain of Conflict: Margaret Thatcher's Falklands Crisis." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/cmc_theses/1112.

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Early in her Prime Ministership, Margaret Thatcher fought an unlikely diversionary war far from home for the ownership of the Falkland Islands. The Islands lie off of Argentina’s coast about 8,000 miles from London, but have been subject to Britain’s rule since 1836. In April 1982, hoping to distract from domestic political and economic turmoil, Argentina’s military dictatorship ordered a surprise invasion of the Islands. Thatcher, Britain’s first female Prime Minister, responded in full force. By early May, a British fleet reached the Islands. By June, despite American efforts to stop a war b
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Rees, Emma L. E. "Genre in exile : Margaret Cavendish's writings of the 1650s." Thesis, University of East Anglia, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.242425.

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In this study I aim to show how, and why, in terms of Margaret Cavendish's life in the 1650s, `genre', `exile', and `politics', specifically royalism, are inseparable literary-historical constructs. In the introduction and first chapter, I elucidate my title - `Genre in Exile: Margaret Cavendish's Writings of the 1650s' - exploring its constituent parts, and their repercussionsfo r my project as a whole. I consider in my introduction different ways of thinking about genre, and delineate a model which is productive in examining Cavendish's work, as well as investigating how genrew as understood
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Sandlane, Margaret. "The education system of Zambia after independence / Margaret Sandlane." Thesis, Potchefstroom University for Christian Higher Education, 1989. http://hdl.handle.net/10394/8746.

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Chapter 1 looks into the following matters: • Problem or Research: The problem of research is: * to determine the changes that look place with regard to the structure or the Zambian Education System with respect to the Educational Reform and needs of the people after Independence. * to determine the changes in educational policy, organizational structure, school system and supportive services as a result of the Educational Reform in the post independence era. • Aims of Research: The purpose or this study is: * to describe the development of the Zambian Education System in a historical perspect
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Stewart, David. "Challenging the consensus : Scotland under Margaret Thatcher, 1979-1990." Thesis, University of Glasgow, 2004. http://theses.gla.ac.uk/4316/.

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This thesis addresses the reasons why Scottish Conservative support contracted under Thatcher, challenges the assumption that Thatcher was ‘anti-Scottish’ and places her in the wider context of Scottish Conservative and Unionist history, whilst illuminating Scottish Conservative personalities. This thesis has taken an overview of Thatcher’s tenure as Prime Minister, and illuminates key areas of Scottish society in the 1980s that have hitherto been under-researched. No historian or social scientist has attempted the broad perspective before. The research has been split into six chapters, and ea
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Baldo, Milene Cristina da Silva 1985. "O mundo resplandecente, de Margaret Cavendish : estudo e tradução." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269926.

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Orientador: Carlos Eduardo Ornelas Berriel<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-26T07:15:27Z (GMT). No. of bitstreams: 1 Baldo_MileneCristinadaSilva_M.pdf: 3399367 bytes, checksum: db5268af50e3efcc955d2d92fe5f0b1c (MD5) Previous issue date: 2014<br>Resumo: O objetivo desse trabalho de mestrado é traduzir e estudar The Description of a New World, Called The Blazing-World, de autoria da filósofa natural e Duquesa de Newcastle Margaret Lucas Cavendish, e cuja publicação ocorreu pela primeira vez e
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Leite, Maria do Rosário Silva. "The penelopiad: a reconstrução do mito por margaret atwood." Universidade Federal da Paraí­ba, 2010. http://tede.biblioteca.ufpb.br:8080/handle/tede/6302.

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Made available in DSpace on 2015-05-14T12:40:04Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 546651 bytes, checksum: c72cdf3c4a94d186c6d09337285d33e1 (MD5) Previous issue date: 2010-03-27<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The present work analyses the novel The Penelopiad: The Myth of Penelope and Odysseus (2005), by the Canadian author Margaret Atwood, translated into Portuguese as A Odisséia de Penélope (2005), a narrative characterized as a recreation of the homeric myth. This novel offers its reader an opportunity of coming back to Greece,
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Moreira, Patricia Dayse Alves Alvino. "A tecitura intertextual em The Penelopiad, de Margaret Atwood." reponame:Repositório Institucional da UnB, 2014. http://repositorio.unb.br/handle/10482/15570.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, Programa de Pós-Graduação em Literatura, 2013.<br>Submitted by Albânia Cézar de Melo (albania@bce.unb.br) on 2014-05-07T16:01:37Z No. of bitstreams: 1 2013_PatriciaDayseAlvesAlvinoMoreira.pdf: 331954 bytes, checksum: 45648082a292c62285934a43efb00d62 (MD5)<br>Approved for entry into archive by Guimaraes Jacqueline(jacqueline.guimaraes@bce.unb.br) on 2014-05-08T10:50:14Z (GMT) No. of bitstreams: 1 2013_PatriciaDayseAlvesAlvinoMoreira.pdf: 331954 bytes, checksum: 45648082a292c6228
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COUTURIER, STOREY FRANCOISE. ""l'allegorie dans l'oeuvre de margaret atwood et d'angela carter"." Nice, 1997. http://www.theses.fr/1997NICE2019.

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Ce travail de recherche a pour but d'etudier l'allegorie dans l'oeuvre de deux ecrivains anglo-saxons, celle de la canadienne margaret atwood et celle de l'anglaise angela carter (decedee en 1992). Je definit le terme d'allegorie de la facon suivante: il s'agit d'un equilibre de deux forces, du didactique et de la fantaisie (terme qui regroupe tous les discours de l'imaginaire, comme le fantastique, le merveilleux, la science-fiction, l'utopie/dystopie, le gothique, etc. ). La premiere partie de la these analyse l'allegorie comme discours ambivalent, souvent rejete par la critique mais pourtan
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Peyre, Claudine. "Itineraire romanesque. Lecture intertextuelle de l'oeuvre de margaret drabble." Toulouse 2, 1993. http://www.theses.fr/1993TOU20070.

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Le but de cette these est d'etudier l'itineraire romanesque suivi par margaret drabble, a travers une lecture intertextuelle de son oeuvre. Ce travail comprend donc une premiere partie qui s'interesse a l'evolution du roman britannique feminin depuis ses debuts, d'une part, et d'autre part, a la critique feministe ainsi qu'au sujet controverse du style feminin. La deuxieme partie examine les heritages du passe dans l'oeuvre de drabble, l'influence des auteurs victoriens et les rapports entre son texte et ceux de virginia woolf, arnold bennett et angus wilson. La troisieme partie s'interesse au
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Gribble, Jill. "Motifs of transformation in four novels of Margaret Atwood." Master's thesis, University of Cape Town, 2000. http://hdl.handle.net/11427/10510.

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Bibliography: pages 229-235.<br>The dominant theme that Margaret Atwood foregrounds in her writing is that of victimisation, whether she is writing of the victimisation of a country, of a minority group, of animals or of an individual. She adopts the position that through acknowledgement of that victimisation, and a refusal to accept the role of victim, it is possible to become a creative non-victim. It soon becomes evident from Atwood's writing that victimisation of one kind or another is what underpins the powerful patriarchal constructions of society. In each of the four novels discussed in
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Woudstra, Ruth. "Truth, history and representation in Margaret Atwoods' Alias Grace." Master's thesis, University of Cape Town, 2002. http://hdl.handle.net/11427/7417.

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Bibliography: leaves 53.<br>In the Introduction of this minor dissertation, Margaret Atwood as a post-modern writer and her interest in fictional autobiographies are considered, particularly with regard to memory, the formation of self-identity and amnesia. Parallels are drawn between Surfacing and Cat's Eye as fictional works. and Alias Grace, which is based on the life of a historical person. The novel Alias Grace alternates between first- and third-person accounts, and reflects Atwood's preoccupation with narrative techniques. The definition of post-modernism is regarded, as well as Atwood'
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Murray, Jennifer. "Perspectives paradoxales : le sens de l'histoire chez Margaret Atwood." Besançon, 2000. http://www.theses.fr/2000BESA1016.

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Margaret Atwood, romancière et poetesse canadienne, est souvent considérée sous l'angle de sa représentation de la vie contemporaine. Cependant, son écriture s'est progressivement tournée vers le problème de l'inscription textuelle de l"'histoire", terme qui nous renvoie à la fois aux éléments du passé et à notre compréhension de ce passé dans le présent. Ici sont examinées The journal of Susanna Moodie, The robber bride, et Alias Grace ; trois oeuvres de Margaret Atwood qui se construisent autour de la problématique du discours historique dans un engagement dynamique. L'étude de la représenta
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Bolander, Alisa Curtis. "Margaret Cavendish and Scientific Discourse in Seventeenth-Century England." Diss., CLICK HERE for online access, 2004. http://contentdm.lib.byu.edu/ETD/image/etd422.pdf.

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Nugent, Ashley Frances. ""Odd Apocalyptic Panics"| Chthonic Storytelling in Margaret Atwood's Maddaddam." Thesis, Florida Atlantic University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10844499.

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<p> I argue that Margaret Atwood&rsquo;s work in <i>MaddAddam</i> is about survival; it is about moving beyond preconceived, thoughtless ideology of any form with creative kinship. Cooperation and engagement cannot be planned in advance, and must take the form of something more than pre-established ideology. I will discuss <i>MaddAddam</i> in light of Donna Haraway&rsquo;s recent work in which she argues that multispecies acknowledgement and collaboration are essential if humans are to survive and thrive in the coming centuries. By bringing the two texts into dialogue, one sees that Atwood&rsq
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Neneve, Miguel. "Imperialism and resistance in the work of Margaret Laurence." reponame:Repositório Institucional da UFSC, 1996. https://repositorio.ufsc.br/xmlui/handle/123456789/158030.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão<br>Made available in DSpace on 2016-01-08T20:35:59Z (GMT). No. of bitstreams: 1 104926.pdf: 5430556 bytes, checksum: 8dc50e90d74a2610ba36bbd20ca49e2c (MD5) Previous issue date: 1996<br>Análise das obras da escritora canadense Margaret Lauren? com auxilio da teoria sobre pós-colonialismo. Verifica-se que a autora, apesar de ser canadense branca escreve contra o imperialismo e o colonialismo britânico tanto na África como no Canadá. Conclui-se que as obras da autora são pós-coloniais e devem ser lidas
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Slagle, Judith Bailey. "Gothic Interactions: Italian Gothic Translations of Margaret Holford Hodson." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/3222.

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