Thematische Bibliographien / Matriarchs (Bible) in art

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte

Auswahl der wissenschaftlichen Literatur zum Thema „Matriarchs (Bible) in art“

Autor: Grafiati
Veröffentlicht am 28. Juli 2024
Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "Matriarchs (Bible) in art"

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Kruschwitz, Jonathan. "Tamar among the matriarchs: Godless and perhaps closer to God." Review & Expositor 115, no. 4 (2018): 542–55. http://dx.doi.org/10.1177/0034637318795429.

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Is Tamar among the matriarchs? At first glance, not at all. She draws a striking contrast to precedent in her identity, her fertility, her breach of bridal convention, and most significantly the antagonism and absence of God in her procreative plight. Yet her story still alludes extensively to the matriarchal experience, suggesting that she is perhaps a matriarch after all, but one on whom matriarchy fits differently. This study accordingly explores how Tamar might stretch and develop matriarchal identity. In particular, it draws special attention to a resonance between her experience and a na
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Weiler, Joseph H. H. "Love and marriage: Revisiting patriarchy and matriarchy in biblical narrative." Studia Iuridica, no. 90 (June 27, 2022): 204–20. http://dx.doi.org/10.31338/2544-3135.si.2022-90.12.

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The article deals with various patterns of marriage relationships which were depicted in the Old Testament (Book of Genesis). Three types of marriages are distinguished there based, inter alia, upon the love relationships of the patriarchs: Abraham, Isaac and Jacob. Those patterns are founded upon the realism of the Bible narrative which provides for different, sometimes difficult and “loveless”, relationships among the couples. The article also argues that gender was not always determinative of the functional and even public role of the Patriarchs and Matriarchs where, for example, Rebecca, n
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Blais, Gérard. "Bible et art." Tangence, no. 35 (1992): 105. http://dx.doi.org/10.7202/025702ar.

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Cottin, Jérôme. "Bible et art." Études théologiques et religieuses 67, no. 2 (1992): 259–64. http://dx.doi.org/10.3406/ether.1992.3196.

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Zawanowska, Marzena. "In the Border-Land of Literalism: Interpretative Scripture Alterations in Medieval Karaite Translations of the Bible into Arabic." Intellectual History of the Islamicate World 1, no. 1-2 (2013): 179–202. http://dx.doi.org/10.1163/2212943x-20130108.

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With a perfectly faithful translation being but a pipe dream, every interpreter exercises certain degree of freedom in choosing what he perceives as the most appropriate representation of the source text in the target language. This flexible dimension is discernible also in overall literalistic approach of medieval Karaite translators of the Hebrew Bible into Arabic. The article focuses on non-theological alterations demonstrated in their renderings of scriptural verses, which are intended to modify rather than clarify the original meanings. It pays special attention to distinct ways in which
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Stavely, Keith W. F. "Roger Williams: Bible politics and Bible art." Prose Studies 14, no. 3 (1991): 76–91. http://dx.doi.org/10.1080/01440359108586447.

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Schroeder, Joy A. "Elizabeth Wilson, the Bible, and the Legal Rights of Women in the Nineteenth Century." Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts 5, no. 2 (2011): 219–32. http://dx.doi.org/10.1558/post.v5i2.219.

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In 1849, Elizabeth Wilson (fl. 1849-1850) published an impassioned defense of women’s rights entitled A Scriptural View of Woman’s Rights and Duties. Her work critiques patriarchy in church and society, arguing in favor of women’s social and legal rights within marriage. Challenging prominent male biblical commentators, Wilson asserted that male and female were created as equal co-sovereigns over creation. She claimed that biblical patriarchs and matriarchs exercised equal authority within the marriage relationship. Wilson’s most striking example is Abigail, who distributed household property,
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Gordon, R. P., and S. Bar-Efrat. "Narrative Art in the Bible." Vetus Testamentum 41, no. 3 (1991): 371. http://dx.doi.org/10.2307/1519087.

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Liu, Yingmei. "The Art of Bible Translation." Translation Review 108, no. 1 (2020): 111–15. http://dx.doi.org/10.1080/07374836.2020.1826148.

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Mooney, Sharon Fish. "Poetry, Art, and the Bible." Journal of Christian Nursing 34, no. 4 (2017): 256. http://dx.doi.org/10.1097/cnj.0000000000000422.

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Dissertationen zum Thema "Matriarchs (Bible) in art"

1

Domoney-Lyttle, Zanne. "Drawing (non)tradition : matriarchs, motherhood and the presentation of sacred text in "The Book of Genesis, Illustrated by R. Crumb"." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/9098/.

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In 2009, Robert Crumb produced a singular work, The Book of Genesis, Illustrated by R. Crumb, which purports to be a faithful, graphical interpretation of the book of Genesis from the Hebrew Bible. Among other sources, Crumb states that he used Robert Alter’s translation and commentary on Genesis to inform his work, along with the King James Version (KJV), the Jewish Publication Society Version (JPS) and Sarah the Priestess: The First Matriarch of Genesis by Savina J. Teubal; from those, he produced his own interpretation together with annotations to explain his interpretive decisions. Remedia
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Eichrodt, Hélène Elisabeth. "Ruth une patri-matriarche : Lectures intertextuelles et études des représentations de l'homme et de la femme dans le livre de Ruth." Université Marc Bloch (Strasbourg) (1971-2008), 2001. http://www.theses.fr/2001STR20064.

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Le travail s'emploie à analyser les représentations du féminin et du masculin du livre de Ruth, par le biais d'une lecture "intertextuelle" (1ère partie) et d'une analyse détaillée du livre de Ruth même (2eme partie). Rien du jardin d'Eden ne se retrouve dans ce récit : la femme ne propose pas le fruit défendu, mais accepte la nourriture qui lui est tendue. A Bethléem, "la maison du pain", pas même la force de travail ne suffit à la survie. L'exil, la fuite face à la faim, mènent à la mort. L'histoire de cette rencontre est située au coeur de la lutte quotidienne. Il s'agit d'un récit haut en
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Marha, Helenka. "La bible figuree de velislav recherches comparatives." Montpellier 3, 1986. http://www.theses.fr/1986MON30009.

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Le tome i contient un resume de l'enluminure bohemienne du xi-xiiie siecle et une etude de la bible de velislav avec un releve complet de scenes et de la legende. Le tome ii contient des recherches iconographiques comparatives avec la bible de velislav. Il s'agit surtout d'une comparaison entre la bible de pamplune et la bible de velislav, ensuite une comparaison entre la bible de velislav et la paraphrase d'aelfric, ensuite avec le psautier de saint albans et finalement une comparaison entre les bibles de pampelune et le cursus sanctae mariae ainsi que une comparaison entre toutes les bibles
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Botin-Sanz, de Sautuola Carolina. "The Spanish additions to the Avila Bible : a mid c12th giant Italian Bible in Madrid, (Bib.Nac.,Vitr.15-1)." Thesis, University of Cambridge, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307160.

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Gronner-Timsit, Yaël. "Rachel et Léa - entre tradition et contemporanéité : représentation des deux matriarches de la Bible à la société juive contemporaine en France et en Israël, au fil du Tamuld de Babylone, du Midrach Rabba du commentaire de Rachi et du Zohar." Paris, EHESS, 2009. http://www.theses.fr/2009EHES0152.

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La thèse constitue l’exploration thématique de six sources, cinq sources textuelles et une source orale. Les sources textuelles sont parmi les plus importantes de la tradition juive: la Bible, le Talmud de Babylone, le Midrach Rabba, le commentaire de Rachi sur la Bible, et le Zohar. Quant à la source orale, elle correspond à une étude des représentations actuelles de Rachel et Léa chez des juifs en France et en Israël au travers des entretiens. Ce travail tente d'abord de saisir la place occupée par les deux matriarches dans les textes fondateurs de la tradition juive et le cheminement du réc
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Morse, Benjamin L. "The Bible and its modern methods interpretation between art and text /." Thesis, Thesis restricted. Connect to e-thesis to view abstract, 2008. http://theses.gla.ac.uk/498/.

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Thesis (Ph.D.) - University of Glasgow, 2008.<br>Ph.D. submitted to the Department of Theology and Religious Studies, Faculty of Arts, University of Glasgow, 2008. Includes bibliographical references. Print version also available.
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Mathewson, Steven D. "The art of preaching Old Testament narrative literature." Theological Research Exchange Network (TREN) Access this title online, 2000. http://www.tren.com/search.cfm?p068-0218.

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Tovey, Derek Morton Hamilton. "Narrative art and act in the Fourth Gospel : aspects of the Johannine point of view." Thesis, Durham University, 1994. http://etheses.dur.ac.uk/5090/.

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This thesis assumes that the narrative form of the Fourth Gospel is important for understanding the Gospel's meaning. Narrative is a communicative transaction whereby meaning is transmitted from author to reader via the way the story is told. Meaning is also established by overt speech-acts, and the 'act' performed in the overall structuring of the story. It arises within a context of rule-governed speech behaviour which determines parameters and implications that inform understanding. The Gospel's narrative form meets with readers' conventional expectations about how it relates to ostensive h
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Dungan, Bebhinn. "Eve and the Madonna in Victorian art." Thesis, University of Plymouth, 2012. http://hdl.handle.net/10026.1/1254.

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This study identifies and addresses representations of Eve and the Madonna exhibited at seven well-known London venues during the Victorian era (1838-1901). The subjects of Eve and the Madonna are here selected for detailed analysis from the broader context of Victorian religious subject pictures, a category of Victorian art that remains arguably under-researched. Nineteenth-century religious art was rooted in a Romantic sensibility and was invested with the purpose of providing a balm during a course, commercial industrial age, which, like the Enlightenment that preceded it, heralded the birt
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Massé, Rébecca. "l'Illustration de la Bible par Marc Chagall comme témoignage de sa position théologie personnelle." Thesis, Université Laval, 2010. http://www.theses.ulaval.ca/2010/27339/27339.pdf.

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Bücher zum Thema "Matriarchs (Bible) in art"

1

Tuchman, Shera Aranoff. The passions of the matriarchs. J. Aronson, 2003.

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Orenstein, Walter. Etched in stone: A study of Biblical personalities. Bash Publications, 1989.

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Nodel, Maxine. Rebecca at the well. Baronet Books, 1993.

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Art, Toledo Museum of. The art of the Bible: The Bible as art. Toledo Museum of Art, 2001.

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Ḥayim, Aviner Shelomoh. Eshet ḥayil: Nashim ba-Tanakh. [Sh. Ḥ. ha-Kohen Aviner], 1999.

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Ḥayim, Aviner Shelomoh. Eshet ḥayil: Nashim ba-Tanakh. [Sh. Ḥ. ha-Kohen Aviner], 1999.

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Yadid, Eliyahu. Arbaʻ imahot ṿe-em ha-melukhah. Hotsaʼat Ari, 1997.

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Schaeffer, Francis A. Art and the Bible. IVP Books, 2006.

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Voltaggio, Francesco Giosuè. La oración de los padres y las madres de Israel: Investigación en el Targum del Pentateuco : la antigua tradición judía y los orígenes del cristianismo. EVD, 2010.

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Yang, Zhichao. Yang Zhichao: Chinese bible. Edited by Roberts, Claire, 1959- author, editor, Sang Ye 1955 author, Sherman Gene author, et al. Sherman Contemporary Art Foundation and Art Gallery of New South Wales, 2015.

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Buchteile zum Thema "Matriarchs (Bible) in art"

1

Hornik, Heidi J., and Mikeal C. Parsons. "Art." In The Blackwell Companion to the Bible and Culture. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470997000.ch19.

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Warner, Martin. "The Fourth Gospel's Art of Rational Persuasion." In The Bible as Rhetoric. Routledge, 2024. http://dx.doi.org/10.4324/9781003537052-12.

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Wempen, Faithe. "Using and Organizing Clip Art." In Microsoft® PowerPoint® 2010 Bible. John Wiley & Sons, Inc., 2014. http://dx.doi.org/10.1002/9781118983959.ch12.

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Grifoni, Cinzia. "Commented Editions of the Bible in Carolingian Europe." In The Art of Compilation. punctum books, 2025. https://doi.org/10.53288/0494.1.08.

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Scholtz, Sibylle, Myriam Becker, Lee MacMorris, and Achim Langenbucher. "Bruegel. Art, the Bible and the Blind." In Curiosities in Medicine. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-14002-0_13.

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Cuéllar, Gregory Lee. "Channeling the Biblical Exile as an Art Task for Central American Refugee Children on the Texas–Mexico Border." In Latinxs, the Bible, and Migration. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96695-3_4.

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Stulman, Louis. "Reading the Bible through the Lens of Trauma and Art." In Trauma and Traumatization in Individual and Collective Dimensions. Vandenhoeck & Ruprecht, 2014. http://dx.doi.org/10.13109/9783666536168.177.

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Domoney-Lyttle, Zanne. "“And Abram Listened to the Voice of Sarai”." In The Comics of R. Crumb. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496833754.003.0008.

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In 2009, R. Crumb produced a singular work, The Book of Genesis, Illustrated by R. Crumb, which purports to be a faithful, graphic interpretation of the book of Genesis from the Hebrew Bible. Among other sources, Crumb states that he used Robert Alter’s translation and commentary on Genesis to inform his work, along with the King James Version (KJV), the Jewish Publication Society Version (JPS,) and Sarah the Priestess: The First Matriarch of Genesis by Savina J. Teubal. From those sources, he produced his own interpretation together with annotations to explain his interpretive decisions. In t
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Jackson, Melissa A. "Trickster Matriarchs: Lot's Daughters, Rebekah, Leah, Rachel, Tamar." In Comedy and Feminist Interpretation of the Hebrew Bible. Oxford University Press, 2012. http://dx.doi.org/10.1093/acprof:oso/9780199656776.003.0003.

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Duran, Michelle M. "The Politics of Art:." In The Anjou Bible. Peeters Publishers, 2023. http://dx.doi.org/10.2307/jj.9165184.9.

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Konferenzberichte zum Thema "Matriarchs (Bible) in art"

1

Kim, Hyoyoung, and Jin Wan Park. "Topics on bible visualization." In SIGGRAPH Asia 2013 Art Gallery. ACM Press, 2013. http://dx.doi.org/10.1145/2542256.2542261.

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Publico, Alyssa. "Sailing Through: The Assessment of a Philippine Grief Support Program Using Bible-Based Lessons and Art Therapy." In – The Asian Conference on Psychology & the Behavioral Sciences 202. The International Academic Forum(IAFOR), 2020. http://dx.doi.org/10.22492/issn.2187-4743.2020.5.

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Miao, Jianying. "Study on the Necessity of Teaching the Bible as Literature in University English Programs in China*." In Proceedings of the 6th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/assehr.k.191217.116.

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Merlo, Alessandro, and Gaia Lavoratti. "Vernacular architecture and art. The representation of traditional build-ings in Lorenzo Ghiberti's Gates of Paradise in the Baptistery of Florence." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15140.

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In the ten bas-relief panels of the Gates of Paradise of the Florence Baptistery, Lorenzo Ghiberti depicted episodes from the Old Testament, narrated through a succession of scenes, in which the figurative language also fulfils a catechetical function.The master set the Istorie (Stories) of the main characters of the Bible against a background of landscapes depicting territories and architecture known to him, and sculpting in great detail the flora, fauna and human structures. With regard to the latter, in the fifth, sixth and tenth panels, the scenery consists of monumental architecture inspi
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Wlochova, Andrea, and Karolina Slamova. "JAN AMOS COMENIUS AND HIS QUEST FOR ENNOBLING MAN�S LIFE." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.19.

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In 2020, the Czech Republic commemorated an anniversary of a significant humanistic thinker, writer, and theologist, whose importance has exceeded the borders of the Czech lands. Jan Amos Comenius (28 March 1592 � 15 November 1670) is a leading representative of the Czech culture of the 17th century, and he became famous, especially as an author of didactic works, which represented a breakthrough in the field of education and inspired the way to modern educational methods. These works were based on Comenius� tireless effort to look for didactic means to spread the knowledge he managed to gathe
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Barnett, Ralph L. "The Doctrine of Manifest Danger and its Relationship to Reliability, Preventive Maintenance and Fail-Safe Design." In ASME 1993 Design Technical Conferences. American Society of Mechanical Engineers, 1993. http://dx.doi.org/10.1115/detc1993-0060.

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Abstract “Dust thou art, and unto dust shalt thou return.”1 Man has made no observations that would challenge this notion from the Bible and certainly safeguarding systems fall into lockstep. Safety technology has responded to the reality of eventual degradation using four general approaches: reliability design, preventive maintenance, fail-safe design and danger manifestation. The optimum implementation of these approaches will still not eliminate accidents; indeed, no work of manor nature is or can be danger free. Nevertheless, these sophisticated approaches are capable of producing ever-inc
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Sima, Adriana. "A PHILOSOPHICAL VIEW OF GOD, FAITH AND UNBELIEF IN 21ST CENTURY SOCIETY." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs03.03.

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Faith in God also enables individuals to make sense of their lives in the midst of chaos and to find meaning and purpose in life�s challenges, a sense of peace and security, especially during difficult times, It can provide hope for a brighter future and a sense of assurance that no matter what life throws our way, God is always with us, knowing that God will never leave them and that He has a plan for their lives. The debate on creation versus evolution is an ongoing, heated debate that has been going on for many years. The debate is between those who believe that God created the universe and
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Iblova, Radmila. "LANDSCAPE OF HUMANISM." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. http://dx.doi.org/10.35603/sws.iscah.2024/fs06.16.

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The place to live and the living space fundamentally shape each person and the possibilities of their own existence. The landscape of humanism defines an environment where the unique local landscape and architecture inspire people to free their minds from the principles and rules that protect the supremacy of the powerful in a way that invites new exploration. The landscape of humanism, as conceived in my work, begins to be born during the early 13th century in central Italy. The progenitor who initiated this transformation by his life example is Saint Francis of Assisi. The life of this man s
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