Auswahl der wissenschaftlichen Literatur zum Thema „Mimesis“

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Zeitschriftenartikel zum Thema "Mimesis"

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Mitosek, Zofia. "Mimesis - między udawaniem a referencją." Przestrzenie Teorii, no. 1 (February 15, 2007): 25–46. http://dx.doi.org/10.14746/pt.2002.1.2.

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This study reformulates the old problem of mimesis in the spirit of pragmatics. It treats similarity as as a subjective-objective relation. Comparison of the conception of formal mimetism and literature as pretending of actual acts of speech leads to a conclusion on the asymmetry of these two modern applications of the category of mimesis. The first one attempts at restricting its use, the second attempts at globalisation, a kind of which is pragmatisation. Conception of mimesis as pretending strengthens the objective characterisation of categories. The function of convention is emphasised, wh
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Rybačiauskaitė, Karolina. "Towards a Diffractive Mimesis: Karen Barad’s and Isabelle Stengers’ Re-Turnings." Journal of Posthumanism 2, no. 2 (2022): 139–50. http://dx.doi.org/10.33182/joph.v2i2.1943.

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This article seeks to further the discussion of mimesis in the current new materialist philosophies that are charged with doubts about the potential of mimetic practices, i.e., practices of reflection, and propose a more differential /diffractive notion of mimesis. It argues that the concept of mimesis and performative approaches to knowledge making can be compatible. The figures of mimesis appear in the conceptualizations of both reflective and diffractive practices, and if mimesis is considered rather as a diffractive operation, it could be seen as having a different efficacy and ethico-poli
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Çelik, e. Murat. "Paul Ricoeur'ün Üçlü Mimesis Anlayışı ve Edebiyatın Etkileme Gücü." Posseible 13, no. 1 (2024): 1–15. https://doi.org/10.5281/zenodo.12800279.

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Bu yazıda Paul Ricoeur’ün üçlü mimesis anlayışı üzerine yoğunlaşarak yazınsal metinlerin metin dışı dünyaya nasıl göndermede bulunduklarını göstermeye çalışıyorum. Ricoeur’ün mimesis kuramı, Aristoteles’in mimesis anlayışının genişletilmiş ve radikal bir yorumudur. Ricoeur mimesis kavramının tam anlamıyla kavranabilmesi için onu muthos kavramı ile bir bağlılaşıklık içinde yorumlamamız gerektiğini savunur. Öte yandan “muthos”u durağan ve kapalı bir sistem olarak anlaşılan “olay örg&
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Düttmann, Alexander. "Be Mimetic." Philosophical Literary Journal Logos 34, no. 5 (2024): 5–11. https://doi.org/10.17323/0869-5377-2024-5-5-11.

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The author of the article analyzes mimesis in terms of behavior that does not aim to express and assert selfhood or identity, but only pretends to do so. “Being mimetic” means: “Stop being yourself and be like yourself!” The article reveals the implications and consequences of such behavior or such mimesis. The author recalls the famous anecdote when Theodor Adorno encounters a dog and urges it to be mimetic, placing it in the context of the relationship between mimesis and slapstick comedy. Through the rupture between “being” and “pretending” that emerges in comedy, mimesis becomes a liberati
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Lawtoo, Nidesh. "Posthumanism and Mimesis: An Introduction." Journal of Posthumanism 2, no. 2 (2022): 87–100. http://dx.doi.org/10.33182/joph.v2i2.2242.

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A different, immanent, embodied, and relational conception of mimesis is currently informing the posthuman turn. Emerging from an ERC-funded project titled Homo Mimeticus, this opening essay introduces the mimetic turn in posthuman studies via three related steps: first, it differentiates aesthetic realism and the metaphysics of sameness it entails from a posthuman mimesis open to differential processes of becoming other; second it inscribes the mimetic turn in a brief genealogy of re-turns to mimesis in the history of western thought; and third, it turns to contemporary manifestations of hype
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Dolar, Mladen. "Mimesis and ideology - from Plato to Althusser." Filozofija i drustvo 26, no. 1 (2015): 156–78. http://dx.doi.org/10.2298/fid1501156d.

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The moment one imitates something, it sticks, it marks the imitator, there is no innocent imitation. Imitation necessarily affects the one who imitates, for better or (usually) for worse, and the making of a simple copy of something necessarily affects the original. This is perhaps the briefest way to describe Plato?s concerns about the nature of mimesis in the Republic. The purpose of this paper is to give a brief account of looking at the mysterious magic powers of mimesis and of attempts to counteract them. The topic is massive, so the paper will concentrate on a few perspectives, starting
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Seif, Farouk Y. "Mutual mimesis of nature and culture: A representational perspective for eco-cultural metamorphosis." Sign Systems Studies 38, no. 1/4 (2010): 242–69. http://dx.doi.org/10.12697/sss.2010.38.1-4.09.

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Since the beginning of history humans have attempted to represent nature and culture through mimesis. This article focuses on the teleological aspects of mimesis and offers a different perspective that transcends the notion of sustainability into an eco-humanistic metamorphosis of culture and nature. Drawing from semiotics, phenomenology and architectural design the article challenges the polarization of mimetic representations of nature and culture, which are inclusive and homomorphic phenomena, and offers insight into the mutual mimesis of nature and culture. Two different empirical observat
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Kondakova, Alina. "Violent (Non)Reciprocity: Mimesis and Anti-Mimesis of Conflict." Philosophical Literary Journal Logos 34, no. 5 (2024): 65–84. https://doi.org/10.17323/0869-5377-2024-5-65-84.

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Violence in its genesis is defined by René Girard as a purely human phenomenon, which is conditioned by the ultimate identity of the subjects, the non-recognition of which pushes them to establish a difference, which is impossible due to the illusory nature of the latter. Thus, the mimetic crisis (the crisis of differences), which is almost losing its discontinuity, reveals only a homogeneous form of violence, and it itself is endowed with hypostatic agency by Girard, which means that it’s impossible to overcome the current situation of looping mutual violence from within. The root of violence
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Feddern, Stefan, and Andreas Kablitz. "Mimesis." Poetica 51, no. 1-2 (2020): 1–84. http://dx.doi.org/10.30965/25890530-05101001.

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Abstract This article starts off from the observation of the deeply polysemic character of the term mimesis in current literary studies. On the one hand, it is used to denote a poetics of imitation which was mainly derived from the Poetics of Aristotle and was to become the predominant conception of poetry in early modern times until the advent of Romanticism. On the other hand, besides this historical meaning, mimesis has, at the same time, a systematic significance. It refers to any poetics that defines poetry as a specific representation of reality. In this sense, the poetics of realism is
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Wolf, Philipp. "Benjamin's Mimetic Re-Turn: Language, Body, Memory." MLN 138, no. 5 (2023): 1460–80. http://dx.doi.org/10.1353/mln.2023.a922034.

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Abstract: Walter Benjamin is a crucial figure in modernist mimesis. He was highly receptive to mimetic influences and at the same time a prolific and sensitive theoretician of those experiences. He moved far beyond the traditional aesthetics of a realistic and representational mimesis and must be located within the post-Nietzschean, modernist 'mimetic turn or re-turn.' Even if occluded by modern rationality, the mimetic faculty still takes effect for Benjamin in 'non-sensuous similarities,' in poetic language, in drifting expression, the unconscious, the body and its memory. To place Benjamin
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Dissertationen zum Thema "Mimesis"

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Vavříková, Eliška. "Mimesis a Poiesis." Doctoral thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2008. http://www.nusl.cz/ntk/nusl-78216.

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Wilkie, Kate. "Mimesis index symbiosis." Thesis, The University of Sydney, 2011. https://hdl.handle.net/2123/29281.

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This investigation will pose the question: What are the functions of the shadows in key moments in the history of pictorialism? And how these moments, cited, are drawn together to provide an historical and theoretical context, which informs my practice.
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Vana, Gerhard. "Metropolis : Modell und Mimesis /." Berlin : Mann, 2001. http://www.gbv.de/dms/bs/toc/33178727x.pdf.

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Pedroza, Edgar. "Through mimesis and methodology." Thesis, Massachusetts Institute of Technology, 2008. http://hdl.handle.net/1721.1/44284.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2008.<br>Leaf 58 blank.<br>Includes bibliographical references (leaves 54-55).<br>The goal of this document is to outline the trajectory in which I have been working the past several years. I would like to comment and detail the production of several projects, including Site Nine: Indefensible Structures, Text 11: Site Translations, Study For Casablanca: Maps For Access And Improvised Housing, and Lavon, Texas - Levittown, New York. The reach of the projects, and it is perpetually adaptive to new concerns, is not to a
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Tedeschi, Francesca <1997&gt. "Mimesis and Surveillance Art." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21291.

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Partendo dalle nozioni fondamentali sul tema del mascheramento e del volto espresse da diversi critici e studiosi come Belting, Bettini, Frontisi-Ducroux, Vernant. A seguire, vi sarà sviluppata un'approfondita elaborazione sul concetto di mimesis. Il lavoro prevede l'analisi di tre case studies nell'ambito dell'arte contemporanea. Gli artisti individuati fanno parte di quella che viene definita corrente della "Surveillance Art", una critica politica ai metodi di sorveglianza sempre più presenti nelle nostre società contemporanee.
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Örnlind, Henrik. "Rekonstruktion av mimesis : Ett försök att tänka begreppet mimesis utifrån Paul Ricoeur och inifrån Martin Heidegger." Thesis, Södertörns högskola, Institutionen för kultur och kommunikation, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-9943.

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This essay tries to investigate the possibility to reconstruct the concept of mimesis in Martin Heidegger’s hermeneutical phenomenology in Sein und Zeit. Paul Ricoeur’s interpretation of the concept of mimesis in Aristotle’s Poetics, develops a new temporal understanding of the mimetic activity, which Ricoeur in his work Time and Narrative, claims to have the possibility to overcome the aporias in the phenomenology of time. With this criticism as the background context for the present study, seeks this essay to pick up Ricoeur’s new conception of mimesis, and use that in a comparative philosop
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Lyons, Patricia. "Mimesis in practice : an investigation into the employment of the mimetic faculty in fine art practice." Thesis, Open University, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287022.

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Ganani-Tomares, Dafna. "Mimesis : Judith Butler, visual practice, tragic art." Thesis, Goldsmiths College (University of London), 2007. http://research.gold.ac.uk/178/.

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The project grounds the use of mimesis in my video art practice. In the written element I query equivalence between mimesis and performativity in Judith Butler's conception; I consider the tragic and hyperbolic faculties of these, as ways of promoting expansion of context in received convention. My video clips have performance in them and mime destructive regimes in mainstream conventions of visual culture, of sexual identity and of political position, to challange these. They mobilize convention and deviation from it, through ineptitude of performance or my ambiguous relation to the conventio
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SILVA, CHRISTIANI MARGARETH DE MENEZES E. "MIMESIS AND COGNITIVE PLEASURE IN ARISTOTLENULLS POETICS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2005. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7209@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>A presente dissertação de mestrado tem o objetivo de mostrar os vínculos entre a noção de mimesis, prazer e conhecimento na Poética de Aristóteles. No texto da Poética, dois momentos são importantes para analisar o prazer que o homem experimenta ao estar diante de um mimema: quando o exemplo é uma pintura, e quando o exemplo é uma tragédia. No caso do exemplo pictórico, o prazer é claramente cognitivo: há prazer em reconhecer do que o mimema (a pintura) é mimema. No caso da tragédia a questão é mais complexa, pois ela surte
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Valakas, Konstantinos. "Homeric mimesis and the Ajax of Sophocles." Thesis, University of Cambridge, 1988. https://www.repository.cam.ac.uk/handle/1810/283656.

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Bücher zum Thema "Mimesis"

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Metscher, Thomas. Mimesis. 2nd ed. transcript, 2004.

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Nikolaidis, Andrej. Mimesis. Asociacioni Ulqini, 2006.

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Potolsky, Matthew. Mimesis. Routledge, 2006.

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Metscher, Thomas. Mimesis. Aisthesis, 2001.

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Dami︠a︡nova, Adriana. Mythos & mimesis. Sema Rsh, 2002.

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Munteanu, Marius. Mimesis: Parodii. Facla, 1986.

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Schönert, Jörg, and Ulrike Zeuch, eds. Mimesis - Repräsentation - Imagination. Walter de Gruyter, 2004. http://dx.doi.org/10.1515/9783110201826.

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Bose, Mandakranta. Movement and Mimesis. Springer Netherlands, 1991. http://dx.doi.org/10.1007/978-94-011-3594-8.

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D. Dowden, Stephen. Modernism and Mimesis. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53134-8.

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Pasolini, Pier Paolo. La divina mimesis. Einaudi, 1993.

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Buchteile zum Thema "Mimesis"

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Wulf, Christoph. "Mimesis." In Lecture Notes in Morphogenesis. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51324-5_77.

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Wulf, Christoph. "Mimesis." In Hauptbegriffe Qualitative Sozialforschung. VS Verlag für Sozialwissenschaften, 2003. http://dx.doi.org/10.1007/978-3-322-99183-6_46.

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Woodruff, Paul. "Mimesis." In A Companion to Ancient Aesthetics. John Wiley & Sons, Inc, 2015. http://dx.doi.org/10.1002/9781119009795.ch21.

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Wulf, Christoph. "Mimesis." In Handbuch Körpersoziologie. Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-04136-6_12.

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Sutherland, John. "Mimesis." In 50 Schlüsselideen Literatur. Spektrum Akademischer Verlag, 2012. http://dx.doi.org/10.1007/978-3-8274-2900-1_2.

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Palaver, Wolfgang. "Mimesis." In Lexikon der Geisteswissenschaften. Böhlau Verlag, 2011. http://dx.doi.org/10.7767/boehlau.9783205790099.557.

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Bowen, Eleanor, and Laura González. "Mimesis." In The Hysteric. Routledge, 2023. http://dx.doi.org/10.4324/9781003092407-4.

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Konuk, Kader. "Mimesis." In The Routledge Handbook of Reenactment Studies. Routledge, 2019. http://dx.doi.org/10.4324/9780429445637-30.

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Wulf, Christoph. "Mimesis." In Handbuch Pädagogische Anthropologie. Springer Fachmedien Wiesbaden, 2013. http://dx.doi.org/10.1007/978-3-531-18970-3_21.

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Wulf, Christoph. "Mimesis." In Handbuch Körpersoziologie 1. Springer Fachmedien Wiesbaden, 2022. http://dx.doi.org/10.1007/978-3-658-33300-3_17.

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Konferenzberichte zum Thema "Mimesis"

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Forni, Riccardo, Danilo Calderonel, Damiano Coato, et al. "Towards Bio-Mimetic 3D Printable Human Anatomies." In 2024 IEEE International Conference on Metrology for eXtended Reality, Artificial Intelligence and Neural Engineering (MetroXRAINE). IEEE, 2024. https://doi.org/10.1109/metroxraine62247.2024.10795909.

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Cerar, Maja, and Liubo Borissov. "Autopoiesis/Mimesis." In SIGGRAPH07: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2007. http://dx.doi.org/10.1145/1280120.1280136.

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Domínguez, Ignacio X., Rogelio E. Cardona-Rivera, James K. Vance, and David L. Roberts. "The Mimesis Effect." In CHI'16: CHI Conference on Human Factors in Computing Systems. ACM, 2016. http://dx.doi.org/10.1145/2858036.2858141.

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Ramond, Catherine. "Mimesis dramatique, mimesis romanesque chez Sade : une œuvre à deux faces ?" In Sade en jeu. Fabula, 2018. http://dx.doi.org/10.58282/colloques.5865.

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Lee, D., and Y. Nakamura. "Mimesis from partial observations." In 2005 IEEE/RSJ International Conference on Intelligent Robots and Systems. IEEE, 2005. http://dx.doi.org/10.1109/iros.2005.1545256.

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MORETTI SILVA, ANDRESSA, and RAQUEL SCOTTI HIRSON. "Structure and Spontaneity in Corporeal Mimesis and Word Mimesis as Premises to think about Stage Presence." In XXIV Congresso de Iniciação Científica da UNICAMP - 2016. Galoa, 2016. http://dx.doi.org/10.19146/pibic-2016-51825.

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Dörrenbächer, Judith, Diana Löffler, and Marc Hassenzahl. "Becoming a Robot - Overcoming Anthropomorphism with Techno-Mimesis." In CHI '20: CHI Conference on Human Factors in Computing Systems. ACM, 2020. http://dx.doi.org/10.1145/3313831.3376507.

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BROWN, ERIN, and JORDAN ZLATEV. "BRIDGING THE GAP: FROM BODILY MIMESIS TO SPEECH." In EVOLANG 10. WORLD SCIENTIFIC, 2014. http://dx.doi.org/10.1142/9789814603638_0064.

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Lavranou, E. "Mimesis in Plato and G. Vizyinos: convergences and divergences." In VI Международная научная конференция по эллинистике памяти И.И. Ковалевой. Московский государственный университет им. М.В. Ломоносова, 2021. http://dx.doi.org/10.52607/9785190116113_172.

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Huang, Bidan, Joanna Bryson, and Tetsunari Inamura. "Learning motion primitives of object manipulation using Mimesis Model." In 2013 IEEE International Conference on Robotics and Biomimetics (ROBIO). IEEE, 2013. http://dx.doi.org/10.1109/robio.2013.6739618.

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Berichte der Organisationen zum Thema "Mimesis"

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Makhachashvili, Rusudan K., Svetlana I. Kovpik, Anna O. Bakhtina, and Ekaterina O. Shmeltser. Technology of presentation of literature on the Emoji Maker platform: pedagogical function of graphic mimesis. [б. в.], 2020. http://dx.doi.org/10.31812/123456789/3864.

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The article deals with the technology of visualizing fictional text (poetry) with the help of emoji symbols in the Emoji Maker platform that not only activates students’ thinking, but also develops creative attention, makes it possible to reproduce the meaning of poetry in a succinct way. The application of this technology has yielded the significance of introducing a computer being emoji in the study and mastering of literature is absolutely logical: an emoji, phenomenologically, logically and eidologically installed in the digital continuum, is separated from the natural language provided by
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Morgan, Nathaniel R., Donald E. Burton, and Konstantin Nikolay Lipnikov. Mimetic Constraints. Office of Scientific and Technical Information (OSTI), 2013. http://dx.doi.org/10.2172/1090701.

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Manzini, Gianmarco. The Mimetic Finite Difference Method. Office of Scientific and Technical Information (OSTI), 2013. http://dx.doi.org/10.2172/1078363.

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Bochev, Pavel, Nathaniel Trask, and Mauro Perego. A meshfree mimetic divergence operator. Office of Scientific and Technical Information (OSTI), 2019. http://dx.doi.org/10.2172/1763214.

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Hyman, J. M., M. Shashkov, M. Staley, S. Kerr, S. Steinberg, and J. Castillo. Mimetic difference approximations of partial differential equations. Office of Scientific and Technical Information (OSTI), 1997. http://dx.doi.org/10.2172/518902.

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Klein, Mark. Development of Novel p16INK4a Mimetics as Anticancer Therapy. Defense Technical Information Center, 2014. http://dx.doi.org/10.21236/ada615123.

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Kroninger, Christopher, Jeffrey Pulskamp, Jessica Bronson, Ronald G. Polcawich, and Eric Wetzel. Bio-Mimetic Millimeter-Scale Flapping Wings for Micro Air Vehicles. Defense Technical Information Center, 2009. http://dx.doi.org/10.21236/ada496241.

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Fendler, J. H. Photochemical solar energy conversion utilizing semiconductors localized in membrane-mimetic systems. Office of Scientific and Technical Information (OSTI), 1991. http://dx.doi.org/10.2172/5489231.

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McGregor, Duncan A., Vitaliy Gyrya, and Gianmarco Manzini. M-Adapting Low Order Mimetic Finite Differences for Dielectric Interface Problems. Office of Scientific and Technical Information (OSTI), 2016. http://dx.doi.org/10.2172/1240815.

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10

Smith, H. G. Surface-Bound Membrane-Mimetic Assemblies: Electrostatic Attributes of Integral Membrane Proteins. Defense Technical Information Center, 1988. http://dx.doi.org/10.21236/ada204381.

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