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Zeitschriftenartikel zum Thema „Monks – Fiction“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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1

Ely-Harper, Kerreen. "Writing/performing myself on-screen: Daniel Monks’ memory work on film." Journal of Screenwriting 12, no. 1 (2021): 95–111. http://dx.doi.org/10.1386/josc_00050_1.

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Performing memories is a way of working through and reconstructing the self. Films that draw on autobiographical experiences are a way of working through and constructing narratives of the self. How can memory work be applied to the writing and filmmaking process? Can memory work, with its focus on personal and embodied experience, lead us to a more truthful account of our individual histories and ourselves? In addressing these questions, I draw on sociological and memory studies into autobiographical memory in my examination of the screenwriting work of Australian actor/writer Daniel Monks. M

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2

Jarkas, Najla. "West Meets East as Monks Purge 'Infidels' in The Historian." International Journal of Arabic-English Studies 9, no. 1 (2008): 37–58. http://dx.doi.org/10.33806/ijaes2000.9.1.3.

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One more time, a work featuring the grotesque figure of the vampire emerges from the shackles of the Middle Ages to top the list of recent fiction best sellers. Already being translated into thirty-five languages and having been purchased for two million dollars from its first time novelist even before its publication, The Historian (2005) by Elisabeth Kostova entraps its readers in a series of breath-taking events promising to unravel deeply hidden ancient secrets and crucial truths. This paper looks at these so-called deeply held secrets showing that through the genre of the fantastic, rathe

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3

Burger, Bettina. "Warrior Monks, Sentient Robots, and Plant People: Queerness in Australian Speculative Fiction in the 21st Century." Zeitschrift für Australienstudien / Australian Studies Journal 37 (2023): 77–95. https://doi.org/10.35515/zfa/asj.37/2023.06.

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4

Menyaev, B. V. "Collection of Manuscripts in Oirat in Ulan-Khol khurul of Kalmykia." Orientalistica 5, no. 5 (2022): 1113–32. http://dx.doi.org/10.31696/2618-7043-2022-5-5-1113-1132.

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This article presents a brief overview of the collection of manuscripts in the Oirat language stored in the fund of the Ulan-Khol Temple of the Republic of Kalmykia. The collection under consideration is relatively small (50 manuscripts), but it contains very interesting materials. The manuscripts of the Ulan-Khol Temple were a part of a significant collection of Buddhist writings in Tibetan, Old Mongolian and Oirat in the library of the Shars-Bagut (Northern) Temple, which was located from 1889 to 1939 in the area of Bora, Shars-Bagut aimak located in Erketenevsky ulus. The manuscripts were t

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5

Bull, Christian H. "Visionary Experience and Ritual Realism in the Ascent of the Discourse on the Eighth and the Ninth (nhc vi,6)." Gnosis: Journal of Gnostic Studies 2, no. 2 (2017): 169–93. http://dx.doi.org/10.1163/2451859x-12340035.

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The Discourse on the Eighth and the Ninth (nhc vi,6) is a dialogue between Hermes Trismegistus and his son, during which they experience visions of the eighth and ninth spheres, above the seven planetary spheres. The paper aims to show that such experiences were not merely literary fiction, but actively pursued and allegedly obtained by those who followed the course of spiritual formation known as the Way of Hermes. A comparison with the Greek and Demotic magical papyri shows that these texts all show signs of “ritual realism,” meaning that correct ritual performance necessarily provides direc

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Revire, Nicolas. "Facts and Fiction: The Myth of Suvaṇṇabhūmi Through the Thai and Burmese Looking Glass". TRaNS: Trans -Regional and -National Studies of Southeast Asia 6, № 2 (2018): 167–205. http://dx.doi.org/10.1017/trn.2018.8.

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AbstractMost scholars think that the generic name ‘Golden Land’ (Sanskrit, Suvarṇabhūmi; Pali, Suvaṇṇabhūmi) was first used by Indian traders as a vague designation for an extensive region beyond the subcontinent, presumably in Southeast Asia. Some Pali sources specifically link Suvaṇṇabhūmi with the introduction of Buddhism to the region. The locus classicus is the Sri Lankan Mahāvaṃsa chronicle (fifth century AD) which states that two monks, Soṇa and Uttara, were sent there for missionary activities in the time of King Asoka (third century BC). However, no Southeast Asian textual or epigraph

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Stock, Wiebke-Marie. "Fraught with Tension: The Question of the Unity of the Corpus Dionysiacum." Journal of Early Christian Studies 32, no. 2 (2024): 269–92. http://dx.doi.org/10.1353/earl.2024.a929880.

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Abstract: There is debate about whether the Corpus Dionysiacum consists of two parts or offers a coherent position. One group of scholars presents a divisionist position, distinguishing one group of treatises dominated by the idea of hierarchical mediation from a second concentrating on the idea of individual and mystical knowledge of God. The second scholarly interpretation supports a holistic view and underlines the unity of the Corpus . I argue that the Corpus is a unity fraught with tension. Dionysius presents, I argue, a comprehensive view of human beings and their place in the world that

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Jones, Amanda. "Madness, Monks and Mutiny: Neo-Victorianism in the Work of Victoria Holt." Neo-Victorian Studies 12, no. 1 (2019): 1–27. https://doi.org/10.5281/zenodo.3470919.

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Despite authoring almost thirty Victorian-set novels between 1960 and 1993, Victoria Holt (a pseudonym of Eleanor Hibbert) has received little critical attention. This article examines four of Holt’s novels and reveals key ways in which she ‘talks back’ to Victorian literature, specifically to <em>Jane Eyre</em> (1847), <em>The Moonstone</em> (1868), <em>The Woman in White</em> (1860) and ‘The Children’s Hour’ (1860). In particular, it investigates Holt’s neo-Victorian use of the asylum in her second novel, <em>Kirkland Revels </em>(1962), which highli

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Alzouabi, Lina. "Social Environment and Crime in Dickens' Oliver Twist and Great Expectations." International Journal of Linguistics, Literature and Translation 4, no. 6 (2021): 163–70. http://dx.doi.org/10.32996/ijllt.2021.4.6.19.

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This study reads Charles Dickens' Oliver Twist and Great Expectations as crime novels by applying Sutherland's theory of "differential association" which postulates that criminal behavior is learned rather than inherited, and it is learned through interaction with other people within intimate personal groups in which one learns techniques and acquires motives for committing crimes. In Oliver Twist, Oliver is portrayed as a victim of the corrupted social environment as well as Monks' conspiracy with Fagin to drag him down to the underworld.; he is raised as an orphan in a workhouse and subjecte

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10

Rozin, Vadim Markovich. "Breaking the spell on the iconic work of Reza Negarestani “Cyclonopedia”." Культура и искусство, no. 7 (July 2021): 55–65. http://dx.doi.org/10.7256/2454-0625.2021.7.35931.

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This article is dedicated to rational interpretation of the novel &ldquo;Cyclonopedia&rdquo; by the Iranian philosopher and writer Reza Negarestani, which particularly draws attention of the young audience. The author believes that it is impossible to grasp such works without interpretation and reconstruction of their themes and contents. Implementing the claimed approach, the author discusses the crucial topic of openness in the novel and peculiarities of the poetics of &ldquo;Cyclonopedia&rdquo;. There are two different understandings of openness described by R. Negarestani:

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11

Osadchaya, Tatyana, and Galina Lushnikova. "Synthesis of Documentary and Artistic Codes in Dave Eggers’ Story “The Monk of Mokha”." Philology & Human, no. 1 (March 5, 2023): 192–202. http://dx.doi.org/10.14258/filichel(2023)1-15.

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This article is devoted to the analysis of documentary fiction based on the material of the story “The Monk of Mokha” by a contemporary American writer Dave Eggers. The purpose of the study is to identify methods of implementing and synthesizing documentary and artistic codes in this work, as well as to determine the main functions of such a synthesis in the conceptual and thematic structure of the story. The study of factual and fictional narratives’ components in the story under consideration has shown that the factual narrative is determined by the author’s concern for authenticity, accurac

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Smith, Frederik N. "Watt, Watson, and Sherlock Holmes: As Detective Fiction." Samuel Beckett Today / Aujourd'hui 16, no. 1 (2006): 299–317. http://dx.doi.org/10.1163/18757405-016001035.

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Beckett as a boy read Sir Conan Doyle's stories, and has been said to reflect this reading. Several years earlier, however, mocks syllogistic thinking but likewise toys with the inductive investigations of Sherlock Holmes. Although during the war people may have wanted to be assured that rational meaning still existed, Beckett shows quite the reverse; in advance of he hails the genre of detective fiction, but writes a sort of anti-detective novel.

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Keresztesi, Rita. "Jean-Pierre Bekolo’s Le président: Documenting the absence." Journal of African Cinemas 16, no. 1 (2024): 39–60. https://doi.org/10.1386/jac_00107_1.

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Jean-Pierre Bekolo’s ‘mockumentary’ film Le président (2013) exposes the dangers of a single story and absolute political rule by presidents-for-life. He not only mimics but also mocks the ‘visible evidence’ thesis of the documentary film genre and blurs the boundaries between fact and fiction. Bekolo’s film opts for multiple voices to entice political dissent and believes in the power of art to imagine liveable African futures.

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14

Ratnayake, M. "Politics in the Robe: Reverend Batuwangala Rahula’s expedient use of allegory and symbolism." University of Colombo Review 5, no. 2 (2024): 4–25. https://doi.org/10.4038/ucr.v5i2.214.

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This article is a study of how a Buddhist monk-author wrote against several dominant ideological standpoints in Sri Lanka during and after the war between the Sri Lankan state and the Tamil militants. Five books, written in the decade after the war which lasted from 1983 to 2009, are briefly analyzed here, while one novel, Ran karanduwa, is given special focus in this article. This text is used to elucidate, with examples, the figurative ways by which Reverend Rahula manages to give sharp political commentaries on socio-cultural, economic and religious issues in his fiction. Given the exclusiv

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15

Arifatin, Fais Wahidatul. "STYLISTICS AND FIGURATIVE LANGUAGE IN SUE MONK KIDD’S THE SECRET LIFE OF BEES." Journey (Journal of English Language and Pedagogy) 2, no. 2 (2019): 131–45. http://dx.doi.org/10.33503/journey.v2i2.544.

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The goals of this study are to find out kinds of figurative language used by Sue Monk Kidd in his novel, The Secret Life of Bees, to investigate how the artistic effect and linguistic evidence achieved through figurative language and to describe how figurative language supports the theme. The research deals with the use of figurative language in a literary work, novel. Hence, this study contains the figurative language and also Sue Monk Kidd’s stylistics. The Secret Life of Bees was a New York Times bestseller list, it won 2004 book sense book of the year awards, and it was nominated for the o

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16

Ruscica, Giovanni. "From China to the World: The main media pilgrimages of Sun Wukong and Son Gokū." Mutual Images Journal, no. 10 (December 20, 2021): 21–50. http://dx.doi.org/10.32926/2021.10.rus.china.

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The ‘Journey to the West’, also translated as the’ Pilgrimage to the West’, is one of the masterpieces of ancient Chinese literature. Published anonymously by the putative author Wu Cheng'en in the late 16th century, the story traces in broad outline the journey taken by the monk Tripitaka in the year 629 a.D. to India to acquire Buddhist scriptures, and it is the result of reworking antecedent works, such as ‘Poetic notes on the pilgrimage of Tripitaka of the Great Tang to acquire the Sutras’ and ‘‹Journey to the West› Opera’. In this fiction, the writer moves away from the authenticity of th

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17

Dziubinskyj, Aaron. "The Birth of Science Fiction in Spanish America." Science Fiction Studies 30, Part 1 (2003): 21–32. https://doi.org/10.1525/sfs.30.1.0021.

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This essay explores the origins of science fiction as a literary genre in Latin America, specifically in Mexico. ln 1775 in the colonial town of Mérida, Yucatán, the Franciscan monk Antonio de Rivas wrote a curious tale describing a voyage to the moon. While borrowing from such European sources as Johannes Kepler’s Somnium, Francis Godwin’s The Man in the Moone, Cyrano de Bergerac’s Voyage to the Moon, and John Wilkins’ The Discovery of a New World, Rivas’s original treatment of the sf themes established by these better known works suggests that the Latin American intellectual community was pe

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18

Müller, Simone, Steven Hill, Sukwi Kim, Francis Müller, Nahoko Suzuki, and Andres Toledo. "Aufzeichnungen über einen unheimlichen Mönch: Eine kommentierte Übersetzung." Asiatische Studien - Études Asiatiques 73, no. 2 (2019): 297–310. http://dx.doi.org/10.1515/asia-2019-0006.

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Abstract Yōsōki (Records about a Creepy Monk, 1902) is a lesser-known short story of Izumi Kyōka, one of the most popular writers of the Meiji period. Kyōka, known for his fantastic, pictorial and folksy stories, belonged to the renowned literary circle Kenyūsha, founded by Ozaki Kōyō, that committed itself to light fiction and firmly rejected didactically motivated literature. The story Yōsōki presented here for the first time in German translation, stands prototypically in the tradition of the fantastic-aesthetic literature characteristic for Kyōka’s writing.

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19

Wang, Richard G., and Dongfeng Xu. "Three Decades’ Reworking on the Monk, the Monkey, and the Fiction of Allegory." Journal of Religion 96, no. 1 (2016): 102–21. http://dx.doi.org/10.1086/683988.

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20

Morris, David. "“The God of Small Comforts:” Self-care as Secular Queer Futurity in Becky Chambers’s Monk and Robot Series." MFS Modern Fiction Studies 71, no. 2 (2025): 193–215. https://doi.org/10.1353/mfs.2025.a963544.

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Abstract: This essay considers queer self-care as a sign of persistent yet skeptical commitment to the liberatory potential of secularism in contemporary speculative fiction. Reading Becky Chambers Monk and Robot series (2021–2022) within secular queer futurity, this essay argues that self-care mediates the tension between ethical commitment to human worth and the necessity for productive labor in a liberated utopia. Self-care further challenges the production-oriented secular biopolitics of neoliberal austerity and revolutionary activism. By reading contemporary texts, this essay considers th

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21

Lázaro, Alberto. "The Dark Side of British Horror Fiction: Politics, Taboos and Censorship." ELOPE: English Language Overseas Perspectives and Enquiries 14, no. 2 (2017): 69–81. http://dx.doi.org/10.4312/elope.14.2.69-81.

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Nearly two and a half centuries have passed since the first British Gothic novels began to attract attention with their pages full of monstrous characters, excessive violence, explicit sexual content and all kinds of horrific scenes. For the most part, the reception of this type of literature has been very positive, though not exempt from controversies. This paper seeks to show how, beyond the alluring mystery, inventive plots and attraction of the dark side, British horror fiction appeals to the reader’s inner desires and imagination by means of transgressive political, religious or sexual co

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22

Arifatin, Fais Wahidatul. "STYLISTICS AND FIGURATIVE LANGUAGE IN SUE MONK KIDD’S THE SECRET LIFE OF BEES:." Journey: Journal of English Language and Pedagogy 2, no. 2 (2019): 131–45. https://doi.org/10.33503/journey.v2i2.770.

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The goals of this study are to find out kinds of figurative language used by Sue Monk Kidd in his novel, The Secret Life of Bees, to investigate how the artistic effect and linguistic evidence achieved through figurative language and to describe how figurative language supports the theme. The research deals with the use of figurative language in a literary work, novel. Hence, this study contains the figurative language and also Sue Monk Kidd’s stylistics. The Secret Life of Bees was a New York Times bestseller list, it won 2004 book sense book of the year awards, and it was nominated for the o

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23

Gold, Ann Grodzins. "The Once and Future Yogi: Sentiments and Signs in the Tale of a Renouncer-King." Journal of Asian Studies 48, no. 4 (1989): 770–86. http://dx.doi.org/10.2307/2058114.

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The Pervasive Presence in Asia of ascetic practitioners—whether sedate, shorn, and robed monks or fierce, ash-smeared, naked yogis—has long fascinated Western observers and certainly nourished stereotypes of a mysterious, otherworldly, and impenetrable East. In India especially, the ascetic's figure has fueled the speculations of scholars, artists, tourists, and religious seekers for centuries (Oman 1905; Narayan 1988). Most depictions of Indian culture, whether indigenous or foreign, evocative or analytic, include portraits or analyses of world-renouncers.1 And yet with the notable exception

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24

Frautschi, Richard. "Par monts et par vaux : Enlightenment French Prose Fiction in Eastern and Central European Collections." Australian Journal of French Studies 38, no. 1 (2001): 16–24. http://dx.doi.org/10.3828/ajfs.38.1.16.

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25

Kauss. "Amputation in fictional literature: the case of Hippolyte in Madame Bovary." Vasa 30, Supplement 58 (2001): 3–5. http://dx.doi.org/10.1024/0301-1526.30.s58.3.

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In his famous novel, published in 1856, Flaubert describes the circumstances of a failed surgical procedure ending up in a major amputation. Flaubert, whose father was a physician in Rouen/France, mocks at the medical profession and its victims and proves himself to be compassionate at the same time. About his writing, he explained: "I only measure shit into doses." ("Je ne fais autre chose que de doser de la merde.")

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Dos Santos, Andrio J. R. "An introductory overview on representation of dissident sexualities, abjection, and subversion in queer Gothic fiction." Moderna Språk 116, no. 1 (2022): 23–32. http://dx.doi.org/10.58221/mosp.v116i1.6736.

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Queer Gothic may be considered one of the most recent subgenres of Gothic literature, being understood as a type of fiction in which body, gender and sexuality assume a central role. I approach the representation of queer sexualities in queer Gothic works, basing my analysis on the theory of abjection, as well as on other authors who work with Gothic fiction and Queer Studies, such as Judith Butler (1990), William Hughes and Andrew L Smith (2009) and Paulina Palmer (2016). My analysis consists of drawing a critical panorama, then commenting on Gothic works such as The Monk (1796), by Matthew G

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27

Chow, Jeremy, and Jolene Zigarovich. "The Climacteric Gothic: Impotence and Menopause in the Eighteenth Century." Gothic Studies 26, no. 3 (2024): 246–65. https://doi.org/10.3366/gothic.2024.0203.

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By charting climacteric bodies – aged, gendered, and (de)sexualised ones – in the Gothic fictions of the Romantic period, this article explores socio-political concerns prompted by impotence and menopause. Enlightenment-era biomedical treatises fixated on the ageing body as a problem for gender and the state. This article weaves these medical and often pseudo-medical archives with Gothic fictions to argue that ageing distinctly interrogates growing anxieties concerning the health of the state and its investment in reproductive futurity. By reading canonical Romantic Gothic narratives, such as

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28

Staley, Lynn. "“For yet under the yerde was the mayde”: Chaucer in the House of Fiction." Chaucer Review 57, no. 2 (2022): 190–213. http://dx.doi.org/10.5325/chaucerrev.57.2.0190.

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Abstract In a scene near the beginning of Chaucer’s Shipman’s Tale, a maid child stands as silent witness to a conversation between a wife and a monk within the garden of a wealthy French merchant. By using her as an observer to the scene in the garden, Chaucer, perhaps for the first time in English literature, employs the gaze of a child to highlight the narrative of experience. In this article I explore the maid child as a sign of Chaucer’s experiments with perspective. Since Chaucer probably first wrote the Shipman’s Tale with the Wife of Bath as narrator, the maid child looks forward to th

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29

Studniarz, Sławomir. "Spuścizna literacka Edgara Allana Poego w dwudziestym pierwszym wieku a nowe paradygmaty badawcze." Papers in Literature, `10 (July 30, 2022): 153–69. http://dx.doi.org/10.31648/pl.7861.

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The aim of the article is to re-examine the literary legacy of Edgar Allan Poe from the perspective of the third decade of the 21st century. The starting point is a brief discussion of its complicated reception in the USA and Great Britain as well as its strikingly vivid presence in the contemporary culture. However, the main argument centres on how some of the fiction written by Poe reveals a striking convergence with the present-day environmental concerns engendered by an imminent man-wrought ecological catastrophe, and with the insights offered by zoocriticism. First, I analyse the selected

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30

G.M.Q., Firdauzy, Cahyawati , E, Wardhani, Y.K., Basuki, I.,, Murti, G.H, and Wardani, L.D.P. "The Intersection of Antiracism and Feminism in Kidd’s the Invention of Wings." International Journal of Research and Innovation in Social Science IX, no. VI (2025): 3763–71. https://doi.org/10.47772/ijriss.2025.906000283.

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This research explores the representation of antiracism and feminism in the historical fiction novel The Invention of Wings by Sue Monk Kidd. It is an intriguing study because 19th-century slavery and the patriarchal culture set in the story are brought back to the 21st-century audience. This research aims to explain how antiracism and feminism represented in the novel reveal the writer’s critical position. Therefore, this qualitative study employs Hall’s representation theory, which relates the textual analysis of the novel to contextual analysis to disclose the author’s critical agenda. The

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31

Kovalevskaya, Tatyana V. "Crime and Punishment and British Gothic of Horror." Dostoevsky and World Culture. Philological journal, no. 2 (26) (2024): 101–30. http://dx.doi.org/10.22455/2619-0311-2024-2-101-130.

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The article considers Fyodor Dostoevsky’s Crime and Punishment alongside several works of the British Gothic tradition of horror (Matthew Gregory Lewis’s The Monk, John William Polidori’s “The Vampyre”) and Mary Shelley’s Frankenstein, or The Modern Prometheus that essentially is the first representative of science fiction in British literature. The fantastic element in the gothic of horror was very important for Dostoevsky as a visible manifestation of the level of being beyond the material plane. “The Vampyre” and The Monk manifest certain commonality of themes and motifs with both Dostoevsk

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32

Slote, Ben. "Narrative Jujitsu: Twain's “Studied Fictions” and Their Plot Against Audience." Prospects 20 (October 1995): 87–118. http://dx.doi.org/10.1017/s0361233300006025.

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Anyone familiar with mark twain's humor will recognize its traces in this description of an early stage performance. Here is selfmockery, the mockery of grandiloquent stage oratory, and the mockery of grandiloquence itself, all the more fun for our reviewer's high-serious complaint. Here is a trace of something else, though, that has not been fully appreciated in Twain criticism: the aggression his oral and literary performances exert against their audiences. As our reviewer describes it, Twain's comic gambit about the Sandwich Islands also mocks and catches out his listeners. In the process o

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Aravindh Muthusamy and Dr. K. Sindhu. "A Critical Appreciation of R. K. Narayan’s A Tiger for Malgudi." Research Ambition an International Multidisciplinary e-Journal 7, no. II (2022): 04–07. http://dx.doi.org/10.53724/ambition/v7n2.03.

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R.K. Narayan’s novels are remarkable for their technical maturity. Narayan has completely stated his faith in the values popularised by Hindu mythology and its recognition of life and death. The monk describes to his disciple tiger that one is glad or unhappy in this society because of one’s karma in earlier life. The Sanyasi’s conversation with the disciple also has a reverberation of the karma as described in The Upanishad which articulates, “Those whose conduct here has been good will quickly attain a good birth of a Brahman, the birth of a Kshatriya or the birth of a Vaisya. But those, who

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Järvelä, Aleksi, та Tero Tähtinen. "Silent Accord: Qi 契 as a Metaphor for Enlightenment and Transmission in Chan Buddhist Discourse". Religions 12, № 4 (2021): 279. http://dx.doi.org/10.3390/rel12040279.

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In this paper, we explore the historical background and the semantic underpinnings of a central, if marginally treated, metaphor of enlightenment and transmission in Chan discourse, “silent accord” 默契. It features centrally in Essentials of the Transmission of Mind 傳心法要, a text that gathers the teachings of Chan master Huangbo Xiyun (d. ca. 850), a major Tang dynasty figure. “Silent accord” is related to the concept of mind-to-mind transmission, which lies at the very core of Chan Buddhist self-understanding. However, Chan historiography has shown that this self-understanding was partially a p

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McCarthy, Patrick A. "Review: Alien Theory: The Alien as Archetype in the Science Fiction Short Story, by Patricia Monk." Science Fiction Studies 35, Part 2 (2008): 328–30. https://doi.org/10.1525/sfs.35.2.0328.

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Parmar, Shipra, and Dr Reetika Sood. "COMEDY OF IDEAS: STUDY OF OZICK’S BLOODSHED AND THREE NOVELLAS." ShodhKosh: Journal of Visual and Performing Arts 3, no. 1 (2022): 498–506. http://dx.doi.org/10.29121/shodhkosh.v3.i1.2022.91.

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Cynthia Ozick is an emphatic voice of new Jewish American novels who reveals various issues that a Jew has to face while living in a mainstream American culture. She advocates ethnicity and chooses the comic mode to reveal the truth. The present paper aims at the in-depth study of the second collection of short stories "Bloodshed and three Novellas'. In these stories Ozick which focuses on the betrayal of tradition by Jews. She brings out the hilarious situations and ideas by focusing on various flaws and blemishes in the personalities of her characters. She also mocks at their defective physi

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Kyrchanoff, M. W. "Science Fiction Series <i>Orville</i> as Space for the Memorial Cultures and Memory Wars." Concept: philosophy, religion, culture 7, no. 4 (2023): 21–47. http://dx.doi.org/10.24833/2541-8831-2023-4-28-21-47.

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The relevance of collective memory analysis comes from the increasing role of memorization in social processes, which are currently acquiring increasingly significant conflict potential. The author analyses visual material of the popular science fiction series The Orville, which represents a segment of American political culture, as one of the cultural mechanisms for the assimilation of ideology and politics in mass cultural discourse. It is presumed that The Orville parodies the classic epics Star Trek and Babylon 5 and thus is part of the processes of deconstructing the historical collective

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Davidko, Natalya. "The Great Divorce: A Dream by C.S. Lewis: A Comeback of the Medieval Genre." Athens Journal of Philology 9, no. 3 (2022): 235–64. http://dx.doi.org/10.30958/ajp.9-3-3.

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It is universally acknowledged that the Renaissance has exerted a great influence on modern literature and art. This view has been so overwhelming that it has ousted other possibilities, as a result, the influence of medieval literature has been grossly underestimated. In the current article I want to show the role of the “dream vision” genre in shaping the modern genre of spiritual philosophical fiction elaborated in the works by C.S. Lewis, specifically in his exceptionally original novel The Great Divorce. The aim is to examine systematically and expose the intrinsic affinity of Lewis’ work

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Andreescu, Raluca. "“Very much alive and very much under threat”: Chasing the Coffee-Flavored American Dream in Dave Eggers’s Monk of Mokha." East-West Cultural Passage 19, no. 2 (2019): 55–70. http://dx.doi.org/10.2478/ewcp-2019-0012.

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Abstract This essay examines the manner in which Dave Eggers’s recent work of literary nonfiction, The Monk of Mokha (2018), sets out to amplify the voices of the marginalized by chronicling the adventures of a young Yemeni-American in search of the best coffee in the world. This takes the protagonist from the infamous neighborhood of his birth in San Francisco, “a valley of desperation in a city of towering wealth,” to his trials and tribulations in the war-torn homeland of Yemen. I will argue that the narrative, which blurs the lines between fiction and nonfiction and combines history, polit

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Kelly, Rob G. "From the Editor: School’s Out." Electrochemical Society Interface 32, no. 2 (2023): 3. http://dx.doi.org/10.1149/2.001232if.

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The title of this editorial is from the work of the great philosopher Alice Cooper who penned a song of the same name in 1972 (look it up, kids – it was on vinyl!). While for many it is spring that represents new life blooming, for those involved in higher education, spring simply mocks us. As the trees and flowers blossom, birds return from their migration to warmer latitudes, faculty and students are locked in an epic struggle to somehow cover all the material promised in one of the great works of fiction, the syllabus. The faculty hope that some amount of what they have helped students disc

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Perot, Shwana Q. "The Portrayal of Science and Religion in James Hilton’s Lost Horizon and Walter Miller’s A Canticle for Leibowitz." Cihan University-Erbil Journal of Humanities and Social Sciences 7, no. 1 (2023): 29–33. http://dx.doi.org/10.24086/cuejhss.v7n1y2023.pp29-33.

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In their fictional works, James Hilton and Walter Miller draw the readers’ attention to the negative impacts of scientific and technological developments on human civilization and the environment. They portray that Science and technology have become a tool in the hands of world powers for destructing humanity and the natural world. In James Hilton’s Lost Horizon and Walter Miller’s A Canticle for Leibowitz, science and technology are seen accountable for the nuclear wars that caused the annihilation of humanity and the natural world. The novels proclaim that scientists and educated people are

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Turnbull, Michael T. R. B. "'Celestial Fireworks' – Father Malachy's Miracle (1931)." Journal of Religious History, Literature and Culture 9, no. 1 (2023): 125–55. http://dx.doi.org/10.16922/jrhlc.9.1.5.

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In his satirical novel, 'Father Malachy's Miracle' (1931), Bruce Marshall (24 June 1899–18 June 1987), the Edinburgh-born author of over forty books, presents the reader with an elderly Benedictine monk, Fr Malachy Murdoch, who has been sent from his monastery in the Scottish Highlands to improve the singing and the manners on the altar of St Margaret's Church in Edinburgh – like many of the episodes in the novel, Marshall's characters, thinly-disguised, are based on 'real' people – in spite of the author's protestations to the contrary.<br/> After a chance but testy meeting with a dappe

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Łowczanin, Agnieszka. "Convention, Repetition and Abjection: The Way of the Gothic." Text Matters, no. 4 (November 25, 2014): 184–93. http://dx.doi.org/10.2478/texmat-2014-0013.

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This paper employs Deleuze and Kristeva in an examination of certain Gothic conventions. It argues that repetition of these conventions- which endows Gothicism with formulaic coherence and consistence but might also lead to predictability and stylistic deadlock-is leavened by a novelty that Deleuze would categorize as literary “gift.” This particular kind of “gift” reveals itself in the fiction of successive Gothic writers on the level of plot and is applied to the repetition of the genre’s motifs and conventions. One convention, the supernatural, is affiliated with “the Other” in the early st

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Ivačić, Matija. "Dušan Karpatský a česko-chorvatské literární vztahy." Przekłady Literatur Słowiańskich 13 (August 17, 2023): 1–14. http://dx.doi.org/10.31261/pls.2023.13.12.

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This paper deals with the contribution of Dušan Karpatský (1935—2017) to the reception of Croatian literature in the Czech Republic, and Czech literature in Croatia since the 1960s until the present day. In his numerous translations, Karpatský worked tirelessly to introduce Czech readers to the achievements of Croatian (and Yugoslav) literature, and vice versa. By selecting texts for his translations that were as current as possible, and by meeting high aesthetic criteria, made him influential in both cultural milieus where he played the role of an intermediary. His work in lexicography, bibli

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McLeod, Deborah. "Doth a Single Monk a Gothic Make? Constructing the Boundaries to Keep the Fictional Hordes at Bay." Lumen: Selected Proceedings from the Canadian Society for Eighteenth-Century Studies 16 (1997): 35. http://dx.doi.org/10.7202/1012438ar.

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Wester, Maisha. "The Gothic Origins of Anti-Blackness: Genre Tropes in Nineteenth-Century Moral Panics and (Abject) Folk Devils." Gothic Studies 24, no. 3 (2022): 228–45. http://dx.doi.org/10.3366/gothic.2022.0139.

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‘The Gothic Origins of Anti-Blackness’ considers the intersections between Gothic texts and moral panics, a sociopolitical mechanism first theorized by Stanley Cohen in Folk Devils and Moral Panics (1972). I revise Cohen's theory to clarify the peculiar eruptions of exponentially violent anti-Black discourses across various eras, noting that the folk devils targeted by moral panics are invariably abject figures upon which society projects a gothic visage. I reveal how the era of the (Anti-)Slavery debates exemplifies the reduction of Black populations to abject folk devils demonized amid white

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Akimova, Anna S. "A.N. Tolstoy’s Library as a Creative Laboratory of the Writer: Sources of the Novel Peter the Great." Studia Litterarum 9, no. 2 (2024): 324–41. http://dx.doi.org/10.22455/2500-4247-2024-9-2-324-341.

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The article examines the personal library of the writer A.N. Tolstoy as a unique source of the historical novel Peter the Great. Its significance lies in the fact that the writer formed it purposefully. He acquired books to prepare for the creation of works of art and, above all, the largest part of the book collection for the novel Peter the Great. For the first time, the study of the “Petrovsky collection” was undertaken due to Tolstoy’s method of working with sources. He carefully read it and made notes in the margins with blue, red, or a simple pencil to later use this material in a work o

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Naha, Anindita, and Dr Mirza Maqsood Baig. "Overview Of Story- Le Morte D' Arthur." Think India 22, no. 2 (2019): 138–43. http://dx.doi.org/10.26643/think-india.v22i2.8322.

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The legend of King Arthur and his knights of the Round Table is immemorial. The heroic knights and their king’s tales contribute western society a great literature that is still well- known today. King Arthur along with the theme of chivalry greatly impacted not only western civilization, but all of society throughout the centuries. King Arthur and his Knights of the Round Table have been around for thousands of years but are only legends. The first reference to King Arthur was in the Historia Brittonum written by Nennius a Welsh monk around 830A.D. The fascinating legends however did not come

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Naha, Anindita, and Dr Mirza Maqsood Baig. "Overview Of Story- Le Morte D' Arthur." Think India 22, no. 3 (2019): 500–505. http://dx.doi.org/10.26643/think-india.v22i3.8316.

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The legend of King Arthur and his knights of the Round Table is immemorial. The heroic knights and their king’s tales contribute western society a great literature that is still well- known today. King Arthur along with the theme of chivalry greatly impacted not only western civilization, but all of society throughout the centuries. King Arthur and his Knights of the Round Table have been around for thousands of years but are only legends. The first reference to King Arthur was in the Historia Brittonum written by Nennius a Welsh monk around 830A.D. The fascinating legends however did not come

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Шеретюк, Р. "ПАМ'ЯТКИ САКРАЛЬНОГО МИСТЕЦТВА ОРДЕНУ ПІАРІВ НА ВОЛИНІ: ІСТОРІЯ ТА СУЧАСНІСТЬ". Вісник Харківської державної академії дизайну і мистецтв, № 3 (30 серпня 2018): 89–97. https://doi.org/10.5281/zenodo.1406668.

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An important role in promoting and affirming of cultural achievements of Western civilization in Ukraine and of the artistic heritage of the Baroque period was played by representatives of Roman Catholic religious orders: Jesuits, Dominicans, Franciscans, Carmelites, Capuchins, Piarists and etc. Although this work was the part of their missionary activities aimed at implementing of postulates of potrydenska reform, it also became a significant factor in the deployment of the process of intensive development of Ukrainian art, including the organic combination of its ancient Byzantine

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