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Thematische Bibliographien / Moon worship in art / Dissertationen

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Dissertationen zum Thema „Moon worship in art“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 29. Juli 2025

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1

Bruneel, Benjamin. "Art and worship in Zwinglian theology." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p001-1141.

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2

Andes, Derek. "Aiming for the moon." Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/2811.

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3

Lindloff, Aaron. "Filmic icons a new art for worship /." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.

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4

Chan, Brian S. "The beauty of God and the art of worship." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.

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5

Wheeler, Geraldine Jean, and res cand@acu edu au. "Visual Art, the Artist and Worship in the Reformed Tradition: a Theological study." Australian Catholic University. School of Arts and Science, 2003. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp41.29082005.

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The Reformed tradition, following Zwingli and especially Calvin, excluded images from the churches. Calvin rejected the sacred images of his day as idolatrous on the grounds that they were treated as making God present, that the necessary distinction between God and God’s material creation was not maintained, and because an image, which rightly was to be mimetic of visible reality, could not truthfully depict God. Calvin approved the Renaissance notion of visual art as mimetic and he understood that artists’ abilities were gifts of God and were to be used rightly. He also had a very keenly dev

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6

Wheeler, Geraldine Jean. "Visual art, the artist and worship in the reformed tradition: A theological study." Phd thesis, Australian Catholic University, 2003. https://acuresearchbank.acu.edu.au/download/7a85d31b1c9476484a69531911e2175cf79ca2efa6189409929d3dab9464aeba/2599523/Wheeler_2003_Visual_art_the_artist_and_worship.pdf.

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The Reformed tradition, following Zwingli and especially Calvin, excluded images from the churches. Calvin rejected the sacred images of his day as idolatrous on the grounds that they were treated as making God present, that the necessary distinction between God and God’s material creation was not maintained, and because an image, which rightly was to be mimetic of visible reality, could not truthfully depict God. Calvin approved the Renaissance notion of visual art as mimetic and he understood that artists’ abilities were gifts of God and were to be used rightly. He also had a very keenly dev

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7

Prokop, Carol Ann. "Written in stone : a comparative analysis of Sedna and the Moon Spirit as depicted in contemporary Inuit sculpture and graphics." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/29052.

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Traditional mythological themes have been repeatedly depicted in contemporary Inuit art since the late 1950s. This thesis examines the portrayals of the female sea spirit or Sedna and the male moon spirit in sculpture and graphics by contemporary Inuit artists from three Arctic art "communities": Baker Lake, Cape Dorset and Povungnituk. Analysis of the mythological depictions has led me to conclude that artists have tended to employ two distinct styles of illustration to represent these deities. These two types are iconic and narrative. Introduced by the first generation of contemporary Inuit

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8

Mahan, Kevin Paul. "It was and It isn't a rhetorical exploration of simulacra in emerging church vintage worship /." Lynchburg, Va. : Liberty University, 2008. http://digitalcommons.liberty.edu.

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9

Hughes, Patricia J. "A study of Built of living stones art, architecture and worship, in the light of practical theology /." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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Thesis (D. Min.)--Catholic Theological Union at Chicago, 2003.<br>"This study is intended for those who assist a parish in building or renovating a worship space. The context is situated in the U.S. Catholic parishes in the twenty-first century ..."--Leaf xviii. Vita. Includes abstract. Includes bibliographical references (leaves 128-136).

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10

Rigby, John. "Get the picture without a sermon : Enhancing a congreation's work and worship through (re)visioning the church - art relationship." Thesis, Federation University Australia, 2014. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/81605.

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The church, throughout its history and motivated by the teachings of the Bible, has sought to assist people in finding meaning and direction in life. To this end it has used visual art to help people understand its message and increase people’s openness to the Bible’s redemptive story. After the Reformation, the emergent Protestant church had a more tenuous relationship with visual art, giving priority to oral forms of communication. Many small protestant congregations in current multi-faith Australia have little relationship with visual art and struggle to convey their message to the Australi

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11

Siddons, Kyle. "Utilizing North American Art Song Settings of Psalm Texts in Worship Services: an Annotated Guide for Singers, Voice Instructors, and Music Ministers." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc500200/.

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This dissertation provides a guide for appropriate use of North American art song settings of biblical psalms for solo voice written after 1950 in the worship services of Christian faiths. The songs analyzed are for all voice parts and a variety of accompanying ensembles. The placement of each song on a specific calendar day is guided by the individual church calendars and lectionaries, on the prevalent themes of the text, and the characteristics of the musical setting. Performance of these songs only in a concert setting limits their usefulness for singers, voice teachers, and music direct

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12

Famule, Olawole Francis. "Art and spirituality : the Ijumu northeastern-Yoruba egúngún /." Tucson, Arizona : University of Arizona, 2005. http://etd.library.arizona.edu/etd/GetFileServlet?file=file:///data1/pdf/etd/azu%5Fetd%5F1372%5F1%5Fm.pdf&type=application/pdf.

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13

Moeller, Mark L. "Using varied forms of communication to enhance worship engagement at First Baptist Church of San Angelo, Texas." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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14

Chiu, Chun-Chao. "A cross cultural study of Chinese yi jing aesthetic theory and Ch'an philosophy applied to contemporary art : bright moon tender wind." Thesis, University of Newcastle Upon Tyne, 2005. http://hdl.handle.net/10443/516.

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This thesis examines a spects of the relationship between Eastern and Western art, and philosophy, specifically through the analysis and application of traditional Chinese yijing aesthetic theory and Chan philosophy,with particular reference to contemporary environmental installation practice. I am particular interested in the relationships between the artist, the audience the artwork and the engagement o f all of these with the space.I wished to see whether yijing theory and Chan philosophy might be provide a framework for the development and direction of my own installation practice and to d

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15

Broughton, Ann Watson. "The concept of the spiritual in secondary school worship and its potential relationship with the function of art in contemporary society." Thesis, University of Exeter, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.337757.

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16

Holmes, Andrew David. "To see or not to see : communication, cooperation and co-creation in the use of liturgical media art in Protestant worship." Thesis, Durham University, 2013. http://etheses.dur.ac.uk/9418/.

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This research examines why churches are using Liturgical Media Art (LMA), specifically the use of projected or displayed images and texts, in their worship. Using a long term ethnographic study of four congregations, two in the UK and two in the USA, the research reveals a number of important issues for those who lead and those who prepare the materials used in the worship. The results show that LMA is providing added educational, missional and liturgical value through increased participation of the congregation in the worship of the churches researched. The research also identifies that those

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17

Gregory-Guider, Christopher Calvin. "Autobiogeography and the art of peripatetic memorialization in works by W.G. Sebald, Patrick Modiano, Iain Sinclair, Jonathan Raban, and William Least Heat-Moon." Thesis, University of Sussex, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.426336.

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18

Brunelle, Norman L. "Equipping the congregation to symbolic awareness and understanding of resident architecture and Christian symbols at Trinity United Methodist Church, Opelika, AL." Theological Research Exchange Network (TREN), 2002. http://www.tren.com.

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19

Sheng, Yi. "A Post-Communist Picnic." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2166.

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Signaling the moon, packing balls of mud, carving a big sphere, cleaning with a giant unwieldy mop, playing with indigo, wrangling cardboard, setting sunflowers ablaze, playing a tune with a soda bottle, taking a walk with other people’s laundry, kindling smoke signals, weaving a bed, cracking seeds all night, listening to sleep, dressing a plant, these are some of the activities that have been incorporated into my work over the last two years. Most ideas begin in the studio and then are realized outside. Many of the tasks mentioned allow me to easily integrate into a crowd, where the project

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20

Small, Alwyn Johannes. "Die gebruik van rituele en simbole binne die erediens as draers van hoop." Diss., Pretoria : [S.n.], 2004. http://upetd.up.ac.za/thesis/available/etd-06172005-104128/.

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21

Henni-Trinh, Duc Nicolas. "Le portrait dans l'art vietnamien. Évolution des usages, des techniques et de l'iconographie sous la dynastie Nguyễn (1802-1945)". Electronic Thesis or Diss., Sorbonne université, 2025. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2025SORUL007.pdf.

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Le portrait est une thématique omniprésente dans l'art et la culture visuelle vietnamienne ; pourtant ce sujet n'a jamais fait l'objet d'une étude systématique. Cette étude s'emploie à combler cette lacune en analysant l'évolution des usages, des techniques et de l'iconographie des portraits sous la dynastie Nguyễn (1802 - 1945). Elle débute par la mise en évidence des origines bouđhiques et taoïques des rites et des représentations, avant d'examiner l'absorption de la pratique du portrait par l'éthos confucéen populaire. Les bouleversements socio-politiques qui traversent la période étudiée e

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22

Cucuzzella, Jean Moore. "The Destruction of the Imagery of Saint Thomas Becket." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc278647/.

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This thesis analyzes the destruction of imagery dedicated to Saint Thomas Becket in order to investigate the nature of sixteenth-century iconoclasm in Reformation England. In doing so, it also considers the veneration of images during the late Middle Ages and the Renaissance. Research involved examining medieval and sixteenth-century historical studies concerning Becket's life and cult, anti-Becket sentiment prior to the sixteenth century, and the political circumstances in England that led to the destruction of shrines and imagery. This study provides insight into the ways in which religious

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23

Sunghera, Gilbert. "The shifting location of transcendence in church architecture how Rudolf Schwarz can once again influence the modern debate of church design, as illustrated in the shifting language of Environment and art in Catholic worship (1978) and Built of living stones (2000) /." Theological Research Exchange Network (TREN), 2005. http://www.tren.com/search.cfm?p051-0110.

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24

Ip, Holly, and 葉浩莉. "Ashes of the after death: the tangible and intangible heritage of bamboo-paper ritual objects." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48344916.

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When it comes to ritual ceremonies like Qing Ming, Chong Yang, Yu Lan, one will see all kinds of fascinating ritual paper offerings, ranging from the traditional to fashionable-living necessities, even though the recipients are dead. The types of ritual paper offerings can be categorized into paper materials (joss paper), bamboo-paper objects (traditional crafts), and non-bamboo framed objects (contemporary crafts). Though the life of these ritual paper objects is very short, because they are burned soon after they are made, they are designed and crafted in a very unique way. The topic

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25

Andrei, Talia Johanna. "Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara." Thesis, 2016. https://doi.org/10.7916/D8VX0GPV.

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This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, deco

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26

Medkova, Bibiana. "War of the Moon." 2020. https://scholarworks.umass.edu/masters_theses_2/976.

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Space, in the post-World War context, was the new frontier of ‘global’ dominion. Space Race of the 1950s was a competition to signal technological capability and military strength. The objective of War of the Moon is to unpack the motivation for Moon race in 1950s. What did countries have to gain politically, economically, socially and technologically by conquering space and landing on the moon. At what cost? Who financed it, and where did the labor, land, and raw materials sourced come from. And how it was used to accomplish said landing. Space security is a massive aspect of all current spac

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27

LIN, YIN-HSUN, and 林胤勳. "Thao tribe's legend of Sun Moon Lake-The Study of Lin Yin Hsun's Art Creation." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/z2m294.

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碩士<br>國立臺中教育大學<br>美術學系碩士在職專班<br>107<br>Taiwan, beautiful Formosa, possesses rich and diverse native cultures. The Thao tribe at Sun Moon Lake is deeply sinicized, but they still keep their faith in ancestral spirits to maintain the existence spirit of the tribal people and have the oral literature of elders being passed on from generation to generation to pass down myths and legends related to life and customs. Eventually, the tribe could take a step forward for their native culture that had been neglected and belittled for a long time and strive for becoming the tenth officially recognized in

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28

Spindt, Allan H. "Chronosynthesis : a site-specific sculpture installed at Windward Community College, Kāneʻohe, Oʻahu, Hawaiʻi". Thesis, 2004. http://hdl.handle.net/10125/12089.

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29

HSU, KAI-JU, and 許凱茹. "The Ritual Use of Art Therapy in Comparison with Incense Burning and Worship in Taiwan: A Case Study of Taoyuan Ren Hai Temple." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/73yxzh.

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碩士<br>臺北市立大學<br>藝術治療碩士學位學程<br>104<br>The study is to compare the ceremony of incense burning and worship in Taiwan with the ritual use in the art therapy to make the art therapy a more localized and suitable measure for Taiwanese. In Taiwan, folk beliefs account for higher proportion, so the researcher used field study and took Ren Hai Temple, Taoyuan as an example, through interviewing believers and temple volunteers to collect information of their psychological transformation process during the ceremony of incense burning and worship; through observing to explore the process of incense burni

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30

Chiang, Yi-Jui, and 蔣宜芮. "Liu De-Hai''s Innovations on the Art of the Pipa: Based on A Moon Night at Xunyang and New Middle-Ornamented Six Beats." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/476qnz.

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碩士<br>國立臺北藝術大學<br>傳統音樂學系碩士班演奏組<br>101<br>New methods of expression, constructions and logic of a piece arise with the introduction of the Western culture, which gives rise to numerous changes in the Chinese traditional music including the changes in the way of thinking, in the composition, and in the techniques and styles. And the techniques of playing the pipa become more complicated and richer than those of the early pieces. The modern master of the pipa, Liu De-hai, contributes to the art of the pipa tremendously. Having studied the art of the pipa diligently all his life, Liu De-hai insist

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31

周秀聰. "An Action Research of Community-Based Art Curriculum in a Junior High School—Applying Sun Moon Lake Community Resource and Black Tea Subject to teaching." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/73995085828290704041.

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碩士<br>國立彰化師範大學<br>美術學系<br>100<br>Abstract By the continually change of the society, the community-based concept is well-know, then school authority advocates how to apply community resource in education, how to apply community characteristic in art curriculum, how to study community resource application, in order to create two wins between school and community. Sun Moon Lake is a well-know international scenery of Taiwan recently, its black tea has been promoted to wordwide. So researcher wishes to study the black tea of Sun Moon Lake how to apply in living and realize its unknown as well, how

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32

Wu, Clair, and 吳萍康. "s through Cheng Ming''s art of performance Written for Chun Chiang Hwa Yueh Yeh(Spring moon,river,flowers and me)-----Wu PingKang Chinese Song Recital." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/48897027149822448324.

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碩士<br>中國文化大學<br>音樂研究所<br>92<br>Abstract In the past 100 years, Bel canto and the ethnicstyles of Chinese songs are contradict combination in China. But in present age, the ethnic style songs of Chinese have been expended in material, enrich in expressing artistries, and pour into more morden taste on the traditional foundation. The thesis will discuss the possibility about combining with Bel canto and ethnic styles of Chinese songs through theory and pratice. The model is the vocalist Cheng Ming. I wish the study can solve the problem that most the Taiwan vocal

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33

Chen, Tzu Ling, and 陳姿伶. "A Case Study of Chang,Yong Tsun's Performance Art Work from "Worship The Soul of Painting: The Immortal Universe" Illustrates the Meaning Transformation in Ritual Representation." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/72231468171432531835.

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碩士<br>國立臺灣藝術大學<br>戲劇學系<br>103<br>This article offers the viewpoints towards the exhibition of "Worship The Soul of Painting: The Immortal Universe" (Yung-Tsun Chang, Taipei: Action Arts Foundation, 2001). Religious rituals way through the ritual of represent, and the role of own universe is not old, to expression of the whole social phenomena observation and critique; addition to presenting festival instrument itself to communicate with the world to pray and worship, also joined the local cultural materials and life experience, and ultimately more like a deliberately exposed to social phenomen

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34

Field, Matthew Benjamin. "An investigation of contrasting approaches to worship within Australian Baptist churches to explore the role Apollonian and Dionysian concepts of art play in understanding the differences: a case study approach." Thesis, 2012. http://hdl.handle.net/1959.13/933117.

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Research Doctorate - Doctor of Philosophy (PhD)<br>This thesis explores the ongoing and deeply felt tensions between churches that use contemporary music-styles for worship, complete with charismatic influence (hand-clapping, hand-raising, tongues speaking, overt emotional displays, etc.), and those that reject contemporary music and remain rooted in traditional music forms such as hymn singing with restrained physical expression. This study seeks to identify what role the under-considered issue of Apollonian and Dionysian concepts of art has on the stylistic choices of the various churches. I

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35

Arney, Jane Katherine. "Expecting epiphany : performative ritual and Roman cultural space." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-2933.

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When ancient people entered a temple or other sacred space, how did the art and architecture of the site work upon their senses as mediators of divine presence? This thesis demonstrates that the ancient perception of the deity's actual presence in visual images created a tension that was intensified by the spatial environment and the theatricality of ritual performance. Visual representations acted in concert with cultic ritual to manipulate the visitor through a revelatory experience and create the phenomenon of epiphany. Epiphany, from the Greek word epiphaneia, is the visible manifestation

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