Thematische Bibliographien / Motion picture producers and directors – biography

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Auswahl der wissenschaftlichen Literatur zum Thema „Motion picture producers and directors – biography“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "Motion picture producers and directors – biography"

Vasilko, Kayla. "If Men Can Do It, Then So Can a Woman: Inspiring Determination through Service-Learning and Silent Movies." Purdue Journal of Service-Learning and International Engagement 10, no. 1 (2023): 20–27. http://dx.doi.org/10.5703/1288284317689.

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In the American silent movie era, women were not associated with the ability to perform stunt work, drive an automobile without a man present, or be much more than a supporting face in a film, despite the fact that there were more female film writers, directors and producers than male in that era, the importance of “automotive citizenship,” and the added difficulty of women’s stunt work (women performed high risk stunts like jumping from buildings, etc., but they had to do it in gowns, and bikinis); today, women and minorities are highly under-represented in boardrooms, director’s chairs, and

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Norberg, Arthur L. "Throwing New LightThomas A. Edison Papers: A Selective Microfilm Edition. Thomas E. JeffreyThomas A. Edison Papers: Motion Picture Catalogs by American Producers and Distributors, 1894-1908: A Microfilm Edition. Charles MusserEdison's Electric Light: Biography of an Invention. Robert Friedel , Paul Israel , Bernard S. Finn." Isis 79, no. 3 (1988): 482–86. http://dx.doi.org/10.1086/354784.

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"5. MOTION PICTURE PRODUCERS AND DIRECTORS." Communication Booknotes Quarterly 42, no. 3 (2011): 132–34. http://dx.doi.org/10.1080/10948007.2011.586889.

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Rutherford, Leonie Margaret. "Re-imagining the Literary Brand." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1037.

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IntroductionThis paper argues that the industrial contexts of re-imagining, or transforming, literary icons deploy the promotional strategies that are associated with what are usually seen as lesser, or purely commercial, genres. Promotional paratexts (Genette Paratexts; Gray; Hills) reveal transformations of content that position audiences to receive them as creative innovations, superior in many senses to their literary precursors due to the distinctive expertise of creative professionals. This interpretation leverages Matt Hills’ argument that certain kinds of “quality” screened drama are d

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Michele Guerra. "Cinema as a form of composition." TECHNE - Journal of Technology for Architecture and Environment, May 25, 2021, 51–57. http://dx.doi.org/10.36253/techne-10979.

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Technique and creativity Having been called upon to provide a contribution to a publication dedicated to “Techne”, I feel it is fitting to start from the theme of technique, given that for too many years now, we have fruitlessly attempted to understand the inner workings of cinema whilst disregarding the element of technique. And this has posed a significant problem in our field of study, as it would be impossible to gain a true understanding of what cinema is without immersing ourselves in the technical and industrial culture of the 19th century. It was within this culture that a desire

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Michele, Guerra NA. "Cinema as a form of composition." November 17, 2021. https://doi.org/10.36253/techne-10979.

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Technique and creativity Having been called upon to provide a contribution to a publication dedicated to "Techne", I feel it is fitting to start from the theme of technique, given that for too many years now, we have fruitlessly attempted to understand the inner workings of cinema whilst disregarding the element of technique. And this has posed a significant problem in our field of study, as it would be impossible to gain a true understanding of what cinema is without immersing ourselves in the technical and industrial culture of the 19th century. It was within this culture that a desire

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Deck, Andy. "Treadmill Culture." M/C Journal 6, no. 2 (2003). http://dx.doi.org/10.5204/mcj.2157.

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Since the first days of the World Wide Web, artists like myself have been exploring the new possibilities of network interactivity. Some good tools and languages have been developed and made available free for the public to use. This has empowered individuals to participate in the media in ways that are quite remarkable. Nonetheless, the future of independent media is clouded by legal, regulatory, and organisational challenges that need to be addressed. It is not clear to what extent independent content producers will be able to build upon the successes of the 90s – it is yet to be seen whethe

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S, Eli. "Unboxing the New Barbie." M/C Journal 27, no. 3 (2024). http://dx.doi.org/10.5204/mcj.3060.

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Introduction “Unboxing the New Barbie” explores Barbie’s new image in Greta Gerwig’s 2023 film, Barbie, where Barbie appears initially in a perfect shape and enjoys her ideal life in Barbie Land. The film presents Barbie Land as a female-dominated space with Barbies at the centre of authority, with a utopic lifestyle of freedom and joy. However, the film immediately troubles this utopia through a set of cinematic devices. First, the stereotypical Barbie’s life appears as a series of monotonous routines within the pink plastic structures, and later, her utopic body image and Barbie Land are dis

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Dissertationen zum Thema "Motion picture producers and directors – biography"

Law, Yuk-wa, and 羅玉華. "The poetics of absence: a study of Antonioni and Wenders." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B42577093.

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Law, Yuk-wa. "The poetics of absence a study of Antonioni and Wenders /." Click to view the E-thesis via HKUTO, 2002. http://sunzi.lib.hku.hk/hkuto/record/B42577093.

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Carter, Sandra Gayle. "Moroccan cinema : what Moroccan cinema? /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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Hoffman, Alison R. "Our bodies, our cameras women's experimental cinema in the U.S., 1964-1976 /." Diss., Restricted to subscribing institutions, 2010. http://proquest.umi.com/pqdweb?did=2023781661&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Lass, Barbara Frances. "Hans Richter : film artist /." Access Digital Full Text version, 1987. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10778974.

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Lin, Yiping, and 林一苹. "Lou Ye: the birth of a personal eye (I)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44517798.

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Tu, Haijing. "A Chinese director and his transition from critical banned filmmaker to box office success." Auburn, Ala., 2005. http://repo.lib.auburn.edu/2005%20Summer/master's/TU_HAIJING_25.pdf.

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Prime, Rebecca Lynn. "Intimate strangers blacklisted filmmakers in postwar Europe /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1779835961&sid=4&Fmt=2&clientId=48051&RQT=309&VName=PQD.

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Sitnisky-Cole, Carolina. "La literatura y el cine Andinos de la segunda mitad del siglo XX de una modernidad sólida a una líquida /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1973896441&sid=2&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Lam, Shue-fung. "(Un)making Chineseness gender and cultural politics in Clara Law's films /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B37754191.

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Bücher zum Thema "Motion picture producers and directors – biography"

Samuels, Charles Thomas. Encountering directors. Da Capo Press, 1987.

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John, Baxter. Fellini: The biography. St. Martin's Press, 1994.

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Riehecky, Janet. George Lucas: An unauthorized biography. Heinemann Library, 2001.

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Brady, Frank. Citizen Welles: A biography of Orson Welles. Anchor Books, 1990.

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Reuben, Bunny. Mehboob, India's DeMille: The first biography. Indus, 1994.

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Lax, Eric. Woody Allen: A biography. Vintage, 1992.

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Sean, Connolly. Steven Spielberg: An unauthorized biography. Heinemann Library, 1999.

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Susan, Gray, ed. Writers on directors. Watson-Guptill Publications, 1999.

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Mosley, Leonard. The real Walt Disney: A biography. Futura, 1987.

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Chunovic, Louis. Jodie: A biography. Contemporary Books, 1995.

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Buchteile zum Thema "Motion picture producers and directors – biography"

Stokes, Melvyn. "David Wark Griffith." In D. W. Griffith’s The Birth of a Nation. Oxford University PressNew York, NY, 2008. http://dx.doi.org/10.1093/oso/9780195336788.003.0004.

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Abstract In 1914, when his path crossed that of Thomas Dixon Jr. for the second time in their lives, David Wark Griffith was already a commanding figure in American cinema. The principal director for the Biograph company since 1908, Griffith had produced more than four hundred motion pictures before quitting Biograph in late 1913 to produce longer films. Griffith’s interest in using Dixon’s story of The Clansman as the basis for a film was to lead to the release of The Birth of a Nation. It was also in many ways to transform the American film industry. To appreciate Griffith’s part in making T

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McDonough, Christopher M. "Quod Scripsi Scripsi." In Pontius Pilate on Screen. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474446884.003.0002.

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This is not a book about Pontius Pilate. Not really. It is a book, instead, about what Pilate means, and has meant, on film and television. While this means looking to the religious and historical significance of the Roman prefect, there are a host of other issues I hope to unpack in this volume. Among these matters is the political context in which any given film was produced, as well as the “office politics” which often require archival exploration to uncover. In the yellowing memoranda and hand-written notes as well as the email records of newer films, one sees just how much behind-the-scen

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