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Thematische Bibliographien / Motion pictures – india – plots, themes, etc

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Auswahl der wissenschaftlichen Literatur zum Thema „Motion pictures – india – plots, themes, etc“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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Dissertationen zum Thema "Motion pictures – india – plots, themes, etc"

1

Cagle, Paul Christopher. "Historical foundations of Hollywood's social problem film, 1945-1967 /." View online version; access limited to Brown University users, 2005. http://wwwlib.umi.com/dissertations/fullcit/3174579.

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2

Hayes, Kalmia Joy. "Thematic integrity in filmic versions of E.M. Forster's novels." Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002261.

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This study discusses the extent to which Charles Sturridge's Where Angels Fear to Tread, Merchant Ivory's Howards End, and David Lean's A Passage to India have aimed at, and succeeded in, exploring the thematic concerns of E.M. Forster's novels. A brief introductory chapter explains the motivation behind this research, and the choice of critical methodologies used. It concludes with an outline of some of the problems confronting film-makers wishing to explore the concerns of novels. The first chapter, which is devoted to Where Angels Fear to Tread, reveals that while Sturridge is "faithful" to

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3

Romão, Moisés Henrique Mietto. "Belle toujours e a eloquência do silêncio : considerações sobre o épico no filme de Manoel de Oliveira /." Araraquara, 2019. http://hdl.handle.net/11449/182537.

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Orientador: Renata Soares Junqueira<br>Banca: Fabiane Renata Borsato<br>Banca: Wiliam Pianco dos Santos<br>Resumo: O cineasta português Manoel de Oliveira (1908-2015) é reconhecido mundialmente pela sua estética cinematográfica singular. Uma de suas principais características é a relação intrínseca que os seus filmes ostentam com as artes de uma forma geral, como a pintura, o teatro, a literatura, a arquitetura, a escultura, a música e o próprio cinema. Do teatro podemos notar o peso da palavra proferida. Com mais de 50 filmes em sua carreira - longas, médias e curtas-metragens -, o realizador

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4

Urquhart, Peter. "1979 : reading the tax-shelter boom in Canadian film history." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85211.

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More certified-Canadian feature films were shot in Canada in 1979 than in any other year. The height of what has become known as the "tax-shelter boom," 1979 stands as a remarkable moment in the history of the Canadian cinema, with 70 features shot in a year in which Hollywood produced only 99 films. The extant history of the Canadian cinema has largely ignored this moment, and in this thesis I argue that the slim treatment of the period by critics represents a "received wisdom," consistently repeated, but seldom scrutinized, and that this received wisdom is representative of the cultur

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5

Rezende, Marília Abrão. "O mistério no cinema: questões de gênero, hibridação e escrita de roteiros." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21339.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-08-13T13:06:59Z No. of bitstreams: 1 Marília Abrão Rezende.pdf: 15635182 bytes, checksum: dd6d5b283854e0b868ff7662c531c98a (MD5)<br>Made available in DSpace on 2018-08-13T13:06:59Z (GMT). No. of bitstreams: 1 Marília Abrão Rezende.pdf: 15635182 bytes, checksum: dd6d5b283854e0b868ff7662c531c98a (MD5) Previous issue date: 2018-06-29<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This research regards the mystery on cinema, noting and questioning its typological statute; pointing out its relationship with

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6

Johinke, Rebecca Jane. "Blokes and cars : the construction of masculinities in Australian film / Rebecca Jane Johinke." Thesis, 2002. http://hdl.handle.net/2440/114413.

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This thesis examines the construction of masculinities in the genre of Australian film known as 'car crash' films. A number of film texts are used to examine how representations of vehicular masculinity are validated and how heroism is often associated with mastery of a motor vehicle. It contends that gender-technology relation constructs technology as masculine culture, the automobile often pivotal in rites of passage and manifestations of masculinity because other means to perform adulthood and gender are frequently unattainable. Membership of the masculine hegemony can appear within reach w

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Bücher zum Thema "Motion pictures – india – plots, themes, etc"

1

International Film Festival of India (24th 1993 New Delhi, India). International Film Festival of India, 1993, New Delhi, 10-20 January 1993 =: Bhārata kā Antarrāshṭrīya Filma Samāroha. Edited by Banerjee Shampa and India. Directorate of Film Festivals. Directorate of Film Festivals, Ministry of Information and Broadcasting, 1993.

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2

Gopalan, Lalitha. Cinema of interruptions: Action genres in contemporary Indian cinema. British Film Institute, 2002.

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3

International Film Festival of India (25th 1994 Calcutta, India). 25th International Film Festival of India, 1994, Calcutta, January 10-20, 1994 =: Bhārata kā 25 vāṃ Antarrāshṭrīya Filma Samāroha, Kalakattā, Janavarī 10-20, 1994. Directorate of Film Festivals, Ministry of Information and Broadcasting, 1994.

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4

International Film Festival of India (26th 1995 Bombay, India). 26th International Film Festival of India '95, Bombay, January 10-20, 1995 =: Bhārata kā 26 vāṃ Antarrāshṭrīya Filma Samāroha '95, Bambaī, Janavarī 10-20, 1995. Directorate of Film Festivals, Ministry of Information and Broadcasting, 1995.

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5

Mitra, Ananda. India through the western lens: Creating national images in film. SAGE, 1998.

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6

Mitra, Ananda. India through the Western lens: Creating national images in film. Sage Publications, 1999.

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7

Chris, Holmlund, ed. American cinema of the 1990s: Themes and variations. Rutgers University Press, 2008.

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8

Lucy, Fischer, ed. American cinema of the 1920s: Themes and variations. Rutgers University Press, 2009.

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9

John, Wilson. The official Razzie movie guide: Enjoying the best of Hollywood's worst. Warner Books, 2005.

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10

Monush, Barry. Everybody's talkin': The top films of 1965-1969. Applause Theatre, 2009.

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