Bücher zum Thema „Motion pictures – india – plots, themes, etc“
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International Film Festival of India (24th 1993 New Delhi, India). International Film Festival of India, 1993, New Delhi, 10-20 January 1993 =: Bhārata kā Antarrāshṭrīya Filma Samāroha. Edited by Banerjee Shampa and India. Directorate of Film Festivals. Directorate of Film Festivals, Ministry of Information and Broadcasting, 1993.
Den vollen Inhalt der Quelle findenGopalan, Lalitha. Cinema of interruptions: Action genres in contemporary Indian cinema. British Film Institute, 2002.
Den vollen Inhalt der Quelle findenInternational Film Festival of India (25th 1994 Calcutta, India). 25th International Film Festival of India, 1994, Calcutta, January 10-20, 1994 =: Bhārata kā 25 vāṃ Antarrāshṭrīya Filma Samāroha, Kalakattā, Janavarī 10-20, 1994. Directorate of Film Festivals, Ministry of Information and Broadcasting, 1994.
Den vollen Inhalt der Quelle findenInternational Film Festival of India (26th 1995 Bombay, India). 26th International Film Festival of India '95, Bombay, January 10-20, 1995 =: Bhārata kā 26 vāṃ Antarrāshṭrīya Filma Samāroha '95, Bambaī, Janavarī 10-20, 1995. Directorate of Film Festivals, Ministry of Information and Broadcasting, 1995.
Den vollen Inhalt der Quelle findenMitra, Ananda. India through the western lens: Creating national images in film. SAGE, 1998.
Den vollen Inhalt der Quelle findenMitra, Ananda. India through the Western lens: Creating national images in film. Sage Publications, 1999.
Den vollen Inhalt der Quelle findenChris, Holmlund, ed. American cinema of the 1990s: Themes and variations. Rutgers University Press, 2008.
Den vollen Inhalt der Quelle findenLucy, Fischer, ed. American cinema of the 1920s: Themes and variations. Rutgers University Press, 2009.
Den vollen Inhalt der Quelle findenJohn, Wilson. The official Razzie movie guide: Enjoying the best of Hollywood's worst. Warner Books, 2005.
Den vollen Inhalt der Quelle findenMonush, Barry. Everybody's talkin': The top films of 1965-1969. Applause Theatre, 2009.
Den vollen Inhalt der Quelle findenPflaum, H. G. Germany on film: Theme and content in the cinema of the Federal Republic of Germany. Wayne State University Press, 1990.
Den vollen Inhalt der Quelle findenRavi, Vasudevan, ed. Making meaning in Indian cinema. Oxford University Press, 2000.
Den vollen Inhalt der Quelle findenThompson, Frank T. Alamo movies. 2nd ed. Wordware Pub., 1994.
Den vollen Inhalt der Quelle findenInternational Film Festival of India (23rd 1992 Bangalore, India). International Film Festival of India '92, Bangalore, January 10-20, 1992 =: Bhārata kā Antarrāshṭrīya Filma Samāroha '92. Directorate of Film Festivals, Ministry of Information and Broadcasting, 1992.
Den vollen Inhalt der Quelle findenCowgill, Linda J. The art of plotting: How to add emotion, excitement, and depth to your writing. Back Stage Books, 2008.
Den vollen Inhalt der Quelle findenCowgill, Linda J. The art of plotting: How to add emotion, excitement, and depth to your writing. Back Stage Books, 2008.
Den vollen Inhalt der Quelle findenCowgill, Linda J. The art of plotting: How to add emotion, excitement, and depth to your writing. Back Stage Books, 2008.
Den vollen Inhalt der Quelle findenWeiss, Andrea. Vampires & violets: Lesbians in the cinema. J. Cape, 1992.
Den vollen Inhalt der Quelle findenM, Nichols Peter, ed. The best DVDs you've never seen, just missed or almost forgotten: A guide for the curious film lover. St. Martin's Griffin, 2005.
Den vollen Inhalt der Quelle findenGernalzick, Nadja. Temporality in American filmic autobiography: Cinema, automediality and grammatology with Film portrait and Joyce at 34. Universitätsverlag Winter, 2018.
Den vollen Inhalt der Quelle findenCinema of interruptions: Action genres in contemporary Indian cinema. British Film Institute, 2002.
Den vollen Inhalt der Quelle findenGopalan, Lalitha. Cinema of Interruptions: Action Genres in Contemporary Indian Cinema. British Film Institute, 2002.
Den vollen Inhalt der Quelle findenGopalan, Lalitha. Cinema of Interruptions: Action Genres in Contemporary Indian Cinema. Oxford University Press, 2003.
Den vollen Inhalt der Quelle findenGopalan, Lalitha. Cinema of Interruptions: Action Genres in Contemporary Indian Cinema. British Film Institute, 2002.
Den vollen Inhalt der Quelle findenRaghavendra, M. K. Seduced by the Familiar: Narration and Meaning in Indian Popular Cinema. Oxford University Press, 2014.
Den vollen Inhalt der Quelle findenCorrigan, Timothy, Sharon Willis, Anna Everett, and Thomas Schatz. American Cinema of The 2000s: Themes and Variations. Rutgers University Press, 2012.
Den vollen Inhalt der Quelle findenKeil, Charlie, and Ben Singer. American Cinema of The 1910s: Themes and Variations. Rutgers University Press, 2009.
Den vollen Inhalt der Quelle findenKeil, Charlie, and Ben Singer. American Cinema of The 1910s: Themes and Variations. Rutgers University Press, 2009.
Den vollen Inhalt der Quelle findenFischer, Lucy, Jennifer Bean, Sumiko Higashi, and Angela Dalle Vacche. American Cinema of The 1920s: Themes and Variations. Rutgers University Press, 2009.
Den vollen Inhalt der Quelle findenFischer, Lucy, Sumiko Higashi, Angela Dalle Vacche, and Jennifer M. Bean. American Cinema of The 1920s: Themes and Variations. Rutgers University Press, 2009.
Den vollen Inhalt der Quelle findenPrince, Stephen. American Cinema of The 1980s: Themes and Variations. Bloomsbury Publishing Plc, 2007.
Den vollen Inhalt der Quelle findenBlake, Snyder. Save the Cat Goes to the Movies: The Screenwriter's Guide to Every Story Ever Told. Michael Wiese Productions, 2013.
Den vollen Inhalt der Quelle findenBlake, Snyder. Save the Cat! Goes to the Movies: The Screenwriter's Guide to Every Story Ever Told. Michael Wiese Productions, 2007.
Den vollen Inhalt der Quelle findenMonush, Barry. Everybody's Talkin': The Top Films Of 1965-1969. Leonard Corporation, Hal, 2009.
Den vollen Inhalt der Quelle findenDer phantastische Film: Instabile Narrationen und die Narration der Instabilität. De Gruyter, 2010.
Den vollen Inhalt der Quelle findenGaudreault, Andre. American Cinema 1890-1909: Themes and Variations. Rutgers University Press, 2009.
Den vollen Inhalt der Quelle findenGaudreault, Andre. American Cinema, 1890-1909: Themes and Variations. Rutgers University Press, 2009.
Den vollen Inhalt der Quelle findenCorrigan, Timothy. American Cinema of The 2000s. Rutgers University Press, 2012.
Den vollen Inhalt der Quelle findenAmerican Cinema of the 1950s: Themes and Variations. Bloomsbury Publishing Plc, 2005.
Den vollen Inhalt der Quelle findenFiggis, Mike. 36 Dramatic Situations for Film. Faber & Faber, Limited, 2017.
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