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1

Ensslin, Astrid. "‘I want to say I may have seen my son die this morning’: Unintentional unreliable narration in digital fiction." Language and Literature: International Journal of Stylistics 21, no. 2 (May 2012): 136–49. http://dx.doi.org/10.1177/0963947011435859.

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This article offers comparative close readings of two digital fictions that feature various types and degrees of unintentional unreliable narration. Its prime focus lies on the affordances and restraints provided by hypertextual, multilinear, multimodal, interactive and ludic new media with respect to the aesthetic representation and textual embedding of unreliability. To this end, I have chosen narratives from two ‘generations’ of digital fiction – a hyperfiction par excellence, and a hypermedia narrative, both of which are multilinear by definition yet deal with the ideas of closure and narr
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Bene, Adrián. "Rhizomatic Narrative and Intermediality in Treme." Acta Universitatis Sapientiae, Film and Media Studies 10, no. 1 (August 1, 2015): 61–71. http://dx.doi.org/10.1515/ausfm-2015-0026.

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Abstract In this paper, I study the narrative structure and the layers of meaning in the Treme (2010-2013), using the concept of rhizome introduced in A Thousand Plateaus by Deleuze and Guattari (1987) and the Hannerzian “root metaphor” of creole culture. As for New Orleans in the Treme, music makes the narrative structure not just multilinear but rhizomatic. Moreover, spontaneity and hybridity highlight dialogicity and poliphony as well as a strong ironic and subversive capacity concerning music and creole culture. On a narratological level, analysing the critical representation of social pro
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Beeston, Alix. "A “Leg Show Dance” in a Skyscraper: The Sequenced Mechanics of John Dos Passos's Manhattan Transfer." PMLA/Publications of the Modern Language Association of America 131, no. 3 (May 2016): 636–51. http://dx.doi.org/10.1632/pmla.2016.131.3.636.

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Performing a historicized analysis of John Dos Passos's Manhattan Transfer (1925), this essay returns this understudied author to the center stage of modernist studies and includes the popular stage in accounts of the technologized mechanisms of modernist writing. By disclosing a deep correlation between the composite narrative tactics of Dos Passos's multilinear novel and the mass entertainments of this period, particularly Florenz Ziegfeld's annual Follies revues, it supplies new parameters for theorizing strategies of narration and characterization in modernist fiction vis-à-vis the technol
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D, Jayavelu, and Mamta Pillai. "Women Empowerment in Amish’s The Ramchandra Series: A Dharmic Narrative." International Journal of Language and Literary Studies 3, no. 1 (March 30, 2021): 122–30. http://dx.doi.org/10.36892/ijlls.v3i1.507.

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The portrayal of women in literary texts over the centuries has been stuck in the conviction that women are enormously subjugated, but now repetition of the same is considered unjustified. The canon of reformers in the literary world has started to interpret feminism from various perspectives. Women characters are reformulated and rethought by the new emerging authors and those authors reinforce a new dimension to the status and moral experience of women which was largely criticized in the domain of traditional literature. The present research, therefore, intends to elicit the narrative techni
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Wortel, Elise. "From history to haecceity." Alphaville: Journal of Film and Screen Media, no. 2 (February 14, 2012): 60–75. http://dx.doi.org/10.33178/alpha.2.05.

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This article investigates the transformation of history into haecceities that allow us to grasp history through a nonlinear, cinematic sensation of pure past. Here, cinema merges classical knowledge of historical facts with the lived reality of the unrecorded past. Experiments with spatial reframings of the past in The Lady and the Duke, The King's Daughters, The White Ribbon and Coco Before Chanel are discussed to create nonlinear sensations of duration that link with Deleuze and Guattari's notions of affect and haecceity, which transform history into cinematic sets of speed, movement, and te
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Nogueira, Patrícia. "Ways of affection: How interactive documentaries affect the interactor’s felt experience and performance." New Cinemas: Journal of Contemporary Film 17, no. 1 (March 1, 2020): 49–68. http://dx.doi.org/10.1386/ncin_00004_1.

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This article intends to explore how interactivity and new technologies promote new spectatorship performances and subsequently affect the interactor’s subjectivity. Through the analysis of three interactive documentaries, I propose and describe a taxonomy for addressing the felt experience of interacting in digital environments. Each selected documentary corresponds to a different mode of interaction and, therefore, engages the audience in a particular way: Bear 71 (hyperlink mode), Fort McMoney (conversational mode) and A Journal of Insomnia (participative mode). Throughout the analysis, I co
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Niewiadoma, Elżbieta. "The Experimental Works of Stu Campbell: The Use of New Media in Creating Online Comics." Studia Litteraria 16, no. 3 (2021): 221–39. http://dx.doi.org/10.4467/20843933st.21.016.14006.

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Literature does not need to be solely confined to text, but can be accompanied by moving images, animation, sound, music, as well as a multi-linear narrative, which has become easier to integrate due to the use of hypertext and augmented reality (AR) technology. One author who readily uses such innovations is Stu Campbell, more widely known by his alias, Sutu. Aside from being a writer, Campbell is also an interactive designer and illustrator who combines art and technology in order to produce unique and experimental works. Campbell is inspired by multiple genres and formats through which he a
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Rocha, Cláudio Aleixo. "Vídeos Publicitários e Multilinearidade: uma estratégia criativa para o ambiente <i>Web</i>." Revista Panorama - Revista de Comunicação Social 4, no. 1 (June 22, 2022): 108. http://dx.doi.org/10.18224/pan.v4i1.3467.

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RESUMO: O artigo aborda a importância do audiovisual publicitário na Web como um meio de diversão&#x0D; e entretenimento on-line que possui grande força estratégica de relacionamento entre marca e&#x0D; consumidor. O foco principal de estudo é dado à narrativa multilinear aplicada ao conteúdo audiovisual&#x0D; publicitário veiculado na Web. Apresenta como estudo de caso as campanhas interativas&#x0D; ??A hunter shoots a bear? e ??Hunter and bear??s 2012 birthday party?, ambos da marca de corretivo&#x0D; Tipp-Ex divulgadas no Youtube.&#x0D; &#x0D; PALAVRAS-CHAVE: Publicidade na Web; Conteúdo au
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Caramello, Charles. "The Only Teller: Readings in the Monologue Novel, and: Pattern and Chaos: Multilinear Novels by Dos Passos, Döblin, Faulkner, and Koeppen, and: The Nonfiction Novel, and: The Soft Machine: Cybernetic Fiction, and: A Theory of Narrative (review)." MFS Modern Fiction Studies 32, no. 2 (1986): 345–50. http://dx.doi.org/10.1353/mfs.0.0388.

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Estorillio, Rodrigo dos Santos. "Bandersnatch: uma crítica de processo." Manuscrítica: Revista de Crítica Genética, no. 45 (December 30, 2021): 56–71. http://dx.doi.org/10.11606/issn.2596-2477.i45p56-71.

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A complexa sistematização das narrativas interativas se processa nas inovações homem-máquina, potencializadas pelo uso de ferramentas tecnológicas que manipulam interfaces de aplicativos hipermidiáticos, modelando scripts em linguagem HTML que se traduzem em conceitos narratológicos e conteúdo multitrama aos usuários em plataformas e redes de comunicação. O recorte desta pesquisa parte do processo de criação hipertextual em multitrama, Bandersnatch, e seu tratamento em roteiro de longa-metragem de ficção interativa. A sistematização narratológica gravita um processo de readequação estrutural p
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Vieira Jr., Erly. "Corpo e cotidiano no cinema de fluxo contemporâneo / Body and everyday life in “flow esthetic” films." Revista Contracampo, no. 29 (April 30, 2014): 109. http://dx.doi.org/10.22409/contracampo.v0i29.611.

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Este artigo pretende discutir as relações entre corpo e cotidiano no chamado “cinema de fluxo”, vertente transnacional do cinema das duas últimas décadas, marcada pela emergência de um realismo sensório. Trata-se de um cinema cujas narrativas são calcadas em ambiências e por uma experiência audiovisual conduzida pela sobrevalorização de uma sensorialidade multilinear e dispersiva. Nossa abordagem será centrada em dois aspectos: num primeiro momento, faremos uma revisão conceitual do cotidiano e de sua importância no cinema de fluxo; num segundo momento, discutiremos as relações entre o cinema
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Ribetto, Anelice, and Arina Martins. "A produção de oficinas de animação com estudantes surdos na escola pública." Revista Digital do LAV 14, no. 2 (August 30, 2021): 247–62. http://dx.doi.org/10.5902/1983734865406.

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Este relato de experiência é parte de uma pesquisa de mestrado concluída, um processo cartografado com estudantes surdos numa escola pública. A surdez é considerada, nesta investigação, como uma experiência visual e cultural, fora do plano medicalizante das políticas da deficiência. Assim, realiza-se um exercício cartográfico que tenciona a Pedagogia Visual como campo de estudo, propondo como intervenção a realização de oficinas experimentais de produção de vídeos de animação, que envolvem diversas técnicas visuoespaciais, corporais e de escrita. O objetivo desta reflexão consiste em pensar o
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13

Khorasani, Hamid Reza, Mahboubeh Sanchouli, Javad Mehrani, and Davood Sabour. "Potential of Bone-Marrow-Derived Mesenchymal Stem Cells for Maxillofacial and Periodontal Regeneration: A Narrative Review." International Journal of Dentistry 2021 (November 9, 2021): 1–13. http://dx.doi.org/10.1155/2021/4759492.

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Bone-marrow-derived mesenchymal stem cells (BM-MSCs) are one of the most widely studied postnatal stem cell populations and are considered to utilize more frequently in cell-based therapy and cancer. These types of stem cells can undergo multilineage differentiation including blood cells, cardiac cells, and osteogenic cells differentiation, thus providing an alternative source of mesenchymal stem cells (MSCs) for tissue engineering and personalized medicine. Despite the ability to reprogram human adult somatic cells to induced pluripotent stem cells (iPSCs) in culture which provided a great op
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14

Mota, Natália, Mauro Copelli, and Sidarta Ribeiro. "S110. INTERESTING HAPPY THOUGHTS: STRUCTURAL, SEMANTIC AND EMOTIONAL ANALYSIS OF PSYCHOTIC SPEECH USING TIME-LIMITED POSITIVE IMAGE NARRATIVES." Schizophrenia Bulletin 46, Supplement_1 (April 2020): S76. http://dx.doi.org/10.1093/schbul/sbaa031.176.

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Abstract Background Speech and language analysis from free speech protocols has recently provided a discriminative signal, useful for early diagnosis of schizophrenia. Although different aspects of language (such as structural and semantic coherence) have been applied to different contexts using different data collection protocols, we need to standardize a safe and minimum-effort protocol that can reveal discriminative data, enabling large and remote dataset collection. Also, it is important to understand the correlations between semantic, structural and emotional analysis from the same datase
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15

Doyle, Emily Claire, Nicholas Martin Wragg, and Samantha Louise Wilson. "Intraarticular injection of bone marrow-derived mesenchymal stem cells enhances regeneration in knee osteoarthritis." Knee Surgery, Sports Traumatology, Arthroscopy 28, no. 12 (January 31, 2020): 3827–42. http://dx.doi.org/10.1007/s00167-020-05859-z.

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Abstract Purpose This review aimed to evaluate the efficacy of intra-articular injections of bone marrow derived mesenchymal stem cells (BM-MSCs) for the treatment of knee osteoarthritis (KOA). Methods This narrative review evaluates recent English language clinical data and published research articles between 2014 and 2019. Key word search strings of (((“bone marrow-derived mesenchymal stem cell” OR “bone marrow mesenchymal stromal cell” OR “bone marrow stromal cell”)) AND (“osteoarthritis” OR “knee osteoarthritis”)) AND (“human” OR “clinical”))) AND “intra-articular injection” were used to i
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16

Roeder, John. "Interactions of Folk Melody and Transformational (Dis)continuities in Chen Yi’s Ba Ban (1999)." Music Theory Online 26, no. 3 (September 2020). http://dx.doi.org/10.30535/mto.26.3.12.

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Chen Yi’s Ba Ban (1999) for solo piano, like many works of Western-trained Chinese composers, situates fragments of evocative traditional folk melody within a post-tonal discourse that is well described by transformation theory. The eponymous folk tune that it quotes is a standard of the sizhu (“silk-and-bamboo”) repertoire. In sizhu performance practice, the evenly pulsed rhythm of the 68-beat melody is augmented and each pitch is highly “flowered,” that is, decorated. Chen’s piece, often simulating the timbral quality of sizhu heterophony, reproduces some of the directed temporal qualities o
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17

Roeder, John. "Interactions of Folk Melody and Transformational (Dis)continuities in Chen Yi’s Ba Ban (1999)." Music Theory Online 26, no. 3 (September 2020). http://dx.doi.org/10.30535/mto.26.3.12.

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Chen Yi’s Ba Ban (1999) for solo piano, like many works of Western-trained Chinese composers, situates fragments of evocative traditional folk melody within a post-tonal discourse that is well described by transformation theory. The eponymous folk tune that it quotes is a standard of the sizhu (“silk-and-bamboo”) repertoire. In sizhu performance practice, the evenly pulsed rhythm of the 68-beat melody is augmented and each pitch is highly “flowered,” that is, decorated. Chen’s piece, often simulating the timbral quality of sizhu heterophony, reproduces some of the directed temporal qualities o
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18

Sevari, Sevda Pouraghaei, Sahar Ansari, and Alireza Moshaverinia. "A narrative overview of utilizing biomaterials to recapitulate the salient regenerative features of dental-derived mesenchymal stem cells." International Journal of Oral Science 13, no. 1 (June 30, 2021). http://dx.doi.org/10.1038/s41368-021-00126-4.

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AbstractTissue engineering approaches have emerged recently to circumvent many limitations associated with current clinical practices. This elegant approach utilizes a natural/synthetic biomaterial with optimized physiomechanical properties to serve as a vehicle for delivery of exogenous stem cells and bioactive factors or induce local recruitment of endogenous cells for in situ tissue regeneration. Inspired by the natural microenvironment, biomaterials could act as a biomimetic three-dimensional (3D) structure to help the cells establish their natural interactions. Such a strategy should not
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19

Barnet, Belinda. "In the Garden of Forking Paths." M/C Journal 1, no. 5 (December 1, 1998). http://dx.doi.org/10.5204/mcj.1727.

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"Interactivity implies two agencies in conversation, playfully and spontaneously developing a mutual discourse" -- Sandy Stone (11) I. On Interactivity The difference between interactivity as it is performed across the page and the screen, maintains Sandy Stone, is that virtual texts and virtual communities can embody a play ethic (14). Inserted like a mutation into the corporate genome, play ruptures the encyclopaedic desire to follow seamless links to a buried 'meaning' and draws us back to the surface, back into real-time conversation with the machine. Hypertext theorists see this as a tact
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