Thematische Bibliographien / MURLLC

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Auswahl der wissenschaftlichen Literatur zum Thema „MURLLC“

Autor: Grafiati
Veröffentlicht am 24. Mai 2025
Zuletzt aktualisiert am 29. Mai 2025

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Zeitschriftenartikel zum Thema "MURLLC"

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Krasilov, Artem, Irina Lebedeva, Ruslan Yusupov und Evgeny Khorov. „Resource-Efficient Multicast URLLC Service in 5G Systems“. Sensors 24, Nr. 8 (15.04.2024): 2536. http://dx.doi.org/10.3390/s24082536.

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Many emerging applications, such as factory automation, electric power distribution, and intelligent transportation systems, require multicast Ultra-Reliable Low-Latency Communications (mURLLC). Since 3GPP Release 17, 5G systems natively support multicast functionality, including multicast Hybrid Automatic Repeat Request and various feedback schemes. Although these features can be promising for mURLLC, the specifications and existing studies fall short in offering guidance on their efficient usage. This paper presents the first comprehensive system-level evaluation of mURLLC, leveraging insights from 3GPP specifications. It points out (i) how mURLLC differs from traditional multicast broadband wireless communications, and (ii) which approaches to provide mURLLC require changing the paradigm compared with the existing solutions. Finally, the paper provides recommendations on how to satisfy strict mURLLC requirements efficiently, i.e., with low channel resource consumption, which increases the capacity of 5G systems for mURLLC. Simulation results show that proper configuration of multicast mechanisms and the corresponding algorithms for mURLLC traffic can reduce resource consumption up to three times compared to the baseline solutions proposed for broadband multicast traffic, which significantly increases the system capacity.
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Liu, Yan, Yansha Deng, Maged Elkashlan, Arumugam Nallanathan und George K. Karagiannidis. „Optimization of Grant-Free NOMA With Multiple Configured-Grants for mURLLC“. IEEE Journal on Selected Areas in Communications 40, Nr. 4 (April 2022): 1222–36. http://dx.doi.org/10.1109/jsac.2022.3143264.

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3

Zhang, Xi, Jingqing Wang und H. Vincent Poor. „Optimal Resource Allocations for Statistical QoS Provisioning to Support mURLLC Over FBC-EH-Based 6G THz Wireless Nano-Networks“. IEEE Journal on Selected Areas in Communications 39, Nr. 6 (Juni 2021): 1544–60. http://dx.doi.org/10.1109/jsac.2021.3071816.

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4

Szczegielniak, Anna. „Współczesne murale w Opolu – lokalizacja i znaczenie w przestrzeni miejskiej“. BUILDER 304, Nr. 11 (25.10.2022): 44–53. http://dx.doi.org/10.5604/01.3001.0016.0604.

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W Polsce od kilkunastu lat powstaje coraz więcej murali, a prace polskich muralistów charakteryzują się wysokim poziomem. Szczególnie wiele murali można spotkać w największych miastach, ale ten rodzaj street artu pojawia się również w mniejszych ośrodkach – jak Opole. W artykule przeanalizowano 64 murale zlokalizowane w tym mieście. Zastosowano następujące metody badawcze: analiza źródeł internetowych, wywiady, wizje lokalne, analiza lokalizacji urbanistycznej oraz architektonicznej. Na podstawie wykonanych analiz zauważono skupisko murali w centralnej części miasta, a jednocześnie w ostatnich latach tendencję do lokalizowania murali poza centrum. Wyróżniono sześć typów lokalizacji murali: ślepa ściana budynku, ściana budynku z oknami/drzwiami, strefa wejściowa do budynku, brama/przejście, mur, filar mostu/wiaduktu. Najpopularniejszymi typami lokalizacji są – mury, ślepe ściany budynków, filary mostów. W Opolu, podobnie jak w innych miastach, w których powstają murale – często do tworzenia tego typu obrazów wykorzystywane są miejsca o zdegradowanym charakterze. Dokonano oceny znaczenia badanych murali w przestrzeni miasta. Za murale o największym znaczeniu uznano te, które: zajmują całą płaszczyznę na której się znajdują, są dużych rozmiarów, zlokalizowane w centrum miasta i dobrze widoczne. Za murale o średnim znaczeniu uznano te, które spełniały tylko trzy z tych warunków, za murale o znikomym znaczeniu w mieście uznano te, które spełniały dwa lub mniej z tych warunków. Badania opisane w niniejszym artykule – to jest skatalogowanie opolskich murali oraz stworzenie mapy – mogą być przydatne przy opracowywaniu materiałów promocyjnych miasta, np. szlaku zwiedzania opolskich murali, mapy poszukiwań murali itp. Z kolei metoda oceny znaczenia murali w przestrzeni miejskiej może pozwolić w przyszłości na sprawne planowanie lokalizacji kolejnych.
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Li, Dazhuang, und Emad Saadi Alkathir. „Implementation of Computer-Based Vision Technology to Consider Visual Form of Ceramic Mural Art“. Mathematical Problems in Engineering 2021 (30.08.2021): 1–15. http://dx.doi.org/10.1155/2021/4236572.

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As one of the cultural forms of human beings, ceramic murals transcend the dimension of time and space and transcend the single cognition of materialism in the sense of purely material materials. The emergence of computer vision technology has also provided conditions for developing ceramic murals in terms of concepts and technical forms. This article first studies the visual communication language research in ceramic mural art, at the same time comprehensively analyzes the design principles of ceramic mural art, and interprets the visual form of ceramic mural art from the perspective of actual projects in the thesis; then, it boldly analyzes the future of ceramic mural art Development trend. Finally, this article analyzes the composition in ceramic mural art, the graphics in ceramic mural art, the color in ceramic mural art, the scale in ceramic mural art, the lighting in ceramic mural art, and the design principles in ceramic mural art. The experimental results show that there are significant differences in the artistic design principles of ceramic murals P < 0.05 , and there are significant differences in the artistic design principles of ceramic murals P < 0.05 . Therefore, the artistic design principles of modern ceramic murals should mainly follow elegant and prominent forms.
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Krzywik, Adrianna. „Rola murali we współczesnym funkcjonowaniu miejskich ruchów społecznych w przestrzeni publicznej miast. Przegląd wybranych działań artystycznych“. Przegląd Socjologii Jakościowej 18, Nr. 2 (31.05.2022): 116–31. http://dx.doi.org/10.18778/1733-8069.18.2.06.

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W repertuarze współczesnych ruchów społecznych w przestrzeni miejskiej coraz częściej odnaleźć można działania o charakterze artystyczno-kulturowym. Głównym wyznacznikiem tych działań jest oryginalność przekazu podzielanych wartości i roszczeń politycznych. Do działań ruchów społecznych zaliczany jest street art i należące do niego murale. Murale, będące z założenia sztuką egalitarną, angażują odbiorcę do dialogu, stając się sztuką zaangażowaną społecznie. Na przestrzeni ostatnich kilkunastu lat obserwujemy zjawisko tzw. muralowego boomu, czyli gwałtownego wzrostu artystycznego ruchu społecznego skupionego wokół murali. Na podstawie analizy historycznej działań muralistycznych zostaną przedstawione przykłady murali będących manifestacją poglądów politycznych. Murale te zostały wybrane według kryterium powstania podczas najważniejszych, współczesnych ruchów społecznych ostatnich dziesięciu lat. Ponadto analiza semiologiczna fotografii murali posłuży do scharakteryzowania fenomenu murali we współczesnym funkcjonowaniu ruchów społecznych oraz ukrytych elementów znaczących w przekazie.
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Riski, Muhammad, und Heldi Heldi. „EKSISTENSI MURAL SEBAGAI AKTIVASI RUANG PUBLIK DI LINGKUNGAN KOTA PADANG“. Serupa The Journal of Art Education 9, Nr. 4 (25.12.2020): 399. http://dx.doi.org/10.24036/stjae.v9i4.110318.

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The presence of murals can be found in several public spaces in Padang City. It's not something new, but the presence of mural still gets pros and cons. Murals in public spaces have different forms, techniques, functions and meanings because they affect the purpose and function of the place. The aim of the author is to examine the presence of murals in public spaces to describe the form (visual), techniques, function of murals, styles (patterns) and the meaning of murals in public spaces in Padang City, with the title "The Existence of Murals as Activation of Public Spaces inPadang City". Data were collected using observation, interview and documentation techniques. The results of the research on the presence of murals in the public space of the city of Padang, the writer can conclude quite well, It's just that it takes development and observation from the artist when making a mural in a public space, because the presence of a mural in a public space is not just a desire, but it can also provide a new perspective for the general public who see and enjoy mural work in publicspaces.Kata kunci : Mural, Aktivasi, Ruang Publik, Bentuk, Teknik, Fungsi, Corak danMakna Mural, Kota Padang
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Zhang, Xi, Jingqing Wang und H. Vincent Poor. „Joint Optimization of IRS and UAV-Trajectory: For Supporting Statistical Delay and Error-Rate Bounded QoS Over mURLLC-Driven 6G Mobile Wireless Networks Using FBC“. IEEE Vehicular Technology Magazine 17, Nr. 2 (Juni 2022): 55–63. http://dx.doi.org/10.1109/mvt.2022.3158047.

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Lullini, Mattia. „One Mural, Ten Murals“. Public Art Dialogue 7, Nr. 2 (03.07.2017): 266–70. http://dx.doi.org/10.1080/21502552.2017.1343621.

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Conrad, David R. „A Democratic Art: Community Murals as Educator“. Teachers College Record: The Voice of Scholarship in Education 97, Nr. 1 (September 1995): 116–31. http://dx.doi.org/10.1177/016146819509700102.

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The community mural movement serves an important educational role by articulating, clarifying, and expanding community values. Through examining the community mural movement as democratic art and education, I argue that murals can be aesthetically challenging and ask profound questions at the same time. I explore the history of the modern mural movement and discuss murals that serve to educate artists and community alike. I show that community murals are expressive as well as didactic, that they stimulate community pride and commitment to justice while teaching outsiders about the struggles of traditionally oppressed people. Murals have immense capacity to expand multicultural understanding at a time when multiculturalism is central to the educational process. The community mural movement in the last thirty years has moved in a democratic direction by involving artists and neighborhood residents in collaborative public endeavors. I conclude that if the muralists and scholars examined in this article are taken seriously, it is difficult to deny that community murals are a democratic art form and that community murals have great educational potential.
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Dissertationen zum Thema "MURLLC"

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Oueslati, Ibtissem. „Algorithmes d'accès massif pour les objets connectés“. Electronic Thesis or Diss., Limoges, 2025. http://www.theses.fr/2025LIMO0021.

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L’évolution rapide des technologies de communication sans fil a introduit de nouveaux défis pour assurer une connectivité massive des dispositifs tout en garantissant une communication fiable et à faible latence. Les réseaux 5G ont introduit divers cas d’usage, notamment mMTC et URLLC. Cependant, avec la transition vers la 6G, la complexité croissante des exigences réseau devrait conduire à l’émergence de nouveaux cas d’usage dépassant ceux définis dans la 5G. L’un de ces cas d’usage nécessite l’intégration des capacités de mMTC et URLLC, donnant naissance à mURLLC, une catégorie de services combinant les exigences d’accès massif de mMTC aux contraintes strictes de latence et de fiabilité de URLLC. Répondre aux exigences de mMTC et mURLLC, qui nécessitent non seulement un accès massif mais aussi une latence ultra-faible et une fiabilité élevée, représente un défi majeur. Cela impose le développement de techniques d’allocation de ressources efficaces. Le travail de recherche commence par une analyse introductive de l’évolution des réseaux sans fil, mettant en évidence les exigences fondamentales de mMTC et mURLLC. Cette étude souligne les défis posés par l’accès massif ainsi que les contraintes strictes de latence et de fiabilité, mettant en avant la nécessité d’utiliser des technologies robustes. Ensuite, la thèse explore les technologies permettant de relever ces défis, notamment NOMA et l’accès GF. De plus, le rôle de l’apprentissage par renforcement dans l’allocation dynamique des ressources est examiné. Cette thèse explore également le potentiel de IRSA en tant que technologie clé pour répondre aux exigences strictes de mURLLC, en particulier lorsqu’il est combiné avec NOMA. L’objectif principal de cette thèse est de concevoir de nouvelles techniques d’allocation de ressources pour répondre aux défis de l’accès massif, en ciblant spécifiquement les exigences de mMTC et mURLLC. La première contribution majeure de cette thèse est le développement d’une technique d’allocation de ressources basée sur GF-NOMA, spécialement conçue pour mMTC. Cette technique, nommé LoCoNOMA, permet aux MTDs de choisir de manière autonome leurs niveaux de puissance et sous-porteuses, en se basant uniquement sur une feedback globale de la station de base gNB. Une borne supérieure analytique pour le taux de succès des paquets a été dérivée et validée en comparant les résultats analytiques et de simulation. Nous démontrons numériquement que la technique proposée surpasse les approches existantes en termes de taux de succès des paquets, de consommation énergétique et de délai de transmission. S’appuyant sur la technique LoCoNOMA, qui a prouvé son efficacité pour l’accès massif dans mMTC, la deuxième contribution majeure de la thèse l’étend afin de répondre aux exigences strictes de latence et de fiabilité de mURLLC, en intégrant l’apprentissage par renforcement. Nous introduisons ainsi QL-GF-NOMA, une approche basée sur Q-Learning, conçue pour minimiser la latence grâce à une fonction objective optimisée. Afin d’améliorer encore davantage les performances de la technique proposée, nous y intégrons IRSA-NOMA, reconnu pour sa robustesse dans la gestion des collisions de paquets. De plus, la fonction objective est encore améliorée pour prendre simultanément en compte les contraintes de latence et de fiabilité. La technique obtenue, nommée QL-IRSA-NOMA, ajuste la distribution des degrés de IRSA-NOMA, garantissant ainsi des performances optimales dans les scénarios mURLLC. Les résultats de simulation montrent que la technique proposée dépasse les approches existantes en termes de fiabilité, de faible latence et d’efficacité énergétique
The rapid evolution of wireless communication technologies has led to new challenges in supporting massive device connectivity while ensuring reliable and low-latency communication. Fifth Generation Mobile Radio (5G) networks have introduced diverse service use cases, including Massive Machine-Type Communications (mMTC) and Ultra-Reliable Low-Latency Communications (URLLC). However, as we transition to- ward the Sixth Generation Mobile Communication (6G), the increasing complexity of network requirements is expected to drive the emergence of new use cases beyond those previously defined in 5G. One such use case requires the integration of both mMTC and URLLC capabilities, giving rise to Massive Ultra-Reliable Low-Latency Communications (mURLLC), a service category that combines the massive access demands of mMTC with the stringent latency and reliability constraints of URLLC. Meeting the requirements of mMTC and mURLLC, which not only demands massive access but also demands stringent low-latency and high-reliability constraints, is a is a complex task. This necessitates efficient resource allocation frameworks. The research journey begins with an introductory overview of the evolution of wire- less networks, focusing on the fundamental requirements of mMTC and mURLLC. It highlights the challenges posed by massive access and the stringent constraints of low latency and high reliability, emphasizing the need for using strong key enablers. Subsequently, the thesis delves into the enabling technologies used to address these challenges, particularly Non-Orthogonal Multiple Access (NOMA) and Grant-Free (GF) access. Additionally, the role of Reinforcement Learning (RL) in dynamic resource allocation is examined.This thesis also explores the potential of Irregular Repetition Slotted ALOHA (IRSA) as a key enabler for achieving the stringent requirements of mURLLC, especially when combined with NOMA ( Irregular Repetition Slotted ALOHA with Non-Orthogonal Multiple Access (IRSA-NOMA)). The core of this thesis focuses on developing novel resource allocation frameworks to address massive access challenges, particularly targeting the requirements of both mMTC and mURLLC. The first major contribution of this thesis is the development of a novel GF-NOMA resource allocation technique specifically designed for mMTC. This framework, named LoCoNOMA, enables Machine-Type Devices (MTDs) to au- tonomously select power levels and sub-carriers while relying only on global feedback from the Next Generation Node B (gNB). An analytical upper bound for the packet success rate was derived, and its accuracy was validated by comparing it with simulation results. We numerically demonstrate that the proposed framework outperforms existing techniques in terms of packet success rate, energy consumption, and transmission delay. Building upon the LoCoNOMA framework, which demonstrated effectiveness in massive access for mMTC, the second contribution extends it to address not only massive access but also the stringent latency and reliability requirements of mURLLC by incorporating Q-Learning. We introduce a distributed multi-agent Q-Learning framework, referred to as QL-GF-NOMA, that prioritizes minimizing delay through a novel objective function. To further enhance the framework and balance both latency and reliability, we extend it further to develop a new framework, QL-IRSA-NOMA, by integrating IRSA-NOMA due to its robustness in mitigating packet collisions. Additionally, we redefine the Q-Learning objective function to jointly address latency and reliability constraints. The framework dynamically adjusts IRSA-NOMA’s degree distribution, ensuring optimal performance under mURLLC requirements. Simulation results demonstrate that the proposed framework outperforms existing techniques in terms of reliability, low latency, and energy consumption
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Marques, Valentina Martins. „Integração plástica : os murais na arquitetura moderna de Leborgne, Payssé e Bayardo“. reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/151131.

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Houve, durante meados do século vinte, diversos episódios de colaborações entre artistas e arquitetos no Uruguai, especialmente em Montevidéu, que contribuíram significativamente para a história da arquitetura e arte moderna no país. Estes episódios, marcados por alguns personagens em comum, porém de características distintas, se relacionaram à temática da integração plástica e culminaram em obras significativas dentro do panorama da arquitetura moderna Latino-americana. Diversos foram os arquitetos e artistas que de alguma forma ou outra colaboraram para estes episódios, porém se propõe analisar quatro obras de três arquitetos, que se aproximam, em alguns aspectos, através de determinadas características em comum: A Residência Mario Lorieto em Montevidéu, do arquiteto Ernesto Leborgne e colaborações dos artistas Francisco Matto, Manuel Pailós, Horácio Torres, Julio Alpuy, Edwin Studer e Manuel Otero (1964), a Residência do arquiteto Mario Payssé Reyes em Montevidéu e os murais de Edwin Studer, Julio Alpuy, Francisco Matto, Augusto Torres e Elsa Andrada (1954), o Seminário Arquidiocesano em Toledo (Zona rural de Montevidéu) do arquiteto Mario Payssé Reyes e os murais de Horácio Torres (1961) e, por último, o Urnário do Cemitério Norte de Montevidéu, do arquiteto Nelson Bayardo e mural de Edwin Studer (1959). Procura-se, através deste trabalho, melhor compreender as trajetórias de Leborgne, Payssé e Bayardo, a importância das obras destes arquitetos e suas contribuições à temática da integração plástica dentro da história da arquitetura moderna. Busca-se também entender as relações entre artes e arquitetura que integram suas obras e identificar as características que as aproximam.
There was, during the mid-twentieth century, numerous episodes of collaborations between artists and architects in Uruguay, especially in Montevideo, which contributed significantly to the history of architecture and modern art in the country. These episodes, defined by some characters in common, though of certain different features, were related to the theme of plastic integration and culminated in important works within the overview of Latin American modern architecture. Many were the architects and artists who in some way or another contributed to these episodes, though it is intended to analyze four works by three architects, which approximate, in some aspects, through certain characteristics in common: Mario Lorieto’s Residence in Montevideo, of the architect Ernesto Leborgne and collaborations of the artists Francisco Matto, Manuel Pailós, Horácio Torres, Julio Alpuy, Edwin Studer and Manuel Otero (1964), The Residence of the architect Mario Payssé Reyes in Montevideo and murals by Edwin Studer, Julio Alpuy, Francisco Matto Augusto Torres and Elsa Andrada (1954), The Archdiocesan Seminary in Toledo (Rural area of Montevideo) of the architect Mario Payssé Reyes and murals by Horácio Torres (1961) and, finally, The North Cemetery Ossuary in Montevideo, of the architect Nelson Bayardo and mural by Edwin Studer (1959). It is sought, throughout this work, to better comprehend the trajectories of Leborgne, Payssé and Bayardo, the importance of the works of these architects and their contribution towards the theme of plastic integration within the history of modern architecture. It is also pursued to understand the relations between arts and architecture which integrate their works and the characteristics which approximate them.
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Oliveira, Silvana, und Marilene 1952 Weinhardt. „Murilo Rubiao“. reponame:Repositório Institucional da UFPR, 2010. http://hdl.handle.net/1884/24515.

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Ravotto, Alessandro. „La muralla de Barcino“. Doctoral thesis, Universitat Autònoma de Barcelona, 2017. http://hdl.handle.net/10803/402256.

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La muralla de Barcino va ser erigida, al voltant de les acaballes del segle I aC, com a part del mateix projecte fundacional de la nova colònia. No es limitava, per tant, a concretar la forma urbana, sinó que es tractava d’un element perfectament inserit i coordinat dins d’un mecanisme urbà estudiat amb gran atenció. D’una banda, el recorregut del traçat, l’emplaçament i les característiques estructurals van ser el producte d’una tradició militar que, encara que no fos portada a les últimes conseqüències, atès que la situació geopolítica plasmada per la pax Augusta no el requeria, assentava les bases per un projecte de llarga durada. De l’altra, la clara inspiració als models nord itàlics era una declaració de l’urbanitas que August havia integrat en el seu programa de reorganització – no només política i territorial, sinó també cultural – de l’Imperi. Finalment, es tractava d’una estructura que funcionava conjuntament a la quotidianitat dels habitants: a més de la funció de control dels accessos, per exemple, estava projectada per funcionar conjuntament al cicle de l’aigua: rebia l’aprovisionament de l’aqüeducte, i al seu interior estaven englobats els col·lectors que desaiguaven als fossats. La muralla urbana va ser, durant tres segles, el mirall de les aspiracions de la ciutat: nascuda com un element funcional de la vida civil, va ser inclosa en els programes urbanístics que valoritzaven, entre finals del segle I i l’inici del segle II dC, la façana marítima – el principal motor econòmic de la colònia – fins a quedar, al segle III dC., en un estat lamentable, possiblement víctima de l’èxit econòmic i demogràfic de la ciutat, que en feia una infraestructura obsoleta. Però els criteris fixats pels arquitectes i els enginyers augustals van ser rescatats, i potenciats des del punt de vista poliorcètic quan, cap a finals del segle III dC, el mon romà sencer s’estava fortificant, per enfrentar-se a una situació de malestar i perill generalitzat. En aquest moment, la muralla torna a ser la protagonista de la ciutat: amb un desdoblament del gruix, l’afegit d’un gran nombre de torres i l’adopció dels més avançats recursos militars, inspirats directament per l’enginyeria militar que s’estava posant en pràctica a Roma mateixa en aquests anys, va contribuir a començar una nova etapa de floridesa per a Barcino. La solidesa de les noves defenses va ser un dels elements que Ataülf, molt probablement, al començament del segle V dC va tenir en compte a l’hora de triar Barcelona com a sede regia. En aquest treball s’examina la muralla romana de Barcelona des del punt de vista estrictament arqueològic, actualitzant i homologant les nombroses contribucions anteriors, presentant nombroses noves dades i plantejant línies interpretatives inèdites.
The city wall of Barcino was build at the end of the 1st century BC as part of the same foundational project of a new colony. Not only, therefore, it set the urban forma of the city, but it was perfectly coordinated and embedded within a mechanism planned with great attention. On the one hand, the layout, the location and its structural features were the product of a military tradition that, although it was not brought to its extreme - as the geopolitical situation of the pax Augusta did not required a consistent defense – it settled the basis for a long-term project. On the other hand, it was clearly inspired by north Italic models, and as such it was a declaration of the urbanitas that Augustus included in his program of reorganization - not only political and territorial, but cultural as well - of the Empire. Finally, it was a structure that played a role in the everyday life of the inhabitants: besides the function of entry control, for example, it was designed to work together with the water cycle: it received the supply of the aqueduct and it incorporated the sewers that drained into the moats. The city wall has been for three centuries the mirror of the colony aspirations: it was born as a functional element of civilian life; it was included in urban programs that enhanced, between the late first century and the beginning of the second century AD, the waterfront of Barcino and its port, the latter being the economic driving force of the colony; and ending up, in the third century AD, in the degraded condition of an outdated infrastructure, probably due to the demographic and economic success of the city. But the criteria set by architects and engineers of Augustan era were rescued and strengthened from the point of view of poliorcetics when, in the late third century AD, the whole Roman world was getting fortifications in order face a situation of widespread distress and danger. At this time, once again, the wall became one of the main characters of the city: doubling the thickness of the stone curtain, adding a large number of towers and adopting the most advanced technology, directly inspired by the military engineering that was being implemented in Rome in those same years, Barcino entered into a new phase of prosperity. Furthermore, the strength of the new defenses was probably one of the elements that Ataülf, in the early fifth century AD, had in mind when choosing Barcelona as sede regia. This work examines the Roman wall of Barcelona from the strictly archaeological point of view, upgrading and standardizing the many previous papers, presenting unpublished data and raising new interpretations.
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KAPLAN, SHEILA. „MURILO MENDES: COLLECTOR POET“. PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2009. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=14602@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
Nesta série de ensaios interdependentes sobre Murilo Mendes, buscamos iluminar diferentes aspectos de sua obra, em especial aquela produzida na Itália, onde o autor se fixou de 1957 até sua morte, em 1975. O fio implícito que liga estes ensaios é a indagação sobre a sua relação com o repertório da cultura ocidental, elemento destacado tanto em sua poesia quanto na prosa. Relação esta que o distingue de outros escritores modernistas, uma vez que, para Murilo Mendes, não se tratava de contrapor uma cultura à outra, mas de formar um conjunto único, em que as diferenças não assumem posição hierárquica, nos moldes, por exemplo, de uma equação centro-periferia. A metáfora do colecionador, que guia o primeiro ensaio, é utilizada como uma chave que permite analisar sua prosa-inventário da tradição ocidental. O surrealismo à brasileira do autor, tema de outro ensaio, mostra o modo peculiar como Murilo absorveu as vanguardas do início do século XX. E o seu projeto universalista é tratado no terceiro capítulo. Os textos que compõem este estudo procuram, assim, acercar-se dessa obra por meio de uma escrita ensaística, conforme definição de Adorno, em que os vários pontos se entrelaçam como em um bordado. Escrita marcada pelo experimento, mais do que pela busca de um pensamento sistêmico e conclusivo.
This is a series of interdependent essays on Murilo Mendes which focus on different aspects of his work, particularly the texts he wrote in Italy, where he lived from 1957 until his death in 1975. The thread that implicitly runs through these essays is his relationship with the Western cultural repertoire, an aspect that stands out in both his poetry and his prose. Indeed, it is this that differentiates him from other Modernist writers. Murilo Mendes was not interested in setting one culture against another, but in uniting them in such a way that their differences were not represented hierarchically, such as center versus periphery. The metaphor of the collector that appears in the first chapter serves as a key for analyzing his body of prose from the Western tradition. His Brazilian-style surrealism is the object of another essay that discusses the particular way he incorporated the European vanguards of the early twentieth century. The third chapter is about his universalism. Overall, this study seeks to address the work of Murilo Mendes using the essay form as defined by Adorno, where points in the different texts interweave like a tapestry. The style is more experimental than strictly systematic or conclusive in its thinking.
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Martinez, De Luna Lucha Aztzin. „Murals and the Development of Merchant Activity at Chichen Itza“. Diss., CLICK HERE for online access, 2005. http://contentdm.lib.byu.edu/ETD/image/etd1026.pdf.

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Jacometti, Nágela Fernanda [UNESP]. „Murilo Mendes: leitor de Apollinaire“. Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/91540.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Le sujet de cette étude est la comparaison entre la poétique de l’écrivain français Guillaume Apollinaire (1880-1918) et du poète brésilien Murilo Mendes (1901-1975). Le but de l’investigation c’est la vérification, à travers un recueil poétique des auteurs, la présence de traces qui caractérisent la modernité, depuis les innovations de Baudelaire, les yeux visionnaires d’Arthur Rimbaud et les reflexions linguistiques de Stéphane Mallarmé; jusqu’à la naissance des avants gardes au début du vingtième siècle. Parmi elles, celles qui ont plus de points de contact avec les poètes de cette étude, et qui y seront étudiées sont le Cubisme, le Futurisme et le Surréalisme. La recherche exprime la manière dont les deux auteurs établissent les images poétiques chez leurs oeuvres, et a l´intention de vérifier quelques thèmes et quelques techniques qu’ils utilisent. Les caractéristiques qui les approchent sont exemplifiées à travers les poèmes choisis parmi plusieurs oeuvres des deux poètes. Ainsi, la sphère interpretative peut être élargie.
O presente estudo tem por objeto a comparação entre a poética do autor francês Guillaume Apollinaire (1880-1918) e do poeta brasileiro Murilo Mendes (1901-1975). O objetivo da pesquisa é verificar, por meio de uma coletânea poética de ambos, a presença de traços característicos da modernidade, desde as inovações baudelairianas, passando pelo olhar visionário de Arthur Rimbaud e pela reflexão lingüística de Stéphane Mallarmé, até o surgimento das vanguardas artísticas do início do século XX. Entre estas, as que possuem ligação mais estreita com os poetas aqui estudados e que, por isso, serão mais aprofundadas são o Cubismo, o Futurismo, e o Surrealismo. O estudo reflete sobre o modo como os autores constroem as imagens poéticas em seus textos, além de verificar alguns temas e técnicas comuns a ambos. Exemplificamos as características que os aproximam por meio de poemas de diversas obras dos poetas, para, dessa forma, ampliar o escopo interpretativo.
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Green, Alexandra Raissa. „Buddhist narrative in Burmese murals“. Thesis, SOAS, University of London, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367563.

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Silva, Maria Laura Muller da Fonseca e. „Murilo Mendes em diálogo: intertextualidades“. Universidade Federal de Juiz de Fora (UFJF), 2017. https://repositorio.ufjf.br/jspui/handle/ufjf/6005.

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A tese explora o conceito da intertextualidade, um dos princípios básicos da teoria formulada por Roland Barthes, Julia Kristeva e da interdiscursividade de M. Bakhtin, a fim de identificar e analisar diálogos da poética de Murilo Mendes com a de outros artistas e poetas, desenvolvidos em três eixos: o sagrado, a arte e o mito. Começando pelo nome feminino Berenice, investiga como o tema do sagrado se revela a partir da musa, fio condutor da primeira parte da pesquisa, que retoma as relações do poeta com Ismael Nery e Adalgisa Nery. A seguir, volta-se ao adágio horaciano Ut pictura poesis para explorar processos intertextuais que englobam não apenas citação, mas ainda metalinguagem, paráfrase e encaixes (mise en abyme e ekphrasis). Nessa segunda parte, a reflexão voltada para a arte, por meio de imagens literárias e pictóricas de traços estilísticos e processos de composição, tem como corpus Murilo Mendes, Ismael Nery, Vieira da Silva e Arpad Szenes. Por fim, calcada na comparação da obra poética de Maria da Saudade Cortesão Mendes com a de Murilo Mendes, a última seção aborda a reescrita literária do mito, processo recorrente na literatura contemporânea, além de procurar dar visibilidade à poesia de Saudade Cortesão, deixada à sombra pela crítica atual. Em linhas gerais, a tese evidencia a intertextualidade como recurso teórico que afirma, acima de tudo, o caráter profuso da poesia de Murilo, que se quis carregada de referências culturais diversas.
The thesis explores the concept of intertextuality, one of the basic principles of theory formulated by Roland Barthes, Julia Kristeva and M. Bakhtin’s interdiscusivity, in order to identify and analyze dialogues of the poetics of Murilo Mendes with that of other artists and poets, developed in three axes: the sacred, art and myth. Beginning with the feminine name Berenice, it investigates how the theme of the sacred reveals itself from the muse, the guiding thread of the first part of the research, that resumes the relations of the poet with Ismael Nery and Adalgisa Nery. Next, it turns to the horacian adage Ut pictura poesis to explore intertextual processes that encompass not only citation, but still metalanguage, paraphrase, mise en abyme and ekphrasis. In this second part, the reflection directed towards the art through literary and pictorial images of stylistic traits and composition processes, has as corpus Murilo Mendes, Ismael Nery, Vieira da Silva and Arpad Szenes. Finally, based on the comparison of the poetic work of Maria da Saudade Cortesão Mendes with that of Murilo Mendes, the last section deals with the literary rewriting of the myth, to seek to give visibility to the poetry of Saudade Cortesão, left in the shade by the current critics. In general terms, the thesis highlights that intertextuality is a theoretical resource that affirms, above all, the profuse character of Murilo's poetry, which was loaded with diverse cultural references.
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Percino, Eziel Belaparte. „Murilo Rubião: a bárbara porcelana“. Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-08012013-122559/.

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Murilo Rubião é visto como um caso raro na literatura brasileira: poucos autores produziram como ele uma ficção tão decididamente marcada por situações insólitas, eventos estranhos, cenas inusitadas. Não à toa, sua literatura é estudada a partir de discussões em torno do chamado fantástico contemporâneo (ou neofantástico, ou realismo fantástico, ou realismo mágico, ou realismo maravilhoso). Por agora, no entanto, a questão é outra: alguns engenhos em Rubião potencializam um horizonte de pensamento que promove reflexões sobre a noção de não-senso (não-significado). O não-senso é uma possibilidade, por assim dizer, transgenérica - ainda que por vezes possa ser decidido em melhores circunstâncias no que se convencionou chamar, genericamente, literatura nonsense, literatura do absurdo e mesmo literatura fantástica. A fim de fazer jus a este horizonte, esta dissertação cruza os contos, animada por uma lógica do acontecimento, buscada fora das tradições platônicas e aristotélicas, criando ao longo dos capítulos cenários e instâncias associativas que, por sua vez, solicitam algumas distinções: explicação laboratorial e experiência lógica, senso-significado e senso-sentido, imagem e imagem pura, ser e extra-ser. A discussão aqui travada visa contribuir para a prática de uma experiência na literatura de Rubião.
Murilo Rubião is seen as a rare case in Brazilian literature: few authors have produced a fiction so strongly marked by unusual situations, strange events, and unusual scenes. Not for nothing, his literature is studied starting by discussions on the so-called contemporary fantastic (or neo-fantastic, or fantastic realism, or magic realism, or marvelous realism). For now, however, the question is another one: some of Rubiãos pyrotechnics empower a horizon of thought that promotes reflections on the notion of nonsense (non-meaning). The nonsense is, so to speak, a transgender possibility - though sometimes it can be determined, in the best circumstances, in what is generically called nonsense literature, literature of the absurd, and even fantastic literature. In order to make justice to this horizon, this dissertation travels the tales, it animated by a logic of the event, outside of the Platonic and Aristotelian traditions, creating, throughout the chapters, sceneries and associative instances which, in turn, ask for some distinctions: laboratorial explanation and logic experience, sense-meaning and sense-sense, image and pure image, being and extra-being. The discussion promoted here aims to contribute to the practice of an experience in the literature of Rubião.
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Bücher zum Thema "MURLLC"

1

Kenna, Carol. Murals in schools: A companion to Mural manual. London: Greenwich Mural Workshop, 1991.

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Pryshchepkin, I︠E︡hor. Kyïvsʹki muraly: Kolekt︠s︡ii︠a︡ I︠E︡hora Pryshchepkina = Kyiv murals : collection of a showman Yegor Prishchepkin. Kyïv: Sydorenko V.B., 2017.

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Clifford, Brian. Mural guidance: A study of the relationship between murals and the community. New York: the author, 1996.

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Klausberger, Friedrich. Ruoni Murlen, Recht ohne Gesetz: Eine rechtsethnologische Studie der Murle im Süd-Sudan. Göttingen: Edition Re, 1989.

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Aliyār. Murali. [Thiruvananthapuram]: Kēraḷa Saṃsthāna Calaccitr̲a Akkādami, 2009.

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P, Puertas, Portús Javier und Lewin Alicia translator, Hrsg. Murillo. [Madrid]: Aldeasa, 1995.

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Darwīsh, Maḥmūd. Murale. Arles: Actes sud, 2003.

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Carlini, Franco. Murale. Sassari: Editrice Democratica sarda, 1991.

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Latinović, Miloš. Murali. Beograd: Narodna knjiga-Alfa, 2005.

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1617-1682, Murillo Bartolomé Esteban, Hrsg. Murillo. Leningrad: Aurora, 1988.

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Buchteile zum Thema "MURLLC"

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Xu, Qingqin, Zhuoer Li, Biru Zhang und Jie Zeng. „Achieving mURLLC Under Nakagami-m Fading in the CF mMIMO System“. In Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, 315–30. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-67162-3_20.

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Zhang, Biru, Qingqin Xu, Yuting Zhang und Jie Zeng. „Enabling mURLLC Under $$\kappa -\mu $$ Shadowed Fading by Cell-Free mMIMO“. In Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, 447–58. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-67162-3_28.

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Li, Zhong, Jie Zeng, Wen Zhang, Shidong Zhou und Ren Ping Liu. „6G mURLLC over Cell-Free Massive MIMO Systems in the Finite Blocklength Regime“. In Communications and Networking, 425–37. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-99200-2_32.

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Cerezo, Mateo, José Antolínez, Juan de Arellano, Bartolomé Pérez und Claudio Coello. „The School of Madrid, II“. In To Murillo, 269–93. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032578-11.

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Mallory, Nina Ayala. „Jusepe de Ribera (1591-1652)“. In To Murillo, 86–111. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032578-5.

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Murillo, Bartolomé Esteban, und Juan de Vaides Leal. „Baroque Painting in Seville“. In To Murillo, 221–68. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032578-10.

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Tristán, Luis, Juan Sánchez Cotán, Pedro Orrente, Juan Bautista Mayno, Vicencio Carducho, Juan van der Hamen und Francisco Ribalta. „Early Baroque Painting in Castile“. In To Murillo, 57–85. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032578-4.

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Pacheco, Francisco, Juan de las Roelas und Francisco de Herrera. „Early Baroque Painting in Seville“. In To Murillo, 50–56. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032578-3.

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Mallory, Nina Ayala. „Alonso Cano (1601-1667)“. In To Murillo, 129–44. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032578-7.

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Mallory, Nina Ayala. „Francisco de Zurbarán (1598-1664)“. In To Murillo, 112–28. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032578-6.

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Konferenzberichte zum Thema "MURLLC"

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Zhang, Xi, und Qixuan Zhu. „Hierarchical Caching for Digital Twins Communications Over mURLLC-Based 6G Distributed-Computing Mobile Networks Using FBC“. In 2024 IEEE 44th International Conference on Distributed Computing Systems Workshops (ICDCSW), 53–58. IEEE, 2024. http://dx.doi.org/10.1109/icdcsw63686.2024.00015.

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Zhang, Xi, und Qixuan Zhu. „Statistical Security-QoS Provisioning for mURLLC Over Massive-MIMO Based 6G Mobile Wireless Networks Using FBC“. In MILCOM 2024 - 2024 IEEE Military Communications Conference (MILCOM), 1112–17. IEEE, 2024. https://doi.org/10.1109/milcom61039.2024.10773669.

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Zhang, Xi, und Qixuan Zhu. „ISAC-Driven Channel-State-Estimation for Statistical-QoS Based MURLLC Over 6G M-MIMO Mobile Networks Using FBC“. In GLOBECOM 2024 - 2024 IEEE Global Communications Conference, 3015–20. IEEE, 2024. https://doi.org/10.1109/globecom52923.2024.10901117.

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Zhang, Huiling, Wenjing Zhou und Anqi Li. „Damage Detection and Formation Mechanism Analysis of Mural Microcracks“. In Digital Holography and Three-Dimensional Imaging, Tu5B.4. Washington, D.C.: Optica Publishing Group, 2024. http://dx.doi.org/10.1364/dh.2024.tu5b.4.

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We established a digital holographic imaging platform for detecting mural defects and created a geometric defect model using phase information from reconstruction. By combining with molecular dynamics, we characterized mural microcracks and analyzed expansion mechanism, offering a theoretical basis for mural damage research and repair methods.
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Gruenke, B. Gunar. „Exposed“. In Paint and Coatings Expo (PACE) 2009, 1–6. SSPC, 2009. https://doi.org/10.5006/s2009-00014.

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Hogue, Debra, Zak Kastl, Joseph Karch, Don Nguyen, Lacey Schley, Justin Lewis, Shane Connelly und Chris Weaver. „MURDOC: Transforming Pixels into Perception for Camouflage Detection“. In 2024 AIAA DATC/IEEE 43rd Digital Avionics Systems Conference (DASC), 1–9. IEEE, 2024. http://dx.doi.org/10.1109/dasc62030.2024.10748781.

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Valdés, José Longino Mendoza, Christian Quesada-López und Adrián Lara. „Detection of Deteriorated Sections in Murals using Machine Learning“. In 2024 IEEE VII Congreso Internacional en Inteligencia Ambiental, Ingeniería de Software y Salud Electrónica y Móvil (AmITIC), 1–8. IEEE, 2024. http://dx.doi.org/10.1109/amitic62658.2024.10747620.

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Tao, Ning, Guanglei Zhu, Ruiyuan Niu, Cunlin Zhang, Li Wang, Yong Lei, Liang Qu et al. „Nondestructive testing of murals in situ by infrared thermal imaging“. In Infrared, Millimeter-Wave, and Terahertz Technologies XI, herausgegeben von Masahiko Tani und Cunlin Zhang, 26. SPIE, 2024. http://dx.doi.org/10.1117/12.3036447.

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Bauer, Axel, Martin Kocur und Juergen Hagler. „Augmenting Murals: Creating Playful AR Experiences for Wall Art Exhibitions“. In 2025 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW), 8–12. IEEE, 2025. https://doi.org/10.1109/vrw66409.2025.00009.

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Zhang, Xi, Qixuan Zhu und H. Vincent Poor. „Age-of-Information for mURLLC Over 6G Multimedia Wireless Networks“. In 2021 55th Annual Conference on Information Sciences and Systems (CISS). IEEE, 2021. http://dx.doi.org/10.1109/ciss50987.2021.9400300.

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Berichte der Organisationen zum Thema "MURLLC"

1

Loyd, Jody S. A Partially Translucent Mural Decoy. Fort Belvoir, VA: Defense Technical Information Center, März 2000. http://dx.doi.org/10.21236/ada385454.

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Judson, I. R. The {mu}Mural : a six-projector tiled display. Office of Scientific and Technical Information (OSTI), Juni 2002. http://dx.doi.org/10.2172/822568.

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Willis, Craig. ECMI Minorities Blog. Ethnic Identity and Football in Mostar – A Clear Divide along the Old Front Line. European Centre for Minority Issues, Dezember 2023. http://dx.doi.org/10.53779/sklp2233.

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This blogpost addresses the question of how ethnic identities (and societal divisions) in the city of Mostar, Bosnia and Herzegovina, are expressed through football and considers how this dominates the city’s linguistic landscape. It is therefore embedded in the context of previous literature on sport and identity but also the discipline of sociolinguistics. The post discusses the prominence of street murals and graffiti relating to Mostar’s two football clubs, FK Velež Mostar and HŠK Zrinjski Mostar, outlining how the situation is very much territorially divided along the same geographical points of the ethnic conflict in the early 1990s
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Saiegh, Sebastián, Cynthia Moskovits, Marcela Cristini und Santiago Urbiztondo. The Political Economy of Productivity in Argentina: Interpretation and Illustration. Inter-American Development Bank, Oktober 2009. http://dx.doi.org/10.18235/0010736.

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This paper examines how the main characteristics of Argentinas policymaking process (PMP) affect the productivity of its economy using the conceptual framework presented in Murillo, Scartascini and Tommasi (2008), Stein et al. (2008), Spiller and Tommasi (2007), and IDB (2005). First, the paper complements existing descriptions of the PMP by considering private agents and elaborating on structural characteristics possibly conducive to policymaking instability. Second, the paper illustrates the (negative) impact of Argentinas low-quality and myopic PMP equilibrium on productivity by examining two key areas: provision of infrastructure services and agricultural policy. Finally, the paper explores the PMP at the local level of government (municipalities and local communities), finding that it mimics the flaws observed at the federal level.
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Benavente, José Miguel, Nicolás Eyzaguirre, Patricio Navia, Jocelyn Olivari, Ignacio Briones und Cristóbal Aninat. The Political Economy of Productivity: The Case of Chile. Inter-American Development Bank, April 2010. http://dx.doi.org/10.18235/0010739.

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This paper analyzes the political economy of productivity-related policymaking in Chile following a political transaction cost model (Spiller and Tommasi, 2003; Murillo et al., 2008). The main findings indicate that i) the Chilean policymaking process (PMP) was successful in the 1990s in implementing productivityenhancing policies, but as the country moved to a higher stage of development, the PMP grew less adept at generating the more complex set of policies needed to increase productivity at this stage; and ii) the Chilean PMP is less transparent than previously thought (Aninat et al., 2008), thus allowing political actors to favor private interests without being punished by the electorate. This has become apparent as the more sophisticated reforms needed at this stage of development require a deeper and more consolidated democracy.
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Shahani, Milan, und Mittu Gupta. Engaging Students to Create a Mural Inspired by a Museum Visit: A Creative Approach to Teach Textiles. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-398.

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Craven, Michael. Abstract art and controversy : a case study of Louis Bunce's airport mural and other Portland art controversies. Portland State University Library, Januar 2000. http://dx.doi.org/10.15760/etd.6180.

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Schacht, Kayley, Deidre Gonçalves, Aaron Schmidt und Adam Smith. A History and Analysis of the WPA Exhibit of Black Art at the Fort Huachuca Mountain View Officers’ Club, 1943–1946. Engineer Research and Development Center (U.S.), Juni 2023. http://dx.doi.org/10.21079/11681/47184.

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The 1943 art exhibition at the Mountain View Officers’ Club (MVOC), Fort Huachuca, Arizona should be considered one of the most significant events in the intersection of American art, military history, and segregation. Organizers of the event, entitled Exhibition of the Work of 37 Negro Artists, anticipated it would boost soldiers’ morale because Fort Huachuca was a predominately Black duty station during WWII. This report provides a brief history of Black art in the early 20th century, biographies of the artists showcased, and provides information (where known) about repositories that have originals or reproductions of the art today. The following is recommended: the General Services Administration (GSA) investigate the ownership of the pieces described in this report and if they are found to have been created under one of the New Deal art programs to add them to their inventory, further investigation be performed on the provenance and ownership of Lew Davis’s The Negro in America’s Wars mural, for the rehabilitation of the MVOC that the consulting parties agree upon the scope of the reproduction of the art, and request archival full reproductions of the pieces of art found in the collection of the Howard University Gallery of Art.
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London branch, Old Jewry - Wall area for right-hand mural, from entrance. Reserve Bank of Australia, März 2021. http://dx.doi.org/10.47688/rba_archives_pn-004258.

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London branch, Old Jewry - Wall area for left-hand mural, panel No. 1 and edge of panel No. 2 showing. Reserve Bank of Australia, März 2021. http://dx.doi.org/10.47688/rba_archives_pn-004255.

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